Groomed to be the wife of a knight of good standing, nothing is more alluring to Eleanor than a powerful, courageous man. And she has found him in Troye de Valois, one of the king's own elite guard. Now, with Ellie's reputation unwittingly compromised, King Edward commands her marriage. She's overjoyed that her husband is to be none other than Troye. He has long lived in her heart and dreams. But those dreams are soon shattered when he reveals his anger at this forced marriage, and the emotions she is reawakening in him….
The Malay Legend ofAlexander the Great is a mirror for Malay princes. It is a handbook of advice for how an Islamic prince should rule His people. Alexander appears to be mentioned in the Holy Koran as D’Zoelkarnain the horned king, guided by the prophet Khidir, he provides an example for how a Malay Islamic pince should handle kingship. We also see in these legends so much of the real Alexander, his quest for knowledge, his prowess in battle and delight in travel and adventure. An exhilarating mix of history and fairytale – a story of genies and giants, flying carpets, magic and demons. It unlocks for us the Malaccan sultanate and life in the Malay archipelago so many centuries ago.
This is the fourth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history. Volume IV covers the period during which dramatic satire emerged, as well as the opening of the original Globe theatre in London.
This is the sixth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history.
From handshakes and toasts to chant and genuflection, ritual pervades our social interactions and religious practices. Still, few of us could identify all of our daily and festal ritual behaviors, much less explain them to an outsider. Similarly, because of the variety of activities that qualify as ritual and their many contradictory yet, in many ways, equally legitimate interpretations, ritual seems to elude any systematic historical and comparative scrutiny. In this book, Catherine Bell offers a practical introduction to ritual practice and its study; she surveys the most influential theories of religion and ritual, the major categories of ritual activity, and the key debates that have shaped our understanding of ritualism. Bell refuses to nail down ritual with any one definition or understanding. Instead, her purpose is to reveal how definitions emerge and evolve and to help us become more familiar with the interplay of tradition, exigency, and self-expression that goes into constructing this complex social medium.
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