Featuring a global showcase of 100 of the craft’s most exciting and influential practitioners, Low-Tech Print is an exploration of hand-made printmaking techniques and how they are used in contemporary design and illustration. It examines the huge recent resurgence in the popularity of printmaking, with chapters on screenprinting, letterpress, relief printing and other printing methods. The book shows how practitioners develop a love affair with these hand-made techniques and use them to create beautiful contemporary designs, explaining the process behind each technique and its historical context. ‘In focus’ sections profile practitioners such as the ‘Lambe Lambe’ hand-made letterpress printers of São Paulo’s Grafica Fidalga studio and cult printing techniques such as Gocco (Japan) and Chicha (Peru). Low-Tech Print is a must-have for all design, illustration, craft and printmaking enthusiasts.
This title is a visual treat, irresistible to designers and creatives from all backgrounds featuring informative sections on the latest techniques and applications.
A Little Book of Noises gathers together sounds from the cosmos, the natural world, the human world, and the invented world, as well as containing pockets of silence. From the vast sound of sand in the desert to the tuneful warble of a songbird, from the meditative resonance of a temple bell to the improvisational melodies of jazz, this is a celebration of all things "auraculous," or "ear marvelous." Sound shapes our world in invisible but significant ways, and writer Caspar Henderson brings his characteristic curiosity and knowledge to the subject to take us on an exhilarating journey to examine noise related to humans (anthropophony), other life (biophony), our planet (geophony), and space (cosmophony)"--
Philipp Caspar Koch is making the attempt to outline with a model-shaping intent the way in which a deliberate choice and design of varying “institutional arrangements" is likely to operate as a device for optimizing net inflows from private investors.
A lively travelogue, this book follows the author's psycho-spiritual odyssey in search of ayahuasca--a dark, psychedelic brew known as "the vine of the dead." Trekking through the rain forests of Peru, Colombia, Brazil, Venezuela, and Ecuador in search of enclaves where ayahuasca is taken in the dark of night at ceremonies presided over by shamans, the author shares his experiences with otherworldly songs that are both magical and healing and ignite in him a new enchantment with life and a burgeoning sense of connection with the natural world.
This book is a record of the Black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London’s precious, embattled multiculture. It tells the story of the linked Black musical scenes of the city, from ska, reggae and soul in the 1970s, to rare groove and rave in the 1980s and jungle and its offshoots in the 1990s, to dubstep and grime of the 2000s. Melville argues that these demonstrate enough common features to be thought of as one musical culture, an Afro-diasporic continuum. Core to this idea is that this dance culture has been ignored in history and cultural theory and that it should be thought of as a powerful and internationally significant form of popular art.
Few things in life are more delightful than sharing in the laughter of a baby. Until now, however, psychologists and parenting experts have largely focused on moments of stress and confusion. Developmental psychologist Caspar Addyman decided to change that. Since 2012 Caspar has run the Baby Laughter project, collecting data, videos and stories from parents all over the world. This has provided a fascinating window into what babies are learning and how they develop cognitively and emotionally. Deeper than that, he has observed laughter as the purest form of human connection. It creates a bond that parents and infants share as they navigate the challenges of childhood. Moving chronologically through the first two years of life, The Laughing Baby explores the origin story for our incredible abilities. In the playful daily lives of babies, we find the beginnings of art, science, music and happiness. Our infancy is central to what makes us human, and understanding why babies laugh is key to understanding ourselves.
Featuring a global showcase of 100 of the craft’s most exciting and influential practitioners, Low-Tech Print is an exploration of hand-made printmaking techniques and how they are used in contemporary design and illustration. It examines the huge recent resurgence in the popularity of printmaking, with chapters on screenprinting, letterpress, relief printing and other printing methods. The book shows how practitioners develop a love affair with these hand-made techniques and use them to create beautiful contemporary designs, explaining the process behind each technique and its historical context. ‘In focus’ sections profile practitioners such as the ‘Lambe Lambe’ hand-made letterpress printers of São Paulo’s Grafica Fidalga studio and cult printing techniques such as Gocco (Japan) and Chicha (Peru). Low-Tech Print is a must-have for all design, illustration, craft and printmaking enthusiasts.
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