Can good and bad ever balance completely in life, especially when you're a teenager? Avery Rose Atwood, a high school sophomore, never really gives that concept much thought until an evening of fear sets off a chain of events within the quaint riverside town where she lives. Struggling to comprehend what is going on, Avery searches for answers.
All families have secrets, but most are left hidden for good reason. Grace Carmichael knows nothing of her past and has resolved to live life uninformed until her grandfather passes away suddenly, leaving her the legacy of discovery. With only a key to begin her quest for answers, Grace embarks on a journey of revelation.
These new meditations from the author of the best-selling Each Day a New Beginning speak to women facing the challenges of growing spiritually and living with compassion and honesty. Each Day was written for women just beginning the Twelve Steps. With A Woman's Spirit, readers who want to enhance their lives further are offered spiritual direction and wisdom. These meditations resound with maturity and compassion, bringing a reassuring sense of purpose to each day. A Woman's Spirit reveals the spiritual challenges, joys, struggles, and expectations that women confront and resolve in their daily lives.
Modernity and urbanity have long been considered mutually sustaining forces in early twentieth-century America. But has the dominance of the urban imaginary obscured the importance of the rural? How have women, in particular, appropriated discourses and images of rurality to interrogate the problems of modernity? And how have they imbued the rural-traditionally viewed as a locus for conservatism-with a progressive political valence? Touching on such diverse subjects as eugenics, reproductive rights, advertising, the economy of literary prizes, and the role of the camera, A New Heartland demonstrates the importance of rurality to the imaginative construction of modernism/modernity; it also asserts that women, as objects of scrutiny as well as agents of critique, had a special stake in that relation. Casey traces the ideals informing America's conception of the rural across a wide field of representational domains, including social theory, periodical literature, cultural criticism, photography, and, most especially, women's rural fiction ("low" as well as "high"). Her argument is informed by archival research, most crucially through a careful analysis of The Farmer's Wife, the single nationally distributed farm journal for women and a little known repository of rural American attitudes. Through this broad scope, A New Heartland articulates an alternative mode of modernism by challenging orthodox ideas about gender and geography in twentieth-century America.
WELCOME TO DAMNATION . . . where every living soul is as dead as a doornail. Except one. Buddy Baker is a dead man. Literally. After gunning down more men than Billy the Kid—and being hung by a rope necktie for his crimes—the jolly, fast-drawing fugitive reckoned he’d earned himself a nonstop ticket to hell. Instead, he finds himself in Damnation: a gun-slinging ghost town located somewhere between heaven and hell. There are no laws in Damnation. Only two simple rules: If you get shot, you go directly to hell. If you stay alive without shooting anyone for one year, you just might get into heaven. Hardened outlaws pass the time in the saloon playing poker and wagering on who will get sent to hell next, while trying not to anger the town’s reclusive vampire or the quarrelsome werewolves. Buddy winds up in everyone’s crosshairs after swearing to protect a pretty gal who arrives in Damnation pregnant. Her child might end up a warm-blooded meal for the supernatural residents, or it could be a demon spawn on a mission to destroy them all. “A cast of delightfully distinctive, authentically funny outlaws, butting heads in a lazy afterlife saloon somewhere between heaven and hell define the setting of Casey’s weird western debut.” —Publishers Weekly “Fueled by an out-of-this-world imagination, Clark Casey combines vampires, werewolves, the meanest of the mean, and the dumbest of the dumb into a very readable paranormal western.”—John Neely Davis, author of The Chapman Legacy
This book explores the experience of small farmers, labourers and graziers in provincial Ireland from the immediacy of the Famine until the eve of World War One. During this period of immense social and political change, they came to grips with the processes of modernisation. By focusing upon east Galway, it argues that they were not an inarticulate mass, but rather, they were sophisticated and politically aware in their own right. This study relies upon a wide array of sources which have been utilised to give as authentic a voice to the lower classes as possible. Their experiences have been largely unrecorded and this book redresses this imbalance in historiography while adding a new nuanced understanding of the complexities of class relations in provincial Ireland. This book argues that the actions of the rural working class and nationalists has not been fully understood, supporting E.P. Thompson’s argument that ‘their aspirations were valid in terms of their own experiences’.
Vividly rendered and psychologically astute, this somewhat transparent puzzler provides an unusually immersive perspective on familiar historical territory." —Booklist World War I is raging in Europe, but as the deadly influenza pandemic of 1918 sweeps like a wildfire through Boynton, Oklahoma, Alafair Tucker is fighting her own war. Her daughter, Alice, and son-in-law, Walter Kelley, have both come down with the flu, and Alafair has moved into town to care for them after quarantining her young children at their sister's farm. Boynton as a whole isolates itself like an old English plague village, discouraging anyone from coming into town and the residents from traveling outside. A new doctor applies science to treating the stricken, but Alafair applies all she knows about hygiene, nutrition, and old and trusted country remedies. Unable to aid her sons and sons-in-law fighting overseas, this is danger she can combat. One autumn afternoon, screams coming from next door alert Alafair that Alice's neighbor, Nola Thomason, and her son Lewis have suddenly and unexpectedly succumbed. Yet there is something about the way the pair died that causes Alafair to suspect their deaths were due to poison rather than to influenza. The epidemic is so overwhelming that it is many days before the only doctor left in town can confirm Alafair's suspicions; neither Nola nor Lewis died of the flu. The only witness to their deaths, twelve-year-old Dorothy Thomason, a special friend of Alafair's daughter, Sophronia, is so traumatized that she is rendered mute. Were Nola and her son murdered, and if so, why? The usual motives for murder are greed, or jealousy, or hatred. Or could it be, as Alafair fears, that the Raven Mocker, the most dreaded of the Cherokee wizards or witches, the evil spirit who takes to the air in a fiery shape to rob the old, the sick, and the dying of their lives, is hunting victims and bringing misery to the innocent?
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