Applying to college can be a stressful process, and it's never too early in high school for students to start thinking about what will make their application stand out from the crowd.An easy-to-read handbook for freshmen and seniors alike, Applying to College will help students develop a personal college-entrance strategy. From determining what kind of schools to select to mastering the essay and interviewing process, from surviving standardized testing to calculating how to pay for a college education, Applying to College is full of tools and tips to help students navigate the complicated and drawn-out process. Complete with a step-by-step checklist of goals and "to do's" for each year of high school, a worksheet to help students identify their priorities, and a glossary of admissions terms, Applying to College will help students get into their school of choice.
The Mass Effect trilogy is a groundbreaking epic that has immersed gamers in one of science fiction's richest universes. Now BioWare and Dark Horse are proud to invite fans deeper than ever into the Mass Effect saga with The Art of the Mass Effect Universe! Featuring concept art and commentary by BioWare on the games' characters, locations, vehicles, weapons, and more (including Mass Effect 3) The Art of the Mass Effect Universe is the most complete companion available to gaming's most compelling series!
A story of a man who was born and raised in the harsh and loving streets of Atlanta, GA. "THE DIRTY SOUTH" who came to adapt his life around the way he live and hoping he can one day live better.
A riveting and original debut thriller from a crime writer you won't want to miss, featuring a protagonist you won't be able to forget. Horror writer Jericho Sands has had a hell of a month. He's endured a bitter break up with his punk rocker girlfriend, learned that his lungs are blacker than a coal mine, and served time in county jail for throwing a United States Congressman in a dumpster. He's heartbroken, sleep deprived and suffering from a debilitating case of writer's block Life is about to get much worse. Somebody from Jericho's past has left a decapitated body on his doorstep. The similarity to methods used in his books, his lack of an alibi and his proximity to the victim all lead the detectives handling the case to quickly identify Jericho as the primary suspect. But being framed for murder is the least of Jericho's problems, because this killer is only getting started. The mysterious executioner known as 'The River City Slasher' has made it clear that more innocent people will be killed before Jericho himself is the final victim. Unable to trust the cops, Jericho is forced to examine the darkest parts of his own psyche to catch a killer, save innocent lives, and free himself from his own guilt. When Jericho finally learns the identity of the killer terrorizing the city, it shocks him in ways he was unprepared for, causing him to doubt all he holds to be true, including his own judgment and motivations. The first book in the Jericho Sands series, Jericho's Razor heralds the debut of a phenomenal new thriller writer in Casey Doran.
Food Television and Otherness in the Age of Globalization examines the growing popularity of food and travel television and its implications for how we understand the relationship between food, place, and identity. Attending to programs such as Bizarre Foods, Bizarre Foods America, The Pioneer Woman, Diners, Drive-Ins, and Dives, Man vs. Food, and No Reservations, Casey Ryan Kelly critically examines the emerging rhetoric of culinary television, attending to how American audiences are invited to understand the cultural and economic significance of global foodways. This book shows how food television exoticizes foreign cultures, erases global poverty, and contributes to myths of American exceptionalism. It takes television seriously as a site for the reproduction of cultural and economic mythology where representations of food and consumption become the commonsense of cultural difference and economic success.
NEW YORK TIMES BESTSELLER • From bestselling author Susan Casey, an awe-inspiring portrait of the mysterious world beneath the waves, and the men and women who seek to uncover its secrets “An irresistible mix of splendid scholarship, heart-stopping adventure writing, and vivid, visceral prose." —Sy Montgomery, New York Times best-selling author of The Soul of an Octopus For all of human history, the deep ocean has been a source of wonder and terror, an unknown realm that evoked a singular, compelling question: What’s down there? Unable to answer this for centuries, people believed the deep was a sinister realm of fiendish creatures and deadly peril. But now, cutting-edge technologies allow scientists and explorers to dive miles beneath the surface, and we are beginning to understand this strange and exotic underworld: A place of soaring mountains, smoldering volcanoes, and valleys 7,000 feet deeper than Everest is high, where tectonic plates collide and separate, and extraordinary life forms operate under different rules. Far from a dark void, the deep is a vibrant realm that’s home to pink gelatinous predators and shimmering creatures a hundred feet long and ancient animals with glass skeletons and sharks that live for half a millennium—among countless other marvels. Susan Casey is our premiere chronicler of the aquatic world. For The Underworld she traversed the globe, joining scientists and explorers on dives to the deepest places on the planet, interviewing the marine geologists, marine biologists, and oceanographers who are searching for knowledge in this vast unseen realm. She takes us on a fascinating journey through the history of deep-sea exploration, from the myths and legends of the ancient world to storied shipwrecks we can now reach on the bottom, to the first intrepid bathysphere pilots, to the scientists who are just beginning to understand the mind-blowing complexity and ecological importance of the quadrillions of creatures who live in realms long thought to be devoid of life. Throughout this journey, she learned how vital the deep is to the future of the planet, and how urgent it is that we understand it in a time of increasing threats from climate change, industrial fishing, pollution, and the mining companies that are also exploring its depths. The Underworld is Susan Casey’s most beautiful and thrilling book yet, a gorgeous evocation of the natural world and a powerful call to arms.
From the perspective of cultural conservatives, Hollywood movies are cesspools of vice, exposing impressionable viewers to pernicious sexually-permissive messages. Offering a groundbreaking study of Hollywood films produced since 2000, Abstinence Cinema comes to a very different conclusion, finding echoes of the evangelical movement’s abstinence-only rhetoric in everything from Easy A to Taken. Casey Ryan Kelly tracks the surprising sex-negative turn that Hollywood films have taken, associating premarital sex with shame and degradation, while romanticizing traditional nuclear families, courtship rituals, and gender roles. As he demonstrates, these movies are particularly disempowering for young women, concocting plots in which the decision to refrain from sex until marriage is the young woman’s primary source of agency and arbiter of moral worth. Locating these regressive sexual politics not only in expected sites, like the Twilight films, but surprising ones, like the raunchy comedies of Judd Apatow, Kelly makes a compelling case that Hollywood films have taken a significant step backward in recent years. Abstinence Cinema offers close readings of movies from a wide spectrum of genres, and it puts these films into conversation with rhetoric that has emerged in other arenas of American culture. Challenging assumptions that we are living in a more liberated era, the book sounds a warning bell about the powerful cultural forces that seek to demonize sexuality and curtail female sexual agency.
In a surveillance culture, the ubiquity of audio-visual recording devices has enabled the unprecedented documentation of private indiscretions, scandalous conversations, and obscene behaviors performed by both ordinary and high-profile people. From former President Donald J. Trump's lewd banter on the infamous Access Hollywood video and leaked audio of celebrity racist tirades to outburst of violent hate speech posted daily to YouTube, contemporary media culture is awash in obscene performances of transgressive white masculinity. Such exposés are screened and viewed under the assumption that revealing secret prejudices will necessarily realize the promises of democracy and bring about a postracial and postfeminist future. This book addresses why the culture of public revelations has failed to hold the perpetrators accountable. Caught on Tape illustrates how public revelations constitute a symbolic and imaginary world for the public that is preoccupied with the obscene enjoyment of transgressive white masculinity: a compulsively repetitive experience of ecstatic and excessive pleasure-in-pain that arises from encounters with that which disturbs, traumatizes, and interrupts illusory notions of our coherent selves and reality. Caught on Tape argues that addressing race and gender inequality with the promise of scandalous hot mics and obscene private videos transforms antiracism and gender justice into disempowering forms of spectatorship that ultimately conceal the structural nature of whiteness, white supremacy, and patriarchy. The central argument of this book is that the spectators are the ones really caught on tape.
Modernity and urbanity have long been considered mutually sustaining forces in early twentieth-century America. But has the dominance of the urban imaginary obscured the importance of the rural? How have women, in particular, appropriated discourses and images of rurality to interrogate the problems of modernity? And how have they imbued the rural-traditionally viewed as a locus for conservatism-with a progressive political valence? Touching on such diverse subjects as eugenics, reproductive rights, advertising, the economy of literary prizes, and the role of the camera, A New Heartland demonstrates the importance of rurality to the imaginative construction of modernism/modernity; it also asserts that women, as objects of scrutiny as well as agents of critique, had a special stake in that relation. Casey traces the ideals informing America's conception of the rural across a wide field of representational domains, including social theory, periodical literature, cultural criticism, photography, and, most especially, women's rural fiction ("low" as well as "high"). Her argument is informed by archival research, most crucially through a careful analysis of The Farmer's Wife, the single nationally distributed farm journal for women and a little known repository of rural American attitudes. Through this broad scope, A New Heartland articulates an alternative mode of modernism by challenging orthodox ideas about gender and geography in twentieth-century America.
When Soldiers Fall traces the history of American combat losses and the ways in which the government has reported casualties from WWI to the current War on Terror.
Winner of the 2021 Eudora Welty Prize In contrast to other literary genres, drama has received little attention in southern studies, and women playwrights in general receive less recognition than their male counterparts. In Marginalized: Southern Women Playwrights Confront Race, Region, and Gender, author Casey Kayser addresses these gaps by examining the work of southern women playwrights, making the argument that representations of the American South on stage are complicated by difficulties of identity, genre, and region. Through analysis of the dramatic texts, the rhetoric of reviews of productions, as well as what the playwrights themselves have said about their plays and productions, Kayser delineates these challenges and argues that playwrights draw on various conscious strategies in response. These strategies, evident in the work of such playwrights as Pearl Cleage, Sandra Deer, Lillian Hellman, Beth Henley, Marsha Norman, and Shay Youngblood, provide them with the opportunity to lead audiences to reconsider monolithic understandings of northern and southern regions and, ultimately, create new visions of the South.
The evening of May 10, 1970, found a young Watt M. Casey Jr. standing awestruck, only a few feet from Jimi Hendrix as the legendary guitarist tore into his unique arrangement of “The Star-Spangled Banner” on the stage of San Antonio’s Hemisphere Arena during the Texas leg of his Cry of Love Tour. Bemoaning the fact that he had no camera to document the amazing experience or the visionary musicians creating it, Watt promised himself that he would make up for his oversight in the weeks and years to come. Little did he realize at the time that Hendrix had less than five months to live. Casey made good on his resolution, and My Guitar Is a Camera provides the evidence. With a foreword by Steve Miller, this rich visual history of the vibrant live music scene in Austin and beyond during the 1970s and early 1980s allows Casey’s lens to reveal both the stage, awash in spotlights and crowd noise, and the more intimate backstage moments, where entertainers hold forth to interviewers and friends. As Outlaw Country’s cosmic cowboys mixed with East Coast rockers, Chicago bluesmen, and West Coast hippies, Watt Casey roamed at will, capturing the people, places, and happenings that blended to foster Austin’s emerging reputation as “Live Music Capital of the World.”
In Feedback: The Who and Their Generation, historian Casey Harison offers a cultural and social history of one of the most successful bands of the 1960s British Invasion. In this historically sensitive account of the superband’s impact during its first decade, Harison describes the key role played by The Who in the formation of the “Atlantic Generation” of rock ’n’ roll fans. When the band first burst onto the scene, they quickly established their reputation for amping up the volume, pushing distortion effects (feedback), and destroying instruments on stage at the end of performances. If The Who did nothing else for their generation, they would have easily secured a place in rock ’n’ roll history for high volume, smashed guitars, and kicked over drum sets. Ever since, The Who’s stage antics have achieved iconic status in rock ’n’ roll. But we should not forget how startling this on-stage violence was and what it signified. Audiences had never experienced music so loud, a band so energetic, and stage destruction so redolent of the frustrations they shared. If anything, who’d have thought the three in combination—with excellent songwriting and studio production—would emerge as a formula for success? Feedback: The Who and Their Generation begins with the roots of rock music, setting the stage for The Who when its four band members came together in 1964 to produce their most successful work over the next decade. Throughout, Harison looks at the musical and social cross-Atlantic feedback that characterized The Who’s reception and impact. From distorted guitars to “big sound” drum solos, The Who mirrored youth culture—its anger and its frustrations, from the class conflicts of England and Europe to the Vietnam protest movements of the United States. The Who, like no other British Invasion band, assumed a signal role in the transatlantic cultural traffic. From the American music traditions they borrowed—rock, blues, R&B—they transformed and returned to America the very music that served as their source of anger, echoing audiences’ angst while developing enormous fan bases in Europe and America.
A2 Film Studies: The Essential Introduction gives students the confidence to tackle every part of the WJEC A2 Level Film Studies course. The authors, who have wide ranging experience as teachers, examiners and authors, introduce students step by step, to the skills involved in the study of film. The second edition has been re-designed and re-written to follow the new WJEC A2 syllabus for 2009 teaching onwards and is supported by a companion website at www.alevelfilmstudies.co.uk offering further advice and activities. There is a chapter for each exam topic including: The small scale research project The creative project Aspects of a national cinema - Bollywood; Iranian; Japanese; and Mexican International Film Styles - German and/or Soviet; Surrealism; Neo-Realism; and New Waves Specialist studies - Urban Stories; and Empowering Women Spectatorship topics - Early cinema before 1917; Documentary; Experimental and expanded film/video; and Popular film and emotional responses The single film critical study - every film covered Specifically designed to be user friendly, the second edition of A2 Film Studies: The Essential Introduction has a new text design to make the book easy to follow, includes more than sixty colour images and is packed with features such as: case studies relevant to the 2009 specification activities on films like All About My Mother, 10, Vertigo and City of God key terms example exam questions suggestions for further reading and website resources. Matched to the current WJEC specification, A2 Film Studies: The Essential Introduction covers everything students need to study as part of the course.
Being a compendium of useful facts, diverse knowledge, and uncommon wisdom, including much reassurance for the fearful and dubious, toward staying safe and happy while preserving domestic tranquility, during a month, a year, or a lifetime of cruising aboard small sailboats."--Cover.
This book analyses the straw man fallacy and its deployment in philosophical reasoning. While commonly invoked in both academic dialogue and public discourse, it has not until now received the attention it deserves as a rhetorical device. Scott Aikin and John Casey propose that straw manning essentially consists in expressing distorted representations of one's critical interlocutor. To this end, the straw man comprises three dialectical forms, and not only the one that is usually suggested: the straw man, the weak man and the hollow man. Moreover, they demonstrate that straw manning is unique among fallacies as it has no particular logical form in itself, because it is an instance of inappropriate meta-argument, or argument about arguments. They discuss the importance of the onlooking audience to the successful deployment of the straw man, reasoning that the existence of an audience complicates the dialectical boundaries of argument. Providing a lively, provocative and thorough analysis of the straw man fallacy, this book will appeal to postgraduates and researchers alike, working in a range of fields including fallacies, rhetoric, argumentation theory and informal logic.
A fascinating exploration of ideas of life after death ranging from ancient times to the present and from religion and philosophy to literature and science.
**Soon to be an Amazon limited series directed by Academy Award winner Ed Berger from Robert Downey Jr.'s Team Downey** Before Charles Manson, there was Tony Costa—the serial killer of Cape Cod 1969: The hippie scene is vibrant in Provincetown, Massachusetts. Long-haired teenagers roam the streets, strumming guitars and preaching about peace and love... and Tony Costa is at the center of it all. To a certain group of smitten young women, he is known as Sire—the leader of their counter-culture movement, the charming man who speaks eloquently and hands out hallucinogenic drugs like candy. But beneath his benign persona lies a twisted and uncontrollable rage that threatens to break loose at any moment. Tony Costa is the most dangerous man on Cape Cod, and no one who crosses his path is safe. When young women begin to disappear, Costa's natural charisma and good looks initially protect him from suspicion. But as the bodies are discovered, the police close in on him as the key suspect. Meanwhile, local writers Kurt Vonnegut and Norman Mailer are locked in a desperate race to secure their legacies as great literary icons—and they both set their sights on Tony Costa and the drug-soaked hippie culture that he embodies as their next promising subject, launching independent investigations that stoke the competitive fires between two of the greatest American writers. Immersive, unflinching, and shocking, Helltown is a landmark true crime narrative that transports us back to the turbulent late 1960s, reveals the secrets of a notorious serial killer, and unspools the threads connecting Costa, Vonnegut, and Mailer in the seaside city that played host to horrors unlike any ever seen before. New York Times bestselling author Casey Sherman has crafted a stunner.
An in-depth, timely examination of one town’s nuclear power plant, the scandal that plagued it, and the reporter who was allowed inside. Nuclear power once promised to be the solution to the world’s energy crisis, but that all changed in the late twentieth century after multiple high-profile accidents and meltdowns. Power plant workers, finding themselves the subject of public opposition, became leery of reporters. But one plant in Zion, Illinois, just forty miles north of Chicago, allowed unrestricted access to one journalist: the Chicago Tribune’s Casey Bukro, one of the first environmental reporters in the country. Bukro spent two years inside the Zion nuclear plant, interviewing employees, witnessing high-risk maintenance procedures, and watching the radiation exposure counter on his own dosimeter tick up and up. In Higher Power, Bukro’s reporting from the plant is prefaced by a compelling history of the city of Zion, including a tell-all of John Alexander Dowie, a nineteenth-century “faith healer” who founded Zion, and whose evangelism left a mark on the city well into the modern era, even as a new “higher” power—nuclear energy—moved into town. With the acceleration of climate change, the questions and challenges surrounding nuclear power have never been more relevant. How did the promise of nuclear energy fizzle out? Should we try to address the mistakes made in the past? What part could nuclear power play in our energy future? Higher Power explores these questions and examines one American town’s attempts to build a better society as a bellwether for national policy and decision making.
Climate change has been a perplexing problem for years. In Dark Winter, author John L. Casey, a former White House national space policy advisor, NASA headquarters consultant, and space shuttle engineer tells the truth about ominous changes taking place in the climate and the Sun. Casey’s research into the Sun’s activity, which began almost a decade ago, resulted in discovery of a solar cycle that is now reversing from its global warming phase to that of dangerous global cooling for the next thirty years or more. This new cold climate will dramatically impact the world’s citizens. In Dark Winter, he provides evidence of the following: The end of global warming The beginning of a “solar hibernation,” a historic reduction in the energy output of the Sun A long-term drop in Earth’s temperatures The start of the next climate change to decades of dangerously cold weather The high probability of record earthquakes and volcanic eruptions A sobering look at Earth’s future, Dark Winter predicts worldwide, crop-destroying cold; food shortages and riots in the United States and abroad; significant global loss of life; and social, political, and economic upheaval.
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