The definitive biography of one of Australia's best-known men of letters. Many writers fashion a career out of their writing. Some fashion brilliant careers. Very few, however, commit to their art in a manner that inflects every aspect of their own daily life. Frank Moorhouse was one of the rare writers who actively chose to live a life that was as grounded in conscious aesthetic and ethical choices as his writing. A decade before his death in 2022, Frank Moorhouse asked renowned journalist, writer and academic Catharine Lumby to be his biographer. This was an inspired choice, influenced by their decades of friendship and by Lumby's close engagement with, and appreciation for, Moorhouse's writing. She 'got' him and his work, he said, in a way few others did. Frank Moorhouse was one of Australia's best-known and most-loved authors, here and around the world. His career spanned the genres of the novel, the short story, the essay, the memoir, the erotic novella, the screenplay and the historical monograph. He even invented a literary form: the discontinuous narrative. Moorhouse was also one of the country's foremost public intellectuals; his contribution to Australian cultural, social and political life was prolific, erudite and astoundingly broad. Throughout his career he moved between the roles of activist, author, advocate and scholar. His interests encompassed intimate relationships, social mores, history, politics, international law, foreign policy, intellectual property and censorship. On all these subjects, he wrote and spoke with distinctive elegance, wit and perception. Given Moorhouse's influence on literature and public life, it is astonishing that this is the first biography of a man recognised as one of our most important writers and thinkers. In this fascinating and crucial work, Catharine Lumby weaves the intellectual and aesthetic aspects of Moorhouse's life into a sparkling dialogue, highlighting the depth of his impact on Australian culture. 'Wonderfully lively and, like the subject himself, charming.' Tom Keneally
Younger women reject the victim tag and engage with the media in a self-assured way that does not concur with traditional feminist thinking. The author believes that politically correct attitudes to sex can be just as restrictive as traditional ones.
Alvin Purple was the most commercially successful Australian movies of the 1970s. Catherine Lumby takes a fresh look at the film, the social and political era in which it was made and the forces that fuelled its success.
A devastating account of how Australia’s family courts fail children, families and victims of domestic abuse The family courts intimately affect the lives of those who come before them. Judges can decide where you are allowed to live and work, which school your child can attend and whether you are even permitted to see your child. Lawyers can interrogate every aspect of your personal life during cross-examination, and argue whether or not you are fit to be a parent. Broken explores the complexities and failures of Australia’s family courts through the stories of children and parents whose lives have been shattered by them. Camilla Nelson and Catharine Lumby take the reader into the back rooms of the system to show what it feels like to be caught up in spirals of abusive litigation. They reveal how the courts have been politicised by Pauline Hanson and men’s rights groups, and how those they are meant to protect most – children – are silenced or treated as property. Exploring the legal culture, gender politics and financial incentives that drive the system, Broken reveals how the family courts – despite the high ideals on which they were founded – have turned into the worst possible place for vulnerable families and children. Camilla Nelson is an associate professor in media at the University of Notre Dame Australia. A former Walkley Award winner, her writing has appeared in The Conversation, The Independent, Guardian Australia, Mamamia, Marie Claire and the ABC. Broken is her fifth book. Catharine Lumby is a media professor at the University of Sydney. She has a law degree, is the author of six books and has written for The Guardian, The Sydney Morning Herald, ABC-TV and The Bulletin. 'What happens to kids in our family law system should be a national scandal – and yet, so few people know about it. This book finally lifts the lid on this broken system, and shows how this once-great institution now regularly orders children to see or live with dangerous parents, and bankrupts the victim-parents trying to protect them. An urgent call to action.'—Jess Hill, author of See What You Made Me Do 'This searing review of Australia’s family court system is in turns heartbreaking and enraging. Drawing on recent cases and interviews, it shows how family violence continues to be misunderstood and how violent perpetrators are able to manipulate the legal system. It reveals that too often children are not heard, sometimes with devastating outcomes. This book is an urgent appeal: we must do better.'—Professor Heather Douglas, author of Women, Intimate Partner Violence and the Law
If you think that popular culture is making kids obese, promiscuous, lazy, violent, rude or slaves to instant gratification, you're not alone. Every time you open a newspaper, you'll find a journalist, commentator or politician attacking TV, the internet and video games for the terrible harm they're supposedly doing to our children.But what if everything they said was wrong? What if a book proved to you that TV is good for our kids? And that all the other panics about childhood and parenting are equally grounded in myth, not fact?Why TV is Good For Kids tells the truth about contemporary family life. That beyond the outmoded idea of the nuclear family there exists the messy realities of Gen X parenting. Catharine Lumby and Duncan Fine, partners in life and parents of two energetic (occasionally naughty, normal) toddlers, reveal why TV, pop culture, toys and technology will not make your children a) fat, b) violent, or c) stupid, so once you've read this book you can stop feeling guilty about lapses in their preschool Mandarin classes and ballet lessons. As any parent knows, parenting is messy, complicated and rewarding. Remove the misinformation in the public sphere, and it's also clear that Australian parents are excelling at bringing up baby.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A devastating account of how Australia’s family courts fail children, families and victims of domestic abuse The family courts intimately affect the lives of those who come before them. Judges can decide where you are allowed to live and work, which school your child can attend and whether you are even permitted to see your child. Lawyers can interrogate every aspect of your personal life during cross-examination, and argue whether or not you are fit to be a parent. Broken explores the complexities and failures of Australia’s family courts through the stories of children and parents whose lives have been shattered by them. Camilla Nelson and Catharine Lumby take the reader into the back rooms of the system to show what it feels like to be caught up in spirals of abusive litigation. They reveal how the courts have been politicised by Pauline Hanson and men’s rights groups, and how those they are meant to protect most – children – are silenced or treated as property. Exploring the legal culture, gender politics and financial incentives that drive the system, Broken reveals how the family courts – despite the high ideals on which they were founded – have turned into the worst possible place for vulnerable families and children. Camilla Nelson is an associate professor in media at the University of Notre Dame Australia. A former Walkley Award winner, her writing has appeared in The Conversation, The Independent, Guardian Australia, Mamamia, Marie Claire and the ABC. Broken is her fifth book. Catharine Lumby is a media professor at the University of Sydney. She has a law degree, is the author of six books and has written for The Guardian, The Sydney Morning Herald, ABC-TV and The Bulletin. 'What happens to kids in our family law system should be a national scandal – and yet, so few people know about it. This book finally lifts the lid on this broken system, and shows how this once-great institution now regularly orders children to see or live with dangerous parents, and bankrupts the victim-parents trying to protect them. An urgent call to action.'—Jess Hill, author of See What You Made Me Do 'This searing review of Australia’s family court system is in turns heartbreaking and enraging. Drawing on recent cases and interviews, it shows how family violence continues to be misunderstood and how violent perpetrators are able to manipulate the legal system. It reveals that too often children are not heard, sometimes with devastating outcomes. This book is an urgent appeal: we must do better.'—Professor Heather Douglas, author of Women, Intimate Partner Violence and the Law
This Element presents original research into how young people interact with violent extremist material, including terrorist propaganda, when online. It explores a series of emotional and behavioural responses that challenge assumptions that terror or trauma are the primary emotional responses to these online environments. It situates young people's emotional responses within a social framework, revealing them to have a relatively sophisticated relationship with violent extremism on social media that challenges simplistic concerns about processes of radicalisation. The Element draws on four years of research, including quantitative surveys and qualitative focus groups with young people, and presents a unique perspective drawn from young people's experiences.
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