Desire Lettie Hargreaves wants more than her simple, uncomplicated life with her grandmother can provide. She longs for excitement and love and she's determined to make something of herself. Deceit There is something about Lettie's mother that Ivy has kept hidden from her granddaughter, something that would shatter her world. So when Lettie suggests going into service for the ailing Lady Laughton, Ivy knows she must do something to stop it. Determination Feeling stifled and confused, Lettie chooses a different path that offers her the chance at love and of the life she so craves. But she is still the same strong-minded young woman and her ambition may do more harm than good as she is entirely unaware of the secrets her actions will uncover.
Playwrights' company 7-On has created No nudity, weapons or naked flames: 21 self-contained performance texts, conceived with senior school students and young actors in mind. Each monologue is accompanied by notes to help young performers understand, research, and communicate their chosen piece." - Back cover.
Local enterprise, institutional quality and strategic location were of central importance in the growth of medieval towns. This book, comprising a study of 112 English towns, emphasises these key factors. Downstream locations on major rivers attracted international trade, and thereby stimulated the local processing of imports and exports, while the early establishment of richly endowed religious institutions funnelled agricultural rental income into a town, where it was spent on luxury goods produced by local craftsmen and artisans, and on expensive, long-running building schemes. Local entrepreneurs who recognised the economic potential of a town developed residential suburbs which attracted wealthy residents. Meanwhile town authorities invested in the building and maintenance of bridges, gates, walls and ditches, often with financial support from wealthy residents. Royal lordship was also an advantage to a town, as it gave the town authorities direct access to the king and bypassed local power-brokers such as bishops and earls. The legacy of medieval investment remains visible today in the streets of important towns. Drawing on rentals, deeds and surveys, this book also examines in detail the topography of seven key medieval towns: Bristol, Gloucester, Coventry, Cambridge, Birmingham, Shrewsbury and Hull. In each case, surviving records identify the location and value of urban properties, and their owners and tenants. Using statistical techniques, previously applied only to the early modern and modern periods, the book analyses the impact of location and type of property on property values. It shows that features of the modern property market, including spatial autocorrelation, were present in the middle ages. Property hot-spots of high rents are also identified; the most valuable properties were those situated between the market and other focal points such transport hubs and religious centres, convenient for both, but remote from noise and pollution. This book takes an interdisciplinary approach, drawing on expertise from the disciplines of economics and history. It will be of interest to historians and to social scientists looking for a long-run perspective on urban development.
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
Some scandals are meant to be . . . When Aurora Hyatt loses her journal in Hyde Park, her ruin is a foregone conclusion. After all, if anyone discovers her writings, they'll find scandalous fantasies involving the newest rake in Town alongside entirely-too-candid thoughts about her typical dreary suitors. Aurora will either be forced into a loveless marriage with the first nodcock to make an offer, or she'll be assigned a permanent position on the shelf. Oh, dear good Lord. What catastrophe will God smote down upon her next? If Niles Thornton, Baron Quinton, desires to maintain any semblance of his current lifestyle, he must fulfill the requirements his grandfather, Lord Rotheby, has set for him. First and foremost: he must marry and begin filling his nursery within the year. When he is nearly barreled over by a racing curricle and a journal flies out to land at his feet, his troubles are over. Inside the journals pages, Quin discovers a scandal waiting to happen. Surely a young lady who would write such brazen things in a journal (and then dare to lose it) must recognize the necessity of a hasty marriage, even if the gentleman making the offer is rather less-than-honorable. In a drunken haze, Quin kisses Aurora on a crowded ballroom floor, necessitating their immediate marriage. Quin's troubles are only beginning, however, as Aurora's writings are soon the focus of both gossip rags and drawing room conversation. When word arrives of an even greater scandal following in his wife's wake, will he prove himself a drunken abuser like his father, or will he become the loving husband of Aurora's fantasies?
Three full novels in Catherine Gayle’s Lord Rotheby’s Influence series, available now in a single box set. TWICE A RAKE When Aurora Hyatt loses her journal in Hyde Park, her ruin is a foregone conclusion. If anyone discovers her writings, they'll find scandalous fantasies involving the newest rake in Town alongside entirely-too-candid thoughts about her typical dreary suitors. Aurora will either be forced into a loveless marriage with the first nodcock to make an offer, or she'll be assigned a permanent position on the shelf. What catastrophe will God smote down upon her next? If Niles Thornton, Baron Quinton, desires to maintain any semblance of his current lifestyle, he must fulfill the requirements his grandfather, Lord Rotheby, has set for him. When he is nearly barreled over by a racing curricle and a journal lands at his feet, his troubles are over. Inside the journal’s pages, Quin discovers a scandal waiting to happen. Surely a young lady who would write such brazen things in a journal must recognize the necessity of a hasty marriage, even if the gentleman making the offer is less-than-honorable. In a drunken haze, Quin kisses Aurora on a crowded ballroom floor, necessitating their immediate marriage. His troubles are only beginning, as Aurora's writings are soon the focus of both gossip rags and drawing room conversation. When word arrives of an even greater scandal following in his wife's wake, will he prove himself a drunken abuser like his father or the loving husband of Aurora's fantasies? SAVING GRACE The blasted man will not stop following her. Well, he isn’t following her…not exactly. They are just always thrown together, and he is everything she wants but can’t have. It is downright infuriating—especially when he kisses her. Lady Grace Abernathy has been ravished and left pregnant. This would not be such a gargantuan problem if Lord Alexander Hardwicke would simply stay away from her as she asked. But leave it to her meddling Aunt Dorothea to continually thrust the two into each other’s company against both their wishes. These distractions are more than a lady should be forced to bear. Alex left London to visit his deceased father’s oldest friend, Lord Rotheby, and to get away from his mother and her matchmaking schemes, only to run into more of the same at every turn. But the more time he spends in the company of Lady Grace, the less he finds himself able to ignore his growing attraction—and his burgeoning need to protect her. Must he cause a scandal in order to protect her from one? MERELY A MISS Miss Jane Matthews feels completely out of place amongst the finery of the ton. She’s the daughter of a country vicar, for goodness sake, and nearly a spinster to boot. But when her distant cousin—a dowager duchess, of all people—offers to sponsor her for a Season in London, she agrees, but only so she can search for a storefront for her business. Perhaps, in that regard the Season won’t all be in vain. The widower of a loveless marriage, Peter Hardwicke, the Duke of Somerton, has already done his duty and provided an heir for his dukedom, so he sees no reason to remarry. Taking a wife would only mean adding a new responsibility to his already too-full schedule. He’s more than busy enough keeping his family in line—not to mention sorting out the myriad problems plaguing one of his estates. But when Lord Utley, a childhood friend who has been on the wrong side of Peter’s ire for many years now, takes an unlikely interest in Jane, Peter has to intervene. He’ll be damned if he’ll allow Utley to ruin yet another life. But will rescuing Jane from Utley’s clutches land Peter with another loveless marriage? Key words: Regency romance, Regency series, historical romance, humorous, duke, rake, sexy romance, sexy historical
Welcome to the childhood of Catherine McClure Gildiner. It is the mid-1950s in Lewiston, New York, a sleepy town near Niagara Falls. Divorce is unheard of, mothers wear high heels to the beauty salon, and television has only just arrived. At the tender age of four, Cathy accompanies Roy, the deliveryman at her father's pharmacy, on his routes. She shares some of their memorable deliveries-sleeping pills to Marilyn Monroe (in town filming Niagara), sedatives to Mad Bear, a violent Tuscarora chief, and fungus cream to Warty, the gentle operator of the town dump. As she reaches her teenage years, Cathy's irrepressible spirit spurs her from dangerous sled rides that take her "too close to the Falls" to tipsy dances with the town priest.
Over the years the representation of medical personnel has varied from heroes to villains, madmen to bumbling boobs, money grubbers to humanitarians, and compassionate savers to aloof snobs. This comprehensive resource documents all significant appearances of health professionals on film or television.
This ground-breaking volume brings together contributions from scholars across a range of disciplines (including literary studies, history, geography and archaeology) to investigate questions of space, place and identity in the medieval city. Using Chester as a case study – with attention to its location on the border between England and Wales, its rich multi-lingual culture and surviving material fabric – the essays seek to recover the experience and understanding of the urban space by individuals and groups within the medieval city, and to offer new readings from the vantage-point of twenty-first century disciplinary and theoretical perspectives. The volume includes new interpretations of well-known sources and features such as the Chester Whistun Plays and the city’s Rows and walls, but also includes discussions of less-studied material such as Lucian’s In Praise of Chester – one of the earliest examples of urban encomium from England and an important text for understanding the medieval city – and the wealth of medieval Welsh poetry relating to Chester. Certain key themes emerge across the essays within this volume, including relations between the Welsh and English, formulations of centre and periphery, nation and region, different kinds of ‘mapping’ and the visual and textual representation of place, borders and boundaries, uses of the past in the production of identity, and the connections between discourses of gender and space. The volume seeks to generate conversation and debate amongst scholars of different disciplines, working across different locations and periods, and to open up directions for future work on space, place and identity in the medieval city.
Detroit’s industrial health has long been crucial to the American economy. Today’s troubles notwithstanding, Detroit has experienced multiple periods of prosperity, particularly in the second half of the eighteenth century, when the city was the center of the thriving fur trade. Its proximity to the West as well as its access to the Great Lakes and the St. Lawrence River positioned this new metropolis at the intersection of the fur-rich frontier and the Atlantic trade routes. In Frontier Seaport, Catherine Cangany details this seldom-discussed chapter of Detroit’s history. She argues that by the time of the American Revolution, Detroit functioned much like a coastal town as a result of the prosperous fur trade, serving as a critical link in a commercial chain that stretched all the way to Russia and China—thus opening Detroit’s shores for eastern merchants and other transplants. This influx of newcomers brought its own transatlantic networks and fed residents’ desires for popular culture and manufactured merchandise. Detroit began to be both a frontier town and seaport city—a mixed identity, Cangany argues, that hindered it from becoming a thoroughly “American” metropolis.
A hit-and-run murder unearths a case of mistaken identity in this “well-bred, well written and genuinely superior” mystery by the Diamond Dagger winner (Kirkus Reviews). Early one morning in the quiet English village of Larking, the body of a woman named Mrs. Jenkins is found in the road. Miles away, her daughter, Henrietta, receives the bad news while working in the university library. Poor Mrs. Jenkins appears to have been the victim of a horrible car accident. When an autopsy proves not only that this was no accident but also that Mrs. Jenkins had never had a child, young Henrietta’s life is thrown upside down. If she’s not Mrs. Jenkins’s daughter, then who is she? It’s up to Detective Inspector C. D. Sloan of the Calleshire police force to bring the murderer to justice—and a sense of order back to Henrietta’s life. Proclaimed by the New York Times in 1968 to be one of the year’s best books, Henrietta Who? is a first-order English whodunit that’ll keep you guessing until the end.
This sampler collection includes excerpts from three of Catherine McKenzie’s novels, exploring romance, relationships, and the challenges in figuring out who we really are: in Spin, a woman discovers more about herself than she had expected when she follows an It Girl Into rehab in pursuit of the inside scoop; in Arranged, an unlucky-in-love woman signs up for a dating service—only to find out the company specializes in arranged marriage and is hiding a shocking secret; and in Forgotten, when a vacation turns into a six-month stay in a remote village, a woman returns home to discover that life has moved on without her. Featuring excerpts from the Catherine McKenzie’s best-selling titles Spin, Arranged, and Forgotten.
Desire Lettie Hargreaves wants more than her simple, uncomplicated life with her grandmother can provide. She longs for excitement and love and she's determined to make something of herself. Deceit There is something about Lettie's mother that Ivy has kept hidden from her granddaughter, something that would shatter her world. So when Lettie suggests going into service for the ailing Lady Laughton, Ivy knows she must do something to stop it. Determination Feeling stifled and confused, Lettie chooses a different path that offers her the chance at love and of the life she so craves. But she is still the same strong-minded young woman and her ambition may do more harm than good as she is entirely unaware of the secrets her actions will uncover.
From Windsor to Weymouth, the shadow of scandal was never too far from the walls of the House of Hanover. Did a fearsome duke really commit murder or a royal mistress sell commissions to the highest bidders, and what was the truth behind George III's supposed secret marriage to a pretty Quaker?With everything from illegitimate children to illegal marriages, dead valets and equerries sneaking about the palace by candlelight, these eyebrow-raising tales from the reign of George III prove that the highest of births is no guarantee of good behavior. Prepare to meet some shocking ladies, some shameless gentlemen and some politicians who really should know better. So tighten your stays, hoist up your breeches and prepare for a gallop through some of the most shocking royal scandals from the court of George III's court. You'll never look at a king in the same way again…
The first in-depth study of the landmark modern feminist magazine, "Time and Tide." Unique in establishing itself as the only female-run intellectual weekly in the golden age of the weekly review, "Time and Tide" both challenged persistent prejudices against women's participation in public life and played an instrumental role in redefining women's gender roles and identities. Drawing on extensive new archival research, Catherine Clay recovers the contributions to this magazine of both well- and lesser-known British women writers, editors, critics and journalists and explores a cultural dialogue about literature, politics and the arts that took place beyond the parameters of modernist 'little magazines.' The book makes a major contribution to the history of women's writing and feminism in Britain between the wars."--Publisher's description.
This is the sixth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history.
Focusing on the limited time a short stay allows, this guide suggests interesting ways of getting to know London in just a few days. Explore the city's character, culture, and lifestyle, area by area; this book includes walks that lead you around the best places to see; a wide selection of hotels, restaurants, cafes, and bars; a detailed shopping guide; and lots of practical travel details. Lightweight and designed to slip easily into a jacket or bag, and highly illustrated with color photos and maps, this pocket guide will help you get the most out of every day of your stay.
Between the postwar years and the 1980s in Britain, and in particular in London, a number of figurative painters simultaneously reinvented the way in which life is represented in art. Focusing on the depiction of the human figure, these artists rendered the frailty and vitality of the human condition. Offering a fresh account of developments that have since characterized postwar British painting, this catalogue focuses on Michael Andrews, Frank Auerbach, Francis Bacon, Lucian Freud, R. B. Kitaj, and Leon Kossoff— artists who worked in close proximity as they were developing new forms of realism. If for many years their efforts seemed to clash with dominant tendencies, reassessment in recent decades has afforded their work a central position in a richer and more complex understanding of postwar British art and culture. Rigorous and gorgeously illustrated, the essays reflect on the parallel yet diverse trajectories of these artists, their friendships and mutual admiration, and the divergence of their practice from the discourse of high modernism. The authors seek to dispel the notion of their work as a uniquely British endeavor by highlighting the artists’ international outlook and ongoing dialogue with contemporary European and American painters as well as masters from previous generations. This book is published to coincide with an exhibition at the J. Paul Getty Museum from July 26 through November 13, 2016.
At some point in their career, nearly all the dancers who worked with George Balanchine were told “don’t act, dear; just dance.” The dancers understood this as a warning against melodramatic over-interpretation and an assurance that they had all the tools they needed to do justice to the steps—but its implication that to dance is already to act in a manner both complete and sufficient resonates beyond stage and studio. Drawing on fresh archival material, Don’t Act, Just Dance places dance at the center of the story of the relationship between Cold War art and politics. Catherine Gunther Kodat takes Balanchine’s catch phrase as an invitation to explore the politics of Cold War culture—in particular, to examine the assumptions underlying the role of “apolitical” modernism in U.S. cultural diplomacy. Through close, theoretically informed readings of selected important works—Marianne Moore’s “Combat Cultural,” dances by George Balanchine, Merce Cunningham, and Yuri Grigorovich, Stanley Kubrick’s Spartacus, and John Adams’s Nixon in China—Kodat questions several commonly-held beliefs about the purpose and meaning of modernist cultural productions during the Cold War. Rather than read the dance through a received understanding of Cold War culture, Don’t Act, Just Dance reads Cold War culture through the dance, and in doing so establishes a new understanding of the politics of modernism in the arts of the period.
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