Recounts the story of Fanny Kemble and her two daughters, one of whom lived with her mother in the North, while the other remained with their father in the South.
In Stepdaughters of History, noted scholar Catherine Clinton reflects on the roles of women as historical actors within the field of Civil War studies and examines the ways in which historians have redefined female wartime participation. Clinton contends that despite the recent attention, white and black women’s contributions remain shrouded in myth and sidelined in traditional historical narratives. Her work tackles some of these well-worn assumptions, dismantling prevailing attitudes that consign women to the footnotes of Civil War texts. Clinton highlights some of the debates, led by emerging and established Civil War scholars, which seek to demolish demeaning and limiting stereotypes of southern women as simpering belles, stoic Mammies, Rebel spitfires, or sultry spies. Such caricatures mask the more concrete and compelling struggles within the Confederacy, and in Clinton’s telling, a far more balanced and vivid understanding of women’s roles within the wartime South emerges. New historical evidence has given rise to fresh insights, including important revisionist literature on women’s overt and covert participation in activities designed to challenge the rebellion and on white women’s roles in reshaping the war’s legacy in postwar narratives. Increasingly, Civil War scholarship integrates those women who defied gender conventions to assume men’s roles—including those few who gained notoriety as spies, scouts, or soldiers during the war. As Clinton’s work demonstrates, the larger questions of women’s wartime contributions remain important correctives to our understanding of the war’s impact. Through a fuller appreciation of the dynamics of sex and race, Stepdaughters of History promises a broader conversation in the twenty-first century, inviting readers to continue to confront the conundrums of the American Civil War. “Spies, smugglers, nurses, plantation mistresses, liberators of slaves, traders, writers, freedom fighters, wives, and mothers—Catherine Clinton considers the many roles of diverse groups of southern women from the Civil War to the late nineteenth century in these lively and provocative essays.”—Jacqueline Jones, author of Labor of Love, Labor of Sorrow: Black Women, Work, and the Family from Slavery to the Present “Clinton's sweeping synthesis is a timely call for rethinking women's roles in the Civil War. Her panoramic view of the existing scholarship, her revealing new histories, and the questions that she raises for the future offer a rich scholarly feast that is useful for undergraduates and seasoned historians alike.”—Glenda Elizabeth Gilmore, Peter V. and C. Vann Woodward Professor of History, Yale University “Stepdaughters of History is a timely treatise on the legacy of the Civil War and how Americans both remember and forget the women who dreamt and helped build the landscape with which we reside. The writing is accessible and engaging. Clinton integrates gender studies, political history, and current events into this slim volume and challenges us to continue to build a Civil War historiography that is full and more honest.”—Deirdre Cooper-Owens, professor of history, Queens College, CUNY “Catherine Clinton delights in disentangling the ambiguities and contradictions of the experiences of southern women, whether they were free or enslaved or rich or poor, in Stepdaughters of History. In this beautifully written volume, she explores how the field of Civil War history has demolished the Lost Cause shibboleths of the devoted mammy and the submissive plantation mistress. Clinton reminds us that history should never offer the comfort of a bedtime story, and in Stepdaughters of History there is plenty for us to ponder late into the night.”—Peter Carmichael, director of the Civil War Institute and author of The Last Generation: Young Virginians in Peace, War, and Reunion
Now available in paperback is the story of Fanny Kemble, whose passionate writings against human bondage made her a heroine of the Union cause. 54 halftones & line illustrations.
Chronicles the military accomplishments of African Americans who fought for the independence and preservation of the United States while struggling to be treated as equals and recognized for their valor and achievement.
Cutting through romantic myth, this captivating volume combines period photographs and illustrations with new documentary sources to tell the real story of southern women during the Civil War. Drawing from a wealth of poignant letters, diaries, slave narratives, and other accounts, Catherine Clinton provides a vivid social and cultural history of the diverse communities of Southern women during the Civil War: the heroic African-American women who struggled for freedom, the tireless nurses who faced gruesome duties, the intriguing handful who donned uniforms, and those brave women who spied and even died for the Confederacy. Photographs, drawings, prints, and other period illustrations bring this buried chapter of Civil War history to life, taking the reader from the cotton fields to the hearthsides, from shrapnel-riddled mansions to slave cabins. Clinton places these women within the context of war, illuminating both legendary and anonymous women along the way. Tracing oral traditions and Southern literature from Reconstruction through our era, the author demonstrates how a deadly mix of sentiment and fabrication perpetuates tales of idyllic plantations inhabited by benevolent masters and contented slaves. The book concludes with Clinton's perceptive and often witty discussion of how, over the years, we continue to embrace mythic figures like Scarlett and Mammy in aspects of popular culture ranging from Hollywood epics to pancake syrup.
This pioneering study of the much-mythologized Southern belle offers the first serious look at the lives of white women and their harsh and restricted place in the slave society before the Civil War. Drawing on the diaries, letters, and memoirs of hundreds of planter wives and daughters, Clinton sets before us in vivid detail the daily life of the plantation mistress and her ambiguous intermediary position in the hierarchy between slave and master. "The Plantation Mistress challenges and reinterprets a host of issues related to the Old South. The result is a book that forces us to rethink some of our basic assumptions about two peculiar institutions -- the slave plantation and the nineteenth-century family. It approaches a familiar subject from a new angle, and as a result, permanently alters our understanding of the Old South and women's place in it.
In 1773, Phillis Wheatley published a book of poetry. It was a great accomplishment that made her very famous. Only a year before, Phillis had had to take a test to prove that she was the actual author of these poems, because Phillis Wheatley was a slave. Who would believe that an African girl could be the author of such poetry? Phillis did! She believed in herself, and took every opportunity she could to make her life better. She believed in the power of her words, and her writing to prove her talent, and used the power of words to change a life.
Abraham Lincoln is the most revered president in American history, but the woman at the center of his life—his wife, Mary—has remained a historical enigma. One of the most tragic and mysterious of nineteenth-century figures, Mary Lincoln and her story symbolize the pain and loss of Civil War America. Authoritative and utterly engrossing, Mrs. Lincoln is the long-awaited portrait of the woman who so richly contributed to Lincoln's life and legacy.
In July 1863, a significantbattle in the Civil War was fought. Sergeant William H. Carney, an officer of the newly formed Massachusetts Fifty-fourth Regiment -- comprised entirely of African Americans -- led his soldiers over the ramparts of Fort Wagner, where Union soldiers charged the Confederates. As the soldiers fought, they gained strength from the stars and stripes of the American flag, Old Glory. It was Carney's vow to never let Old Glory touch the ground, and despite several gunshot wounds, he was able to rescue the flag from the fallen bearer. Carney held the flag high as a symbol that his regiment would never submit to the Confederacy. The battle of Fort Wagner decimated the Fifty-fourth Regiment, but Carney's heroism that night inspired all who survived. Catherine Clinton's historically precise text paired with Shane Evans's rich illustrations creates a remarkable account of one of the most memorable battles in Civil War history.
Two women with similar backgrounds. Both slaves; both fiercely independent. Both great, in different ways. Harriet Tubman: brave pioneer who led her fellow slaves to freedom, larger than life . . . yearning to be free. Sojourner Truth: strong woman who spoke up for African American rights, tall as a tree . . . yearning to be free. One day in 1864, the lives of these two women came together. When Harriet Met Sojourner is a portrait of these two remarkable women, from their inauspicious beginnings to their pivotal roles in the battle for America's future.
The definitive biography of one of the most courageous women in American history "reveals Harriet Tubman to be even more remarkable than her legend" (Newsday). Celebrated for her exploits as a conductor on the Underground Railroad, Harriet Tubman has entered history as one of nineteenth-century America's most enduring and important figures. But just who was this remarkable woman? To John Brown, leader of the Harper's Ferry slave uprising, she was General Tubman. For the many slaves she led north to freedom, she was Moses. To the slaveholders who sought her capture, she was a thief and a trickster. To abolitionists, she was a prophet. Now, in a biography widely praised for its impeccable research and its compelling narrative, Harriet Tubman is revealed for the first time as a singular and complex character, a woman who defied simple categorization. "A thrilling reading experience. It expands outward from Tubman's individual story to give a sweeping, historical vision of slavery." --NPR's Fresh Air
A convenient handbook of dates, names, terms, and resources as well as a highly readable overview of the pivotal role of women in a century of profound political and social change. The authors emphasize areas in which scholars have identified important changes (such as suffrage and reform), topics in which researchers are now making great strides (such as racial, ethnic, religious, and regional diversity), and innovative and relatively recent explorations (for example, work on female sexuality).
Long relegated to the margins of historical research, the history of women in the American South has rightfully gained prominence as a distinguished discipline. A comprehensive and much-needed tribute to southern women’s history, Half Sisters of History brings together the most important work in this field over the past twenty years. This collection of essays by pioneering scholars surveys the roots and development of southern women’s history and examines the roles of white women and women of color across the boundaries of class and social status from the founding of the nation to the present. Authors including Anne Firor Scott, Elizabeth Fox-Genovese, Jacquelyn Dowd Hall, and Nell Irwin Painter, among others, analyze women’s participation in prewar slavery, their representation in popular fiction, and their involvement in social movements. In no way restricted to views of the plantation South, other essays examine the role of women during the American Revolution, the social status of Native American women, the involvement of Appalachian women in labor struggles, and the significance of women in the battle for civil rights. Because of their indelible impact on gender relations, issues of class, race, and sexuality figure centrally in these analyses. Half Sisters of History will be important not only to women’s historians, but also to southern historians and women’s studies scholars. It will prove invaluable to anyone in search of a full understanding of the history of women, the South, or the nation itself. Contributors. Catherine Clinton, Sara Evans, Elizabeth Fox-Genovese, Jacquelyn Dowd Hall, Jacqueline Jones, Suzanne D. Lebsock, Nell Irwin Painter, Theda Perdue, Anne Firor Scott, Deborah Gray White
A lively, comprehensive account of the struggle for women's rights at a vital time in our national history. The American women who worked for our country's indepence in 1776 hoped the new Republic would grant them unprecedented power and influence. But it was not until the next century that a hardy group of pathbreakers began the slow march on the road to autonomy, a road American women continue to travel today. When The Other Civil War was first published in 1984, it was hailed as a thought-provoking narrative of women's lives, among the first books to bring together the new accomplishments of the then-infant discipline of women's history. This revised edition offers a thoroughly updated bibliography, including not only new books and articles but also Internet sources from the past fifteen years of innovative scholarship.
Tubman left her family in her early 20s to escape to Philadelphia, then a hotbed of abolitionism. There she became the first and only woman, fugitive slave, and black to work as a conductor on the Underground Railroad. So successful was she in spiriting away slaves that the state of Maryland put a $40,000 bounty on her head. Within a year of starting her work, fellow slaves and Northerners began referring to Tubman as "Moses" because of how many people she had freed.
When Europeans settled in the early South, they quarreled over many things--but few imbroglios were so fierce as battles over land. Landowners wrangled bitterly over boundaries with neighbors and contested areas became known as "the devil's lane." Violence and bloodshed were but some of the consequences to befall those who ventured into these disputed territories. The Devil's Lane highlights important new work on sexuality, race, and gender in the South from the seventeenth- to the nineteenth-centuries. Contributors explore legal history by examining race, crime and punishment, sex across the color line, and slander. Emerging stars and established scholars such as Peter Wood and Carol Berkin weave together the fascinating story of competing agendas and clashing cultures on the southern frontier. One chapter focuses on a community's resistance to a hermaphrodite, where the town court conducted a series of "examinations" to determine the individual's gender. Other pieces address topics ranging from resistance to sexual exploitation on the part of slave women to spousal murders, from interpreting women's expressions of religious ecstasy to a pastor's sermons about depraved sinners and graphic depictions of carnage, all in the name of "exposing" evil, and from a case of infanticide to the practice of state-mandated castration. Several of the authors pay close attention to the social and personal dynamics of interracial women's networks and relationships across place and time. The Devil's Lane illuminates early forms of sexual oppression, inviting comparative questions about authority and violence, social attitudes and sexual tensions, the impact of slavery as well as the twisted course of race relations among blacks, whites, and Indians. Several scholars look particularly at the Gulf South, myopically neglected in traditional literature, and an outstanding feature of this collection. These eighteen original essays reveal why the intersection of sex and race marks an essential point of departure for understanding southern social relations, and a turning point for the field of colonial history. The rich, varied and distinctive experiences showcased in The Devil's Lane provides an extraordinary opportunity for readers interested in women's history, African American history, southern history, and especially colonial history to explore a wide range of exciting issues.
Hillary Is the Best Choice" presents a more balanced view of politics. To start with, politics is neither good nor bad. It is neutral. It can either go good or bad depending on the politicians who are involved. For the first time in American presidential politics, for example, we have a woman candidate. In previous elections, when only men were presidential contenders, the tendency to play "dirty" was always a great temptation. With Hillary Clinton, Democratic Senator from New York and our country's former First Lady, as one of the current leading presidential aspirants, it is our hope that the old pattern of negativity will be replaced by a new pattern of political civility. Politics can be a clean activity. And elections, especially presidential ones, ought to be a matter of choosing the better of two goods (when an independent or third party candidate is running, it will be a matter of choosing the best of three).
Films possess virtually unlimited power for crafting broad interpretations of American history. Nineteenth-century America has proven especially conducive to Hollywood imaginations, producing indelible images like the plight of Davy Crockett and the defenders of the Alamo, Pickett’s doomed charge at Gettysburg, the proliferation and destruction of plantation slavery in the American South, Custer’s fateful decision to divide his forces at Little Big Horn, and the onset of immigration and industrialization that saw Old World lifestyles and customs dissolve amid rapidly changing environments. Balancing historical nuance with passion for cinematic narratives, Writing History with Lightning confronts how movies about nineteenth-century America influence the ways in which mass audiences remember, understand, and envision the nation’s past. In these twenty-six essays—divided by the editors into sections on topics like frontiers, slavery, the Civil War, the Lost Cause, and the West—notable historians engage with films and the historical events they ostensibly depict. Instead of just separating fact from fiction, the essays contemplate the extent to which movies generate and promulgate collective memories of American history. Along with new takes on familiar classics like Young Mr. Lincoln and They Died with Their Boots On, the volume covers several films released in recent years, including The Revenant, 12 Years a Slave, The Birth of a Nation, Free State of Jones, and The Hateful Eight. The authors address Hollywood epics like The Alamo and Amistad, arguing that these movies flatten the historical record to promote nationalist visions. The contributors also examine overlooked films like Hester Street and Daughters of the Dust, considering their portraits of marginalized communities as transformative perspectives on American culture. By surveying films about nineteenth-century America, Writing History with Lightning analyzes how movies create popular understandings of American history and why those interpretations change over time.
No university affiliations. No half-truths. No out-of-touch authors who haven't been in school for decades. A class project turned company, College Prowler produces guidebooks that are written by actual college students and cover the things students really want to know. Unlike other guides that jam everything into a five-pound book and devote only two pages to each college, our single-school guidebooks give students only the schools they want and all the information they need. From academics and diversity to nightlife and sports, we let the students tell it how it is. In addition to editorial reviews and grades for 20 different topics, more than 80 percent of each guide is composed of actual student reviews of their school. Whether readers are looking for "Best and Worst" lists, "Did You Knows?" or traditions, College Prowler guides have it all. Our books are the only place for local slang, urban legends, and tips on the best places to find a date, study, or grab a bite to eat.
This lively memoir recounts the story of a determined woman who led a remarkable life in the highest circles of power in both state and national politics. Catherine Conner spent her formative years on a farm named "Solitude," located outside of Bardstown. Her father, who taught her early to ride and swim, told the young woman, "I can't teach you how to be a lady, but I can teach you how to behave like a gentleman." She was weaned on a secret "early breakfast" of bourbon and milk toddies that her father brought to her every morning. Though she enjoyed privilege, Conner also witnessed the harsher sides of rural life. Those experiences markedly shaped the personality of a woman who would become the youngest National Democratic Committeewoman and would subsequently serve in FDR's inner circle. Conner began her political career in Kentucky under the tutelage of J. Dan Talbott of Bardstown, heading the successful effort to have Federal Hill, better known as "My Old Kentucky Home," preserved as a state park, which has now become one of the most popular in Kentucky. When local leaders proved only mildly supportive of the project, Conner devised a campaign in 1921 that raised $45,000 by having schoolchildren all over the state drop their pennies into a cardboard replica of the famous home. She acted as a special assistant to Harry Hopkins for five years, helping set up departments to carry out New Deal programs and lobbying. She befriended many of the shapers of the 20th Century, including Senator Sam Rayburn, A.B. "Happy" Chandler, and Senator Harry Byrd of Virginia. Throughout her life, Conner witnessed remarkable events. She saw the Hindenburg crash, met Amelia Earhart, and had Cary Grant show her how to gut a Thanksgiving turkey.
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