Faulknerista collects more than twenty years of critically influential scholarship by Catherine Gunther Kodat on the writings of one of the most important American authors of the twentieth century, William Faulkner. Initially composed as freestanding essays and now updated and revised, the book’s nine chapters place Faulkner’s work in the context of current debates concerning the politics of white authors who write about race, queer sexualities, and the use of the N-word in literature and popular culture. The Faulknerista of the title is a critic who tackles these debates without fear or favor, balancing admiration with skepticism in a manner that establishes a new model for single-author scholarship that is both historically grounded (for women have been writing about Faulkner, and talking back to him, since the beginning of his career) and urgently contemporary. Beginning with an introduction that argues for the critical importance of women’s engagement with Faulkner’s fiction, through comparative discussions pairing it with works by Toni Morrison, Jean-Luc Godard, Quentin Tarantino, and David Simon, Faulknerista offers a valuable resource for students, scholars, and general readers, written in an accessible style and aimed at stimulating discussions of Faulkner’s work and the rich interpretive challenges it continues to present.
Though best known as the author of Dracula (1897) Bram Stoker had a successful career in the theatre. This collection brings together all Stoker's theatrical reviews from Dublin's Evening Mail, his published essays and interviews on the theatre, selections from Reminiscences of Henry Irving (1906) and a fictional work on the theatre.
This second volume of The Cambridge History of the Gothic provides a rigorous account of the Gothic in British, American and Continental European culture, from the Romantic period through to the Victorian fin de siècle. Here, leading scholars in the fields of literature, theatre, architecture and the history of science and popular entertainment explore the Gothic in its numerous interdisciplinary forms and guises, as well as across a range of different international contexts. As much a cultural history of the Gothic in this period as an account of the ways in which the Gothic mode has participated in the formative historical events of modernity, the volume offers fresh perspectives on familiar themes while also drawing new critical attention to a range of hitherto overlooked concerns. From Romanticism, to Penny Bloods, Dickens and even the railway system, the volume provides a compelling and comprehensive study of nineteenth-century Gothic culture.
Meet the rebellious young poets who brought about a literary revolution Rock stars may think they invented sex, drugs, and rock and roll, but the Romantic poets truly created the mold. In the early 1800s, poetry could land a person in jail. Those who tried to change the world through their poems risked notoriety—or courted it. Among the most subversive were a group of young writers known as the Romantics: Lord Byron, Percy Bysshe Shelley, Samuel Taylor Cole-ridge, William Wordsworth, and John Keats. These rebels believed poetry should express strong feelings in ordinary language, and their words changed literature forever. Wildly Romantic is a smart, sexy, and fascinating look at these original bad boys—and girls.
California Gold offers a compelling cultural snapshot of a diverse California during the 1930s at the height of the New Deal, drawing on the career of folk music collector Sidney Robertson and the musical culture of often-unheard voices. Robertson—an intrepid young woman armed only with a map, her notebooks, and the recording equipment of the time—proposed and directed a New Deal initiative, the WPA California Folk Music Project, designed to survey musical traditions from a wide range of English-speaking and immigrant communities in Northern California. In California Gold, Catherine Hiebert Kerst explores Robertson's distinctive and modern approach to fieldwork and examines the numerous ethnographic documentary materials she generated with WPA project staff to capture a cross-section of the music that people were actively performing in their communities. Kerst highlights some of the most notable songs, images, and ephemera of the collection, capturing and contextualizing the diverse musical traditions that California immigrant communities performed during the New Deal era. Kerst also foregrounds the ethnographic insights and accomplishments of a significant woman folk music collector who has received less attention than she deserves.
Educating the Romantic Poets: Life and Learning in the Anglo-Classical Academy, 1770-1850 explores how the public and endowed grammar schools and the colleges of Oxford and Cambridge trained some of the most important writers, critics, and public figures of the Romantic period. These institutions are recognized here as intentional partners and are discussed collectively as the “Anglo-classical academy”. The book shows how they not only schooled students in “classics, maths, and divinity” but also in accepted social behaviours, cultural values, political beliefs, and literary tastes. In so doing, this academy gave shape to the literature and spirit of the age. By discussing the schools and the universities together and by focusing upon pedagogies and daily life as well as the texts and topics studied, this book shows as no other has done how writers and readers of the late eighteenth and early nineteenth centuries became such fluent linguists, skilled prosodists, and perceptive critics. As each chapter explores and comments upon the relational, intellectual, and cultural aspects of the Anglo-classical educational experience, it directs readers’ attention to the ways in which this information can be used to reread texts, reassess certain Romantics’ literary careers, and launch new lines of research.
The present age has seen an explosion of verse novels in many parts of the world. Australia is a prolific producer, as are the USA and the UK. Novels in verse have also appeared in Canada, New Zealand, India, South Africa, Jamaica and several other countries. A novel written in verse contradicts theories that distinguish the novel as essentially a prose genre. The boundaries of prose and verse are, however, somewhat fluid. This is especially evident in the case of free verse poetry and the kinds of prose used in many Modernist novels. The contemporary outburst may seem a uniquely Postmodernist flouting of generic boundaries, but, in fact, the verse novel is not new. Its origins reach back to at least the eighteenth century. Byron’s Don Juan, in the early nineteenth century, was an important influence on many later examples. Since its first surge in popularity during the Victorian era, it has never died out, though some fine examples, most of them from the earlier twentieth century, have been neglected or forgotten. This book investigates the status of the verse novel as a genre and traces its mainly English-language history from its beginnings. The discussion will be of interest to genre theorists, prosodists, narratologists and literary historians, as well as readers of verse novels wishing for some background to this apparently new literary phenomenon.
When Florida attorney Tina Jefferson hears her mother's gasping voice on the telephone, she knows something's happened. "What's going on, Mom?" Tina asks. "You sound...worried." "Worried?" the older woman retorts. "Why, everything's wonderful, Tina, what could possibly be wrong? I play shuffleboard every day and we all have such fun." Except, Tina knows, that her mother has never played shuffleboard in her life; she's a successful, lifelong sculptress. So Tina decides to jump into her flying club's airplane and cross Florida to her mother's condo on the west coast to see what's going on. When she arrives, at first glance nothing seems changed. But she soon discovers that a gate guard may have been murdered and residents are frightened. Maintenance fees are escalating, driving some into bankruptcy, and a new crowd of malignant managers has taken over the little island, threatening residents. Using her legal knowledge, Tina tries to help, but soon finds that protecting herself from escalating danger has become the ultimate challenge.
Members of a mystery book club find that the events from their favorite murder mysteries are coming true in their own quiet Winnipeg neighborhood, in Catherine Hunter's The Dead of Midnight Members of the Mystery au Lait Café book club can't get enough of the Midnight Mystery Series--until the books' terrifying crimes begin to happen for real in the quiet town where the club meets. Someone is imitating the Midnight Mystery murders and killing off the book club, one member at a time. Meanwhile, sales of the series skyrocket as attention is drawn to the books and to the club where the craze began. When both the ex-wife and current girlfriend of local musician Peter Petursson are terrorized, many conclude that Peter's is the cruel hand behind the reenactments. But there are still leads to follow and evidence to be gathered . . . Perhaps one of the book club members has a twisted side that just hasn't shown itself over coffee and cookies at the meetings. Maybe the café owner is willing to lose a few loyal customers in exchange for a flurry of new ones. Or maybe the publisher simply knows good publicity when he sees it.
This YA biography offers “a thorough, sensitive portrayal of one of literature’s most remarkable authors, illustrated with period portraits and engravings” (Kirkus). Most famous for her iconic tale of gothic horror, Frankenstein, Mary Shelley led a life that could itself have been a gothic novel. This “fascinating, scandal-rich” biography recounts a story full of drama, death, and one of the strangest romances in literary history (Booklist). Raised by her father, the political philosopher William Godwin, Shelley ran away to Lake Geneva with the poet Percy Bysshe Shelley when she was only sixteen years old. It was there, during a cold and wet summer, that she first imagined her story about a mad scientist who brought a corpse back to life. Success soon followed for Mary, but also great tragedy and misfortune. In Mary Shelley, Catherine Reef brings this passionate woman, brilliant writer, and forgotten feminist into crisp focus, detailing a life that was remarkable both before and after the publication of her immortal masterpiece.
Do you love stories with sexy, romantic heroes who have it all—wealth, status, and incredibly good looks? Harlequin® Desire brings you all this and more with these three new full-length titles for one great price! Look for Harlequin® Desire’s November 2014 Bundle 2 of 2, filled with even more scandalous stories and powerful heroes! SHELTERED BY THE MILLIONAIRE (Texas Cattleman's Club: After the Storm) By USA TODAY bestseller Catherine Mann An unexpected passion ignites between single mom and conservationist Megan and her adversarial neighbor. But when she learns the real estate magnate threatens what she’s trying to protect, she has to decide—trust the facts...or her heart? A BEAUMONT CHRISTMAS WEDDING (The Beaumont Heirs) By Sarah M. Anderson As best man and a PR specialist, Matthew Beaumont needs his brother’s Christmas wedding to be perfect. Then former wild child Whitney Maddox becomes a bridesmaid. Will she ruin the wedding? Or will Matthew discover the real woman behind the celebrity facade? HER DESERT KNIGHT By USA TODAY bestseller Jennifer Lewis The last thing Dani needs after her divorce is an affair with a man from the family that's been feuding with hers for decades. But notorious seducer Quasar may be the only man who can reawaken her body…and her heart.
Based on years of ground-breaking research, this book supplies a look at the unique relationship between each text and the individual reader that results in a satisfying, pleasurable, and even life-changing reading experience. Following up on her critically acclaimed Reading Matters: What the Research Reveals about Reading, Libraries, and Community, Catherine Sheldrick Ross takes a new look at pleasure reading through 30 thought-provoking essays based on themes arranged from A to Z. In short lively chapters, she discusses topics ranging from "Alexia," "Bad Reading," and "Changing Lives" to "Romance Fiction," "Self-help," "Titles," "Vampires," and "Year of Reading." Drawing on her own research as well as other published sources, Ross comments on the significance of each theme, provides examples of the phenomenon, and develops the topic chronologically, through further examples, or through reversals. The essays are unified by an underlying theory of reading that views readers as sense-makers, actively engaged in reading themselves into the text and reading the texts back into their own lives. It gives educators and librarians insights into their roles with readers and offers a message about the importance of pleasure reading. A short list of resources for further reading is supplied with each topic.
As millions of viewers across the globe thrill to the assembly room exploits of the Bridgerton family and wait with bated breath for Lady Whistledownâs latest dispatch from Almackâs, scandal has never been so delicious. In a world where appearances were everything and gossip was currency, everyone had their price. From a divorce case that hinged on a public demonstration of masturbation to the irresistible exploits of the New Female Coterie, via the Prince Regentâs dropped drawers and Lady Hamiltonâs diaphanous unmentionables, The Real Bridgerton pulls back the sheets on the eighteenth centuryâs most outrageous scandals. Within these pages Lord Byron meets his match, the richest commoner in England falls for a swindler with a heart of stone, and forbidden love between half-siblings leaves a wife and her children reeling. Behind the headlines and the breathless whispers in Regency ballrooms were real people living real lives in a tumultuous, unforgiving era. The fall from the very pinnacle of society to the gutter could be as quick as it was brutal. If you thought that Bridgerton was as shocking as the Georgians got, itâs time to think again.
Many people in Great Britain and the United States can recall elderly relatives who remembered long stretches of verse learned at school decades earlier, yet most of us were never required to recite in class. Heart Beats is the first book to examine how poetry recitation came to assume a central place in past curricular programs, and to investigate when and why the once-mandatory exercise declined. Telling the story of a lost pedagogical practice and its wide-ranging effects on two sides of the Atlantic, Catherine Robson explores how recitation altered the ordinary people who committed poems to heart, and changed the worlds in which they lived. Heart Beats begins by investigating recitation's progress within British and American public educational systems over the course of the nineteenth and twentieth centuries, and weighs the factors that influenced which poems were most frequently assigned. Robson then scrutinizes the recitational fortunes of three short works that were once classroom classics: Felicia Hemans's "Casabianca," Thomas Gray's "Elegy Written in a Country Churchyard," and Charles Wolfe's "Burial of Sir John Moore after Corunna." To conclude, the book considers W. E. Henley's "Invictus" and Rudyard Kipling's "If--," asking why the idea of the memorized poem arouses such different responses in the United States and Great Britain today. Focusing on vital connections between poems, individuals, and their communities, Heart Beats is an important study of the history and power of memorized poetry.
A family holiday with toddlers can be challenging at the best of times. Despite the obstacles, photojournalist Catherine Lanz and her husband Byron decide to do it the hard way. Finding themselves at one of life’s crossroads, they resolve to take the gap and show their children the landscapes, wildlife and peoples of southern Africa. So they pack Kira (3) and Tom (4) and a stuffed rabbit called ‘Roadi Killi’ into their trusty Toyota Fortuner 4x4, hitch up a trailer and set off on an ambitious 10-month circuit through South Africa, Lesotho, Swaziland, Mozambique, Malawi, Zambia, Botswana and Namibia. In the course of this 20 000-kilometre odyssey, they meet many unique characters (and some interesting people, too) and discover their passion for the vibrant and generous soul of Africa. Travels with a Roadkill Rabbit captures all the warmth and humour of this amazing journey, together with the frustrations, irritations and occasional disasters that can befall an expedition - especially when you run out of Jelly Tots. Catherine Lanz spent 10 years on the staff of South Africa’s premier travel magazine Getaway. Currently a freelance photojournalist, her work has appeared in magazines such as Wine, Life, Mango Juice, Hamba Kahle and Pinnacle, as well as in the books Africa Adventure Atlas and, more recently, Africa Lens.
What does it mean to be of Irish descent? What does Irish descent stand for in Ireland? In Northern Ireland? In the United States? How are the categories of “native” and “settler” and accounts of ethnic origin being refigured through popular genealogy and population genetics? Of Irish Descent addresses these questions by exploring the contemporary significance of ideas about ancestral roots, origins, and connections. Moving from the intimacy of family stories and reunions to disputed state policies on noble titles and new applications of genetic research, Nash traces the place of ancestry in interconnected geographies of identity—familial, ethnic, national, and diasporic. Underlying these different practices and narratives are potent and profoundly political questions about who counts as Irish and to whom Ireland belongs. Examining tensions between ideas of plurality and commonality, difference and connection that run through the culture and science of ancestral origins, Of Irish Descent is an original and timely exploration of new configurations of nation and diaspora as communities of shared descent.
Family Fortunes has become a seminal text in class and gender history. Published to wide critical acclaim in 1987, its influence in the field continues to be extensive. It has cast new light on the perception of middle-class society and gender relations between 1780 and 1850. This revised edition contains a substantial new introduction, placing the original survey in its historiographical context. Leonore Davidoff and Catherine Hall evaluate the readings their text has received and broaden their study by taking into account recent developments and shifts in the field. They apply current perceptions of history to their original project, and see new motives and meanings emerge that reinforce their argument.
Do you dream of wicked rakes, gorgeous Highlanders, muscled Viking warriors and rugged Wild West cowboys? Harlequin® Historical brings you three new full-length titles in one collection! A Proposition for the Comte Gentlemen of Honor by Sophia James (Regency) Threatened by her late husband’s enemies, cautious Lady Violet Addington needs the protection of the dangerous Comte de Beaumont. But what can she offer him in return…? His Rags-to-Riches Contessa Matches Made in Scandal by Marguerite Kaye (Regency) Conte Luca del Pietro needs Becky Wickes, London’s finest cardsharp, to help catch his father’s murderer. But as their chemistry burns hotter, the stakes of their dangerous game get higher! The Makings of a Lady The Chadcombe Marriages by Catherine Tinley Just as Lady Olivia thinks she’s found a suitable match in suave Mr. Manning, charismatic Captain Jem Ford, the subject of her childhood infatuation, returns. Dare she hope he’ll notice her as the lady she’s now become? Look for Harlequin® Historical’s October 2018 Box set 2 of 2, filled with even more timeless love stories!
Trevorrick River was but a little stream to have fretted so deep a cleft between the hills as that which sloped from the main road of Tregols parish to the sea. From the source to the engulfing sands was barely a mile, and the twinkling waters, if full and fierce in winter, showed a summer fear of their own broad stepping-stones. Nevertheless the sharp declivities, the juttings of rock, even the shelves and crags and walls of Dark Head, had been formed by the gnawing of this tiny but persistent flow. The valley ran east and west. The sun, rising beyond St. Cadic Mill, poured its noon warmth over Hember and sank behind the sheltered plateau on which stood the old home of the Rosevears. The dying beams, however, could not reach the deep-set windows of Wastralls, for the crest of Dark Head reared itself between the farmstead and the harsh threat of the Atlantic. The house lay in a fold of land, hidden equally from those who moved upon the face of the waters, and those who might be said, though their habitations were at a distance, to neighbour it. As a refuge in troublous times, the position had its value, and there were indications that this shelf of rock had been, many centuries ago, the nest of some wild brood. Upon their heels had followed as descendants or conquerors—the script is too nearly obliterated to be read—men who in their own strong person represented the law. The gate-posts of Wastralls were crowned with the egg-shaped stones which indicated that it was a manor-house, and that its owner had the right to dispense justice. Within the house, and occupying a space from wall to wall, was the ancient Justice Room; but its stately uses had long been abated, its irrevocable decisions had lost their force, in the autumn of its days it had become a lumber-room and more lately a bedchamber. A century ago, from the mill at the head of the valley to the Wreckers' Hut on the foreshore, Trevorrick had been the property of one man. Of peasant stock, how Freathy Rosevear came by land and money was matter of surmise. 'He had gone out one morning a poor man, and had come home rich.' Little need, however, to invent tales of hidden treasure, witchcraft, divination, when the caves in Morwen Cove made so safe a store-house: when the Wreckers' Hut stood behind the teeth of the Mad Rip: when the lanes that converged upon the towns—the towns in which queer commodities could always be sold—were so deep and secret. Whatever the sources of his income, as fortunes went, in that remote district, Freathy Rosevear was accounted wealthy. He was also a man to take the eye. Big, florid, fair, he might have stepped out of a Holbein canvas, and tales of his unusual strength were told and retold of a winter's evening in the cottages. Did his wife complain the store of wreck was running low? Forthwith he had gone out, caught the first of the homing donkeys, and carried it, load and all, into her presence, with "A fardel for my Lady"—so the story.
It is one thing to report a news story and another to use the same material in one's art - and Cather did intend that her literary works become "art" and that they achieve lasting fame. This volume details how Cather came to transform the office routine of memos and deadlines, linotypes and the business trip, into the artistry of her early stories, poems, biographies, and novels."--BOOK JACKET.
Explores Victorian literature through scent and perfume, presenting an extensive range of well-known and unfamiliar texts in intriguing and imaginative new ways that make us re-think literature's relation with the senses. A selection of poems, essays, and fiction, exploring these texts with reference to both the little-known cultural history of perfume use and the appreciation of natural fragrance in Victorian Britain. It shows how scent and perfume are used to convey not merely moods and atmospheres but the nuances of the aesthete or decadent's carefully cultivated identity, personality, or sensibility.
Examines theory produced by women playwrights, actresses, and spectators of the middle and upper classes, as expressed in journals, letters, and play prefaces. Shows how their concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of the theater that complicates the Romantic opposition between closet and stage. Annotation copyrighted by Book News, Inc., Portland, OR
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