The essays collected here outline a geophilosophy of the Mediterranean—a sea of great importance in the history of Europe and the wider West. Conceived from a geophilosophical perspective, the Mediterranean is a sea surrounded by lands—that is, a "pluriverse" of different cultures and religions, which have often become entangled in conflicts. Nevertheless, they have also demonstrated a remarkable capacity for coexistence, as exemplified by multilingual, multiethnic, and multireligious Sicily during the reign of Roger II of Hauteville. Throughout its millennia-long history, the Mediterranean has consistently displayed a profoundly unified configuration despite its inherent diversity. Its distinctive blend of singularity and plurality can serve as a paradigm for rethinking new forms of social and political coexistence, not only for Europe, which draws its origin from this sea, but also for a new global order.
The essays collected here outline a geophilosophy of the Mediterranean—a sea of great importance in the history of Europe and the wider West. Conceived from a geophilosophical perspective, the Mediterranean is a sea surrounded by lands—that is, a "pluriverse" of different cultures and religions, which have often become entangled in conflicts. Nevertheless, they have also demonstrated a remarkable capacity for coexistence, as exemplified by multilingual, multiethnic, and multireligious Sicily during the reign of Roger II of Hauteville. Throughout its millennia-long history, the Mediterranean has consistently displayed a profoundly unified configuration despite its inherent diversity. Its distinctive blend of singularity and plurality can serve as a paradigm for rethinking new forms of social and political coexistence, not only for Europe, which draws its origin from this sea, but also for a new global order.
When her mother, Rosa, begins to show signs of dementia, Caterina Edwards embarks on what turns out to be a search for the meaning of the past and of home. During the four years she cares for her mother, Edwards must navigate between conflicting responsibilities while dealing with her mother's troubled mind and her own exhaustion. This frank memoir tells a complex story of two women in crisis, one struggling to maintain a sense of self, the other seeking to understand and accept both her past and her present.
Focusing on the works of Camillo Sbarbaro and Giovanna Bemporad, this book offers the first in-depth analysis of poetic translations of Greek tragedy in 20th-century Italian poetry. The close examination of the linguistic and ideological diversity embedded in these authors' works shows how narratives of Greek tragedy shaped their poetic universe, and how their work influenced the Greek paradigm in return. The reader is presented with a textual analysis of Sbarbaro's and Bemporad's translations, as well as a discussion of larger cultural patterns. This volume provides a fresh perspective on the pedagogical commitment of the Italian poets and their roles as translators of classical studies. The web of relationships and historical context in which these authors are placed provide an understanding of their importance for a wider discourse on translation in Italy and Europe in the 1940s. Caterina Paoli's original analysis of Sbarbaro's and Bemporad's poetic translations and her emphasis on their relevance for translation studies, women's writing and classical reception, fills a significant gap in current scholarship on the translation of ancient literature in the Italian poetic community.
New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments. This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject.
A lively and popular introductory textbook teaching Italian to absolute beginners working in a classroom setting. A diverse range of dialogues, video clips, and reading passages deliver new material which is carefully practised in a wide variety of imaginative exercises, both individually and in pair- and groupwork, and backed up by structured grammatical underpinning and exercises. Students can access their free e-book (a code comes with each book) for all accompanying audio and video resources. Lecturers can access audio and video online along with a wealth of extra resources. A substantial self-study section offers practice material for homework and revision, and for extension purposes. Foundations Languages courses are tailor-made for undergraduates and other students on Institution-wide Languages Programmes (IWLPs), languages options and electives, ab initio and minor routes in languages, and open learning programmes at universities and in Adult Education. Foundations Italian 1 assumes no previous knowledge.
Caterina Bernardini gauges the effects that Walt Whitman’s poetry had in Italy from 1870 to 1945: the reactions it provoked, the aesthetic and political agendas it came to sponsor, and the creative responses it facilitated. Particular attention is given to women writers and noncanonical writers often excluded from previous discussions in this area of study. Bernardini also investigates the contexts and causes of Whitman’s success abroad through the lives, backgrounds, beliefs, and imaginations of the people who encountered his work. Studying Whitman’s reception from a transnational perspective shows how many countries were simultaneously carving out a new modernity in literature and culture. In this sense, Bernardini not only shows the interconnectedness of various international agents in understanding and contributing to the spread of Whitman’s work, but, more largely, illustrates a constellation of similar pre-modernist and modernist sensibilities. This stands in contrast to the notion of sudden innovation: modernity was not easy to achieve, and it did not imply a complete refusal of tradition. Instead, a continuous and fruitful negotiation between tradition and innovation, not a sudden break with the literary past, is at the very heart of the Italian and transnational reception of Whitman. The book is grounded in archival studies and the examination of primary documents of noteworthy discovery.
Per lungo tempo gli Ospedali Psichiatrici Giudiziari sono stati una realt sfuggita ai pi e oggetto d'interesse solo per gli addetti ai lavori. Lo scopo di questo scritto far conoscere la legislazione che ha disciplinato la "follia" ed in particolare la" follia criminale" del malato di mente autore di reato. Il testo curato dalla Dott.ssa Caterina Catalfamo d uno sguardo alla legislazione italiana sugli Ospedali Psichiatrici Giudiziari, per giungere, prospettandone qualche criticit , alla legge che ne prevede il loro superamento.
I miei racconti nascono dalle fotografie. Dietro ad ognuna di esse c'è una storia, un viaggio, un'avventura che non conosco. Amo guardare i colori, i riflessi, le proporzioni, immaginare le emozioni e le sensazioni che nascondono. Lascio che l'immagine mi guidi verso un possibile mondo, verso un sogno, verso un fantasma inquieto, verso un amore.
Sommaire Editorial Danielle Cohen-Levinas – Jérôme Lèbre Jean-Luc Nancy Vif traité d’exposition Danielle Cohen-Levinas Comme une peau s’expose à ce qui la blesse. Levinas lecteur de Proust Gianfranco Dalmasso Il dono in-debito Massimo Donà In trasparenza. Il vetro: ovvero l’enigma di un’aporetica “esposizione” Bracha L. Ettinger No Title Yet Eurydice Jérôme Lèbre Sous Presse Elio Matassi … esposti al suono: dal suono cosmologico a quello subiettivo – comunitario Carmelo Meazza Le retrait exposé Henrik Reeh Exposer l’architecture vide: Le Musée Juif de Berlin par Daniel Libeskind Caterina Resta Un’esposizione vulnerabile Anne Elisabeth Sejten Proust Valéry Exposition
This collection of essays investigates the multifarious meanings of the Great War considered from a multifaceted perspective as the event that opens up the cultural history of the 20th century. After an introduction delineating ‘unrepresentability’, the core methodological issue of the book, the volume brings together many different strands of analysis and is divided into two main sections: the first provides a cultural and philosophical framework while the second explores specific linguistic and literary issues. Given the variety of perspectives and methodological approaches adopted by the contributors, the volume offers original and useful insights into WWI. The underlying rationale of the book, remaining faithful to the catastrophe of the war, without transforming it into a mere object of scientific investigation or ideological interpretation, helps to shed light on contemporary scenarios.
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