Eleven holiday stories from nine amazing authors! Winter Wonder brings you a confection of Christmas stories by an array of well-loved authors featuring characters drawn from their award-winning books. Eleven new stories spanning all ages from the young to the young at heart will whisk you away on a snowstorm of delight to worlds of fantasy, adventure, history, and even outer space with tales celebrating the magic of Christmas or the wonder of winter holidays. Fill your child's holiday reading with stories of adventure, myths - both Greek and Native American, science fiction, time-travel, a lyric poem, mystery, and even a bit of romance. Eleven stories will entertain your middle-grade to teen to young-at-heart readers. We welcome you into our winter holiday wonders with stories guaranteed to entertain, illuminate, and cheer.
Today, roughly 70 percent of all visas for legal immigration are reserved for family members of permanent residents or American citizens. Family reunification—policies that seek to preserve family unity during or following migration—is a central pillar of current immigration law, but it has existed in some form in American statutes since at least the mid-nineteenth century. In Fictive Kinship, sociologist Catherine Lee delves into the fascinating history of family reunification to examine how and why our conceptions of family have shaped immigration, the meaning of race, and the way we see ourselves as a country. Drawing from a rich set of archival sources, Fictive Kinship shows that even the most draconian anti-immigrant laws, such as the Chinese Exclusion Act of 1882, contained provisions for family unity, albeit for a limited class of immigrants. Arguments for uniting families separated by World War II and the Korean War also shaped immigration debates and the policies that led to the landmark 1965 Immigration Act. Lee argues that debating the contours of family offers a ready set of symbols and meanings to frame national identity and to define who counts as “one of us.” Talk about family, however, does not inevitably lead to more liberal immigration policies. Welfare reform in the 1990s, for example, placed limits on benefits for immigrant families, and recent debates over the children of undocumented immigrants fanned petitions to rescind birthright citizenship. Fictive Kinship shows that the centrality of family unity in the immigration discourse often limits the discussion about the goals, functions and roles of immigration and prevents a broader definition of American identity. Too often, studies of immigration policy focus on individuals or particular ethnic or racial groups. With its original and wide-ranging inquiry, Fictive Kinship shifts the analysis in immigration studies toward the family, a largely unrecognized but critical component in the regulation of immigrants’ experience in America.
In anticipation of the fiftieth anniversary of the landmark Brown v. Board of Education decision, Catherine Prendergast draws on a combination of insights from legal studies and literacy studies to interrogate contemporary multicultural literacy initiatives, thus providing a sound historical basis that informs current debates over affirmative action, school vouchers, reparations, and high-stakes standardized testing. As a result of Brown and subsequent crucial civil rights court cases, literacy and racial justice are firmly enmeshed in the American imagination--so much so that it is difficult to discuss one without referencing the other. Breaking with the accepted wisdom that the Brown decision was an unambiguous victory for the betterment of race relations, Literacy and Racial Justice: The Politics of Learning after Brown v. Board of Education finds that the ruling reinforced traditional conceptions of literacy as primarily white property to be controlled and disseminated by an empowered majority. Prendergast examines civil rights era Supreme Court rulings and immigration cases spanning a century of racial injustice to challenge the myth of assimilation through literacy. Advancing from Ways with Words, Shirley Brice Heath's landmark study of desegregated communities, Prendergast argues that it is a shared understanding of literacy as white property which continues to impact problematic classroom dynamics and education practices. To offer a positive model for reimagining literacy instruction that is truly in the service of racial justice, Prendergast presents a naturalistic study of an alternative public secondary school. Outlining new directions and priorities for inclusive literacy scholarship in America, Literacy and Racial Justice concludes that a literate citizen is one who can engage rather than overlook longstanding legacies of racial strife.
The Christian heritage and history of the fifty United States of America inherent in their state constitutions, seals, insignia, bibles, mottoes, songs, hymns, coat of arms, flags, historical records, anecdotes and memorabilia. In addition, it includes numerous states greatest heroes and heroines chosen to represent them in the U. S. Capital Hall of Fame. Many of these distinguished persons were pastors, evangelists, and missionaries.
In the wake of the Nineteenth Amendment, Republican women set out to forge a place for themselves within the Grand Old Party. As Catherine Rymph explains, their often conflicting efforts over the subsequent decades would leave a mark on both conservative politics and American feminism. Part of an emerging body of work on women's participation in partisan politics, Republican Women explores the dilemmas confronting progressive, conservative, and moderate Republican women as they sought to achieve a voice for themselves within the GOP. Rymph first examines women's grassroots organizing for the party in the decades following the initiation of women's suffrage. She then traces Marion Martin's efforts from 1938 to 1946 to shape the National Federation of Women's Republican Clubs, the party's increasing dependence on the work of women at the grassroots in the postwar years, and the eventual mobilization of many of these women behind Barry Goldwater, in defiance of party leaders. From the flux of the party's post-Goldwater years emerged two groups of women on a collision course: a group of party insiders calling themselves feminists challenged supporters of independent Republican Phyllis Schlafly's growing movement opposing the Equal Rights Amendment. Their battles over the meanings of gender, power, and Republicanism continued earlier struggles even as they helped shape the party's fundamental transformation in the Reagan years.
A FREDDIE O'NEAL MYSTERY For fun, she likes a game of Keno. To relax, she'll hang out with her cats. And for excitement, nothing beats piloting a plane. But when it comes to crime—in a gambling town like Reno—Freddie O'Neal is all business. A GAMBLER AND A GUMSHOE Freddie figures she's got some legwork to do when an ex-chorus girl asks for her help. Joan Halliday says her elderly father's being conned by his caretakers—and a little investigation is needed. But the case gets more complicated when a murder—and a tangled mess of family secrets—are discovered. And before she knows it, Freddie's gambling with her own life.... "She's a unique, engaging crime-solver in a terrific new series."—Judith Kelman, bestselling author of The House on the Hill "Appealing characters and an intriguing plot...a winner."—LINDA GRANT, author of Love Nor Money
Militarization and nuclearization were the historical developments most essential to the creation of the rural New Right. Both North Dakota and South Dakota have long been among the most reliably Republican states in the nation: in the past century, voters have only chosen two Democrats, Franklin Roosevelt and Lyndon B. Johnson, and in 2016 both states preferred Donald Trump by over thirty points. Yet in the decades before World War II, the people of the Northern Plains were not universally politically conservative. Instead, many Dakotans, including Republicans, supported experiments in agrarian democracy that incorporated ideas from populism and progressivism to socialism and communism and fought against "bigness" in all its forms, including "bonanza" farms, out-of-state railroads, corporations, banks, corrupt political parties, and distant federal bureaucracies—but also, surprisingly, the culture of militarism and the expansion of American military power abroad. In Nuclear Country, Catherine McNicol Stock explores the question of why, between 1968 and 1992, most voters in the Dakotas abandoned their distinctive ideological heritage and came to embrace the conservatism of the New Right. Stock focuses on how this transformation coincided with the coming of the military and national security states to the countryside via the placement of military bases and nuclear missile silos on the Northern Plains. This militarization influenced regional political culture by reinforcing or re-contextualizing long-standing local ideas and practices, particularly when the people of the plains found that they shared culturally conservative values with the military. After adopting the first two planks of the New Right—national defense and conservative social ideas—Dakotans endorsed the third plank of New Right ideology, fiscal conservativism. Ultimately, Stock contends that militarization and nuclearization were the historical developments most essential to the creation of the rural New Right throughout the United States, and that their impact can best be seen in this often-overlooked region's history.
At some point in their career, nearly all the dancers who worked with George Balanchine were told “don’t act, dear; just dance.” The dancers understood this as a warning against melodramatic over-interpretation and an assurance that they had all the tools they needed to do justice to the steps—but its implication that to dance is already to act in a manner both complete and sufficient resonates beyond stage and studio. Drawing on fresh archival material, Don’t Act, Just Dance places dance at the center of the story of the relationship between Cold War art and politics. Catherine Gunther Kodat takes Balanchine’s catch phrase as an invitation to explore the politics of Cold War culture—in particular, to examine the assumptions underlying the role of “apolitical” modernism in U.S. cultural diplomacy. Through close, theoretically informed readings of selected important works—Marianne Moore’s “Combat Cultural,” dances by George Balanchine, Merce Cunningham, and Yuri Grigorovich, Stanley Kubrick’s Spartacus, and John Adams’s Nixon in China—Kodat questions several commonly-held beliefs about the purpose and meaning of modernist cultural productions during the Cold War. Rather than read the dance through a received understanding of Cold War culture, Don’t Act, Just Dance reads Cold War culture through the dance, and in doing so establishes a new understanding of the politics of modernism in the arts of the period.
In western countries, including the United States, foreign-trained nurses constitute a crucial labor supply. Far and away the largest number of these nurses come from the Philippines. Why is it that a developing nation with a comparatively greater need for trained medical professionals sends so many of its nurses to work in wealthier countries? Catherine Ceniza Choy engages this question through an examination of the unique relationship between the professionalization of nursing and the twentieth-century migration of Filipinos to the United States. The first book-length study of the history of Filipino nurses in the United States, Empire of Care brings to the fore the complicated connections among nursing, American colonialism, and the racialization of Filipinos. Choy conducted extensive interviews with Filipino nurses in New York City and spoke with leading Filipino nurses across the United States. She combines their perspectives with various others—including those of Philippine and American government and health officials—to demonstrate how the desire of Filipino nurses to migrate abroad cannot be reduced to economic logic, but must instead be understood as a fundamentally transnational process. She argues that the origins of Filipino nurse migrations do not lie in the Philippines' independence in 1946 or the relaxation of U.S. immigration rules in 1965, but rather in the creation of an Americanized hospital training system during the period of early-twentieth-century colonial rule. Choy challenges celebratory narratives regarding professional migrants’ mobility by analyzing the scapegoating of Filipino nurses during difficult political times, the absence of professional solidarity between Filipino and American nurses, and the exploitation of foreign-trained nurses through temporary work visas. She shows how the culture of American imperialism persists today, continuing to shape the reception of Filipino nurses in the United States.
Jack Kalman was very good at what he did. Counter-terrorism was a dirty business and he understood he had to play dirty to win. He liked what he did when politics didn't get in the way. Agents couldn't always play by the rules and Jack usually didn't. This time the Bureau was dead wrong. He knew it. The truth was better than the phony P.R. and Jack was going to prove it even if it ended his career. Praise for the author's previous work: "A winner . Sharp, clever, super suspense." -Nelson DeMille "A fast-paced slickly-told story " -Sunday Telegraph, London, UK "Nice surprises and shocks " -The Sunday Times, London, UK "Arnold is a writer to watch." -Ellery Queen Magazine "Attorney-turned-author Arnold clearly knows what elements are necessary for a good thriller." -Publishers Weekly
With a Foreword by Angela Y. Davis Winner of the 2003 Oral History Association Book AwardWinner of the 2003 Gustavus Myers Center for Human Rights Outstanding Book Award Anne McCarty Braden (1924-2006) was a courageous southern white woman who in the late 1940s rejected her segregationist and privileged past to become a lifelong crusader against racial discrimination. Arousing the conscience of white southerners to the reality of racial injustice, Braden was branded a communist and seditionist by southern politicians who used McCarthyism to buttress legal and institutional segregation as it came under fire in deferral courts. She became, nevertheless, one of the civil rights movement's staunchest white allies and one of five southern whites commended by Rev. Martin Luther King Jr. in his 1963 "Letter from Birmingham Jail." Although Braden remained a controversial figure even in the movement, her commitment superseded her radical reputation, and she became a mentor and advisor to students who launched the 1960s sit-ins and to successive generations of peace and justice activists. In this riveting, oral history-based biography, Catherine Fosl also offers a social history of how racism, sexism, and anticommunism overlapped in the twentieth-century south and how ripples from the Cold War divided and limited the southern civil rights movement.
In the last fifty years, transnational adoption—specifically, the adoption of Asian children—has exploded in popularity as an alternative path to family making. Despite the cultural acceptance of this practice, surprisingly little attention has been paid to the factors that allowed Asian international adoption to flourish. In Global Families, Catherine Ceniza Choy unearths the little-known historical origins of Asian international adoption in the United States. Beginning with the post-World War II presence of the U.S. military in Asia, she reveals how mixed-race children born of Japanese, Korean, and Vietnamese women and U.S. servicemen comprised one of the earliest groups of adoptive children. Based on extensive archival research, Global Families moves beyond one-dimensional portrayals of Asian international adoption as either a progressive form of U.S. multiculturalism or as an exploitative form of cultural and economic imperialism. Rather, Choy acknowledges the complexity of the phenomenon, illuminating both its radical possibilities of a world united across national, cultural, and racial divides through family formation and its strong potential for reinforcing the very racial and cultural hierarchies it sought to challenge.
Venus Rasmussen, a powerful eighty-six-year-old woman who still runs Rasmussen Industries, an international conglomerate, believes someone is poisoning her. After Savich and Sherlock visit with her, someone attempts to shoot her in broad daylight. Who's trying to kill her and why? A member of her rapacious family, or her grandson who's been missing for ten years and suddenly reappears?"--
For over a hundred years, the story of assimilation has animated the nation-building project of the United States. And still today, the dream or demand of a cultural "melting pot" circulates through academia, policy institutions, and mainstream media outlets. Noting society’s many exclusions and erasures, scholars in the second half of the twentieth century persuasively argued that only some social groups assimilate. Others, they pointed out, are subject to racialization. In this bold, discipline-traversing cultural history, Catherine Ramírez develops an entirely different account of assimilation. Weaving together the legacies of US settler colonialism, slavery, and border control, Ramírez challenges the assumption that racialization and assimilation are separate and incompatible processes. In fascinating chapters with subjects that range from nineteenth century boarding schools to the contemporary artwork of undocumented immigrants, this book decouples immigration and assimilation and probes the gap between assimilation and citizenship. It shows that assimilation is not just a process of absorption and becoming more alike. Rather, assimilation is a process of racialization and subordination and of power and inequality.
This is an extremely rigorous, thorough piece of superior scholarship on one of the most important figures in the history of cinema. Benamou introduces a wealth of material on the production process and the repercussions of this project in Latin America, which have been entirely missing from earlier, auteur-centered accounts; this alone makes it a book of great importance. We can't ask for a more definitive, groundbreaking study than the one Benamou has given us."—Bill Nichols, author of Maya Deren and the American Avant-Garde
SKELETONS IN THE CLOSET Freddie’s been hired—by her mother. Mom's new husband is running for office, but her old husband—Freddie's father—is just plain running. Tracking down Danny O'Neal's biker buddies, she finds the trail's pretty cold after all these years. But while Freddie's digging up her wayward father's past, she may be digging her own grave—as she unearths murder, deceit, and secrets she never expected... A FREDDIE O'NEAL MYSTERY For fun, she likes a game of Keno. To relax, she'll hang out with her cats. And for excitement, nothing beats piloting a plane. But when it comes to crime—in a gambling town like Reno—Freddie O'Neal is all business. “A superbly written P.I. novel”—bestselling author Carolyn G. Hart “Taut, wise, and witty . . . as compelling a book as I’ve read in a long while.”—Dorothy Salisbury Davis
Eleven holiday stories from nine amazing authors! Winter Wonder brings you a confection of Christmas stories by an array of well-loved authors featuring characters drawn from their award-winning books. Eleven new stories spanning all ages from the young to the young at heart will whisk you away on a snowstorm of delight to worlds of fantasy, adventure, history, and even outer space with tales celebrating the magic of Christmas or the wonder of winter holidays. Fill your child's holiday reading with stories of adventure, myths - both Greek and Native American, science fiction, time-travel, a lyric poem, mystery, and even a bit of romance. Eleven stories will entertain your middle-grade to teen to young-at-heart readers. We welcome you into our winter holiday wonders with stories guaranteed to entertain, illuminate, and cheer.
Throughout her life, and always with the solace and illumination of God's Word, Catherine sought to meet head-on difficult questions on obedience, self-surrender, the Holy Spirit, illness, doubt, darkness, releasing God's answers in prayer, accepting God's 'wait' and facing death. Her deep probing and the answers she discovered are incorporated into her writing. This book is a unique collection of writings that even includes personal glimpses from her journals. This is inspirational writing at its best.
Today, roughly 70 percent of all visas for legal immigration are reserved for family members of permanent residents or American citizens. Family reunification—policies that seek to preserve family unity during or following migration—is a central pillar of current immigration law, but it has existed in some form in American statutes since at least the mid-nineteenth century. In Fictive Kinship, sociologist Catherine Lee delves into the fascinating history of family reunification to examine how and why our conceptions of family have shaped immigration, the meaning of race, and the way we see ourselves as a country. Drawing from a rich set of archival sources, Fictive Kinship shows that even the most draconian anti-immigrant laws, such as the Chinese Exclusion Act of 1882, contained provisions for family unity, albeit for a limited class of immigrants. Arguments for uniting families separated by World War II and the Korean War also shaped immigration debates and the policies that led to the landmark 1965 Immigration Act. Lee argues that debating the contours of family offers a ready set of symbols and meanings to frame national identity and to define who counts as “one of us.” Talk about family, however, does not inevitably lead to more liberal immigration policies. Welfare reform in the 1990s, for example, placed limits on benefits for immigrant families, and recent debates over the children of undocumented immigrants fanned petitions to rescind birthright citizenship. Fictive Kinship shows that the centrality of family unity in the immigration discourse often limits the discussion about the goals, functions and roles of immigration and prevents a broader definition of American identity. Too often, studies of immigration policy focus on individuals or particular ethnic or racial groups. With its original and wide-ranging inquiry, Fictive Kinship shifts the analysis in immigration studies toward the family, a largely unrecognized but critical component in the regulation of immigrants’ experience in America.
In this work, author Catherine Whitney seeks to understand what drives women to live their lives in the service of God. Returning to the convent where she was educated she meets the diverse and individual women who have vowed to serve. She recounts their stores, identifying their moment of calling, and the challenge of maintaining faith while seeking spiritual fulfilment. The book questions the changes and conflicts nuns face today, and asks, with profound insight, how different are these women from the rest of us?
Angelico Press has completed their monumental, decade-long project of republishing Anne Catherine Emmerich's visions of the life of Jesus in a large-format, double-column trilogy of nearly 1,700 pages. It is unlike any other edition of her work ever published.
Angelico Press has completed their monumental, decade-long project of republishing Anne Catherine Emmerich's visions of the life of Jesus in a large-format, double-column trilogy of nearly 1,700 pages. It is unlike any other edition of her work ever published.
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