William S. Burroughs's fiction and essays are legendary, but his influence on music's counterculture has been less well documented—until now. Examining how one of America's most controversial literary figures altered the destinies of many notable and varied musicians, William S. Burroughs and the Cult of Rock 'n' Roll reveals the transformations in music history that can be traced to Burroughs. A heroin addict and a gay man, Burroughs rose to notoriety outside the conventional literary world; his masterpiece, Naked Lunch, was banned on the grounds of obscenity, but its nonlinear structure was just as daring as its content. Casey Rae brings to life Burroughs's parallel rise to fame among daring musicians of the 1960s, '70s, and '80s, when it became a rite of passage to hang out with the author or to experiment with his cut-up techniques for producing revolutionary lyrics (as the Beatles and Radiohead did). Whether they tell of him exploring the occult with David Bowie, providing Lou Reed with gritty depictions of street life, or counseling Patti Smith about coping with fame, the stories of Burroughs's backstage impact will transform the way you see America's cultural revolution—and the way you hear its music.
She's a nobody. So why is she suddenly being told that she's somebody? No parents, in and out of foster homes since she was twelve, Emre Logan has had a rough life. She keeps to herself in school and does her best to stay out of everyone's way. But then one unfortunate encounter with her tormentor puts her in the sights of five other teens--teens who claim they have answers to the millions of questions Emre has. But Emre isn't expecting them to say she's from another world, where superhero-like powers are normal. As they begin to help Emre harness her ability and teach her about their world, she realizes everything she believed to be just works of fiction and the imagination is actually true. And her deceased uncle knew it all too. Between the mystery surrounding her uncle and her temperamental ability continuing to have a mind of its own, Emre soon realizes that her life will never be the same. She thought her tormentor was all she had to deal with, but when an assassin sets his sights on her, Emre learns someone else views her as a threat. And what do you do with a threat? You neutralize it. Someone wants her dead, and the question on Emre's mind is...why?
In After #MeToo, Gerard Casey provides a critical assessment of the #MeToo movement, situating it in the context of the radical feminism of which it is just the latest manifestation. Apart from its legitimating an indiscriminate attack on men and masculinity, Casey argues that the #MeToo movement has exposed a conceptual fault-line in radical feminist anthropology. Are women fully-developed moral agents, able to exercise moral choice and to take responsibility for what they do; or are women elements of a collective made up of the victims of sexual crimes, whose suffering is not just that of any one individual woman but of the group as a whole? Casey's analysis of the #MeToo movement is prefaced by a brief typology of forms of feminism and by an account of the supposedly universal oppression of women by a malign patriarchy. He argues that if there is such a thing as the patriarchy, it is singularly and spectacularly ineffectual in its operation inasmuch as women, on the whole, are not only not oppressed in comparison to men but are rather the beneficiaries of legal and social privileges. After #MeToo concludes with a consideration of the changing legal definitions of rape. Once understood to be essentially a crime of violence, rape has now come to be regarded as a violation of personal autonomy. In common law systems, a certain conception of consent is now central to the definition of rape, a conception that, Casey argues, is unworkable, at once infantilising women and, at the same time, potentially criminalising every sexual encounter in which a man is involved.
Michael Dolan is a stoic perfectionist and former special operations pilot working a staff job at the Pentagon when he is approached by the CIA with an improbable request, to help prevent impending terrorist attacks in Europe. As his deep-cover role in OPERATION EXCISE evolves, Dolan finds that of all the demons he must prevail against, the most terrible are from within... Fans of Robert Ludlum's The Bourne Identity will appreciate the internecine struggle and cryptic complexity of the protagonist, Michael Dolan, as will fans of Tom Clancy's Patriot Games who savor a page-turner about an unlikely spy thrust into adversity, only to emerge the strongest and most capable of them all. DEVOLUTION is book one in The Devolution Trilogy, a psychological spy thriller series. EVOLUTION and REVELATION are books two and three. For more information on The Devolution Trilogy and John Casey's writing, visit https://johnjcasey.com/
After the sudden death of Amaris Jensens father and the mysterious disappearance of her mother, Amaris is sent to live with her cousin who can only be described as the perfect stranger. Shes introduced to Sandon Davis, and learns about his practice as a self-defense trainer for seven girls. But Amaris soon finds that there werent always seven to begin with. Where once there were ten girls, now only the seven remain under Sandons coaching. Immediately, the trainees adopt Amaris into their group. The closer they become, the more danger Amaris finds herself in. While dealing with the heavy stress of her fathers death, she notices that every girl, as well as Sandon himself, wear a strange precious stone around their neck. As Sandon gains her trust, Amaris continues to feel that he is hiding somethingsomething that will lead to her undoing.
The opening chapter surveys the history of scholarship regarding the problematic use of the phrase 'son of man' in the New Testament. It also explains why this problem could not be solved until recently. Casey then presents the relevant Aramaic evidence. He offers a careful discussion of the use of the Aramaic term 'son of man' in the light of over 30 examples of the use of this term by speakers who are referring to themselves. Chapters 4-9 discuss authentic examples of this idiom in the teaching of Jesus, with Aramaic reconstructions of each saying. All but one of these sayings is found in Mark or 'Q'. There is then a full discussion of secondary sayings in the Synoptic Gospels. The first ones dependent on Daniel 7.13 belong to the earliest Gospel, which also contains the results of translating genuine sayings of Jesus from Aramaic into Greek. There is a discussion of the transition process between authentic Aramaic sayings of Jesus and Greek 'son of man' sayings in the synoptic Gospels. This argument builds on work in the field of translation studies, and the work of ancient translators, especially of the Septuagint. Casey argues that Gospel translators deliberately translated both literally and creatively to produce a new Christological title. It is this tradition that is evident in the Fourth Gospel: its 'son of man' sayings fit perfectly into Johannine theology. The final chapter draws together a complete solution to this difficult problem.
Since the beginning of time, the Derelict has been trapped within the confines of Forbidden Space. Only the most ancient races in the Universe know of its existence and that of the darkness concealed on board. The Derelict was supposed to be an enigma that was to forever remain unsolved. However, for xeno-archeologist Dr. Thomas London and the crew of Union Acquisition Team Phoenix, the Derelict was about to become their next assignment. Known as the best at acquiring rare artifacts of dead alien civilizations, Team Phoenix becomes the prime target of a plot to secure the secrets from the Universe's most coveted mystery. To acquire the Derelict, London and his team will have to challenge a pantheon of the Universe's most revered race, the Star Gods, with the survival of the Universe hanging on the outcome.
AN IMMERSIVE STORY OF DAILY LIFE IN ANCIENT EGYPT This is an extraordinary translation of a papyrus dating from ancient Egypt’s Middle Kingdom era by Michael Hoffen, the 16-year-old author of Be a Scribe! with the help of co-authors Dr. Christian Casey and Dr. Jen Thum. Michael Hoffen became fascinated by the text, known as The Instruction of Khety, when he learned that it tells the tale of a teenage boy living almost 4,000 years ago—Pepi. Pepi wonders what career path he should choose, an important matter still contemplated today by millions of teenagers forty centuries later. His father, Khety, takes him on a long journey up the Nile to enroll him in a school far away from home, where Pepi will learn to read and write. Along the way, Khety explains 18 other terrible jobs Pepi could end up having to work at if he is not hired as a scribe. This tale of a teenage boy in ancient Egypt shows readers that working for a living has never been easy! Sail up the Nile with an ancient Egyptian father and son and discover what daily life was like along the way. Experience the wonderful world of ancient Egypt with the help of countless artifacts and paintings. Delight in four-thousand-year-old humor and immerse yourself in the choices facing a teenage boy in Egypt then.
Story telling at its most primal . . . brutal, tender and wildly imaginative' Irish Times 'An act of pure imagination' ANNE ENRIGHT 'Strange and darkly wondrous . . . like a wild and witty outtake from a folkloric Moby-Dick' PHILIP HOARE A creature from another world had collided with ours - a reckonin she might properwise be knowt, a great reckonin had washed upon our shores, and I ran twort it. On a remote island in the northern seas an unnamed boy is exiled from his community and cast into the Wastelands. In his struggle to survive he breaks away from the strictures of his upbringing and aligns himself with the beauty and brutality of the natural world. The Leviathan, a colossal beast that strands itself upon the shore, is the embodiment of everything the boy has yearned for and he vows to protect it with his life. The community's religious leader, the Prelate, proclaims the creature to be the devil incarnate, triggering a physical and philosophical battle that will propel life on the island towards a bloody and inevitable end. Told in a remarkable narrative voice, She That Lay Silent-like Upon Our Shore is a powerful fable about loyalty, isolation and humanity's complex relationship with nature.
In Feedback: The Who and Their Generation, historian Casey Harison offers a cultural and social history of one of the most successful bands of the 1960s British Invasion. In this historically sensitive account of the superband’s impact during its first decade, Harison describes the key role played by The Who in the formation of the “Atlantic Generation” of rock ’n’ roll fans. When the band first burst onto the scene, they quickly established their reputation for amping up the volume, pushing distortion effects (feedback), and destroying instruments on stage at the end of performances. If The Who did nothing else for their generation, they would have easily secured a place in rock ’n’ roll history for high volume, smashed guitars, and kicked over drum sets. Ever since, The Who’s stage antics have achieved iconic status in rock ’n’ roll. But we should not forget how startling this on-stage violence was and what it signified. Audiences had never experienced music so loud, a band so energetic, and stage destruction so redolent of the frustrations they shared. If anything, who’d have thought the three in combination—with excellent songwriting and studio production—would emerge as a formula for success? Feedback: The Who and Their Generation begins with the roots of rock music, setting the stage for The Who when its four band members came together in 1964 to produce their most successful work over the next decade. Throughout, Harison looks at the musical and social cross-Atlantic feedback that characterized The Who’s reception and impact. From distorted guitars to “big sound” drum solos, The Who mirrored youth culture—its anger and its frustrations, from the class conflicts of England and Europe to the Vietnam protest movements of the United States. The Who, like no other British Invasion band, assumed a signal role in the transatlantic cultural traffic. From the American music traditions they borrowed—rock, blues, R&B—they transformed and returned to America the very music that served as their source of anger, echoing audiences’ angst while developing enormous fan bases in Europe and America.
Cemeteries come alive for amateur sleuth/reluctant medium Pepper Martin. Cleveland's Garden View Cemetery is hosting a James A. Garfield commemoration. For tour guide and reluctant medium Pepper Martin this means that's he'll surely be hearing from the dead president himself. And when she's assigned to help plan the event with know-it-all volunteer and Garfield fanatic Marjorie Klinker, she'll wish Marjorie were dead...too bad someone beats Pepper to it.
THE SCULPTOR WHO CARVED THE FACES OF AMERICA’S HEROIC DEAD ON GRANITE MOUNTAINS—AND THEY WERE SELDOM BIG ENOUGH. First published in 1952, Robert John Casey co-wrote this fascinating biography with the wife of Gutzon Borglum (1867-1941), the American sculptor best known for his colossal sculpture of the faces of four U.S. presidents on Mount Rushmore in South Dakota. The son of Danish immigrants, Gutzon Borglum studied art in San Francisco and for four years in Paris at the Académie Julian and the École des Beaux-Arts. His painting and his sculpture were admitted to the officially recognized Salon and he subsequently received important commissions and royal recognition whilst in England. In 1901 Borglum established himself in New York City, where he sculpted a bronze group called The Mares of Diomedes, the first piece of American sculpture bought for the Metropolitan Museum of Art in New York. Versatile and prolific, Borglum sculpted many portrait busts of American leaders, as well as of figures such as the Twelve Apostles, which he created for the Cathedral Church of St. John the Divine in New York. He turned toward reviving the ancient Egyptian practice of carving gargantuan statues of political figures in natural formations of rock, and executed from a six-ton block of marble a colossal head of President Abraham Lincoln, which was placed in the Capitol Rotunda in Washington, D.C. This led to a commission in 1927 by the state of South Dakota to turn Mount Rushmore, in the Black Hills, into another colossal monument, and that same year Borglum began sculpting the 60-foot-high heads of George Washington, Thomas Jefferson, Abraham Lincoln, and Theodore Roosevelt on the face of the mountain. The project was completed in 1941 and became a national memorial. Physically only medium-sized, Borglum was a big man, colorful, worth knowing. The change to know him is here in the stimulating pages of Give the Man Room.
Near midnight, the heralded and huge White Star liner Titanic, her invincibility never before in question, is a tiny speck on a vast ocean. Four days out on a much-anticipated maiden voyage, the luxury vessel has been fatally grazed by an iceberg. Labeled unsinkable by an adoring public, Titanic will plunge beneath the cold waters of the North Atlantic in under three hours. In Titanic Warning, author Casey Sabella blends a vivid re-telling of the disaster with commentary on the state of the modern-day Church and the lack of commitment to discipling the masses. How did three ships in the vicinity, called upon to rescue the 2500 stranded souls, reflect real personalities in the modern age? Are we prideful like the Titanic? Are we indifferent to the cries of humanity, like the Californian, or do we launch a rescue like the Carpathia? Does the burden to help urge us to escape from it all, like the Samson? The questions are personal, the answers, crucial. Will we heed the warning to put salvation before gleaming monuments? May God help us board the right ship! STUDY AND DISCUSSION QUESTIONS AT THE END OF EACH CHAPTER.
The Order: The Tale Of The Sabor Guardians is a terrific spin on life, death and the never ending cycle of Evil against Good, and one young man's journey to deal with the gravity of them both. The confused and reluctant be hero of the Tale is one Sabor Lindon, a spoiled, somewhat uncentered young man who on his twenty-second birthday deals with a blanket of strife - only to find more pain is yet to come. The Tale chronicles the steps the reluctant Lindon takes along the way to overcome his newfound responsibilities. An evil being, Dvanken, an unholy wretch born of murder and sustained by humanity's suffering, remains unknown to all of mankind, save The Order. He roams, devouring the loathing and fear residing in humanity and his hunger stands unrelenting. A series of twists and turns bring Good and Evil full circle to duel until the finish. One will stand. One will claim victory. One will perish! "The author of The Order paints a vivid picture which allows you to enter into a new world, a world which will amaze and fascinate you, as he introduces you to the world and the inhabitants of The Order." - Bev Whittingham, author of Sunrise "This talented and imaginative young author invents his own dimension within our own. Sabor Guardians commit terrifying acts of heroism to fight an enormous terror, plaguing the earth. The terror known as Dvanken." - Debra Moore
Vince Lefebvre, a man of the 16th century, never believed in Goblins or Ghouls. So when a stranger crosses his path he is none the wiser as they supernaturally manipulate his life. He would like to think that his decisions were his own but after meeting a very powerful vampire, and even more powerful witch, he is unsure. Which proves you dont have to believe in the supernatural to become one. Wilted, being the first of the Mother Earth chronicles, introduces you to a conglomeration of supernatural and mythological characters; leading you to the largest forced, paradigm shift the World has ever seen. You opened up the series with a colorful humor that put me right into the garden with Dacian. The style of writing you have is so simple, yet so complex. There is an underlying tone that creates a sense of urgency to keep my eyes on the pages. I can feel that there is more than meets the eye. Mindy Cole; Avid reader I think Wilted pulls at the readers heart strings as a deep love story. Then haunts the mind as one is mesmerized into the life of a family man/Vampire. So anxious to get the next book. Gloria Herring, Published Author, Austin TX
This work assembles the best of Todd's (available) speeches and provides an analysis of their rhetorical and political significance. Sir Garfield Todd's (1908-2002) lifelong support of African rights earned him initial political success, subsequent imprisonment, and, finally, rightful recognition. Often labeled a liberal in the British political tradition, a closer study of Todd's rhetoric demonstrates that his politics flow directly from his religious heritage--and not from political liberalism.
West Belfast, Northern Ireland, 1981. Tensions between Catholics and Protestants have never been higher. The IRA Hunger Strikes are in full swing, and violence continues to spread in Belfast. While working in their parents' grocery store, two young Catholic twins, Vincent and Michael Logan, witness their father's brutal murder by British commandos. This horrific crime sends the twins on radically opposing paths. As they reach adulthood, Vincent embarks on a journey for justice and becomes a cop. Michael, still simmering over his father's murder, is out for revenge and soon becomes the IRA's most feared assassin. When Michael discovers that his father's killer has just become the most powerful man in Europe, he plots his revenge. But there's one man standing in his way, one he used to call brother .
There is more to Irish than St. Patrick's Day and Guinness. The word Irish conjures an array of images, each with a long history. Who defined Irish? In the twentieth century Ireland, the United States, and Irish America were all invested in representation. Exerting or losing control of an ethnic image had ramifications on both sides of the Atlantic"--
Dublin’s grand eighteenth-century set-pieces: Custom House, Four Courts, Bank of Ireland; are offset by a graceful Georgian cityscape, much of which remains intact. Rich and varied house interiors are also treated in full, many for the first time. The book features civic and commercial Victorian architecture, post-war buildings, and the buildings of a new generation of Irish architects. Two fine Gothic cathedrals remain from the medieval city, the full history of which is traced in an introduction to the volume.
A stunning investigation and indictment of a segment of the United States' foreign lobbying industry, and the threat to end democracy. For years, one group of Americans has worked as foot-soldiers for the most authoritarian regimes around the planet. In the process, they've not only entrenched dictatorships and spread kleptocratic networks, but they've secretly guided U.S. policy without the rest of America even being aware. And now, some of them have begun turning their sights on American democracy itself. These Americans are known as foreign lobbyists, and many of them spent years ushering dictatorships directly into the halls of Washington, all while laundering the reputations of the most heinous, repressive regimes in the process. These foreign lobbyists include figures like Ivy Lee, the inventor of the public relations industry—a man who whitewashed Mussolini, opened doors to the Soviets, and advised the Nazis on how to sway American audiences. They include people like Paul Manafort, who invented lobbying as we know it—and who then took his talents to autocrats from Ukraine to the Philippines, and then back to the White House. And they now include an increasing number of Americans elsewhere: in law firms and consultancies, among PR specialists and former lawmakers, and even within think tanks and universities. In Foreign Agents, Casey Michel shines a light on these foreign lobbyists as some of them—after decades of installing dictators and corrupting American policy—embark on their next mission: to end America’s democratic experiment, once and for all.
Angus was born in Falmouth, a village on Cape Cod. His father is a commercial fisherman and his mother runs their small fish store. His grandfather was the famous Captain Appleby, who sailed a large three-masted cargo schooner which was lost in a storm off Cape Hatteras. Angus is expected to follow his fathers footsteps and become a fisherman--however, Angus has his grandfathers love for sailing and, against his fathers wishes, he secretly takes sailing lessons. He has a dream to someday sail around the world. One day on the city dock, he meets an old sea captain who owns a small sailboat that is sinking at the dock. Angus befriends the old man, Captain Duncan, and tells him of his dream to sail the seven seas. Captain Duncan tells him he once had the same dream that he built the little sailboat fifty years ago, named it Echo and sailed the world. He gives Angus the little sailboat and encourages him to follow his dream. Go along with Angus on his journey, as he finds new friends, gains experience, encounters terrifying storms and eventually fulfills his dream.
Six full-length novels – each the first book in six fan-favorite series by bestselling, award-winning fantasy authors! Discover the many worlds of Faerie in these novels filled with love, adventure, and – of course – Fae Magic. (best for readers 14 and up)
The stonemasons were well-known for their skills, and their seasonal migration from central France, but especially for their role in rebellion. This book places the masons' story within the larger history of nineteenth-century Paris. The coverage spans the long nineteenth century, starting before 1789 and ending near 1914.
Conspiracy is the first novel in the Conspiracy series. A mystery/thriller with elements of science fiction, it merges fiction with facts similar to Dan Brown’s The Da Vinci Code. Conspiracy reveals the shadowy underside of the illusion we call reality, revolving around the discovery of an ancient shadow organization of immense power. Reviews: “wild and unexpected”; “a real page turner".
A must-read for business leaders and anyone who wants to understand all the implications of a social world." -- Bob Iger, Chairman and Chief Executive Officer of The Walt Disney Company From tech visionaries Oliver Luckett and Michael J. Casey, a groundbreaking, must-read theory of social media -- how it works, how it's changing human life, and how we can master it for good and for profit. In barely a decade, social media has positioned itself at the center of twenty-first century life. The combined power of platforms like Facebook, Twitter, Instagram, Snapchat, and Vine have helped topple dictators and turned anonymous teenagers into celebrities overnight. In the social media age, ideas spread and morph through shared hashtags, photos, and videos, and the most compelling and emotive ones can transform public opinion in mere days and weeks, even attitudes and priorities that had persisted for decades. How did this happen? The scope and pace of these changes have left traditional businesses -- and their old-guard marketing gatekeepers -- bewildered. We simply do not comprehend social media's form, function, and possibilities. It's time we did. In The Social Organism, Luckett and Casey offer a revolutionary theory: social networks -- to an astonishing degree--mimic the rules and functions of biological life. In sharing and replicating packets of information known as memes, the world's social media users are facilitating an evolutionary process just like the transfer of genetic information in living things. Memes are the basic building blocks of our culture, our social DNA. To master social media -- and to make online content that impacts the world -- you must start with the Social Organism. With the scope and ambition of The Second Machine Age and James Gleick's The Information, The Social Organism is an indispensable guide for business leaders, marketing professionals, and anyone serious about understanding our digital world -- a guide not just to social media, but to human life today and where it is headed next.
In haunting prose that will follow you for days to come, Made Holy tells the story of the American family. Love, loss, and addiction entwine in this moving debut collection. Emily Arnason Casey employs the lyric imagination to probe memory and the ever-shifting lens of time as she seeks to make sense of the disease that haunts her maternal family tree and the alchemy of loss and longing. The lakes of her childhood in Minnesota form the interior landscape of this book, a kind of watery nostalgia for something just beyond her reach. “I know this feeling,” she writes. “We travel along the surface of time and then suddenly the layers give way and we are in another year, another body, another place.” Casey’s willingness to honestly examine the past and present with contemplative lyricism offers fresh perspective and new understanding. In electric moments that are utterly relatable, she weaves a tale of love and commitment to the truth of her experience despite the incredible desire to keep alive a legacy of secrets. Like the mullein plant she invokes in the final essay, these essays form a kind of “guardian to the lost.”
WORDS AND WOMEN is the landmark work that reveals the sexual biases present in our everyday speech and writing-and shows how they affect women’s and men’s perceptions of the world and one another.
A new 'life' of Jesus written by one of the outstanding scholars of his generation, it offers a complete resource on the 'Historical Jesus' debate. With an overview of the various positions taken on who the historical Jesus was, Casey provides a helpful and accessible tool for understanding how the historical Jesus has been received and understood, with attention paid to the contortions in evidence in the last century to prove that Jesus was not Jewish.
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