Cassandra Adams was 35 years old when she ran away from home. She hadn't planned to run away. It was a spur of the moment thing, totally out of character. But it had been building up in her for months. The dull ache of unfulfillment. The residue of emptiness that settled on her heart after the daily grind. Pouring out all of herself just to please a company that did not appreciate her, which was run by a father who could not see her. Yet this was the life she had chosen. After a devastating break up, Cassie found comfort in the shelter of her 90-hour work week. Somewhere along the way she had lost herself in that world. Her heart was safe but it was also starving to death. Then it happened: A visitor from her past. An invitation to "come with me." That was all it took-and she was gone. But now that she's gone, could she ever really come back? With each day that she spends away from her old life, Cassie finds herself wondering: Does she even want to go back? A new world has been opened up to her. Freedom. Beauty. Love. The price of all this goodness, her heart. Would this man she barely knew runaway with her heart like the last one? Or could it be that taking a chance will pay off for her in ways she could never have imagined? Runaway Love is the first of the Not-so Virtuous Women in Love series. Everyday women searching for love and finding faith along the way.
Two sisters. One crown. The only way to settle it...A fight to the death Astrid has returned to Oceali with only one thing on her mind. Revenge. Her sister, Princess Vega, has taken EVERYTHING from her, in a desperate pursuit of the crown. Astrid could not care less about the crown, but if it will make her sister miserable, she'd gladly take it from her. But at what cost? What else is Astrid willing to sacrifice to make her sister suffer? Her friends? Her life? The Never Reign is the final book in the Never Mind Trilogy.
Cassandra Adams was 35 years old when she ran away from home. She hadn't planned to run away. It was a spur of the moment thing, totally out of character. But it had been building up in her for months. The dull ache of unfulfillment. The residue of emptiness that settled on her heart after the daily grind. Pouring out all of herself just to please a company that did not appreciate her, which was run by a father who could not see her. Yet this was the life she had chosen. After a devastating break up, Cassie found comfort in the shelter of her 90-hour work week. Somewhere along the way she had lost herself in that world. Her heart was safe but it was also starving to death. Then it happened: A visitor from her past. An invitation to "come with me." That was all it took-and she was gone. But now that she's gone, could she ever really come back? With each day that she spends away from her old life, Cassie finds herself wondering: Does she even want to go back? A new world has been opened up to her. Freedom. Beauty. Love. The price of all this goodness, her heart. Would this man she barely knew runaway with her heart like the last one? Or could it be that taking a chance will pay off for her in ways she could never have imagined? Runaway Love is the first of the Not-so Virtuous Women in Love series. Everyday women searching for love and finding faith along the way.
“In this insightful book, Cat Mahoney offers a fascinating analysis of contemporary TV dramas such as Home Fires, Land Girls and The Bletchley Circle. Developing the idea that history is told through the preoccupations of the present, she argues compellingly that these are postfeminist dramas which work through troubling ideas about heteronormative romance, domesticity, beauty and whiteness, while reinforcing the idea that feminism as a political movement is not necessary. A bold and original contribution to television studies, gender studies and popular history.” ̶ Rosalind Gill, City, University of London, UK By examining contemporary television drama set during and immediately after the Second World War, this book illustrates the ways in which postfeminism has shaped representations of women in contemporary culture. Mahoney offers a new perspective to debates that have previously been concerned with questions of historical accuracy. She argues that depictions of women from the past in modern television drama spawn from the neoliberal postfeminist media climate which originated in the 1990s. These depictions respond to a cultural need to naturalise and de-historicise a version of neoliberal postfeminist femininity that is compatible with the current media climate and far more reflective of the concerns of the present than any “real” or lived experience of women in the past. The result of this process of naturalisation is the assertion that postfeminist values are natural and eternal, rather than a product of the 1980s economic turn and the present political moment. By identifying and interrogating postfeminist norms within four television drama series produced since the 2008 financial crash, this book argues that postfeminism is a dominant structuring force in their depiction of female characters and of the past.
Two sisters. One thirsty for power. The other drained of her powers. Now that her memory has been restored, Astrid knows exactly who she is. She is Princess Astrid of Oceali-no longer the Silent Princess. Her mother died, years ago, helping Astrid escape a life of misery in a facility. Her mother died because of her sister, Princess Vega. Astrid also knows exactly where she is. Not in her remarkable home on the Isle of the Never Mind, but she and her friends are being held captive in her old home, deep within the bowels of the palace. This is Vega's handiwork. Vega is desperate to get her hands on the healing waters. The waters that not only restored Astrid's voice, but had also given her the supernatural power to influence people with her words-powers that have since been snatched away by the soldier who claimed to love her. Secreted away in the palace dungeons, it doesn't take long for Astrid to realize one important detail: The king has no idea what's going on in his own palace. But why the secrecy? Why go to such great lengths to keep Astrid's presence a secret? And who else would Vega be willing to destroy in order to protect her secret? Astrid isn't willing to hang around to find out. Her only hope is to escape and get word to the king. Then again, since she's trapped in a palace with no allies and no superpowers, it seems Astrid has no hope at all.
Two sisters. One destined for the crown, one doomed to silence. Princess Astrid and Princess Vega are identical in every way-except one was born near perfect, the other "deficient." Born mute. By age six, their fates are sealed. Vega will be the next queen. Astrid, the silent princess, will spend the rest of her days rotting away in a facility. It is a time when the planet has been ravaged by global warming. Famine and disease demand drastic measures to preserve resources that are already stretched paper thin. The only thing standing between Astrid and the facility, a mother's love. One day, Astrid wakes with no memory. No awareness of her royal blood. No recollection of the harrowing journey she just survived that brought her to safety and her new home: The Isle of the Never Mind. Very few know of its secret. In the heart of the island, a healing spring. Waters that, if consumed, have the ability to heal any ailment. But for the deficient, it gives them supernatural abilities. On the Never Mind, Astrid develops new gifts, a new family, a new home. She is content to live out her days as a blissfully a happy teenager on this little slice of paradise. But when a wayward plane falls from the sky carrying a handsome pilot, Astrid finds herself in danger of losing it all: her home and her heart. The Never Mind is the first book in the Never Mind Trilogy.
Conflicts arise when humans and grizzlies are forced into close quarters. The Yellowstone grizzly population has grown from an estimated 136 bears when first granted federal protection as a threatened species to as many as 1,000 grizzlies in a tri-state region today. No longer limited to remote wilderness areas, grizzlies now roam throughout the region—in state parks, school playgrounds, residential subdivisions, on farms and ranches, and in towns and cities throughout the region. Return of the Grizzly tells the story of the successful effort to recover this large carnivore, the policy changes and disputes between bear managers and bear advocates, and for the first time, provides insight to what recovery means for the people who now live with grizzlies across a broad landscape. From cowboys on horseback chased by a charging grizzly, and grizzlies claiming game animals downed by human hunters, to the numerous self-defense killing of grizzlies that occur each year, the manuscript examines increases in conflicts and human fatalities caused by grizzlies in this ecosystem inhabited by humans who live there year-round. Human–bear interactions, grizzly attacks and deaths, avoiding attacks, effects on agriculture, wildlife protesters, the consequences of bear habituation, and more are all covered.
In Casting Down the Host of Heaven Cat Quine analyses the ambiguous nature of the Host and explores the role of ritual in the polemic against their worship.
For fans of We Are the Brennans by Tracey Lange and All Adults Here by Emma Straub, Cat Shook’s debut novel If We’re Being Honest is the snappy, smart, heartwarming story of the Williams family, and the sweltering summer that rewrote their history. When Gerry, the beloved Williams patriarch, dies suddenly, his grandchildren flock from across the country to the family home in Eulalia, Georgia. But when Gerry’s best friend steps up to the microphone to deliver his eulogy, the funeral turns out unlike anyone expected. The cousins, left reeling and confused, cope with their fresh grief and various private dramas. Delia, recently heartbroken, refuses to shut up about her ex. Her sister Alice, usually confident, flusters when she spots her high school sweetheart, hiding a secret that will change both of their lives. Outspoken, affable Grant is preening in the afterglow of his recent appearance on The Bachelorette and looking to reignite an old flame with the least available person in town. Meanwhile, his younger brother Red, unsure of himself and easily embarrassed, desperately searches for a place in the boisterous family. The cousins’ eccentric parents are in tow, too, and equally lost—in love and in life. Watching over them all is Ellen, Gerry’s sweet and proper widow, who does her best to keep her composure in front of the leering small town. Clever and completely original, If We’re Being Honest reminds you that while no one can break your heart like your family can, there’s really no one better to put you back together.
The first book in a fantastic new urban fantasy series by bestselling author Cat Adams, featuring a human/vampire hybrid on the run from her enemies, while trying to find the keys to her past.
This focused and incisive study reassesses the historic collaboration between James Clerk Maxwell and Thomas Sutton. It reveals that Maxwell and Sutton were closer to true partners than has commonly been assumed, and shows how their experiments illuminate the role of technology, representation, and participation in Maxwell's natural philosophy.
Sorrelful The Cat is the pseudonym for SGM (RET) Gwinn T. Jones. This is the first in a series of books about the escapades of his family and their pets. The main characters are Sorrelful the Cat and Caitlin, his grand daughter. The book began on Christmas Eve as a gift to Caitlin and has been the subject of much family discussion. The stories are intended to entertain and have no hidden meanings other than what is read. The conclusion is left to the reader and Sorrelful hopes you take it for what it is, a book of fiction. Gwinn lives in a small northeastern Alabama town with his beautiful wife Deborah and their three cats, Percival, Mr. Jingles, and Stinker the Wonder Cat. He retired from the U.S. Army in 1992 and currently works for the largest automotive aftermarket retailer in the country. He enjoys the outdoors and reading anything with a cover. His passion is his family, and is ever vigilant for their antics and stories, because you just can't make that stuff up. This is his first published work and looks forward too many more books in the future. Sorrelful will be around for a long , long time, and will faithfully document each and every event. Love Sorrelful
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