This book opens a new interdisciplinary frontier between religion and theatre studies to illuminate what has been seen as the religious, or spiritual, nature of Polish theatre director Jerzy Grotowski’s work. It corrects the lacunae in both theatre studies and religious studies by examining the interaction between the two fields in his artistic output. The central argument of the text is that through an embodied and materialist approach to religion, developed in the work of Michel Foucault and religious studies scholar Manuel Vasquez, as well as a critical reading of the concepts of the New Age, a new understanding of Grotowski and religion can be developed. It is possible to show how Grotowski’s work articulated spiritual experience within the body; achieving a removal of spirituality from ecclesial authorities and relocating spiritual experience within the body of the performer. This is a unique analysis of one of the 20th Century’s most famous theatrical figures. As such, it is a vital reference for academics in both Religion and Theatre Studies that have an interest in the spiritual aspects of Grotowski’s work.
This book opens a new interdisciplinary frontier between religion and theatre studies to illuminate what has been seen as the religious or spiritual nature of Polish theatre director Jerzy Grotowski’s work.The central argument is that through an embodied, materialist approach to religion, and through a critical reading of the concepts of the New Age, a new understanding of Grotowski and religion can be developed. This is a vital reference for academics in both Religion and Theatre Studies that have an interest in the spiritual aspects of Grotowski’s work.
St. Catherine of Siena (1347 - 1380) was an Italian mystic, who was part of the Dominican order. She was canonized in 1461, and is recognized as a Doctor of the Church. She was born in Siena, Italy, and early on wanted to devote herself solely to God as a nun, although this was against the will of her parents. She joined a group of pious women and soon became famous for mystical phenomena, such as an invisible stigmata, and a mystical marriage to Jesus Christ. She would come play a pivotal role in Pope Gregory XI's (d. 1378) decision to move the papacy from Avignon back to Rome. Through her numerous letters sent to princes and cardinals she was able to promote obedience to Pope Urban VI, whom she called the "vessel of the Church." These letters have become famous for providing a window into the spiritual counsel of one of the most celebrated female saints in the Catholic church. This work is a reproduction of "Saint Catherine of Siena as seen in her letters," by Catharine Benincasa, translated by Vida D. Scudder. J.M Dent and Co.: New York: E.P Dutton and Co., 1905. This work has been illustrated with artwork of the saint from the Renaissance period.
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