Joanna Bannerman, capricious, selfish and warm-hearted, passionately seeks life and ‘loveliness’. Certainly the bustling streets of Glasgow at the turn of the century promise much greater excitement than the solid evangelical background she has known hitherto. Her studies in the School of Art open up new horizons – of independence and love – and Joanna reaches for them all. First published in 1920, this novel powerfully evokes the image of a young woman ensnared yet ultimately released by her capacity for emotion. It contains a strong autobiographical element and is also a powerful evocation of the life and industry of the Second City of the Empire.
As a fine novelist, critic and biographer Catherine Carswell led a passionate and various life, full of intellectual commitment and a wide range of social interests. She worked on this original, modest and yet richly remarkable autobiography over a number of years, coming back to it again and again, almost as an act of meditation. The younger daughter of a Glasgow shipping merchant, Catherine Macfarlane studied music in Frankfurt before returning to Glasgow and then moving to London where she worked as a literary and dramatic reviewer and met her second husband, Donald Carswell, and a wide circle of literary and cultural figures, including a succession of Soviet ambassadors, Lady Tweedsmuir and D.H. Laurence. In fact she became one of Laurence’s close friends, and it was he who encouraged her to write her first novel, Open the Door!, based on her own background and a sense of growing social and spiritual independence. Carswell’s interests and enthusiasms encompassed (among others) Herzen, Dickens, T.S. Eliot, Rabelais, Burns and Boccaccio, but Lying Awake is the distillation of her thoughts on her own life and indeed on the nature of identity and autobiography itself. Left unfinished when she died in 1946, the manuscript was edited by her son John and has not been reprinted since it was first published in 1950.
As a fine novelist, critic and biographer Catherine Carswell led a passionate and various life, full of intellectual commitment and a wide range of social interests. She worked on this original, modest and yet richly remarkable autobiography over a number of years, coming back to it again and again, almost as an act of meditation. The younger daughter of a Glasgow shipping merchant, Catherine Macfarlane studied music in Frankfurt before returning to Glasgow and then moving to London where she worked as a literary and dramatic reviewer and met her second husband, Donald Carswell, and a wide circle of literary and cultural figures, including a succession of Soviet ambassadors, Lady Tweedsmuir and D.H. Laurence. In fact she became one of Laurence’s close friends, and it was he who encouraged her to write her first novel, Open the Door!, based on her own background and a sense of growing social and spiritual independence. Carswell’s interests and enthusiasms encompassed (among others) Herzen, Dickens, T.S. Eliot, Rabelais, Burns and Boccaccio, but Lying Awake is the distillation of her thoughts on her own life and indeed on the nature of identity and autobiography itself. Left unfinished when she died in 1946, the manuscript was edited by her son John and has not been reprinted since it was first published in 1950.
Joanna Bannerman, capricious, selfish and warm-hearted, passionately seeks life and ‘loveliness’. Certainly the bustling streets of Glasgow at the turn of the century promise much greater excitement than the solid evangelical background she has known hitherto. Her studies in the School of Art open up new horizons – of independence and love – and Joanna reaches for them all. First published in 1920, this novel powerfully evokes the image of a young woman ensnared yet ultimately released by her capacity for emotion. It contains a strong autobiographical element and is also a powerful evocation of the life and industry of the Second City of the Empire.
This book covers the life of Robert Burns, the famous Scottish poet of the 18th century. It is published to coincide with the bi-centenary of his death.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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