Nearly twenty years after they happened, the ATF and FBI assaults on the Branch Davidian residence near Waco, Texas remain the most deadly law enforcement action on American soil. The raid by Bureau of Alcohol, Tobacco, and Firearms agents on February 28, 1993, which resulted in the deaths of four ATF agents and six Branch Davidians, precipitated a 51-day siege conducted by the FBI. The FBI tank and gas assault on the residence at Mount Carmel Center on April 19 culminated in a fire that killed 53 adults and 23 children, with only nine survivors. In A Journey to Waco, survivor Clive Doyle not only takes readers inside the tragic fire and its aftermath, but he also tells the larger story of how and why he joined the Branch Davidians, how the Branch Davidian community developed, and the status of survivors. While the media and official reports painted one picture of the Branch Davidians and the two assaults, A Journey to Waco shares a much more personal account of the ATF raid, the siege, and the final assault that details events unreported by the media. A Journey to Waco presents what the Branch Davidians believed and introduces readers to the community's members, including David Koresh. A Journey to Waco is a personal account of one man's journey with the Branch Davidians, through the tragic fire, and beyond.
This brand new text examines power and inequalities and how these are central to our understanding of how policies are made and implemented. It introduces the concepts and theoretical approaches that underpin the study of the policy process, reflects upon key developments and applies these the practice of policy formulation and implementation.
This is the sixth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history.
Over the years the representation of medical personnel has varied from heroes to villains, madmen to bumbling boobs, money grubbers to humanitarians, and compassionate savers to aloof snobs. This comprehensive resource documents all significant appearances of health professionals on film or television.
This is the fourth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history. Volume IV covers the period during which dramatic satire emerged, as well as the opening of the original Globe theatre in London.
From The Lady Eve, to The Big Valley, Barbara Stanwyck played parts that showcased her multidimensional talents but also illustrated the limits imposed on women in film and television. Catherine Russell’s A to Z consideration of the iconic actress analyzes twenty-six facets of Stanwyck and the America of her times. Russell examines Stanwyck’s work onscreen against the backdrop of costuming and other aspects of filmmaking. But she also views the actress’s off-screen performance within the Hollywood networks that made her an industry favorite and longtime cornerstone of the entertainment community. Russell’s montage approach coalesces into an engrossing portrait of a singular artist whose intelligence and savvy placed her center-stage in the production of her films and in the debates around women, femininity, and motherhood that roiled mid-century America. Original and rich, The Cinema of Barbara Stanwyck is an essential and entertaining reexamination of an enduring Hollywood star.
100 Things To See In Tropical North Queensland is a guide to the best of the far north and Great Barrier Reef, according to people who live there. This remarkable part of Australia is home to the oldest rainforest on earth, the world’s largest living organism and three world heritage sites, and that’s just the beginning. In this guide, author and travel journalist Catherine Lawson, along with partner and photographer, David Bristow, take anyone wanting to explore TNQ like a local into the places off the regular tourist trails. Both have spent more than 20 years travelling their backyard by foot, 4WD, train, bike and even in their sailing yacht, Storyteller. Inside, you’ll find 100 of the best places and things to see and do at the top of Queensland – from dream-like swimming holes to undisturbed rock-art galleries and outback adventures you’ll never forget.
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
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