The Little Girl Who Couldn’t Sleep was written and designed by a mum and ex English teacher to help children go to sleep. The moon looks down on the sleepy world below and finds that somewhere a little girl is awake. The moon goes searching for her, coming across a sleepy fox, a tired bird and an exhausted mouse, but they are all too tired to tell the moon where he can find her. It is the wise old owl who tells the moon to look through the window in the little house and it is here that the parent can attach a photo of their child. The beautiful hand painted circular illustrations and the gentle repetition of the commands to ‘shh’, ‘yawn’ and ‘sleep’ will soon have your little ones ready to go to bed.
The Little Boy Who Couldn’t Sleep was written and designed by a mum and ex English teacher to help children go to sleep. The moon looks down on the sleepy world below and finds that somewhere a little boy is awake. The moon goes searching for him, coming across a sleepy fox, a tired bird and an exhausted mouse, but they are all too tired to tell the moon where he can find him. It is the wise old owl who tells the moon to look through the window in the little house and it is here that the parent can attach a photo of their child. The beautiful hand painted circular illustrations and the gentle repetition of the commands to ‘shh’, ‘yawn’ and ‘sleep’ will soon have your little ones ready to go to bed.
Greetings friends of Carroll County! Gather around your tree, menorah, fireplace, or punch bowl, and enjoy this anthology written by our writing family for yours. This book includes short stories, memoirs, and poetry, written by the young and the young at heart for those who are one to ninety-nine. From humorous capers to stories of holiday magic, to traditional memories, literary poems, solemn thought provokers, or previously published favorites, we hope this anthology provides enjoyment for the entire family. Look for the mention of some of your favorite county places or experiences. Happy holidays to all, and to all, a good season and prosperous new year!
Carroll County, in central Maryland, was created in 1837 out of the western part of Baltimore County and the eastern part of Frederick County, making it one of the last counties created in the state. It takes its name from Charles Carroll, a signer of the Declaration of Independence. He lived the longest of all the signers, dying a few years before the county's founding. Carroll County's location has influenced its history, bringing together Mason and Dixon, the Baltimore and Ohio and Western Maryland Railroads, the Union Army of the Potomac, J. E. B. Stuart's Confederate cavalry, and the rural free delivery of mail. Settled by Pennsylvania Germans along the northern border and English settlers in the south, its diverse heritage is reflected in the cities of Westminster, Hampstead, Manchester, Mount Airy, New Windsor, Sykesville, Taneytown, Union Bridge, and the crossroad communities of Linwood, Patapsco, and Union Mills.
William Winchester established Westminster in 1764 by laying out 45 town lots along the main road to Baltimore. The lots sold quickly, and soon there was a small but thriving community. When Carroll County was established in 1837, Westminster was named the county seat, bringing government officials, judges, lawyers, and visitors to the town. Hotels, homes, and stores sprang up to serve the influx of new residents and visitors. The Western Maryland Railway reached Westminster in 1861. In 1863, Confederate general J. E. B. Stuart's cavalry arrived en route to Gettysburg and battled a small detachment of Union cavalry responsible for guarding the vital railroad link to Baltimore. After Stuart's troops continued on to Pennsylvania, Union troops established an important depot, with supplies arriving from Baltimore for transport to the battlefield and wounded soldiers returning to be cared for in Westminster's hotels, churches, and homes. Westminster prospered throughout the 19th and 20th centuries as it became the center of an industrial and agricultural community.
Fascination with little girls pervaded Victorian culture. For many, girls represented the true essence of childhood or bygone times of innocence; but for middle-class men, especially writers, the interest ran much deeper. In Men in Wonderland, Catherine Robson explores the ways in which various nineteenth-century British male authors constructed girlhood, and analyzes the nature of their investment in the figure of the girl. In so doing, she reveals the link between the idealization of little girls and a widespread fantasy of male development--a myth suggesting that men become masculine only after an initial feminine stage, lived out in the protective environment of the nursery. Little girls, argues Robson, thus offer an adult male the best opportunity to reconnect with his own lost self. Tracing the beginnings of this myth in the writings of Romantics Wordsworth and De Quincey, Robson identifies the consolidation of this paradigm in numerous Victorian artifacts, ranging from literary works by Dickens and Barrett Browning, to paintings by Frith and Millais, to reports of the Royal Commission on Children's Employment. She analyzes Ruskin and Carroll's "high noon" of girl worship and investigates the destruction of the fantasy in the closing decades of the century, when social concerns about the working girl sexualized the image of young females. Men in Wonderland contributes to a growing interest in the nineteenth century's construction of childhood, sexuality, and masculinity, and illuminates their complex interconnections with a startlingly different light. Not only does it complicate the narratives of pedophilic desire that are generally used to explain figures like Ruskin and Carroll, but it offers a new understanding of the Victorian era's obsession with loss, its rampant sentimentality, and its intense valorization of the little girl at the expense of mature femininity.
Alice's Wonderland dives down the rabbit hole and looks at the dazzling ways that Wonderland has been imagined by artists, filmmakers, writers, and more. Get a behind-the-scenes looks at how the books were created, meet Alice Liddell, the inspiration for the fictional Alice, and view the original manuscript copy of Alice in Wonderland, illustrated in Carroll's own hand. The fantastical world imagined by Charles Dodgson (aka Lewis Carroll) - where a white rabbit carries a pocket watch, a crying baby morphs into a squealing pig, and a flamingo is used as a croquet mallet - has inspired countless artists to produce some of their best work. Illustrators such as John Tenniel, chose to tackle the work directly, producing illustrations, films, and shows that strive to accurately depict Wonderland. Others, such as artist Salvador Dali and director Tim Burton, freely adapted Dodgson's creation, using it as a springboard for their own incredible interpretations. Lushly illustrated paintings, artwork, and sketches, Alice's Wonderland explores how artists in different fields like art, music, theater, film, and more have interpreted Carroll's works through the ages. A must-have book for any Alice fan.
Acclaimed writers, family, friends, and more pay homage to the celebrated Southern author of The Prince of Tides and The Great Santini. New York Times–bestselling writer Pat Conroy (1945–2016) inspired a worldwide legion of devoted fans, but none are more loyal to him and more committed to sustaining his literary legacy than the many writers he nurtured over the course of his fifty-year career. In sharing their stories of Conroy, his fellow writers honor his memory and advance our shared understanding of his lasting impact on literary life in and well beyond the American South. Conroy’s fellowship drew from all walks of life. His relationships were complicated, and people and places he thought he’d left behind often circled back to him at crucial moments. The pantheon of contributors includes Rick Bragg, Kathleen Parker, Barbra Streisand, Janis Ian, Anthony Grooms, Mary Hood, Nikky Finney, Nathalie Dupree and Cynthia Graubart, Ron Rash, Sandra Brown, and Mary Alice Monroe; Conroy biographers Katherine Clark and Catherine Seltzer; his longtime friends; Pat’s students Sallie Ann Robinson and Valerie Sayers; members of the Conroy family; and many more. Each author in this collection shares a slightly different view of Conroy. Through their voices, a multifaceted portrait of him comes to life and sheds new light on who he was. Loosely following Conroy’s own chronology, the essays herewith wind through his river of a story, stopping at important ports of call. Cities he called home and longed to visit, along with each book he birthed, become characters that are as equally important as the people he touched along the way.
In 1975, two centuries after her birth, Pope Paul VI canonized Elizabeth Ann Seton, making her the first saint to be a native-born citizen of the United States in the Roman Catholic Church. Seton came of age in Manhattan as the city and her family struggled to rebuild themselves after the Revolution, explored both contemporary philosophy and Christianity, converted to Catholicism from her native Episcopalian faith, and built the St. Joseph’s Academy and Free School in Emmitsburg, Maryland. Hers was an exemplary early American life of struggle, ambition, questioning, and faith, and in this flowing biography, Catherine O’Donnell has given Seton her due. O’Donnell places Seton squarely in the context of the dynamic and risky years of the American and French Revolutions and their aftermath. Just as Seton’s dramatic life was studded with hardship, achievement, and grief so were the social, economic, political, and religious scenes of the Early American Republic in which she lived. O’Donnell provides the reader with a strong sense of this remarkable woman’s intelligence and compassion as she withstood her husband’s financial failures and untimely death, undertook a slow conversion to Catholicism, and struggled to reconcile her single-minded faith with her respect for others’ different choices. The fruit of her labors were the creation of a spirituality that embraced human connections as well as divine love and the American Sisters of Charity, part of an enduring global community with a specific apostolate for teaching. The trove of correspondence, journals, reflections, and community records that O’Donnell weaves together throughout Elizabeth Seton provides deep insight into her life and her world. Each source enriches our understanding of women’s friendships and choices, illuminates the relationships within the often-opaque world of early religious communities, and upends conventional wisdom about the ways Americans of different faiths competed and collaborated during the nation’s earliest years. Through her close and sympathetic reading of Seton’s letters and journals, O’Donnell reveals Seton the person and shows us how, with both pride and humility, she came to understand her own importance as Mother Seton in the years before her death in 1821.
First Published in 1993. Since health psychology is concerned with the universal values of life and death, wellbeing and suffering, it might be expected that its researchers would be keen to examine both male and female experiences of these phenomena. In practice, however, health psychology has followed health research in adopting a largely male perspective, both in its general approach and selection of topics. Women are different from men, not only in terms of anatomy, but in terms of the socialization processes to which they have been exposed and the social and economic positions they occupy. These differences have a significant impact on women's health, predisposing them to some disorders and protecting them from others. While it is true that male mortality exceeds female mortality from conception to old age, women's survival has the price of increased mental and physical illness. Men die, but women suffer. Despite a growing awareness of these differences there continues to be a distinct bias towards using male subjects for research and studying those diseases which affect more men than women. The Health Psychology of Women is a response to this imbalance and a challenge to the attitude which explores the behavior of half the population in order to draw conclusions about the experience of the whole. It is essential reading for students and researchers of psychology and health, and health professionals in training and practice.
Zeffa is a young human girl who grows up in the war-torn Leidan Islands. One evening, perched high on the cliffs of Atunluck, she awaits her father's return from a military expedition. The sea becomes hostile as her father's ship approaches, and before it can reach the safety of Atunluck Harbor, it capsizes. Everyone onboard is lost. Zeffa is heart stricken, but her fellow villagers are Strangely at ease. Unbeknownst to Zeffa, she used a "Neal light," a powerful mage's tool, to brighten the darkening skies so she could see her father's ship. She may be the only human alive who has the gift of magic. But in order to develop it and save her people from the tyranny of the Flintermond, a barbaric race of dark elves, she must leave her beloved home to become a sorceress in another land. Magic grows strong within her, but the obstacles she encounters are overwhelming. As death confronts her at every turn, she wonders whether she will ever see her homeland again. Please visit www.zeffa.com.
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