In seventeenth- and eighteenth-century Britain, captivity emerged as a persistent metaphor as well as a material reality. The exercise of power on both an institutional and a personal level created conditions in which those least empowered, particularly women, perceived themselves to be captive subjects. This "domestic captivity" was inextricably connected to England’s systematic enslavement of kidnapped Africans and the wealth accumulation realized from those actions, even as early fictional narratives suppressed or ignored the experience of the enslaved. Domestic Captivity and the British Subject, 1660–1750 explores how captivity informed identity, actions, and human relationships for white British subjects as represented in fictional texts by British authors from the period. This work complicates interpretations of canonical authors such as Aphra Behn, Richard Steele, and Eliza Haywood and asserts the importance of authors such as Penelope Aubin and Edward Kimber. Drawing on the popular press, unpublished personal correspondence, and archival documents, Catherine Ingrassia provides a rich cultural description that situates literary texts from a range of genres within the material world of captivity. Ultimately, the book calls for a reevaluation of how literary texts that code a heretofore undiscussed connection to the slave trade or other types of captivity are understood.
This book offers a detailed history of plastic surgery procedures and their development from the ancient world, through the Middle Ages and the Renaissance, up to World War II. The origin of plastic surgery is essentially the story of wound management – the frequent struggle that primitive man engaged in to heal his injuries. The narrative chronicles the rise and fall – and rise again – of the discipline through the centuries. It illustrates the birth of modern reconstructive and aesthetic techniques and emphasizes the ingenuity that plastic surgeons demonstrated to improve wound defects and refine facial disfigurements of various origins, congenital or acquired. In addition, the work underscores the enormous impact that the study of human anatomy had on the evolution of surgery. Chapters discuss the birth and spread of aesthetic surgery, seldom referenced in modern scientific writing. Richly illustrated with hundreds of images drawn from the personal collection of the primary author, the book is an outstanding contribution to the annals of surgery. Not only does it honor the publications and artworks that have recorded these unique achievements, it also recognizes the great innovators of the past whose reconstructive and aesthetic work forms the basis of today’s surgical successes. Plastic Surgery – An Illustrated History is a must-have resource for plastic, maxillofacial and aesthetic surgeons. Any student of surgery, medical history, or medical illustration will be interested in this work.
In seventeenth- and eighteenth-century Britain, captivity emerged as a persistent metaphor as well as a material reality. The exercise of power on both an institutional and a personal level created conditions in which those least empowered, particularly women, perceived themselves to be captive subjects. This "domestic captivity" was inextricably connected to England’s systematic enslavement of kidnapped Africans and the wealth accumulation realized from those actions, even as early fictional narratives suppressed or ignored the experience of the enslaved. Domestic Captivity and the British Subject, 1660–1750 explores how captivity informed identity, actions, and human relationships for white British subjects as represented in fictional texts by British authors from the period. This work complicates interpretations of canonical authors such as Aphra Behn, Richard Steele, and Eliza Haywood and asserts the importance of authors such as Penelope Aubin and Edward Kimber. Drawing on the popular press, unpublished personal correspondence, and archival documents, Catherine Ingrassia provides a rich cultural description that situates literary texts from a range of genres within the material world of captivity. Ultimately, the book calls for a reevaluation of how literary texts that code a heretofore undiscussed connection to the slave trade or other types of captivity are understood.
The Rights of Children in the United States provides discussion on: the historical and contextual perspective on the rights of children; the UN Convention on the Rights of the Child; and the differing views on children's rights and competencies.
How do I know if Im living an authentic Christian life? Jesus calls each person to holiness, yet he calls each of us in a unique way. Where can we find the guidance we need as we walk along our paths to God? Catherine is a sure guide along the way of loving service to our neighbors for the sake of Christ.
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