Are you living as God's burning bush, without being consumed? Or might you be headed toward burnout? We will rediscover the blessing of this mutual love relationship with God, overflowing to others, as God's sheer gift. Could it be that the first and greatest commandment is for our greatest joy, and not some mysterious burden to fulfill? One metaphor is the vine and the branches from John 15:1-11. Jesus is the vine and we are the branches; apart from the vine the branch can do nothing. God wants to be our supply, our source, in an intimate encounter of the finite with the infinite. God was the source for these heroes of faith: Augustine of Hippo, Bernard of Clairvaux, Catherine of Siena, Ignatius of Loyola, John Calvin, and Teresa of Avila. Using a descriptive process called the Classic Three Ways, including the purgative (letting go), illuminative (seeing with the heart), and unitive (intimacy), dating back to around 500 CE, we now add a fourth way, the unitive/active (the dance). From that dance of mutual love, ministry overflows. We do it together; it is participatory, humankind following God's lead. It's not a formula. It's our living God!
This is the first book-length study of the popular novelist Tom Robbins. Whimsy and humor characterize Robbins' work, but style and language are the keystones. Hoyser and Stookey show how Robbins deftly uses style and humor to depict the absurdities and injustices of our world. His novels constantly challenge perceptions of the world that people automatically label as normal. His fiction criticizes the complacency of humans in a world becoming increasingly alienated from nature and the joy of life. In addition to a critical analysis of each of his novels, the study contains biographical material never before published and the first full-length bibliography on Robbins, including a bibliography of reviews of his fiction. This is the first book-length study of the popular novelist Tom Robbins. Whimsy and humor characterize Robbins' work, but style and language are the keystones. Hoyser and Stookey show how Robbins deftly uses style and humor to depict the absurdities and injustices of our world. His novels constantly challenge perceptions of the world that people automatically label as normal. His fiction criticizes the complacency of humans in a world becoming increasingly alienated from nature and the joy of life. In addition to a critical analysis of each of his novels, the study contains biographical material never before published and the first full-length bibliography on Robbins, including a bibliography of reviews of his fiction. The study features a biographical chapter, a chapter on context and style, and individual chapters on each of his novels, ^IAnother Roadside Attraction^R, ^IEven Cowgirls Get the Blues, Still Life with Woodpecker, Jitterbug Perfume, skinny legs and all^R, and ^IHalf Asleep in Frog Pajamas^R. Each novel is analyzed for plot structure, characterization, and thematic elements. In addition, Hoyser and Stookey define and apply an alternative critical perspective from which to read each novel. The reading of each of Robbins' novels will be enriched by this perceptive study.
Suspense and passion collide in Los Angeles in this contemporary suspense novel from #1 New York Times bestselling author Catherine Coulter. Mary Lisa Beverly plays the woman everyone loves to hate. A soap-opera phenom, she's just won her third Daytime Emmy for her role as Sunday Cavendish on Born to Be Wild. But the drama grows all too real when someone tries to kill her—and she must turn to the last man she’d expect to help her…
When Rachel Flores' tumultuous relationship with Major Liam McCabe ended abruptly, she refocuses her energy onto her career. She plans to forget Liam and live a peaceful life supplying therapy dogs for recovering military vets-until a patient reveals a traitorous plot within the epicenter of military intelligence. Rachel finds herself ensnared within a web of danger, and only one man can help her...
I hereby record those events which took place in and around the city of Lazet relating to the assassination of our venerable Brother Augustin Duese in the year of the Incarnate Word, 1318. So writes Brother Bernard, an Inquisitor of Heretical Depravity, following the discovery of his superior's dismembered corpse. At a time when heresy is a heinous offence, routed out with ruthless determination, Brother Bernard is accustomed to dispensing harsh justice. But as he attempts to make sense of this shocking crime, he himself becomes an object of persecution-thanks to his passionate involvement with a mysterious suspect and her beautiful daughter. Pursued as a heretic, implicated as a murderer, Bernard must now face his accusers. To fail such a task, in fourteenth century France, means certain death. Catherine Jinks has crafted a magnificent tale of murder, forbidden lust and betrayal.
In the popular imagination, the business media, and the schools of business and management that train new generations of entrepreneurs and executives, achieving extraordinary success in business is attributed to far-sighted individuals who have taken bold risks, provided innovative leadership, and introduced new products, services, or ideas superior to those of the competition. Amid the growing skepticism about the means by which vast amounts of wealth are accumulated and its consequences, however, this belief is long overdue for reevaluation. In From Predators to Icons, Michel Villette, a sociologist, and Catherine Vuillermot, a business historian, examine the careers of thirty-two of today's wealthiest global executives--including Warren Buffett, Ingvar Kamprad, Bernard Arnault, Jim Clark, and Richard Branson--in order to challenge the conventional explanations for their extreme success and come to a better understanding of modern business practices. In contrast to the familiar image of the entrepreneur as a visionary with a plan, Villette and Vuillermot instead discover a far less dramatic process of improvised adaptations gradually assembled into a coherent course of conduct. And rather than being risk-takers, those who are most successful in business are risk-minimizers. Huge gains, these case studies reveal, are most reliably obtained in circumstances where the entrepreneur has established careful provisions for risk reduction. As for the view that innovation makes success possible, the authors find that because innovation is an expensive process that takes a long time to produce profits, innovators first of all require capital; success makes innovation possible. The necessary resources, they show, are most often derived from what they provocatively term "predation" ruthlessly taking advantage of imperfections, weaknesses, and vulnerabilities within the market or among competitors. Finally, From Predator to Icon considers the "practical ethics" implemented during the phase in which capital is most rapidly accumulated, as well as the social consequences of these activities. Drawing on interviews with some of their subjects and, crucially, close readings of the authorized biographies and other hagiographic accounts of these figures, which eliminates the bias of malicious interpretations, Villette and Vuillermot provide revelatory insights about the creation and maintenance of business wealth that will be profitably read by both the captains and the critics of contemporary capitalism.
A funny and poignant Gabriel’s Bay story from the bestselling Catherine Robertson. Dr Ashwin Ghadavi, the newly imported GP, is trying hard to fit into Gabriel’s Bay. His challenges include the immoveable force of his office manager, Mac, the ambiguities of the Kiwi idiom, and his unrequited attraction to Mac’s daughter, Emma. Having returned home, Emma is determined to help her old friend, Devon, whether he wants it or not. She’s also on a mission to right eco wrongs, and her targets include local farmer Vic Halsworth, who’s already neck deep in the proverbial and, to make matters worse, seems to be having visions of moose. Add in a former jailbird, a Norwegian recluse, and a woman struggling to foster a child, and you have the usual endearing and down-to-earth mix that can only occur in Gabriel’s Bay.
A heart-warming, thoroughly entertaining novel about a whole community. Kerry Macfarlane has run away from his wedding-that-wasn’t. He lands in coastal Gabriel’s Bay, billed as ‘a well-appointed small town’ on its website (last updated two decades ago). Here Kerry hopes to prove he’s not a complete failure. Or, at least, to give his most convincing impression. But Gabriel’s Bay has its own problems – low employment, no tourists, and a daunting hill road between it and civilisation. And Kerry must also run the gauntlet of its inhabitants: Sidney, single mother deserted by a feckless ex; Mac, the straight-shooting doctor’s receptionist; a team of unruly nine-year-olds; a giant restaurateur; and the local progressive association, who’ll debate apostrophe placement until the crack of doom. Can Kerry win their respect, and perhaps even love? Will his brilliant plan to transform the town’s fortunes earn him a lasting welcome in Gabriel’s Bay?
Cargo ships disappear and continent leaders send their best to investigate. The culprit is an organization run by a man who seems to have lived centuries, a man who dares to go against the Council of Continents' rules forbidding time travel. In an age when suicide claims the lives of more young people than any documented war, this man harvests people from their disillusion and uses them like they could not imagine possible. The title of the book that tells about this man's story is: "ERRLUS: The Time Pirate." 172 pages; 23 illustrations
This rabbi gig. People have no idea what it's all about. The Rabbi Finds Her Way follows Pearl Ross-Levy's first two years as associate rabbi at a large Reform congregation in California. This compelling, inspiring, and often funny narrative weaves the experiences and insights that shape the young rabbi as she finds her way through the challenges of her profession. We see Pearl's lifelong friendship with a high school classmate—the victim of a serious car accident—evolve as it opens her eyes to the world of religion. And whether she's discussing women's rights in the Bible with a bat mitzvah student, meeting the man she'll soon marry, encouraging a congregant with Alzheimer's to tell a joke whose punch line he's forgotten, or struggling with the anguish of a man who believes he's unwittingly committed a murder, Pearl reveals her intelligence, empathy, grit, and humor. The Rabbi's strength and faith grow as she continues to see that God does, indeed, work in strange ways.
One of the most important manuscripts surviving from thirteenth-century England, the corpus of documents known as the Hundred Rolls for Cambridge have been incomplete until the recent discovery of an additional roll. This invaluable volume replaces the previous inaccurate transcription by the record commission of 1818 and provides new translations and additional appendices. Shedding new light on important facets of business activity in thirteenth-century Cambridge, this volume makes a significant contribution to our knowledge of the early phases of capitalism. This unique text will be of interest to anyone working in the fields of economic and business history, entrepreneurship, philanthropy and medieval studies. A research monograph based on recently discovered historical documents, Compassionate Capitalism: Business and Community in Medieval England, by Casson et al, is also now available from Bristol University Press.
The seventh title in New York Times bestselling author Catherine Coulter's Brides series. Meggie Sherbrooke, newly married to Thomas Malcombe, the earl of Lancaster, finds her new home in Pendragon, a castle on the southeastern coast of Ireland. The ancient dwelling, full of eccentric people, charms Meggie—in a fashion that could lead to disaster.
What emotion is left once the heart and mind stops caring? Khedlar has an unquenchable thirst for revenge and will stop at nothing to punish those responsible for the murder of his wife and child. No one is safe in his psychopathic path, not even himself. In a warped world of madness and deceit, he makes it his mission to save his daughter's soul which pulls him deeper into the web. This unique, fast paced psychological thriller will horrify and exhilarate your senses all at once. Dawn Vines makes us question what is normality while leaving you wanting to know more. How many fragments of the puzzle were still hidden in the shadows and is Demetrius the only one who knows the untainted truth? Revenge is relentlessly gripping, with an intensely captivating story, a must read that will be impossible to put down and not for the faint hearted.
An illustrated guide to the Tar Heel State's grand public and private buildings covers farmhouses, barns, urban dwellings, log houses, mills, factories, and churches as well as the well-known landmarks. Simultaneous.
After the death of their patriarch, and a devastating fever that killed all but two of the children, the surviving Reece family, Mrs. Reece, Wolfgang, and Oscar, are left with just the vast property their family had owned for generations. Despite their poor financial situation, the family happily agreed to take in Judith Wynne, the nineteen-year-old daughter of a colonel. Because of his career, her father left Judith in the care of her aunt and uncle, though he was reluctant to do so because of their differing religious beliefs. After the death of her aunt, the colonel did not want Judith to stay with her uncle, so he requested the help of his old friend, Mrs. Reece. The Reece’s were happy to accommodate. Though it is a big adjustment for everyone involved, Judith slowly integrates herself into the family’s routine. She gets along well with Mrs. Reece, and becomes close with the younger son, Oscar. As Judith and Oscar grow to be good friends, Wolfgang, the oldest brother and head of the house, sees a new opportunity. Knowing that Judith will soon inherit a good amount of money, Wolfgang tries to subtly set Oscar and Judith up to be married. When Oscar goes away for school, Wolfgang uses the opportunity to advocate his brother, despite the fact that Oscar did not consent to it. However, as Wolfgang spends more time with Judith, he begins to realize how futile his efforts are, especially as his own conflicting feelings for Judith grow. Separated into three volumes, Catherine Louisa Pirkis’ Judith Wynne is a masterful slow-burn romance that explores themes of family, class, and pride. First published in 1884, Judith Wynne continues to capture the hearts of modern readers with its memorable characters, descriptive language, and moving love story. This edition of Judith Wynne by Catherine Louisa Pirkis features a new, eye-catching cover design and is printed in an easy-to-read font. With these accommodations, Judith Wynne caters to a modern audience while preserving the original beauty of Catherine Louisa Pirkis’ work.
A course teachers and students can rely on to cover the complete range and depth of language and skills needed from beginner to upper-intermediate level. Each level is designed to provide at least 72 hours of class work using the Student's Book, with additional self-study material provided in the Practice Book.
Several myths about Plato's work are decisively challenged by Catherine Rowett: the idea that Plato agreed with Socrates about the need for a definition of what we know; the idea that he set out to define justice in the Republic; the idea that knowledge is a kind of true belief, or that Plato ever thought that it might be something like that; the idea that “knowledge proper” is propositional, and that the Theaetetus was Plato's best attempt to define knowledge as a species of belief, and that it only failed due to his incompetence. Instead Rowett argues that Plato was replacing the failed methods of Socrates, including his attempt to find a definition or single common factor, and that he replaced those methods with methods derived from geometry, including methods that involve inference from shadows to their originals (a method which Rowett calls “the iconic method”). As a result we should see that Plato is presenting the knowledge that is acquired as non-propositional and pictorial in nature, and that it is to be identified not with knowledge of facts nor of objects, but of types qua types-types that stand to the tokens that are used in our enquiry as original to shadow. The book includes detailed studies of the Meno, Republic and Theaetetus, and argues that the insights that Plato brings about the nature of conceptual knowledge, its importance in underpinning all other activities, and about the notion of truth as it applies to conceptual competence, are significant and should be taken seriously as a corrective to areas in which current analytic philosophy has lost its way.
This is the fourth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history. Volume IV covers the period during which dramatic satire emerged, as well as the opening of the original Globe theatre in London.
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