A therapist creates moving portraits of five of her most memorable patients, men and women she considers psychological heroes. Catherine Gildiner is a bestselling memoirist, a novelist, and a psychologist in private practice for twenty-five years. In Good Morning, Monster, she focuses on five patients who overcame enormous trauma--people she considers heroes. With a novelist's storytelling gift, Gildiner recounts the details of their struggles, their paths to recovery, and her own tale of growth as a therapist. The five cases include a successful but lonely musician suffering sexual dysfunction; a young woman whose father abandoned her and her siblings in a rural cottage; an Indigenous man who'd endured great trauma at a residential school; a young woman whose abuse at the hands of her father led to a severe personality disorder; and a glamorous workaholic whose negligent mother had greeted her each morning with "Good morning, Monster." Each patient presents a mystery, one that will only be unpacked over years. They seek Gildiner's help to overcome an immediate challenge in their lives, but discover that the source of their suffering has been long buried. It will take courage to face those realities, and creativity and resourcefulness from their therapist. Each patient embodies self-reflection, stoicism, perseverance, and forgiveness as they work unflinchingly to face the truth. Gildiner's account of her journeys with them is moving, insightful, and sometimes humorous. It offers a behind-the-scenes look into the therapist's office and explains how the process can heal even the most unimaginable wounds.
Welcome to the childhood of Catherine McClure Gildiner. It is the mid-1950s in Lewiston, New York, a sleepy town near Niagara Falls. Divorce is unheard of, mothers wear high heels to the beauty salon, and television has only just arrived. At the tender age of four, Cathy accompanies Roy, the deliveryman at her father's pharmacy, on his routes. She shares some of their memorable deliveries-sleeping pills to Marilyn Monroe (in town filming Niagara), sedatives to Mad Bear, a violent Tuscarora chief, and fungus cream to Warty, the gentle operator of the town dump. As she reaches her teenage years, Cathy's irrepressible spirit spurs her from dangerous sled rides that take her "too close to the Falls" to tipsy dances with the town priest.
During her decade in prison, Kate Fitzgerald has learned a few things. The best way to survive is to absorb yourself in your own world. Never make eye contact with your fellow inmates. And the last person you can trust is your prison psychiatrist – not only is he likely to be lazy and incompetent (really, why else wouldn’t he be getting rich off of well-heeled clients instead?) but if you complain about him you’re going to be labelled as a “permanent malcontent” and denied parole. So when Dr. Gardonne offers Kate a temporary absence and a job working for him, she only takes it because she knows that turning him down could be worse for her in the long run – counted in prison years, of course. But the real challenge is figuring out why he would choose her. On the surface, it’s pretty clear. Kate has spent her incarceration immersing herself in the writings of Sigmund Freud, and has become a recognized expert on his work. Dr. Gardonne represents the members of a psychoanalytic organization that is being attacked at its core: Anders Konzak, the hand-picked director of the Freud academy, has been boasting to the media that his new research on Freud will bring the entire profession of psychoanalysis to its knees. He’s also been receiving death threats. And Kate, as an outsider, is the only one Konzak will talk to. Though she doesn’t trust Gardonne, Kate accepts his offer, and she races to uncover Konzak’s secrets before he publishes his work. Never one to work well with others, Kate is less than thrilled to find out Gardonne has hired a private detective to be her partner. Jackie Lawton is a hardened ex-con who has spent most of his life in prison and only recently turned things around by starting his own business. From the moment the two meet, Kate sees that it won’t be easy working with a man who isn’t really interested in the intellectual battle at hand and who keeps her prison time at the forefront of every conversation. And can he really be trusted? When key players – who were all last seen with Kate – begin to turn up dead, there’s the very real possibility she’s being set up by Gardonne. After all, who would believe the word of a convict serving time for murdering her husband? All she can hope is that following the threads of Konzak’s research to his sources will keep her one step ahead of Gardonne and lead her to the real killer. With Seduction, Catherine Gildiner gives us not only a gripping detective story full of shifting characters and fast-paced twists but a remarkable intellectual thriller. Through the letters and papers of Sigmund Freud, Charles Darwin and the venerable Wedgwood family, Gildiner brings the personalities and ideological conflicts of the past to life in the present. Along the way we meet an assortment of characters, from social misfits to the demure but resolute Anna Freud, who is still living in the London house where she brought her ailing father for the last year of his life, and where she actively guards his legacy. The story takes us from Toronto to Vienna, London, the Isle of Wight, New York and back again to Toronto – each locale seen through the eyes of Kate, who relishes in the beauty of a world that has been denied to her for a decade.
Heartbreaking and wicked: a memoir of stunning beauty and remarkable grace. Improbable friendships and brushes with death. A schoolgirl affecting the course of aboriginal politics. Elvis and cocktails and Catholicism and the secrets buried deep beneath a place that may be another, undiscovered Love Canal Lewiston, New York. Too Close to the Falls is an exquisite, haunting return, through time and memory, to the heart of Catherine Gildiners childhood. And what a childhood it was.
The third and final volume in the spirited and witty memoir series. Picking up her story in the late '60s at age 21, Cathy Gildiner whisks the reader through five years and three countries, beginning when she is a poetry student at Oxford. Her education extended beyond the classroom to London's swinging Carnaby Street, the mountains of Wales, and a posh country estate. After Oxford, Cathy returns to Cleveland, Ohio, which was still reeling from the Hough Ghetto Riots. Not one to shy away from a challenge, she teaches at a high school where police escort teachers through the parking lot. There, she tries to engage apathetic students and tussles with the education authorities. In 1970, Cathy moves to Canada. While studying literature at the University of Toronto, she rooms with members of the FLQ (Quebec separatists) and then with one of the biggest drug dealers in Canada. Along the way, she falls in love with the man who eventually became her husband and embarks on a new career in psychology. Coming Ashore brings readers back to a fascinating era populated by lively characters, but most memorable of all is the singular Cathy McClure. The BackLit bonus content includes a reader’s guide, Q&A with the author, and more.
The vivid and touching sequel to the bestselling memoir Too Close to the Falls. It's 1960 and twelve-year-old Cathy McClure has just been thrown out of Catholic school for-among other transgressions-filling the holy water fount with vodka. In the hopes of giving Cathy a fresh start away from their small town, the McClures leave behind Niagara Falls and the family pharmacy to start over in suburban Buffalo. But life in a subdivision and a school filled with "pubescent cheddar" holds little appeal for a girl who began working at four and smoking at nine. As the quaint world of 1950s America recedes into history, Cathy dives headfirst into the 1960s. Along the way, she adopts many personas with gusto-vandal, HoJo hostess, FBI suspect, civil rights demonstrator- but when tragedy strikes at home, Cathy must take on her most challenging role yet. As candid and compelling as Mary Karr's The Liars' Club and Jeanette Walls's The Glass Castle, After the Falls is an irresistible account of one girl's comingof-age during a tumultuous era and the moving tale of a rebellious spirit learning what it means to be a daughter.
Catherine Gildiner recounts her remarkable coming-of-age in the 1960s with the same wit, candour and exhilarating storytelling that has made Too Close to the Falls a modern classic. When Cathy McClure is thirteen years old, her parents make the bold decision to move to suburban Buffalo in hopes that it will help Cathy focus on her studies and stay out of trouble. But “normal” has never been Cathy’s forte, and leaving Niagara Falls and Catholic school behind does nothing to quell her spirited nature. As the 1960s dramatically unfold, Cathy takes on many personas — cheerleader, vandal, HoJo hostess, civil rights demonstrator — with the same gusto she exhibited as a child working split shifts in her father’s pharmacy. But when tragedy strikes, it is her role as daughter that proves to be most challenging.
Two ex-cons are hand-picked to investigate the director of the Freud academy, to find out what he has found that "will make psychoanalysis obsolete". The investigation takes them to various places and becomes a manhunt as bodies begin to accumulate.
Welcome to the childhood of Catherine McClure Gildiner. It is the mid-1950s in Lewiston, New York, a sleepy town near Niagara Falls. Divorce is unheard of, mothers wear high heels to the beauty salon, and television has only just arrived. At the tender age of four, Cathy accompanies Roy, the deliveryman at her father's pharmacy, on his routes. She shares some of their memorable deliveries-sleeping pills to Marilyn Monroe (in town filming Niagara), sedatives to Mad Bear, a violent Tuscarora chief, and fungus cream to Warty, the gentle operator of the town dump. As she reaches her teenage years, Cathy's irrepressible spirit spurs her from dangerous sled rides that take her "too close to the Falls" to tipsy dances with the town priest.
During her decade in prison, Kate Fitzgerald has learned a few things: absorb yourself in your own world, never make eye contact with your fellow inmates, and the last person you can trust is your prison psychiatrist. When Kate's psychiatrist, Dr. Gardonne, offers her a temporary leave and a job working for him on her favourite subject, the work of Sigmund Freud, she leaps at the chance. Things become complicated, and quickly, when Kate becomes an unlikely confidant to the director of the Freud academy. who is receiving death threats and attacking Dr. Gardonne's psychoanalytic organization. Racing to uncover secrets and working with an unwelcome partner, a private detective, Kate is forced to consider that she may have been set up. But by who? Catherine Gildiner gives readers a gripping detective story full of fast-paced twists--a remarkable intellectual thriller.
As seen on Good Morning America's SEPTEMBER 2020 READING LIST and FAVORITE BOOKS OF 2020! "We need to read stories about folks who have been through hell and kept going... Fascinating." —Glennon Doyle, A Favorite Book of 2020 on Good Morning America "Gildiner is nothing short of masterful—as both a therapist and writer. In these pages, she has gorgeously captured both the privilege of being given access to the inner chambers of people's lives, and the meaning that comes from watching them grow into the selves they were meant to be." —Lori Gottlieb, New York Times bestselling author of Maybe You Should Talk to Someone In this fascinating narrative, therapist Catherine Gildiner’s presents five of what she calls her most heroic and memorable patients. Among them: a successful, first generation Chinese immigrant musician suffering sexual dysfunction; a young woman whose father abandoned her at age nine with her younger siblings in an isolated cottage in the depth of winter; and a glamorous workaholic whose narcissistic, negligent mother greeted her each morning of her childhood with "Good morning, Monster." Each patient presents a mystery, one that will only be unpacked over years. They seek Gildiner's help to overcome an immediate challenge in their lives, but discover that the source of their suffering has been long buried. As in such recent classics as The Glass Castle and Educated, each patient embodies self-reflection, stoicism, perseverance, and forgiveness as they work unflinchingly to face the truth. Gildiner's account of her journeys with them is moving, insightful, and sometimes very funny. Good Morning Monster offers an almost novelistic, behind-the-scenes look into the therapist's office, illustrating how the process can heal even the most unimaginable wounds.
The vivid and touching sequel to the bestselling memoir Too Close to the Falls. It's 1960 and twelve-year-old Cathy McClure has just been thrown out of Catholic school for-among other transgressions-filling the holy water fount with vodka. In the hopes of giving Cathy a fresh start away from their small town, the McClures leave behind Niagara Falls and the family pharmacy to start over in suburban Buffalo. But life in a subdivision and a school filled with "pubescent cheddar" holds little appeal for a girl who began working at four and smoking at nine. As the quaint world of 1950s America recedes into history, Cathy dives headfirst into the 1960s. Along the way, she adopts many personas with gusto-vandal, HoJo hostess, FBI suspect, civil rights demonstrator- but when tragedy strikes at home, Cathy must take on her most challenging role yet. As candid and compelling as Mary Karr's The Liars' Club and Jeanette Walls's The Glass Castle, After the Falls is an irresistible account of one girl's comingof-age during a tumultuous era and the moving tale of a rebellious spirit learning what it means to be a daughter.
What can nurses do to support those receiving palliative care? How do you ensure clear communication and maintain patients’ and families’ preferences? Palliative Care Nursing is essential reading for nursing students, professional nurses and other health and social care professionals providing supportive and palliative care to those with advanced illness or who are towards the end of life. This third edition of the acclaimed textbook has been extensively revised and examines important research studies, key debates around care and strategies to advance palliative care nursing. In four sections, the book covers key elements of nursing practice towards the end of life: • Defining the palliative care patient • Providing palliative nursing care • Caring around the time of death • Challenging issues in palliative care nursing Leading authors address contemporary issues and explore how to provide high quality person-centred palliative care, encouraging application to practice through exercises and case studies. Chapters completely reworked or new for this edition include those on communication, living with uncertainty, bereavement care, the costs of caring, nurses’ decision-making and capacity, and palliative care worldwide. The clarity of evidence presented and coverage of a diverse range of topics make this the foundational textbook for all studying palliative care at pre-registration level, postgraduate level or as part of CPD study. With a foreword by last edition editor, Professor Sheila Payne, Lancaster University, UK. ‘I welcome this third edition of Palliative Care Nursing and congratulations to the new team who have provided us with a dynamic and innovative development of a core text for palliative nursing practice. As the largest workforce in palliative care, and given the changing face of clinical practice for nurses, including increased educational opportunity and expanding roles and responsibilities, this book is timely in its focus on critical issues which frame and scope the reality of palliative care and the nursing contribution to that discipline. The learning exercises, in particular, offer tools for educators and clinicians to reflect on practice and understand new ways of knowing in palliative care. It will be an excellent resource for nursing, both in the UK and Ireland and to the wider international audience, having drawn on the breadth of global nursing expertise to bring this book together’. Philip Larkin, Professor of Clinical Nursing (Palliative Care), University College Dublin and Our Lady’s Hospice and Care Services, Dublin, Ireland; President, European Association for Palliative Care ‘This is a book of substance that captures the current status of palliative nursing, including the values and research evidence that underpin it. The changing nature of palliative nursing as an evidence-based specialism is balanced with practical skills and insights from experts, and also considers the needs of those working with, or concerned about, the dying person’s well-being. It covers a range of challenging issues as well as drawing on the wisdom of those who actually undertake this work on a daily basis. I hope that students and practitioners from all disciplines will find this a useful resource to understand the art and craft of good palliative nursing’. Professor Daniel Kelly, Fellow of the Royal College of Nursing and Royal College of Nursing Chair of Nursing Research, Cardiff University, UK
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