Reaching All Writers brings together decades of writing studies experience, research, and scholarship to help organize first-year writing courses around inclusive teaching practices and foundational concepts that support disciplinary learning for all college writers, including students who have been excluded from more selective higher-education institutions. Using threshold concepts and transfer as a foundation, the authors provide an invaluable resource for multiple contexts: instructors working off the tenure track and/or at multiple institutions; two-year college programs without a writing program administrator; and writing program graduate teaching assistant training courses. Each chapter includes an overview of a threshold concept, disciplinary background readings, practical teaching strategies, assignment and learning activity ideas, assessment principles, examples from student and instructor perspectives, and questions for reflection and discussion. Reaching All Writers describes effective teaching practices to help all college writing instructors, regardless of their institutional contexts, make changes that support equitable and inclusive learning opportunities—with a focus on teaching students whose backgrounds and learning experiences are different from those with more educational or economic privilege. Both new and experienced teachers adapting first-year college writing courses will find the book’s blend of practical strategies and disciplinary knowledge a useful companion for facilitating new classroom and program needs or designing new teaching assistant training courses.
The passion paradox is the catch-22 of romantic relationships: the more deeply one partner falls in love, the more distant the other becomes. Now renowned psychologist Delis shows how to change these patterns and offers powerful, proven techniques to help couples rekindle romance and discover a new equilibrium of love and desire for a lifetime of happiness.
Little Girl Black Confronts. Love-Love at First Sight-Love, Joy, and Pain. Poetry straight up, no chaser, shaken, not stirred. This book and all my Little Girl Black poetry books Volume 1-6 celebrates and confronts dreams, religion, marriage, unfairness, sex, friendship, racism, colorism. abuse. strength, judgments, fantasy, love, education, families, power, also death and the black sheep syndrome, hurt, and many other situations. Love- my heart loves love, with an undeniable love, a love only you, my love, can love me, as your love speaks to my heart, in many languages, my heart simply pirouettes, right out of my chest, while my heart continues to beat. I know that’s a mouth full, because love is so beautiful to me, so I wear my love like a badge of honor, and my man solutes me every day and night, that’s some, ride or die love, but if it’s more die, then ride you need to send a Sos, Sista girl, brother love. Love- an unexpected chemistry, locked inside, ready to let love unload and unlock all the mystery within his or her heart, but only if you’re ready, it’s a lot of work, love can be slippery when it’s wet, no I’m not talking about what you think, I’m saying when you get down to the real nitty gritty, It’s some grown folks shit. Love-complement your beauty on the outside. beauty hidden from the naked eye. Also love will unlocks and untangles the myths of loves do’s, and don’ts, for a man, or woman. It also gives you permission to get down on one knee, to ask or even beg if need be, for forgiveness, when pride will always deprive you of the one you love. Love- is saying, love, and return love, for you have found sunshine on a cold, and raining day. But if love continues to knock you down, and give you a mental nose bleed, or physically, blacken an eye. Quickly pick up your bruises, and the rest of the love, you have for him, or her, and run like hell. But if love treats you like a king, or queen, then you should savor it, because love is love everyday even when it rains. Love at first sight- is so much more beautiful when his, or her, love meet, at the very same time, even In a room full of people, love can shine brighter than any love you ever saw before, true love is, if you feel love way down deep in your bones, if looking at love is so bright, and love hurts your eyes, at first sight, then you must pursue what your heart. wants to do. Only then his, or her, love can commence to having a conversating with each other hearts, and God. will breathe life into your love, that draws you closer, and closer, into each other’s arms at this point you are not in controlled Jesus has taken the wheel, if your smart let go and hold on tight. Love- can take you on a smooth ride, or a bumpy road, it’s all up to you, and how hard you will fight for love, or will you let love down hard, or easy, and just walk away, remember everyone is not blessed with true love, don’t throw your blessing away, you will be chasing love for the rest of your days. When it’s true love, you will know it, but please don’t blow it, love will and can stand the test of time, if it’s, give, and take, Love comes in many sizes and shapes so, don’t fuck it up, get on Love, and ride love like trigger. Poetry straight up, no chaser, shaken, not stirred.
Little Girl Black Confronts Domestic abuse, physical abuse, mental abuse, emotional abuse, and verbal abuse. This book and all my Little Girl Black poetry books, volumes 1–6, celebrate and confront dreams, religion, marriage, unfairness, sex, friendship, racism, colorism, abuse, strength, judgments, fantasy, love, education, families, power, death, the black sheep syndrome, and many other situations. Domestic abuse. You know that old saying “You don’t really know what happens behind closed doors”? Everything looks great on the outside, but no one really knows the real deal. And there are entire families living in total fear. Looks can be very deceiving. Most people only show what they want people to see, and it’s usually a façade. Some abuse goes unnoticed, and some abuse screams out loud. Some mothers and fathers tell their kids to shush. “This is family business. Keep what’s going on at home, at home, and what’s going on outside, outside. We’re a family. We don’t mix the two.” Now you and your whole family are bound to secrecy. Physical abuse. Some people are in total denial when they don’t want anyone to notice the makeup that’s covering a black eye or when they give you an excuse for how their arm got broken and it has everything to do with falling down the stairs. But there are some people who wear physical abuse like a crown or tiara and strut like a peacock. He or she wants everybody to know how they keep their woman or man in check. Yes, women can be and are abusers too. Love should not hurt so bad until love stops breathing, and you have to give love and your heart mouth-to-mouth resuscitation every second of your every day. If that’s what you’re on, you may as well go on and buy that black dress or make orange your favorite color. Sooner or later, he or she will snap. Abuse is true life, not a TV show.
This book and all my Little Girl Black poetry books volumes 1–6 celebrate and confront dreams, religion, marriage, unfairness, sex, friendship, racism, colorism, abuse, strength, judgments, fantasies, love, education, families, power, death, the black sheep syndrome, and many other situations. An education is something you must have. Without a doubt, you will need an education someday. Without an education, who will count your coins, or how would you know how much paper was in your bag before you let your smart-ass accounting count it for you? His or her pockets may just be dripping with your cash. You know, he or she will be twerking and crip-walking all the way to the bank. You better learn quick how to count your moolah. Sticky fingers always come with skills. Without an education, how will you learn about your history? Who will teach you about all the wars that were won and lost if you can’t read? You will have to depend on what someone is telling you. If you can read, you can do your own research of your past, present, and future. If you don’t get an education, someone else will write your story and tell all kinds of tall tales. If you didn’t go to school and learn to write your story yourself, who can tell your life story better than you? An education is a must. You will find out the hard way. Just because they’re your friends in your face doesn’t mean they will be the same friends behind your back. Your story is being written and told by a hater. Navigate your own legacy by learning to read. Who will speak for you if you don’t speak for yourself? No one knows how or why your pain multiplies, why your happiness is so big it floats up to the sky, or how bright your future will get if you keep your head in your books and your nose clean. Dyslexic. I know some of us need a little help or maybe just a little extra time because of how our brain operates or is wired. If I can so graciously attempt to describe a dyslexic mind, I will try, with some old dance crazes from the fifties and sixties as metaphors. Well, here goes. A so-called normal mind or brain does the dance we call the twist, slowly twisting or wiggling your hips and still keeping up with the beat as you let your backbone slip, or a simple, slow drag or stepping—a dance where you’re in total control. Your smooth moves engage every part of your body as you slowly synchronize across the room and floor, holding your partner close. And my brain, a dyslexic brain, is very busy and does an old dance called the funky chicken and the funky, funky Broadway, moving the head, feet, and all limbs at the same time at a faster tempo, but dramatic. Just a step behind, but your imagination is all the way up on cloud nine. That’s how I describe a dyslexic mind. But being dyslexic does not make a normal brain better and surely does not make a dyslexic brain lesser than. It just makes our brains different, simple as that. Cassandra Hudson December 10, 2019
In a provocative and passionate style, Miller explores the physical, emotional, and spiritual needs of women of color in a language that is both raw and poetic. The frank sexual passages are not meant to simply shock but to add realism to the plight of women used by unfaithful men.
An engaging and authoritative introduction to an increasingly important and popular literary genre Prose Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing. A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre. Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.
Wide-ranging in theme and context, it explores the imaginative effects of his writing. A tribute to Chris on the occasion of this eightieth birthday, in many ways it suggests an alternative cultural history of Australia since the 1950s. Containing biographical and critical pieces, poems (including new work by Chris) and essays that respond to his career Travelling without Gods takes account of the decades in which he has written. It illuminates, celebrates and critiques his work in its various contexts. Travelling without Gods also offers, importantly, a sample of ChrisWallace-Crabbe's unpublished journals, as well as photography that displays both his life and his relationship with the visual arts. The contributors are all established writers and artists who have had important links with Chris.
In a small, southern town Abby leaves home to go live and work temporarily with her aunt in Atlanta. She was betrayed by her fiancée and best friend so she went to live with her maiden aunt after canceling her wedding arrangements. On what would have been her wedding night, Abby goes to a club near her Aunt's home in an effort to free her mind. There she meets Kyle. She is mesmerized by him. He gallantly asks her to dance. They spend the evening dancing, getting to know each other and making love. After making love, Abby comes to the realization that she might be making a mistake, she panics and runs away. Five years later Abby's brother comes home for a surprise visit. Along with him is his new boss... Kyle. Reluctantly at first, Abby resumes her relationship with Kyle who falls in love with her, but doesn't feel he has her full love in return. Desperate to have Abby forever, he deliberately impregnates her. Abby now has to make a choice between marriage or a child custody battle.
Getting an education was never like this! Many school days are far beyond your wildest or horrific nightmares! Sex, violence and death are the ultimate price for some individuals to learn!
Government data and resources are uniquely useful to researchers and other library users. But without a roadmap, sifting through the sheer quantity of information to find the right answers is foolhardy. The first edition of this text is well established as an essential navigational tool for both LIS students and professionals; now this newly revised, peer-reviewed update is even more attuned to new sources and types of government information and how best to locate them. Unmatched in its scope, this book covers such key topics as the history of government information, from its colorful beginnings to the era of Wikileaks, Edward Snowden, and data breaches;how to think like a government documents librarian in order to find information efficiently, plus other research tips;all types of law resources and information, including public laws and the U.S. Code, Case Law and the judicial branch, and regulations;Congressional literature, from bills and committee hearings to the U.S. Congressional Serial Set;patents, trademarks, and intellectual property;census data, educational information, and other statistical resources;health information, with an in-depth look at the Patient Protection and Affordable Care Act and the trend toward and impact of online medical records; and science, environmental, and energy resources from agencies like the Environmental Protection Agency and the Department of Energy.Exercises throughout the text support instruction, while the approachable and well-organized style make it ideal for day-to-day reference use.
Cassandra Brydges, née Willoughby (1670-1735), was a remarkable woman; through her marriage at the age of 43 to the immensely wealthy and influential James Brydges (later the first duke of Chandos), she was connected to many of the most important members of society at the time. Unusually for the period, much of her writing survives, including an extensive collection of correspondence, and it is therefore possible to gain a richer picture of her life. This book presents all the known extant letters of the duchess. They reveal a woman engaged in a very wide range of activities - from managing family and the family fortunes, investing on the stock market, socialising with a wide range of important and influential people, to matchmaking, expressing views on social conduct, painting, and researching family history. They are accompanied by an introduction, providing an overview of her life, and full notes. Professor ROSEMARY O'DAY teaches in the Department of History at the Open University.
Escape! From An Arab Marriage, Cassandras first book, includes her personal story and documented stories of other women who became involved with Arab/Muslim men who have come from the Middle East. The women in these stories have learned firsthand the truth of how women are thought of in Islamic societiesthat 6th century traditional abuse and cruelty toward women, alive and well today, is still an everyday part of married life to an Arab/Muslim which includes abduction of any children to countries such as Saudi Arabia where they are forced to remain and where their heartbroken mothers can never see them again or bring them home. Also included in this book is a list of Islamic characteristics of marriages to Arab/Muslim males and of premarital relationships virtually every woman who becomes involved with these individuals inevitably finds herself facing. Not only has Cassandra herself had to survive such an environment, every person whose story is in this book has been the victim of a nightmare relationships she did not realize could exist in real lifeand that this is only the tip of the iceberg. There are many such stories which are never told because the women are too ashamed, too beaten down, or too afraid to tell anyone for fear of dire consequences for themselves or their children.
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