As the environmental crisis accelerates, we can easily feel overwhelmed, but our feeling of powerlessness is partly due to a misunderstanding of the natural world. We tend to think of nature as a cathedral on fire, like Notre Dame engulfed in flames. But the living world is not a cathedral on fire – if it were, the battle would already be lost. The living world is itself a fire that reconstitutes itself continuously and creates countless forms of life as soon as we leave it the space and time to do so. So the problem we face today is not to stop the fire – rather, it is how to defend and rekindle the embers of life that are all around us. Drawing lessons from conservationist initiatives aimed at allowing the natural forces of forests to take over again through a process of free evolution, and from agro-ecological farming initiatives which make lands hospitable for wildlife, Baptiste Morizot shows how specific actions can release the prodigality of life, its jungle-like power to regenerate itself. Actions like these are possible because the power of the living world lies in its abundance and creativity: the biosphere is a living fire that covers the earth, and it can always start up again if we know how to defend and kindle its embers.
With unique personal insight, experience, and hard science, Animals in Translation is the definitive, groundbreaking work on animal behavior and psychology. Temple Grandin’s professional training as an animal scientist and her history as a person with autism have given her a perspective like that of no other expert in the field of animal science. Grandin and coauthor Catherine Johnson present their powerful theory that autistic people can often think the way animals think—putting autistic people in the perfect position to translate “animal talk.” Exploring animal pain, fear, aggression, love, friendship, communication, learning, and even animal genius, Grandin is a faithful guide into their world. Animals in Translation reveals that animals are much smarter than anyone ever imagined, and Grandin, standing at the intersection of autism and animals, offers unparalleled observations and extraordinary ideas about both.
The experience of the impossible churns up in our epoch whenever a collective dream turns to trauma: politically, sexually, economically, and with a certain ultimacy, ecologically. Out of an ancient theological lineage, the figure of the cloud comes to convey possibility in the face of the impossible. An old mystical nonknowing of God now hosts a current knowledge of uncertainty, of indeterminate and interdependent outcomes, possibly catastrophic. Yet the connectivity and collectivity of social movements, of the fragile, unlikely webs of an alternative notion of existence, keep materializing--a haunting hope, densely entangled, suggesting a more convivial, relational world. Catherine Keller brings process, feminist, and ecopolitical theologies into transdisciplinary conversation with continental philosophy, the quantum entanglements of a "participatory universe," and the writings of Nicholas of Cusa, Walt Whitman, A. N. Whitehead, Gilles Deleuze, and Judith Butler, to develop a "theopoetics of nonseparable difference." Global movements, personal embroilments, religious diversity, the inextricable relations of humans and nonhumans--these phenomena, in their unsettling togetherness, are exceeding our capacity to know and manage. By staging a series of encounters between the nonseparable and the nonknowable, Keller shows what can be born from our cloudiest entanglement.
Making sure that all students read well is a top priority for schools, and literacy coaches are playing an increasingly important role in the effort. Their challenge? To deliver the kind of instruction and support best suited to the teachers they work with and most likely to help those teachers improve the literacy of their students. In Differentiated Literacy Coaching, Mary Catherine Moran presents a solution for meeting the diverse needs of literacy coaches and their charges. The heart of the book is an exploration of the Literacy Coaching Continuum, a series of professional learning formats that coaches can use singularly or in combination to design and deliver the most effective, most appropriate support: * Collaborative Resource Management * Literacy Content Presentations * Focused Classroom Visits * Coplanning * Study Groups * Demonstration Lessons * Peer Coaching * Coteaching Moran reviews the key considerations school leaders and literacy coaches must keep in mind when determining program focus and scope; describes the roles, responsibilities, and procedures involved in each coaching format; and offers guidelines based on research findings, exemplary coaching programs, and insights from her nearly 30 years as an educator. Readers will also find more than a dozen modules for coaches' professional development, including recommended materials and step-by-step procedures to help both new and experienced coaches expand their expertise. An extensive collection of print and online resources further enhances the book's usefulness for anyone interested in learning more about establishing—or improving—a literacy coaching program.
This is the fourth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history. Volume IV covers the period during which dramatic satire emerged, as well as the opening of the original Globe theatre in London.
Rubens and the Eloquence of Drawing re-examines the early graphic practice of the preeminent northern Baroque painter Peter Paul Rubens (Flemish, 1577–1640) in light of early modern traditions of eloquence, particularly as promoted in the late sixteenth- and early seventeenth-century Flemish, Neostoic circles of philologist, Justus Lipsius (1547–1606). Focusing on the roles that rhetorical and pedagogical considerations played in the artist’s approach to disegno during and following his formative Roman period (1600–08), this volume highlights Rubens’s high ambitions for the intimate medium of drawing as a primary site for generating meaningful and original ideas for his larger artistic enterprise. As in the Lipsian realm of writing personal letters – the humanist activity then described as a cognate activity to the practice of drawing – a Senecan approach to eclecticism, a commitment to emulation, and an Aristotelian concern for joining form to content all played important roles. Two chapter-long studies of individual drawings serve to demonstrate the relevance of these interdisciplinary rhetorical concerns to Rubens’s early practice of drawing. Focusing on Rubens’s Medea Fleeing with Her Dead Children (Los Angeles, Getty Museum), and Kneeling Man (Rotterdam, Museum Boijmans Van Beuningen), these close-looking case studies demonstrate Rubens’s commitments to creating new models of eloquent drawing and to highlighting his own status as an inimitable maker. Demonstrating the force and quality of Rubens’s intellect in the medium then most associated with the closest ideas of the artist, such designs were arguably created as more robust pedagogical and preparatory models that could help strengthen art itself for a new and often troubled age.
An updated and expanded version of the training guide Booklist called "one of the most valuable professional publications to come off the presses in a long time," the new third edition of Communicating Professionally is completely revised with new sections outlining the opportunities offered by contemporary communication media. With more resource information on cross-cultural communication, including new applications of communication principles and the latest research-based material on communication in general, this comprehensive manual covers Fundamental skills such as listening, speaking, and writing Reading others’ nonverbal behavior How to integrate skills, with tips for practicing Sense-making, a theory of information as communication Common interactions like speaking one-on-one, working in groups, and giving presentations Training others in communication skills, including a special section on technology-based training
This book covers new ground in its focus on the Anglican Church congresses 1861-1938 as a public space in which the views of notable women were widely disseminated. It celebrates the contribution made by women to public life and discourse on womanhood as platform speakers, and commemorates the presence of the large numbers of women who joined congresses as audience members. Original research draws on extensive primary sources from official records, diaries and the press to capture women's views and voices and to evoke congress as a communicative social space and a window into topical affairs. Women and the Anglican Church Congress 1861-1938 examines the roles of women in the Church and reflects on how women with a sense of vocation negotiated contemporary attitudes to their positions and spirituality. The book also explores how women's secular aspirations towards citizenship in the context of poverty, work, temperance, eugenics, class and suffrage played out at congress.
In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This is the first book to situate the territories and collective identities of former Yugoslavia within the politics of race – not just ethnicity – and the history of how ideas of racialised difference have been translated globally. The book connects critical race scholarship, global historical sociologies of ‘race in translation’ and south-east European cultural critique to show that the Yugoslav region is deeply embedded in global formations of race. In doing this, it considers the everyday geopolitical imagination of popular culture; the history of ethnicity, nationhood and migration; transnational formations of race before and during state socialism, including the Non-Aligned Movement; and post-Yugoslav discourses of security, migration, terrorism and international intervention, including the War on Terror and the present refugee crisis.
A set of compelling British whodunits featuring Detective Inspector Sloan—from a CWA Diamond Dagger winner and “most ingenious” author (The New Yorker). Over the course of twenty-four crime novels set in the fictional County of Calleshire, England, and featuring the sleuthing team of shrewd Detective Inspector C. D. Sloan and his less-than-shrewd sidekick, Detective Constable William Crosby, award-winning author Catherine Aird maintained the perfect balance between cozy village mystery and police procedural. These three entertaining crime novels offer “the very best in British mystery” (The New Yorker). Parting Breath: On the campus of the University of Calleshire, a young woman finds a student slumped against a cloister’s column, covered in blood. Before he dies, he manages to breathe the words “twenty-six minutes”—which is all Sloan and Crosby have to go on to solve a case that’s anything but elementary. Some Die Eloquent: As Sloan learns he is about to become a father, a suspicious death demands his attention. It turns out that a murdered mistress at the Girls’ Grammar School in Berebury was secretly a very wealthy woman. What was an elderly chemistry teacher doing with a small fortune—and who was willing to kill to get it? Passing Strange: When the village spinster, a nurse who also played the organ every Sunday at church, is found strangled behind a fortune-teller’s booth, Calleshire’s greatest detective will need more than a crystal ball to see who killed her.
Project Planning and Management: A Guide for Nurses and Interprofessional Teams, Third Edition serves as a primary resource for students developing and implementing clinical projects as a requirement for course completion.
Why grassroots data activists in Latin America count feminicide—and how this vital social justice work challenges mainstream data science. What isn’t counted doesn’t count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women. Against this failure, Counting Feminicide brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work. Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D’Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account. Individuals, researchers, and journalists—these data activists scour news sources to assemble spreadsheets and databases of women killed by gender-related violence, then circulate those data in a variety of creative and political forms. Their work reveals the potential of restorative/transformative data science—the use of systematic information to, first, heal communities from the violence and trauma produced by structural inequality and, second, envision and work toward the world in which such violence has been eliminated. Specifically, D’Ignazio explores the possibilities and limitations of counting and quantification—reducing complex social phenomena to convenient, sortable, aggregable forms—when the goal is nothing short of the elimination of gender-related violence. Counting Feminicide showcases the incredible power of data feminism in practice, in which each murdered woman or girl counts, and, in being counted, joins a collective demand for the restoration of rights and a transformation of the gendered order of the world.
This revised doctoral dissertation, a study of the message of the Book of Jonah, consists of five main chapters: an exploration of the problems association with the interpretation of Jonah and the prmises that underlie various approaches to understanding the book's message; an attempt ot date the composition of Johan; and exploration of thematic parallels between Malachi and Jonah; a comparison of the character Jonah with 2 Kgs 14:25; an examination of the prophet's question ing of divine justice.
Law’s Trace takes Derrida's reading of Hegel as its point of departure in order to provide a definitive account of the political importance of deconstruction.
This book examines how modern US writers used the changing geographies, regimens, and technologies of modern food to reimagine racial classification and to question its relationship to the mutable body. By challenging a cultural ideal of purity, this literature proposes that racial whiteness is perhaps the most artificial color of them all.
Catherine McDowell presents a detailed and insightful analysis of the creation of adam in Gen 2:5–3:24 in light of the Mesopotamian mīs pî pīt pî (“washing of the mouth, opening of the mouth”) and the Egyptian wpt-r (opening of the mouth) rituals for the creation of a divine image. Parallels between the mouth washing and opening rituals and the Eden story suggest that the biblical author was comparing and contrasting human creation with the ritual creation, animation, and installation of a cult statue in order to redefine ṣelem ʾelohîm as a human being—the living likeness of God tending and serving in the sacred garden. McDowell also considers the explicit image and likeness language in Gen 1:26–27. Drawing from biblical and extrabiblical texts, she demonstrates that ṣelem and demût define the divine-human relationship, first and foremost, in terms of kinship. To be created in the image and likeness of Elohim was to be, metaphorically speaking, God’s royal sons and daughters. While these royal qualities are explicit in Gen 1, McDowell persuasively argues that kinship is the primary metaphor Gen 1 uses to define humanity and its relationship to God. Further, she discusses critical issues, noting the problems inherent in the traditional views on the dating and authorship of Gen 1–3, and the relationship between the two creation accounts. Through a careful study of the tôledôt in Genesis, she demonstrates that Gen 2:4 serves as both a hinge and a “telescope”: the creation of humanity in Gen 2:5–3:24 should be understood as a detailed account of the events of Day 6 in Gen 1. When Gen 1–3 are read together, as the final redactor intended, these texts redefine the divine-human relationship using three significant and theologically laden categories: kinship, kingship, and cult. Thus, they provide an important lens through which to view the relationship between God and humanity as presented in the rest of the Bible.
In this thrilling crime novel by CWA Diamond Dagger winner Catherine Aird, a student’s last words are all that Detective C. D. Sloan has to go on in his latest case There are rumblings throughout the campus of the University of Calleshire, talk of a sit-in, of revolt, of H? Chí Minh, of discontent. Malcolm Humbert has been expelled, and the students are livid. Meanwhile, the faculty is equally out of sorts—Hilda Linaker just wants to finish her treatise on Jane Austen, Bernard Watkinson is tired of dealing with the female students’ vehement—and possibly dangerous—opinions, and Simon Mautby can’t find a lab tech to help with his ecology experiments. When someone breaks into a dorm room, leaving behind little evidence but a single kernel of corn, it’s time to call in the police. But no one—not the professors, the students, or even the great detective C. D. Sloan—could have predicted murder. A young woman finds a second-year student slumped against a cloister’s column, covered in blood. Before he dies, he manages to breathe the words “twenty-six minutes.” The brilliant and acerbic inspector C. D. Sloan, recently reunited with his assistant, Detective Constable Crosby, must connect a seemingly unrelated burglary to a senseless murder—with nothing more to go on than those eerie last words.
Detroit’s industrial health has long been crucial to the American economy. Today’s troubles notwithstanding, Detroit has experienced multiple periods of prosperity, particularly in the second half of the eighteenth century, when the city was the center of the thriving fur trade. Its proximity to the West as well as its access to the Great Lakes and the St. Lawrence River positioned this new metropolis at the intersection of the fur-rich frontier and the Atlantic trade routes. In Frontier Seaport, Catherine Cangany details this seldom-discussed chapter of Detroit’s history. She argues that by the time of the American Revolution, Detroit functioned much like a coastal town as a result of the prosperous fur trade, serving as a critical link in a commercial chain that stretched all the way to Russia and China—thus opening Detroit’s shores for eastern merchants and other transplants. This influx of newcomers brought its own transatlantic networks and fed residents’ desires for popular culture and manufactured merchandise. Detroit began to be both a frontier town and seaport city—a mixed identity, Cangany argues, that hindered it from becoming a thoroughly “American” metropolis.
Doug Scott was a legend among mountaineers. His expeditions, undertaken over a period of five decades, are unparalleled achievements. This book describes the extraordinary drama of them all, from the Himalaya to New Zealand, Patagonia, Yosemite and Alaska. It includes his famous 'epic' on The Ogre, one of the hardest peaks in the world to climb, his ascent of Kangchenjunga without supplementary oxygen and his ascent, with Dougal Haston, of Everest in 1975. Catherine Moorehead also uncovers the elusive man behind the obsessive mountaineer. From his rumbustious youth in Nottingham through two tempestuous marriages to a secure third marriage, she shows how Scott matured in thought and action as his formidable global reputation increased. In doing so she reveals him to be a clash of opposites, an infuriating monomaniac who took extraordinary risks yet who developed a deep interest in Buddhism and inspired widespread affection. Scott spent almost as long as his climbing career in founding and developing Community Action Nepal, providing schools and health posts in remote parts of Nepal, where he is still much revered. Doug Scott died in 2020.
Project Planning and Management: A Guide for Nurses and Interprofessional Teams, Fourth Edition serves as a primary resource for students developing and implementing clinical projects as a requirement for course completion. Additionally, the text also serves as a guide for faculty and preceptors who assist students in identifying clinical and management gaps as well as in initiating projects.
In this classic parlor mystery from CWA Diamond Dagger winner Catherine Aird, Detective Inspector C. D. Sloan investigates a dinner party that ended in murder Twelve friends sit down for supper at Strontfield Park—but only eleven survive the evening. After dinner, the host, William Fent, offers to drive one of his guests home, only to die behind the wheel in a violent accident. The autopsy shows that Fent ingested enough barbiturates to kill a horse. So begins a fresh tale of murder and deceit for Detective Inspector C. D. Sloan, whose list of suspects begins and ends with the surviving dinner guests. Among them are a theologian at the local university; Dr. and Mrs. Washby, whose wedding was the cause for celebration; Ursula Renville, tall, graceful, and utterly aloof; the fat and extravagant Mr. and Mrs. Marchmont; the spinster Miss Paterson; the rector’s daughter, Cynthia Paterson; Quentin Fent, heir to the Fent fortune; and Mr. Fent’s wife, the now-widowed Helen. Each of the guests had the opportunity to kill William Fent. But which one wanted him dead?
A heart-breaking and nostalgic family saga set around the launch of Titanic. Perfect for fans of Dilly Court, Rosie Goodwin and Val Wood Will the secrets in her past protect her from that fateful crossing? After her father is killed in the employ of an Earl, Phyllis Kimber's entire future is called into question. But the Earl knows something about Phyllis that means she will always be looked after . . . Lady's maid to American heiress Martha, Phyllis is her only confidant in England: she knows Martha doesn't love the recently widowed Lord Melton, the man Martha's socially ambitious father is determined she marries, but there's another secret - a secret that makes Phyllis give up everything to protect her friend. As the Titanic prepares for its maiden voyage, Phyllis makes preparations to journey to America with Martha and her family, but the secret she's keeping threatens to destroy all hope for a new future. Unaware of the undiscovered secrets in her own past, Phyllis must decide where her loyalties lie . . . unaware too of the tragedy that is about to unfold on that fateful crossing . . . Readers love Catherine King's heart-breaking and nostalgic, Titanic-set novel: 'I was completely immersed in the way this story unfolded . . . I shall be looking for more books by this same author' 'Brilliant read. Just couldn't put it down!' 'Catherine King never fails to tell a great story' 'Love this author! Excellent read' 'Could not put it down - better than watching TV
In 1743, sitting quietly with pen in hand, Sarah Osborn pondered how to tell the story of her life, how to make sense of both her spiritual awakening and the sudden destitution of her family. Remarkably, the memoir she created that year survives today, as do more than two thousand additional pages she composed over the following three decades. Sarah Osborn's World is the first book to mine this remarkable woman’s prolific personal and spiritual record. Catherine Brekus recovers the largely forgotten story of Sarah Osborn's life as one of the most charismatic female religious leaders of her time, while also connecting her captivating story to the rising evangelical movement in eighteenth-century America. A schoolteacher in Rhode Island, a wife, and a mother, Sarah Osborn led a remarkable revival in the 1760s that brought hundreds of people, including many slaves, to her house each week. Her extensive written record—encompassing issues ranging from the desire to be "born again" to a suspicion of capitalism—provides a unique vantage point from which to view the emergence of evangelicalism. Brekus sets Sarah Osborn's experience in the context of her revivalist era and expands our understanding of the birth of the evangelical movement—a movement that transformed Protestantism in the decades before the American Revolution.
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