From plays to cartoons, books to Teddy Bears--interest groups, often using the language of human rights, are claiming that they are offended and attempting to ban, gag, even kill, those deemed to be the offenders. Intellectual heavyweights throughout the Anglo-American world of letters have charged to the defense of free expression. There have been many highly charged incidents, in particular around Islam, offering opportunities for an orgy of media self-congratulation about the superiority of secular democracy and the vital role of the press in supporting freedom. Using his experience as editor of New Humanist (itself accused of "offensiveness"), Melville tries to disentangle the varieties of offense, to trace the origins of our current situation to the failed identity politics of the 1970s and the new language of human rights, and to distinguish between the duty to offend and the temptations of cultural chauvinism
This book is a record of the Black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London’s precious, embattled multiculture. It tells the story of the linked Black musical scenes of the city, from ska, reggae and soul in the 1970s, to rare groove and rave in the 1980s and jungle and its offshoots in the 1990s, to dubstep and grime of the 2000s. Melville argues that these demonstrate enough common features to be thought of as one musical culture, an Afro-diasporic continuum. Core to this idea is that this dance culture has been ignored in history and cultural theory and that it should be thought of as a powerful and internationally significant form of popular art.
This book is a record of the Black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London’s precious, embattled multiculture. It tells the story of the linked Black musical scenes of the city, from ska, reggae and soul in the 1970s, to rare groove and rave in the 1980s and jungle and its offshoots in the 1990s, to dubstep and grime of the 2000s. Melville argues that these demonstrate enough common features to be thought of as one musical culture, an Afro-diasporic continuum. Core to this idea is that this dance culture has been ignored in history and cultural theory and that it should be thought of as a powerful and internationally significant form of popular art.
A Little Book of Noises gathers together sounds from the cosmos, the natural world, the human world, and the invented world, as well as containing pockets of silence. From the vast sound of sand in the desert to the tuneful warble of a songbird, from the meditative resonance of a temple bell to the improvisational melodies of jazz, this is a celebration of all things "auraculous," or "ear marvelous." Sound shapes our world in invisible but significant ways, and writer Caspar Henderson brings his characteristic curiosity and knowledge to the subject to take us on an exhilarating journey to examine noise related to humans (anthropophony), other life (biophony), our planet (geophony), and space (cosmophony)"--
Those interested in the development of scientific theory and in the nature of academic life will appreciate this intellectual autobiography written by one of America's leading sociologists. Following his family tradition (The Education of Henry Adams was written by his great-uncle), George Caspar Homans describes how his ideas about the proper nature of theory in social science, both in form and content, have developed over time. The chief interest of the book lies in the description of this process.Homans' career has spanned many of the key periods of development in social research, and his own work has been central to the process. He was the first major sociologist to outline the sociological implications of psychologists' work on learning or behavior theory. His contributions to modern sociology have had a major impact on the study of small groups, the problem of theory and methods of theory construction, and the study of basic characteristics of social behavior. He is regarded as the father of social exchange theory.Homans considers academic and intellectual as well as nonacademic influences on his development: personalities of highly idiosyncratic individuals against whose views of culturalism, functionalism, and structuralism he reacted, discussions with colleagues, reading, as well as his ancestry, his childhood in Boston, his literary education and later social-life in Boston, and his experiences as a sea captain in the Navy in World War II. This is an absorbing book, both an autobiography and a history of the development of the social sciences in the post World War II era.
Widely regarded as the leading figure of the German Romantic movement, Caspar David Friedrich produced vast and mysterious landscapes and seascapes that explored the theme of human helplessness against the forces of nature, establishing the idea of the Sublime as a central concern of Romanticism. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Friedrich’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Caspar David Friedrich — over 120 paintings, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Friedrich’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the paintings you wish to view * Includes a selection of the artist’s drawings * Scholarly ordering of plates into chronological order Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights SELF PORTRAIT, 1800 THE TETSCHEN ALTAR MOUNTAIN LANDSCAPE WITH RAINBOW THE MONK BY THE SEA THE ABBEY IN THE OAK WOOD THE CHASSEUR IN THE WOODS HUTTEN’S TOMB WOMAN BEFORE THE SETTING SUN WANDERER ABOVE THE SEA OF FOG CHALK CLIFFS ON RÜGEN TWO MEN CONTEMPLATING THE MOON MORNING THE LONELY TREE MOONRISE BY THE SEA THE TREE OF CROWS THE SEA OF ICE THE STAGES OF LIFE The Paintings THE COMPLETE PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Drawings LIST OF DRAWINGS Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
From medieval bestiaries to Borges’s Book of Imaginary Beings, we’ve long been enchanted by extraordinary animals, be they terrifying three-headed dogs or asps impervious to a snake charmer’s song. But bestiaries are more than just zany zoology—they are artful attempts to convey broader beliefs about human beings and the natural order. Today, we no longer fear sea monsters or banshees. But from the infamous honey badger to the giant squid, animals continue to captivate us with the things they can do and the things they cannot, what we know about them and what we don’t. With The Book of Barely Imagined Beings, Caspar Henderson offers readers a fascinating, beautifully produced modern-day menagerie. But whereas medieval bestiaries were often based on folklore and myth, the creatures that abound in Henderson’s book—from the axolotl to the zebrafish—are, with one exception, very much with us, albeit sometimes in depleted numbers. The Book of Barely Imagined Beings transports readers to a world of real creatures that seem as if they should be made up—that are somehow more astonishing than anything we might have imagined. The yeti crab, for example, uses its furry claws to farm the bacteria on which it feeds. The waterbear, meanwhile, is among nature’s “extreme survivors,” able to withstand a week unprotected in outer space. These and other strange and surprising species invite readers to reflect on what we value—or fail to value—and what we might change. A powerful combination of wit, cutting-edge natural history, and philosophical meditation, The Book of Barely Imagined Beings is an infectious and inspiring celebration of the sheer ingenuity and variety of life in a time of crisis and change.
In Humanism and the Urban World, Caspar Pearson offers a profoundly revisionist account of Leon Battista Alberti’s approach to the urban environment as exemplified in the extensive theoretical treatise De re aedificatoria (On the Art of Building in Ten Books), brought mostly to completion in the 1450s, as well as in his larger body of written work. Past scholars have generally characterized the Italian Renaissance architect and theorist as an enthusiast of the city who envisioned it as a rational, Renaissance ideal. Pearson argues, however, that Alberti’s approach to urbanism was far more complex—that he was even “essentially hostile” to the city at times. Rather than proposing the “ideal” city, Pearson maintains, Alberti presented a variety of possible cities, each one different from another. This book explores the ways in which Alberti sought to remedy urban problems, tracing key themes that manifest in De re aedificatoria. Chapters address Alberti’s consideration of the city’s possible destruction and the city’s capacity to provide order despite its intrinsic instability; his assessment of a variety of political solutions to that instability; his affinity for the countryside and discussions of the virtues of the active versus the contemplative life; and his theories of aesthetics and beauty, in particular the belief that beauty may affect the soul of an enemy and thus preserve buildings from attack.
In this wide-ranging work, Caspar Hirschi offers new perspectives on the origins of nationalism and the formation of European nations. Based on extensive study of written and visual sources dating from the ancient to the early modern period, the author re-integrates the history of pre-modern Europe into the study of nationalism, describing it as an unintended and unavoidable consequence of the legacy of Roman imperialism in the Middle Ages. Hirschi identifies the earliest nationalists among Renaissance humanists, exploring their public roles and ambitions to offer new insight into the history of political scholarship in Europe and arguing that their adoption of ancient role models produced massive contradictions between their self-image and political function. This book demonstrates that only through understanding the development of the politics, scholarship and art of pre-modern Europe can we fully grasp the global power of nationalism in a modern political context.
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