Profiles of five women that aim “to shed light on personal and career obstacles women face in achieving success” by a cultural anthropologist (Publishers Weekly). Mary Catherine Bateson has been called “one of the most original and important thinkers of our time” (Deborah Tannen). Grove Press is pleased to reissue Bateson’s deeply satisfying treatise on the improvisational lives of five extraordinary women. Using their personal stories as her framework, Dr. Bateson delves into the creative potential of the complex lives we live today, where ambitions are constantly refocused on new goals and possibilities. With balanced sympathy and a candid approach to what makes these women inspiring, examples of the newly fluid movement of adaptation—their relationships with spouses, children, and friends, their ever-evolving work, and their gender—Bateson shows us that life itself is a creative process. “A masterwork of rare breadth and particularity, encompassing all the rhythms of five lives and friendships, and interweaving their stories in ways that reveal grand social truths and peculiar personal graces.”—The Boston Globe “Well-formulated and passionate . . . Offers nothing less than a radical rethinking of the concept of achievement.”—San Francisco Chronicle “As stimulating as it is hopeful . . . shakes up well-meaning truisms . . . adds new dimensions to our views of the world.”—Elizabeth Janeway, author of Man’s World, Woman’s Place “Bateson has an extremely interesting mind and the ability to express herself with extraordinary literary felicity . . . Too much truth steams behind the quiet elegance of these passages.”—The New York Times Book Review
The author of the best-selling Composing a Life offers her own revolutionary take on the role of longer life spans and recent lifestyle changes in reshaping individual identity and self-fulfillment. Reprint. 20,000 first printing.
Mary Catherine Bateson—author of the landmark bestseller Composing a Life—gives us an inspiring exploration of a new life stage that she calls Adulthood II, a result of the longer life spans and greater resources we now enjoy. In Composing a Further Life, Bateson redefines old age as an opportunity to reinvent ourselves and challenges us to use it to pursue new sources of meaning and ways to contribute to society. Bateson shares the stories of men and women who are flourishing examples of this “age of active wisdom”—from a retired boatyard worker turned silversmith to a famous actress to a former foundation president exploring the crucial role of grandparents in our society. Retiring no longer means withdrawing from life, but engaging with it more deeply, and Composing a Further Life points the way.
Thinking Race clarifies the relationship between biology and race, showing how racism can result from a misguided blending of biology with social construction. Using arresting examples, Richard Goldsby and Mary Catherine Bateson aim to help readers accept the reality of human difference while understanding human unity. Controversial issues of race and IQ, race and athletic ability, and perceptions of race and beauty are examined, as are those of affirmative action and reparations for slavery. The authors also explore how income inequality, healthcare disparities, unequal access to education, an unfair justice system, and mass incarceration all call for constructive social policies that remodel American society in ways that will build a better, more resilient, and happier society. The goal is a society in which equal civil rights are clearly derived from the recognition of equal human rights, and equal opportunity provides the pathway to equitable results.
Documents the effects of the lethal virus on the human immune system, its influence upon modern civilization, and the opportunity afforded by this tragedy to form a more informed, realistic, and humanist society
. . . You are going to be pleasant and helpful, Bee, and not chase Jazzi away. I like Jazzi. I want her to be a permanent fixture in our lives and I don't want any bratty, selfish behaviour from you spoiling things . . . "Since her mother died, it'd been just her, her dad and her guinea pigs, Lulu and Fifi. A perfect, non-nuclear family. Exactly how Bee liked it. Nothing stays the same forever though, and when Jazzi moves in, bringing with her a whole new way of looking at the world and a whole lot of secrets, Bee knows things are going to be completely different from now on.But change can be a scary thing, and when someone reaches out to you, sometimes the hardest thing to do is to take their hand.This heartwarming, humorous and vibrant story from award winning author Catherine Bateson reminds us that love comes in many shapes and sizes . . . . . . even in the form of guinea pigs.
Rain May and her mum escape their old inner-city life for a dream house in the country. But there are more than a few suprises in store - like discovering a platypus or the fun of fridge poetry and phenomenally bright eleven-year-old, Captain Daniel, who lives next door. Together these unlikely friends adventure where no one has gone before.
Following on from The Wish Pony, Catherine Bateson's new novel returns to the world of magic realism to chart the stormy waters of a child's grief. When grief strikes, you need an ally. For Mimi, that ally is Ableth, the wildly disobedient blue slave. He comes, he goes, he says and does whatever he likes, but he's always there when Mimi needs him most, offering his own brand of crooked wisdom. Ableth says, 'You need to learn to look under the surface of things. Look at water. It's just a great expanse of blue with little wavelets and riffs of foam. But underneath the surface are whole worlds of wonder. There are treasures and wrecks and bones . . .' But it's hard to look beneath the surface when your Mum is shipwrecked by despair, and you're the only one left to keep things afloat. There's a bric-a-brac shop to run, your first Christmas without a dad, and quite possibly a fugitive taking refuge in your back shed.This warm, captivating story celebrates the odd families we make, as well as those we are born into.
And bigger than all of that, I knew that sometimes you had to do the impossible like eat oysters or go shopping even when you could hardly breathe because that is what people did when they truly loved one another and it had nothing to do with freckles or anklebones or lipstick." Dave is dying. Chrissie, Mum, Nan and Badger are going to be left behind. Because sometimes life is like that. "painted love letters" ... a story of the heart.
A classically heartwarming Catherine Bateson story, reissued with a stunning new cover For Magenta McPhee, life is good. It would be almost perfect if she could sort out her dad, who quite possibly needs saving - from himself.Desperate times call for desperate measures, even if those measures involve identity fraud on a dating site, and replying, as your father, to emails he doesn't even know he's been getting.But when pretending to be someone else is taking you away from your life's purpose - writing the next great fantasy novel - things might have gone too far.In MAGENTA MCPHEE, Catherine Bateson has once again created a cast of delightfully real characters who will stay in the reader's memory long after the last page is turned.
Ruby's mum is having a baby, but why does she need one of those when she's already got a Ruby? To make matters worse, her best friend Sarah has just found another, better, friend. It seems like everyone is abandoning her. But when Ruby meets the mysterious Magda, who gives her a very special gift that might, just might, even be a bit magical, everything begins to change. (From back cover).
This poetry collection has at its centre three lively sequences that address the hard graft of spiritual negotiation. Imagined for present, past and future times, each of them tracks the slow and the sudden dissolution of love - yet love stories they are. 'Marriage' is the familiar here - or at least the otherness of daughterhood, motherhood and being a lover. 'Beginners', it is suggested, is what we remain.
Star lives with her mum and her mum's old university friend, Charlie, who has broken up with his wife. Star doesn't always like Charlieshe certainly doesn't like his two kids, Talia and Gabe. So when Star's mum, Nell, begins to fall in love with Charlie and he moves in properly, Star isn't sure how she feels about it. Charlie hates the way his kids just want to eat Maccas and have mobile phones, so he proposes a complete change of lifestyle. Star discovers that moving to the country doesn't solve her friendship problemsmaybe Charlie has an innovative solution to that as well. After a Japanese Hamani viewing of the new backyard's plum tree, Star finds a friend who shares some of her interests. At the same time she realises that being a step-sister to Talia and Gabe might not be such a bad thing after all.
What do you wear to Paris? Ami and I discussed it for hours but I still couldn't think of anything suitable. Ami said a trench coat with nothing underneath but your best underwear. That was only if some boy was meeting you at the airport, I said. Eighteen-year-old Lisette has just arrived in Paris (France!) - the city of haute couture and all things stylish - to practise her French and see great works of art. Her clairvoyant landlady Madame Christophe forces her to attend language lessons with a bunch of international students but soon Lise discovers she's more interested in studying boys than art or verbs ... When the undeniably hot Anders jogs into her life it feels too good to be true. Things get even more complicated when she is pursued by Hugo, a charming English antiques dealer. Can she take a chance and follow her own dreams? How far into the future can Madame Christophe see? And could Lise really be falling in love - in Paris?
The daughter of an artist and a scientist, and your own interesting self, Millie. What more could you need? But Millie isn't sure that Tom, her mum's boyfriend, is right about that. A new town, a school project due, an enemy called Tayla, a boy with the initials RH and Tom himself.... It's all too much even for an interesting girl like Millie. But as her father says, change is needed, and sometimes it's the biggest changes that make us who we are.
Irish-born and Irish-descended soldiers and sailors were involved in every major engagement of the American Civil War. Throughout the conflict, they shared their wartime experiences through songs and song lyrics, leaving behind a vast trove of ballads in songbooks, letters, newspaper publications, wartime diaries, and other accounts. Taken together, these songs and lyrics offer an underappreciated source of contemporary feelings and opinions about the war. Catherine V. Bateson’s Irish American Civil War Songs provides the first in-depth exploration of Irish Americans’ use of balladry to portray and comment on virtually every aspect of the war as witnessed by the Irish on the front line and home front. Bateson considers the lyrics, themes, and sentiments of wartime songs produced in America but often originating with those born across the Atlantic in Ireland and Britain. Her analysis gives new insight into views held by the Irish migrant diaspora about the conflict and the ways those of Irish descent identified with and fought to defend their adopted homeland. Bateson’s investigation of Irish American song lyrics within the context of broader wartime experiences enhances our understanding of the Irish contribution to the American Civil War. At the same time, it demonstrates how Irish songs shaped many American balladry traditions as they laid the foundation of the Civil War’s musical soundscape.
Margaret Mead y Gregory Bateson fueron leyendas en vida. Muchos autores escribieron sobre estos célebres antropólogos cuya influencia aún se percibe en el mundo entero, pero nadie alcanzó la profundidad ni la familiaridad que revelan estas memorias escritas con amor por su hija. «Una niña y un adulto que se agachan para contemplar las raíces de unas hierbas o los cangrejos que corretean en los charcos cuando baja la marea, pueden descubrir todo un mundo.» La autora evoca una infancia extraordinaria y los mundos descubiertos y creados por una madre y un padre capaces de expresar los temas de su interés por medio de imágenes comprensibles para una niña. «Enséñame algo nuevo, papi»: así comenzaban los juegos con Gregory. Durante un paseo matinal, Margaret «descubría» los estamentos jerárquicos de un paisaje poblado de duendes. La infancia descrita por la autora no es idílica. Las separaciones eran dolorosas, frecuentes y previsibles. Sus padres vivían separados durante mucho tiempo y, finalmente, se divorciaron cuando ella tenía once años. Desde su madurez y como colega de sus padres, la autora reconstruye los fascinantes caminos que estos científicos precursores recorrieron cada uno por su cuenta y los complejos vínculos que mantuvieron hasta su muerte. Este retrato profundamente humano de Margaret Mead y Gregory Bateson, permite ver desde una perspectiva nueva sus extraordinarios descubrimientos y teorías.
His Name in Fire is told from three points of view Molly a circus worker employed to engage bored and disaffected local youth - to put on a circus performance; Matthew a teenager and son of TJ the local blues man. Matthew is in love with Emma the snakeman s daughter. Emma is new to the town, a loner who is trying to come to terms with her mother s rejection.Each of these characters are confronting a major crisis in their lives and trying to make sense out of them. Set against the backdrop of a country town the very real issues of unemployment, lack of educational opportunities, lack of facilities, drought and poverty in outback Australia are skilfully woven into the narrative without ever being preachy.His Name in Fire is a celebration of community in a country town. It is a beautiful novel about relationships, love and trust.
Practical "brain-aware" facilitation tailored to the adult brain Facilitating Learning with the Adult Brain in Mind explains how the brain works, and how to help adults learn, develop, and perform more effectively in various settings. Recent neurobiological discoveries have challenged long-held assumptions that logical, rational thought is the preeminent approach to knowing. Rather, feelings and emotions are essential for meaningful learning to occur in the embodied brain. Using stories, metaphors, and engaging illustrations to illuminate technical ideas, Taylor and Marienau synthesize relevant trends in neuroscience, cognitive science, and philosophy of mind. Readers unfamiliar with current brain discoveries will enjoy an informative, easy-to-read book. Neuroscience fans will find additional material designed to supplement their knowledge. Many popular publications on brain and learning focus on school-aged learners or tend more toward anatomical description than practical application. This book provides facilitators of adult learning and development a much-needed resource of tested approaches plus the science behind their effectiveness. Appreciate the fundamental role of experience in adult learning Understand how metaphor and analogy spark curiosity and creativity Alleviate adult anxieties that impede learning Acquire tools and approaches that foster adult learning and development Compared with other books on brain and learning, this volume includes dozens of specific examples of how experienced practitioners facilitate meaningful learning. These "brain-aware" approaches can be adopted and adapted for use in diverse settings. Facilitating Learning with the Adult Brain in Mind should be read by advisors/counselors, instructors, curriculum and instructional developers, professional development designers, corporate trainers and coaches, faculty mentors, and graduate students—in fact, anyone interested in how adult brains learn.
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