This best-selling dictionary brilliantly reveals the lives and works of a host of fascinating individuals, from Biblical saints to those most recently canonised. It is a worthy companion to any study of Biblical or Church history, and includes details of feast days and special patronage to aid personal devotion.
This best-selling dictionary brilliantly reveals the lives and works of a host of fascinating individuals, from Biblical saints to those most recently canonised. It is a worthy companion to any study of Biblical or Church history, and includes details of feast days and special patronage to aid personal devotion.
As an introductory text and companion for the Interfaces series, From Earth's Creation to John's Revelation gives an overview of the basic material necessary for an introductory undergraduate course in Old or New Testament. It helps readers locate the biblical characters within the biblical timeline and introduces the characters in ways that students of the Bible will find informative and vital. It is organized chronologically and includes maps for further study. Chapters are "Origins Stories (Set Pre-1000 B.C.E.)," "(Re-)Settlement in the Land (Set Pre-1000 B.C.E.)," "The Monarchic Period (Just Pre-1000 B.C.E.)," "Exile: Exilic-Diaspora Setting (Sixth-Century B.C.E.)," "Post-Exilic Early Second Temple Persian Judah: Persian Period (Sixth-Fourth Centuries B.C.E.)," "Late Second-Temple Judaism: Hellenistic Period (Second-First Centuries B.C.E.)," "Intertestamental Period (The First Centuries B.C.E. and B.C.E.)," "New Testament Period (Mid-First Century C.E.)," "New Testament Period (Late First Century C.E.)" Receive this title FREE with the purchase of two or more Interfaces volumes. Mention this offer in the comment section of the order form when placing your order or call 1.800.858.5450. Barbara Green, OP, PhD, Interfaces editor, is a professor at the Dominican School of Philosophy and Theology at the Graduate Theological Union in Berkeley, California. Carleen Mandolfo is assistant professor at St. Mary's College in Moraga, California. Catherine M. Murphy is assistant professor at Santa Clara University in California.
There couldn't be a more appropriate method for illustrating the dynamics of psychoanalysis than the vehicle of story. In this book, Kerry L. Malawista, Anne J. Adelman, and Catherine L. Anderson share amusing, poignant, and sometimes difficult stories from their personal and professional lives, inviting readers to explore the complex underpinnings of the psychoanalytic profession and its esoteric theories. Through their narratives, these practicing analysts show how to incorporate psychodynamic concepts and identify common truths at the root of shared experience. Their approach demystifies dense material and the emotional consequences of deep clinical work. The book covers psychodynamic theory, the development of ideas, various techniques, the challenges of treatment, and the experiences of trauma and loss. Each section begins with a brief memoir by one of the authors and leads into a discussion of related concepts. Overall the text follows a developmental trajectory, opening with stories from early childhood and concluding with present encounters. The result is a unique approach enabling the absorption of psychodynamic concepts as they unfold across the life span.
Thai island girl Thanikarn’s chances of meeting a good Thai man were limited … and foreigners couldn’t be trusted. On the Thai island of Koh Samui, Thanikarn, a masseuse with traditional values, has never fallen in love – until she meets Lucas, a dashing French American musician, ten years her junior. After a brief and passionate affair, Lucas returns home and Thanikarn doubts she’ll ever see him again. But Lucas leaves Thanikarn with more than just memories, including a song that he composes and records for her. While Thanikarn bravely navigates adulthood alone, making life choices, moving to the island of Phuket and developing new friendships, she is unaware that Lucas’ singing career is taking off. Will Thanikarn find out what has become of Lucas? Will their lives ever cross again? Only unforeseen events and the gift of a song will decide.
Since the first permanent English colony was established at Jamestown, Virginia, in 1607 and accounts of the new world started to arrive back on the English shores, English men and women have had a fascination with their transatlantic neighbours and the landscape they inhabit. In this excellent study, Catherine Armstrong looks at the wealth of literature written by settlers of the new colonies, adventurers and commentators back in England, that presented this new world to early modern Englanders. A vast amount of original literature is examined including travel narratives, promotional literature, sermons, broadsides, ballads, plays and journals, to investigate the intellectual links between mother-country and colony. Representations of the climate, landscape, flora and fauna of North America in the printed and manuscript sources are considered in detail, as is the changing understanding of contemporaries in England of the colonial settlements being established in both Virginia and New England, and how these interpretations affected colonial policy and life on the ground in America. The book also recreates the context of the London book trade of the seventeenth century and the networks through which this literature would have been produced and transmitted to readers. This book will be valuable to those with interests in colonial history, the Atlantic world, travel literature, and historians of early modern England and North America in general.
Samuel Beckett produced some of the most powerful writing – some of the funniest but most devastating – of the twentieth century. He described his plays, prose and poetry as ‘an unnecessary stain on the silence’, but the extraordinary combination of concision and richness in his writing stems from his peculiar sensitivity to the sounds and rhythms of words. Moreover, music forms a part of Beckett’s comic aesthetics of failure: it plays a role in his exploration of the possibilities and failures of the imagination, and the ever-failing attempt to forge a sense of self. No wonder, then, that so many composers have taken inspiration from Beckett, setting his words to music or translating into music the dramatic themes or contexts of his work. Headaches Among the Overtones considers both music in Beckett and Beckett’s significance in contemporary music. In doing so, it explores the relationship between words, music and meaning, examining how comparable philosophical concerns and artistic effects appear in literature and music of the twentieth and twenty-first centuries.
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
New York Times bestselling author Catherine Anderson explores the history of the beloved Coulter Family with this timeless tale that will make you believe in the power of love… The year is 1889, and Rachel Hollister hasn’t set foot outside her house in five years. Ever since a savage attack left her family dead, she’s cordoned herself off from the outside world, afraid to let anyone into her home—or into her heart. But now trouble has appeared on her doorstep—and suddenly she has no choice but to let a handsome rancher invade her well-guarded existence... Confirmed bachelor Joseph Paxton grudgingly offers to take up temporary residence at the Hollister ranch—even though it’s obvious that Rachel doesn’t want his protection. But once he catches a glimpse of his beautiful young ward and her remarkable spirit, he’ll do anything to make her see the refuge he’s offering in his embrace—and the splendor that exists beyond her front door. Otherwise he’ll just have to build a safe haven big enough for the both of them.
Indispensable for all who long to know Jesus better, The Four Gospels provides a complete reference to the gospels; features an engaging layout, providing information where you need it; includes charts, maps, and photographs; is a source for personal meditation; is great for group Bible study too; is solidly Catholic in approach; comes from the producers of the long-standing Little Rock Scripture Study program.
In the days before organized political parties, the social machine built by these early federal women helped to ease the transition from a failed republican experiment to a burgeoning democracy.
This long out-of-print genealogical reference has become much sought after by residents of Washington County, Virginia, and the numerous scattered descendants of that county's forefathers. The work identifies 333 Washington County cemeteries and cites the inscriptions of each tombstone. Seven detailed maps aid in locating the burial sites. This edition also includes a newly compiled comprehensive index of more than 2,400 surnames, many of which include multiple entries.
These two volumes list late-and mid-Victorian poets, with brief biographical information and bibliographical details of published works. The major strength of the works is the 'discovery' of very many minor poets and their work, unrecorded elsewhere.
This pioneering study of the much-mythologized Southern belle offers the first serious look at the lives of white women and their harsh and restricted place in the slave society before the Civil War. Drawing on the diaries, letters, and memoirs of hundreds of planter wives and daughters, Clinton sets before us in vivid detail the daily life of the plantation mistress and her ambiguous intermediary position in the hierarchy between slave and master. "The Plantation Mistress challenges and reinterprets a host of issues related to the Old South. The result is a book that forces us to rethink some of our basic assumptions about two peculiar institutions -- the slave plantation and the nineteenth-century family. It approaches a familiar subject from a new angle, and as a result, permanently alters our understanding of the Old South and women's place in it.
Exploring the careers of five influential women writers of the Restoration and eighteenth century, Catherine Gallagher reveals the connections between the increasing prestige of female authorship, the economy of credit and debt, and the rise of the novel. The "nobodies" of her title are not ignored, silenced, or anonymous women. Instead, they are literal nobodies: the abstractions of authorial personae, printed books, intellectual property rights, literary reputations, debts and obligations, and fictional characters. These are the exchangeable tokens of modern authorship that lent new cultural power to the increasing number of women writers through the eighteenth century. Women writers, Gallagher discovers, invented and popularized numerous ingenious similarities between their gender and their occupation. The terms "woman," "author," "marketplace," and "fiction" come to define each other reciprocally. Gallagher analyzes the provocative plays of Aphra Behn, the scandalous court chronicles of Delarivier Manley, the properly fictional nobodies of Charlotte Lennox and Frances Burney, and finally Maria Edgeworth's attempts in the late eighteenth century to reform the unruly genre of the novel. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. Exploring the careers of five influential women writers of the Restoration and eighteenth century, Catherine Gallagher reveals the connections between the increasing prestige of female authorship, the economy of credit and debt, and the rise of the novel.
Writing Business: Genres, Media and Discourses offers an analysis of the genres and functions of written discourse in the business context, involving a variety of modes of communication. The evolution of new forms of writing is a key focus of this collection and is only partly attributable to the ever increasing application of technology at work. Alongside machine-mediated texts such as electronic mail and computer-generated correspondence, the contextualised analyses of both traditional genres such as facsimiles and direct mailing, and of lesser studied texts such as invitations for bids, contracts, business magazines and ceremonial speeches, reveal a rich complexity in the forms of communication evolved by organisations and the individuals who work within them, in response to the demands of the social, organisational and cultural contexts in which they operate. This rich textual variation is matched by a discussion of a range of methodological approaches to the development of business writing skills, including rhetorical analysis, organisational communication analysis, social constructionism, genre analysis and survey and experimental methods. Using authentic data and benefiting from a fresh, interdisciplinary approach, the volume will be of interest to students and researchers of business communication, Language for Specific Purposes (LSP), English for Specific Purposes (ESP), and sociolinguistics.
Over the years the representation of medical personnel has varied from heroes to villains, madmen to bumbling boobs, money grubbers to humanitarians, and compassionate savers to aloof snobs. This comprehensive resource documents all significant appearances of health professionals on film or television.
Find that knockout gown at a fraction of its original price, search for wedding invitations, rings, and flowers at reduced costs, read about creative ways to save on wedding cakes and reception menus, and locate incredible reception sites at affordable prices.
Milton and the New Scientific Age represents significant advantages over all previous volumes on the subject of Milton and science, as it includes contributions from top scholars and prominent beginners in a broad number of fields. Most of these fields have long dominated work in both Milton and seventeenth-century studies, but they have previously not included the relatively new and revolutionary topic of early modern chemistry, physiology, and medicine. Previously this subject was confined to the history of science, with little if any attention to its literary development, even though it prominently appears in John Milton’s Paradise Lost, which also includes early "science fiction" speculations on aliens ignored by most readers. Both of these oversights are corrected in this essay collection, while more traditional areas of research have been updated. They include Milton’s relationship both to Bacon and the later or Royal Society Baconians, his views on astronomy, and his "vitalist" views on biology and cosmology. In treating these topics, our contributors are not mired in speculations about whether or not Milton was on the cutting edge of early science or science fiction, for, as nearly all of them show, the idea of a "cutting edge" is deeply anachronistic at a time when most scientists and scientific enthusiasts held both fully modern and backward-looking beliefs. By treating these combinations contextually, Milton’s literary contributions to the "new science" are significantly clarified along with his many contemporary sources, all of which merit study in their own right.
From the colonial period onward, black artisans in southern cities--thousands of free and enslaved carpenters, coopers, dressmakers, blacksmiths, saddlers, shoemakers, bricklayers, shipwrights, cabinetmakers, tailors, and others--played vital roles in their communities. Yet only a very few black craftspeople have gained popular and scholarly attention. Catherine W. Bishir remedies this oversight by offering an in-depth portrayal of urban African American artisans in the small but important port city of New Bern. In so doing, she highlights the community's often unrecognized importance in the history of nineteenth-century black life. Drawing upon myriad sources, Bishir brings to life men and women who employed their trade skills, sense of purpose, and community relationships to work for liberty and self-sufficiency, to establish and protect their families, and to assume leadership in churches and associations and in New Bern's dynamic political life during and after the Civil War. Focusing on their words and actions, Crafting Lives provides a new understanding of urban southern black artisans' unique place in the larger picture of American artisan identity.
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