South Africa's Truth and Reconciliation Commissions helped to end apartheid by providing a forum that exposed the nation's gross human rights abuses, provided amnesty and reparations to selected individuals, and eventually promoted national unity and healing. The success or failure of these commissions has been widely debated, but this is the first book to view the truth commission as public ritual and national theater. Catherine M. Cole brings an ethnographer's ear, a stage director's eye, and a historian's judgment to understand the vocabulary and practices of theater that mattered to the South Africans who participated in the reconciliation process. Cole looks closely at the record of the commissions, and sees their tortured expressiveness as a medium for performing evidence and truth to legitimize a new South Africa.
In the aftermath of state-perpetrated injustice, a façade of peace can suddenly give way, and in South Africa and the Democratic Republic of Congo, post-apartheid and postcolonial framings of change have exceeded their limits. Performance and the Afterlives of Injustice reveals how the voices and visions of artists can help us see what otherwise evades perception. Embodied performance in South Africa has particular potency because apartheid was so centrally focused on the body: classifying bodies into racial categories, legislating where certain bodies could move and which bathrooms and drinking fountains certain bodies could use, and how different bodies carried meaning. The book considers key works by contemporary performing artists Brett Bailey, Faustin Linyekula, Gregory Maqoma, Mamela Nyamza, Robyn Orlin, Jay Pather, and Sello Pesa, artists imagining new forms and helping audiences see the contemporary moment as it is: an important intervention in countries long predicated on denial. They are also helping to conjure, anticipate, and dream a world that is otherwise. The book will be of particular interest to scholars of African studies, black performance, dance studies, transitional justice, as well as theater and performance studies.
In a small café in London a teenager, Ruth, and elderly artist, Harry, recognise something profound in each other. They strike up a conversation that leads to regular meetings and takes them on a journey through their memories of traumatic times. Harry has much to tell about his childhood beside the Canal St Martin in Paris. Ruth has collected stories about her mother's childhood in the Yorkshire Dales and London. How much has the stain of tragedy charged these memories with the pain of loss and what use can be made of the pain? Looking back on her special years with Harry, Ruth sees how shared memories -- happy or sad -- can reshape the ways in which we value the lives of others while fully living our own. Taking Harry back to Paris draws on a special relationship that will shape her own place in the world.
?The poems in to linger on hot coals are like the babies who inspired them: small but profoundly significant, and imprinting those they touch with both delicious sweetness and heartbreaking pain. They will speak to those whose grief is new as well as to those whose losses have receded in time but not in memory, as well as to counselors, medical professionals, and allies of bereaved families. A breathtakingly beautiful collection.? They Were Still Born: Personal Stories about Stillbirth ?Most of the time, we consider grief ugly, and most of the time it is. But, sometimes you find something that moves that kind of loss beyond horror to something clear and pristinely honest ? beautiful ? Stephanie Paige Cole and Catherine Bayly have collected a deeply beautiful gift of poetry in to linger on hot coals.? Melissa Miles McCarter,Joy, Interrupted: AnAnthology of Motherhood and Lossto linger on hot coals is a collection of beautiful, personal poetry by women who lay bare their experiences of loss and love, reminding me again that what is the most personal is the most universal. These works will linger in your mind, break your heart, and touch your soul.?Sean Hanish,Writer/Director/Producer ?Return To Zero
In this #1 New York Times bestseller, Catherine Crier, a former judge and one of television's most popular legal analysts, offers a riveting and authoritative account of one of the most memorable crime dramas of our time: the murder of Laci Peterson at the hands of her husband, Scott, on Christmas Eve 2002. Drawing on extensive interviews with key witnesses and lead investigators, as well as secret evidence files that never made it to trial, Crier traces Scott's bizarre behavior; shares dozens of transcripts of Scott's chilling and incriminating phone conversations; offers accounts of Scott's womanizing from two former mistresses before Amber Frey; and includes scores of never-before-seen police photos, documents, and other evidence. The result is thoroughly engrossing yet highly disturbing -- an unforgettable portrait of a charming, yet deeply sociopathic, killer.
Where is his son? His teenaged son is on the run—from a murder charge. Widowed rancher Cole Strong might not win any father-of-the-year awards, but he knows his boy. His son’s only crime is caring too much about people and the world. Something Cole has forsaken. Now a corrupt food supplier will do anything to protect its secrets and lies—including killing the kid who knows too much. The only person who can help is the dedicated teacher who’d been reaching out to his child: Jill Pruitt. A beautiful woman who reminds Cole of the man he used to be. Across a dusty, dangerous landscape, Cole and Jill must find the boy they both love—before someone very dangerous does.
The room rustled as the children looked around. They knew no one had been to the coast but they checked in case for liars, for the too-dumb to know the difference between the real world and the television, for the dreamers. A young boy yearns for a rabbit; a man battles for his father's love; a group of middle-class Australians find themselves in a newly renovated house; and an elderly refugee worries about his daughter's sea voyage. Seabirds Crying in the Harbour Dark is about seeking refuge, about how we define home and what makes us feel safe. The stories in this collection ask a simple question: what does it mean to live with compassion and kindness? "[Cole] writes without the guilt that has been so debilitating to our political and intellectual culture. She doesn't engage with debates about guilt or blame, neither fending them off nor joining the chorus of mea culpa. She brings an awareness to attitudes of mind that Australian readers will recognize."--Drusilla Modjeska, The Monthly [Subject: Fiction]
When the local windmill is threatened with demolition Netty Maine organises a sit-in with a group of sympathisers to prevent T & M Demolition from razing the flour mill to the ground. Cole Trent is equally determined to oust the troublemakers until he discovers the motive behind the mill owner's wish to have the mill demolished. The meeting of a young woman with altruistic ideals and the battle scarred divorcee was never going to run smoothly....
Examines the case of Susan Polk, the mother of three and wife of her former therapist, a man twenty-five years her senior, who after years of alleged abuse, stabbed to death the man who had seduced his teenage patient three decades earlier.
Ghana's Concert Party Theatre Catherine M. Cole An engaging history of Ghana's enormously popular concert party theatre. "... succeeds in conveying the exciting and fascinating character of the concert party genre, as well as showing clearly how this material can be used to rethink a number of contemporary theoretical themes and issues." -- Karin Barber Under colonial rule, the first concert party practitioners brought their comic variety shows to audiences throughout what was then the British Gold Coast colony. As social and political circumstances shifted through the colonial period and early years of Ghanaian independence, concert party actors demonstrated a remarkable responsiveness to changing social roles and volatile political situations as they continued to stage this extremely popular form of entertainment. Drawing on her participation as an actress in concert party performances, oral histories of performers, and archival research, Catherine M. Cole traces the history and development of Ghana's concert party tradition. She shows how concert parties combined an eclectic array of cultural influences, adapting characters and songs from American movies, popular British ballads, and local story-telling traditions into a spirited blend of comedy and social commentary. Actors in blackface, inspired by Al Jolson, and female impersonators dramatized the aspirations, experiences, and frustrations of their audiences. Cole's extensive and lively look into Ghana's concert party provides a unique perspective on the complex experience of British colonial domination, the postcolonial quest for national identity, and the dynamic processes of cultural appropriation and social change. This book will be essential reading for scholars and students of African performance, theatre, and popular culture. Catherine M. Cole is Assistant Professor in the Department of Dramatic Art at the University of California, Santa Barbara. She has published numerous articles on African theatre and has collaborated with filmmaker Kwame Braun on "passing girl; riverside," a video essay on the ethical dilemmas of visual anthropology. June 2001 256 pages, 26 b&w photos, 3 maps, 6 1/8 x 9 1/4, notes, bibl., index cloth 0-253-33845-X $49.95 L / £38.00 paper 0-253-21436-X $19.95 s / £15.50
Take control of your life, take control of your pain Chronic pain can be extremely debilitating; however, it does not need to dominate your life. This self-help book is based on highly effective self-help methods developed by specialists and used in community and hospital pain management programmes. Your experience of pain can be greatly reduced by pacing daily activities, reducing stress, learning relaxation techniques and effective ways to cope with depression, anxiety, worry, anger and frustration. This easy-to-follow book sets out: - Why pain can persist when there's no injury or disease present - How to become fitter and pace your activities - Practical ways to improve sleep and relaxation - Tips for returning to work, study and gaining a life you value Overcoming self-help guides use clinically proven techniques to treat long-standing and disabling conditions, both psychological and physical. This book is recommended by the national Reading Well scheme for England delivered by The Reading Agency and the Society of Chief Librarians with funding from Arts Council England and Wellcome.
Cognitive Behavioral Therapy treats disorders by changing patterns of behaviour and thought that may be unhelpful. It is now internationally established as a key method of helping overcome longstanding and disabling conditions, both psychological and physical. This book provides a clinically proven self-help approach to pain management based on the authors' work with sufferers at Bradford Hospital. Chronic pain that has lasted more than six months can be caused by a number of factors including stress, prolonged muscle tension and the fact that nerves carrying the pain message have developed a long-term 'memory' for the pain. Cognitive Behavioral Therapy can help patients become more active, relieve negative feelings, reduce their distress and help them to manage pain more effectively. · Helps you understand why pain persists when there's no injury or disease present · Explains how to use drugs more effectively · Gives guidance for how to become fitter and more active · Practical tips on improving sleep and relaxation · Better management of depression, anxiety and anger · Advice on maintaining healthy and happy relationships with family and friends Drawing on feedback from hundreds of pain patients, Overcoming Chronic Pain will help readers escape from the distressing cycle of chronic pain.
Love, life and everything in between. Midnight kisses and summer crushes, first dates and heartbreak - there's never a dull moment in Heartside Bay. This is the next not-to-be-missed instalment in the lives of Lila, Polly, Eve and Rhi.
In October 2002, Susan Polk, a housewife and mother of three sons, was arrested for the murder of her husband, Felix. This book traces the family's history, and manoeuvres the murky waters of the Polk's marriage, looking at the story behind Susan, Felix, and their unorthodox courtship.
When Catherine Storr’s daughter was very small, she was afraid of the wolf under her bed, so every night her mother would tell her a story in which Polly outwitted the wolf. These bedtime stories eventually became the collection Clever Polly and the Stupid Wolf, a wonderfully thrilling and reassuring series of adventures in which the clever, independent, and unstoppable Polly fools the persistent, hungry young wolf time and again. In a match much like Bugs Bunny and the Road Runner but more polite and quick-witted, Polly and the wolf develop ever-more complicated ways of turning the tables on each other as they grow older and, in Polly’s case at least, wiser. Three more collections of stories followed the original Clever Polly, all hilariously inventive variations on a much loved theme, and all of the stories are collected here for the first time.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.