In seventeenth- and eighteenth-century Britain, captivity emerged as a persistent metaphor as well as a material reality. The exercise of power on both an institutional and a personal level created conditions in which those least empowered, particularly women, perceived themselves to be captive subjects. This "domestic captivity" was inextricably connected to England’s systematic enslavement of kidnapped Africans and the wealth accumulation realized from those actions, even as early fictional narratives suppressed or ignored the experience of the enslaved. Domestic Captivity and the British Subject, 1660–1750 explores how captivity informed identity, actions, and human relationships for white British subjects as represented in fictional texts by British authors from the period. This work complicates interpretations of canonical authors such as Aphra Behn, Richard Steele, and Eliza Haywood and asserts the importance of authors such as Penelope Aubin and Edward Kimber. Drawing on the popular press, unpublished personal correspondence, and archival documents, Catherine Ingrassia provides a rich cultural description that situates literary texts from a range of genres within the material world of captivity. Ultimately, the book calls for a reevaluation of how literary texts that code a heretofore undiscussed connection to the slave trade or other types of captivity are understood.
In seventeenth- and eighteenth-century Britain, captivity emerged as a persistent metaphor as well as a material reality. The exercise of power on both an institutional and a personal level created conditions in which those least empowered, particularly women, perceived themselves to be captive subjects. This "domestic captivity" was inextricably connected to England’s systematic enslavement of kidnapped Africans and the wealth accumulation realized from those actions, even as early fictional narratives suppressed or ignored the experience of the enslaved. Domestic Captivity and the British Subject, 1660–1750 explores how captivity informed identity, actions, and human relationships for white British subjects as represented in fictional texts by British authors from the period. This work complicates interpretations of canonical authors such as Aphra Behn, Richard Steele, and Eliza Haywood and asserts the importance of authors such as Penelope Aubin and Edward Kimber. Drawing on the popular press, unpublished personal correspondence, and archival documents, Catherine Ingrassia provides a rich cultural description that situates literary texts from a range of genres within the material world of captivity. Ultimately, the book calls for a reevaluation of how literary texts that code a heretofore undiscussed connection to the slave trade or other types of captivity are understood.
This book offers a detailed history of plastic surgery procedures and their development from the ancient world, through the Middle Ages and the Renaissance, up to World War II. The origin of plastic surgery is essentially the story of wound management – the frequent struggle that primitive man engaged in to heal his injuries. The narrative chronicles the rise and fall – and rise again – of the discipline through the centuries. It illustrates the birth of modern reconstructive and aesthetic techniques and emphasizes the ingenuity that plastic surgeons demonstrated to improve wound defects and refine facial disfigurements of various origins, congenital or acquired. In addition, the work underscores the enormous impact that the study of human anatomy had on the evolution of surgery. Chapters discuss the birth and spread of aesthetic surgery, seldom referenced in modern scientific writing. Richly illustrated with hundreds of images drawn from the personal collection of the primary author, the book is an outstanding contribution to the annals of surgery. Not only does it honor the publications and artworks that have recorded these unique achievements, it also recognizes the great innovators of the past whose reconstructive and aesthetic work forms the basis of today’s surgical successes. Plastic Surgery – An Illustrated History is a must-have resource for plastic, maxillofacial and aesthetic surgeons. Any student of surgery, medical history, or medical illustration will be interested in this work.
This presentation of the life of St. Catherine of Siena follows the essential stages of her human and spiritual development as exemplified in her symbolic "Tree of Virtue" with its circle of soil, trunk and crown that would evolve, as the tree matures, into the "Tree of the Cross." The grief that Catherine experienced in the final days of her life, the physical suffering she endured, the sorrow she felt at having failed to achieve her life goal -- to purify the Church and to restore it to its pristine virtue -- would bear fruit at a later date, in a new springtime of growth. She would plant the seed; God would provide the harvest.
2016 Reprint of 1907 Edition. Translated by Algar Thorold. The Dialogue takes the form of a conversation between God and Saint Catherine of Siena covering four subjects. The treatise on divine providence explains the connection between love and suffering, emphasizing that God wants only our love and the service we give to our neighbors. The treatise on discretion introduces the metaphor of the Bridge from earth to heaven. The treatise on prayer gives instructions for the progress from vocal to mental prayer, and describes the higher degrees of prayer. The treatise on obedience covers the necessity and rewards of obedience. Catherine of Siena was a third order Dominican in fourteenth-century Tuscany. As a young adult, she devoted herself to prayer, fasting, and mortifications. After this period of solitude, with its accompanying ecstatic visions, she went out into the world to care for the sick and the poor. Catherine also worked to bring peace and unity among Christians. She was canonized by Pope Pius II and declared a Doctor of the Church by Pope Paul VI.
Saint Catherine of Siena was a Dominican Tertiary or lay-affiliate of the Dominican Order. She began to write letters to men and women in authority, especially begging for peace between the republics and principalities of Italy and for the return of the papacy from Avignon to Rome. Her letters are considered one of the great works of early Tuscan literature. More than 300 letters have survived.
The Rights of Children in the United States provides discussion on: the historical and contextual perspective on the rights of children; the UN Convention on the Rights of the Child; and the differing views on children's rights and competencies.
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