Lonely Planet: The world's leading travel guide publisher A Fork in the Road: Tales of Food, Pleasure and Discovery on the Road 2014 James Beard Award Nominee and 2014 Society of Travel Writers Foundation Thomas Lowell Travel Journalism Bronze Award Winner for Travel Book Join us at the table for this 34-course banquet of original stories from food-obsessed writers and chefs sharing their life-changing food experiences. The dubious joy of a Twinkie, the hunger-sauced rhapsody of fish heads, the grand celebration of an Indian wedding feast; the things we eat and the people we eat with remain powerful signposts in our memories, long after the plates have been cleared. Tuck in, and bon appetit! Featuring tales from: James Oseland, Frances Mayes, Giles Coren, Curtis Stone, Annabel Langbein, Neil Perry, Tamasin Day-Lewis, Jay Rayner, Madhur Jaffrey, Michael Pollan, Josh Ozersky, Marcus Samuelsson, Naomi Duguid, Jane and Michael Stern, Francine Prose, Ma Thanegi, Kaui Hart Hemmings, Rita Mae Brown, Monique Truong, Fuschia Dunlop, David Kamp, Mas Masumoto, Daniel Vaughn, Tom Carson, Andre Aciman, MJ Hyland, Alan Richman, Beth Kracklauer, Sigrid Nunez, Chang Rae Lee, Julia Reed, Gael Greene About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, a suite of inspiring travel pictorials, literature, and references, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travelers to get off beaten paths to understand more of the culture of the places in which they find themselves. Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.
With its radical ideology and effective tactics, the Student Nonviolent Coordinating Committee (SNCC) was the cutting edge of the civil rights movement during the 1960s. This sympathetic yet evenhanded book records for the first time the complete story of SNCC’s evolution, of its successes and its difficulties in the ongoing struggle to end white oppression. At its birth, SNCC was composed of black college students who shared an ideology of moral radicalism. This ideology, with its emphasis on nonviolence, challenged Southern segregation. SNCC students were the earliest civil rights fighters of the Second Reconstruction. They conducted sit-ins at lunch counters, spearheaded the freedom rides, and organized voter registration, which shook white complacency and awakened black political consciousness. In the process, Clayborne Carson shows, SNCC changed from a group that endorsed white middle-class values to one that questioned the basic assumptions of liberal ideology and raised the fist for black power. Indeed, SNCC’s radical and penetrating analysis of the American power structure reached beyond the black community to help spark wider social protests of the 1960s, such as the anti–Vietnam War movement. Carson’s history of SNCC goes behind the scene to determine why the group’s ideological evolution was accompanied by bitter power struggles within the organization. Using interviews, transcripts of meetings, unpublished position papers, and recently released FBI documents, he reveals how a radical group is subject to enormous, often divisive pressures as it fights the difficult battle for social change.
St. Lawrence County Portraits is a tribute to the citizens who shaped New York State's largest county. St. Lawrence is a county with many natural attributes: immense forests, navigable rivers, and vast tracts of fertile land. All of these have been instrumental in drawing people to the area. Reflected in St. Lawrence County Portraits are the influences of a strong mix of residents, including the Mohawks, who have called this area home for thousands of years, the European settlers, and those who trace their family history to Canada, just across the mighty St. Lawrence River.
This fourth volume in the highly-praised edition of the Papers of Martin Luther King covers the period (1957-58) when King, fresh from his leadership of the Montgomery bus boycott, consolidated his position as leader of the civil rights movement.
“Annette Carson has done a wonderful job of chronicling Armstrong’s life, flight training and ultimate recognition as the undisputed master of aerobatics.” —Over the Front Initially forbidden as foolhardy, stunt flying soon became a paramount method of survival in the life and death mêlées of dogfighting. But pilots still delighted in the joy and exuberance of aerobatting for its own sake, and they recognized a master of that very special skill in young D’Urban Victor Armstrong, whose displays were nothing short of electrifying. Fluid and dramatic, performed with flair at ultra-low level, his exhibitions left spectators shaking their heads in disbelief. Until this book, little was known about Armstrong’s wartime experiences, and even less about his South African background. His great value to the authorities lay in his superb handling of the Sopwith Camel, which upon its introduction had taken a heavy toll in fatal trainee accidents. While still on active service, Armstrong was sent around the units providing vivid proof that, properly handled, the stubby little fighter delivered the key to combat success: unrivaled maneuverability. His resultant fame eclipsed his other distinguished role in pioneering night flying and night fighting, an equally vital skill he was also detailed to demonstrate around the squadrons. In this “superb biography,” you will find yourself in the cockpit of the F.1 Camel and become acquainted with its rotary engine (Stand To!). You will meet many leading names including Billy Bishop, Cecil Lewis, Norman Macmillan, Robert Smith Barry, and the harum-scarum Three Musketeers from War Birds. Armstrong takes his place alongside them as one of the legendary figures of the first great aerial war.
Salado, a small village in Central Texas, enjoys a classic history. One of the first colleges in the state of Texas was founded at Salado. One of the village's first homes was a 22-room Classic Revival plantation house, which still sits today in the midst of a ranch covering several thousand acres. Other stately homes soon followed, many of them bearing historical markers today. Herds of cattle followed the Chisholm Trail across the spring-fed waters of Salado Creek. Dusty cowhands rested and ate their fill at the old Shady Villa Hotel. The stage stops at the hotel always brought excitement and, occasionally, renowned visitors such as Stephen F. Austin, Gen. Sam Houston, and Gen. Robert E. Lee.
Unlike many important leaders and historical figures, Abraham Lincoln is generally regarded as a singularly good and morally virtuous human being. Lincoln's Ethics assesses Lincoln's moral character and his many morally fraught decisions regarding slavery and the rights of African-Americans, as well as his actions and policies as commander in chief during the Civil War. Some of these decisions and policies have been the subject of considerable criticism. Lincoln undoubtedly possessed many important moral virtues, such as kindness and magnanimity, to a very high degree. Despite this, there are also grounds to question the goodness of his character. Many fault him as a husband, father and son, and many claim that he was a racist. Carson explains Lincoln's virtues and assesses these criticisms.
To quote John Lennon, "Imagine." Imagine eighteen-year-old Holden Caulfield, Richie Cunningham, Otter, Bluto, Archie McNally, and Kramer all thrown backward or forward in time to the summer of 1969. Imagine if, unknown to one another, they each blindly pledge to a ruckus fraternity house at a conservative and highly respected Midwestern university. Imagine their metamorphosis from innocent and naive high school graduates with lofty aspirations to rude, crude, and socially unacceptable frat rats. Imagine their creative, illogical, and often just plain stupid adventures as they fully take advantage of their newfound freedom and the total lack of respect and responsibility of college life. Imagine a pledge class that suffers together and sticks together until visited by the Grim Reaper. Imagine Marlo Thomas, Mary Tyler Moore, Ann-Margret, Shelley Fabares, Sandra Dee, and Annette Funicello as prudish and scholastically focused coeds attempting to cohabitate the same campus as the men of Sigma Mu. Imagine their potential transformation during the age of Aquarius into respectable and successful young adults. You may say I'm a dreamer, but what you are about to read is based on actual events (kind of). Enjoy!
A smooth and engaging narrative of the development of our most ubiquitous levy and an entertaining exegesis of its scripture, the Internal Revenue Code. Starting with history's earliest recorded taxes, Carson recounts the political and social forces which produced the Sixteenth Amendment and how that single fateful sentence has shaped American life for two generations. With each successive war, he shows, the personal income tax has grown more prepotent. In discussing the tax today, Carson eschews looney schemes for a general palliative; and he doesn't try to crack the Code--or the newest Tax Reform Act--for the greedy reader who wants the formula for turning ordinary income into capital gains, or dross into gold. Though his is not a technician's book, it does rely on authoritative and expert commentators. And it offers such amusing sidelights as how George M. Cohan led the pack in estimating deductible travel and entertainment expenses, and why one provision relating to capital gains was an unpublicized Louis B. Mayer production. Some of the mechanics of tax collection, the way our tax statutes evolve, the constant efforts to harness the law for special purposes, plus all the farce and melodrama inherent in such an odd institution are chronicled just in time for the customary write-offs of Spring.
Available online: https://pub.norden.org/temanord2020-529/ Tourism has grown in many Arctic peripheries of northern Europe and North America, particularly among international markets interested in unique Arctic nature and culture-based assets. In this context, urban places have remained relatively neglected. The report brings together case studies from several northern peripheries to illustrate the diversity of urban Arctic tourism and to identify implications for sustainable tourism development across the North. The case studies indicate that the Arctic dimensions of urban tourism are not always self-evident and tourism has not developed in relation to the northern culture of these places. However, in a global competition for capital and people, urban places seem to be increasingly using the Arctic as a way to boost local economies and reimage their places in order to achieve individual, local, regional, and national development goals.
While the dominant approaches to the current study of political philosophy are various, with some friendlier to religious belief than others, almost all place constraints on the philosophic and political role of revelation. Mainstream secular political theorists do not entirely disregard religion. But to the extent that they pay attention, their treatment of religious belief is seen more as a political or philosophic problem to be addressed rather than as a positive body of thought from which we might derive important insights about the nature of politics and the truth of the human condition. In a one-of-a-kind collection, DeHart and Holloway bring together leading scholars from various fields, including political science, philosophy, and theology, to challenge the prevailing orthodoxy and to demonstrate the role that religion can and does play in political life. Contributing authors include such important thinkers as Peter Augustine Lawler, Robert C. Koons, J. Budziszewski, Francis J. Beckwith, and James Stoner.
Prize-winning writer Sarah Laing has written a superb collection of stories that are beautifully written, vividly rendered and which stimulate and surprise. 'Imagine that you're a statistic,' says one of the characters in these quirky, haunting stories of people whose inner lives let them escape the boxes that others put them into. The single mum, the student working in the pie factory, the newborn baby, the dying woman, the Kiwi alone in New York and many others pass through these stories and in doing so let us enter their lives.
With a foreword by Jennifer Baumgardner and Amy Richards Girls Rock! explores the many ways women have defined themselves as rock musicians in an industry once dominated and controlled by men. Integrating history, feminist analysis, and developmental theory, the authors describe how and why women have become rock musicians—what inspires them to play and perform, how they write, what their music means to them, and what they hope their music means to listeners. As these musicians tell their stories, topics emerge that illuminate broader trends in rock's history. From Wanda Jackson's revolutionary act of picking up a guitar to the current success of independent artists such as Ani DiFranco, Girls Rock! examines the shared threads of these performers' lives and the evolution of women's roles in rock music since its beginnings in the 1950s. This provocative investigation of women in rock is based on numerous interviews with a broad spectrum of women performers—those who have achieved fame and those just starting bands, those playing at local coffeehouses and those selling out huge arenas. Girls Rock! celebrates what female musicians have to teach about their experiences as women, artists, and rock musicians.
In the spring of 2002, motivated by the September 11, 2001, terrorist attacks, National Football League stalwart Patrick Daniel Tillman turned down a multimillion-dollar contract to join the US Army. Two years later, he died while serving his country in the mountains of Afghanistan. In the process, he became an American icon. Inspired by Pat Tillman’s story, Fallen Stars captures the lives and times of Tillman (1976–2004) and four other war-hero American athletes: Hamilton “Ham” Fish (1873–98), Hobart “Hobey” Baker (1892–1918), Nile Kinnick (1918–43), and James Robert "Bob" Kalsu (1945–70), all of whom died while serving in the US military. Why a focus on fallen war-hero athletes, and why these five? Because here we have over a century’s worth of men who faced the fears and uncertainties that come with life and made the ultimate sacrifice. Their stories give us a kaleidoscopic picture of America over the course of more than one hundred years, and through them we can explore the wars America has participated in, the values that Americans have celebrated, and what it has meant, over time, to be an American hero.
Pocket charts are a valuable visual tool for the classroom. Celebrate Learning Numbers 0–120 Pocket Chart Activities for Grade K–5 offers 5 activities to use with a numbers chart. Get time back in your day with this premade collection. Overview of cards: •Numerals 0–120 •Multiples of 2, 3, 5, and 10 highlighted •120 quotes •Editable pages The Celebrate Learning Numbers 0–120 Pocket Chart Activities is a colorful collection that will visually engage all students. Each of the Pocket Chart Activities are designed to save teachers time. The Pocket Chart Activities supports your curriculum. Every Pocket Chart Activity also comes with editable pages for teachers to customize for their classroom. This resource may be printed and photocopied for use in a single classroom only.
A family of four gather for a meal as they joke with one another. A traveler at a bus stop engages in conversation. A room in a board-and-care facility gets hyped while a bus relocates from town to town. A young man gains experience in life working at a carnival and learns the rudiments of business. An adult female works for a car-rental outlet and undertakes to kill on the side. A porn star makes a living and gratifies his urges while a young man learns the lessons of life from the perspective of a mental patient.
Americans have traveled a far piece since Goody Randall climbed over the back of a Bay Colony pew in defense of her social position, or a frontier Congressman tried to eat the doilies at a White House dinner, or, more recently, since the adjustable Emily Post interpreted the social law on whether a lady’s maid could appear in bobbed hair. (She could not!) With unfailing scholarship, great good humor and occasional overtones of irony when snobbery raises its ugly nose, Gerald Carson here portrays the journey of American manners through shifting tastes and customs in regards to weddings, dances, hair styles, drinking, dueling, dress, smoking, the telephone, the automobile, the rise of the country club and the history of the fraternal lodge, among hundreds of topics. There is much of special interest to citizens of Chicago, San Francisco, Boston, Philadelphia, Baltimore, New York and many other cities. There is a full chapter on manners in the nation’s capital as well as one on books of etiquette. The author’s emphasis is upon the middle class, the mainstream of America’s national life, rather than Society with the capital S. This field has been plowed a good many times, while Mr. Carson’s area is almost untouched. His central theme is the reaching out of the American man and woman for self-improvement and a life of some grace. Citizens of the United States are still free to become, as the late Professor Arthur M. Schlesinger pointed out, as unequal as they can.
This provocative analysis of American historiography argues that when scholars use modern racial language to articulate past histories of race and society, they collapse different historical signs of skin color into a transhistorical and essentialist notion of race that implicates their work in the very racial categories they seek to transcend.
Ghost stories from Cheyenne, Wyoming have never been so creepy, fun, and full of mystery! The haunted history of the Magic City of the Plains comes to life--even when the main players are dead. Visit the Plains Hotel to catch a glimpse of the spirits who checked in but never checked out. Or look for the ghosts of cowboys at the town's Wrangler Store. Dive into this spooky chapter book for suspenseful tales of bumps in the night, paranormal investigations, and the unexplained; just be sure to keep the light on.
How do scientists know anything about Uranus? Spacecraft from Earth have visited Uranus. Featuring a center spread with fast facts, this book highlights the missions, the men and women who plan them, and more far-out facts about the seventh planet from the sun.
How have modern democracies squared their commitment to equality with their fear that disparities in talent and intelligence might be natural, persistent, and consequential? In this wide-ranging account of American and French understandings of merit, talent, and intelligence over the past two centuries, John Carson tells the fascinating story of how two nations wrestled scientifically with human inequalities and their social and political implications. Surveying a broad array of political tracts, philosophical treatises, scientific works, and journalistic writings, Carson chronicles the gradual embrace of the IQ version of intelligence in the United States, while in France, the birthplace of the modern intelligence test, expert judgment was consistently prized above such quantitative measures. He also reveals the crucial role that determinations of, and contests over, merit have played in both societies--they have helped to organize educational systems, justify racial hierarchies, classify army recruits, and direct individuals onto particular educational and career paths. A contribution to both the history of science and intellectual history, The Measure of Merit illuminates the shadow languages of inequality that have haunted the American and French republics since their inceptions.
The region that is now Altapass was settled in the last third of the 18th century by restless and brave souls of Scot-Irish descent. The most colorful and prolific of these was Charlie McKinney, a man set upon making a life for himself, his 4 wives, and his 48 children in the Appalachian wilderness. His children intermarried with many families, including the Davenports, Biddixes, Halls, and Wisemans, to establish a community that has survived and thrived in this rugged paradise. Change has often come to the community in sudden bursts, including the arrival of the railroad a century ago, which gave the community its life, name, and most enduring institution, the Orchard at Altapass.
A full and provocative reappraisal of the Bayeux "Tapestry", its origins, design and patronage. Aspects of the Bayeux Tapestry (in fact an embroidered hanging) have always remained mysterious, despite much scholarly investigation, not least its design and patron. Here, in the first full-length interdisciplinary approach to the subject, the authors (an art historian and a historian) consider these and other issues. Rejecting the prevalent view that it was commissioned by Odo, the bishop of Bayeux and half-brother of William the Conqueror, or by some other comparable patron, they bring new evidence to bear on the question of its relationship to the abbey of St Augustine's, Canterbury. From the study of art-historical, archeological, literary, historical and documentary materials, they conclude that the monks of St Augustine's designed the hanging for display in their abbey church to tell their own story of how England was invaded and conquered in 1066. Elizabeth Carson Pastan is a Professor of Art History at Emory University; Stephen D. White is Asa G. Candler Professor of Medieval History (emeritus), Emory University, and an Honorary Professor of Mediaeval History at the University of St Andrews.
. . . a great blow-by-blow account of an exciting and still-legendary scene." ---Marshall Crenshaw From the early days of John Lee Hooker to the heyday of Motown and beyond, Detroit has enjoyed a long reputation as one of the crucibles of American pop music. In Grit, Noise, and Revolution, David Carson turns the spotlight on those hard-rocking, long-haired musicians-influenced by Detroit's R&B heritage-who ultimately helped change the face of rock 'n' roll. Carson tells the story of some of the great garage-inspired, blue-collar Motor City rock 'n' roll bands that exemplified the Detroit rock sound: The MC5, Iggy Pop and the Stooges, Mitch Ryder and the Detroit Wheels, SRC, the Bob Seger System, Ted Nugent and the Amboy Dukes, and Grand Funk Railroad. An indispensable guide for rock aficionados, Grit, Noise, and Revolution features stories of these groundbreaking groups and is the first book to survey Detroit music of the 1960s and 70s-a pivotal era in rock music history.
The end of the Second World War opened a new era for science in public life. Heisenberg in the Atomic Age explores the transformations of science's public presence in the postwar Federal Republic of Germany. It shows how Heisenberg's philosophical commentaries, circulating in the mass media, secured his role as science's public philosopher, and it reflects on his policy engagements and public political stands, which helped redefine the relationship between science and the state. With deep archival grounding, the book tracks Heisenberg's interactions with intellectuals from Heidegger to Habermas and political leaders from Adenauer to Brandt. It also traces his evolving statements about his wartime research on nuclear fission for the National Socialist regime. Working between the history of science and German history, the book's central theme is the place of scientific rationality in public life - after the atomic bomb, in the wake of the Third Reich.
Celebrated worldwide for her masterly novels, Carson McCullers was equally accomplished, and equally moving, when writing in other forms. The play The Member of the Wedding (1950), adapted from her 1946 novel at the urging of her close friend Tennessee Williams is, like Thornton Wilder’s Our Town, a great American poem for the stage. At its center is tomboy Frankie Addams, a motherless adolescent neglected by her father and utterly bored with life in small-town Georgia until romantic longing is ignited by her older brother’s wedding. A hit on Broadway, running for more than five hundred performances, it won the Drama Critics’ Circle Award and soon inspired a film.
These letters between the pioneering environmentalist and her beloved friend reveal “a vibrant, caring woman behind the scientist” (Los Angeles Times). “Rachel Carson, author of The Silent Spring, has been celebrated as the pioneer of the modern environmental movement. Although she wrote no autobiography, she did leave letters, and those she exchanged—sometimes daily—with Dorothy Freeman, some 750 of which are collected here, are perhaps more satisfying than an account of her own life. In 1953, Carson became Freeman's summer neighbor on Southport Island, ME. The two discovered a shared love for the natural world—their descriptions of the arrival of spring or the song of a hermit thrush are lyrical—but their friendship quickly blossomed, as each realized she had found in the other a kindred spirit. To read this collection is like eavesdropping on an extended conversation that mixes the mundane events of the two women's family lives with details of Carson’s research and writing and, later, her breast cancer. . . . Few who read these letters will forget these remarkable women and their even more remarkable bond.” —Publishers Weekly “Darting, fresh, sensuous, pleasingly elliptical at times, these letters also serve to tether the increasingly deified Carson firmly to earth—just where she’d want to be.” —Kirkus Reviews (starred review) “It is not often that a collection of letters reveals character, emotional depth, personality, indeed intellect and talent, as well as a full biography might; these letters do all that.” —The New York Times Book Review “Provides insight into the creative process and a look into the daily lives of two intelligent, perceptive women whose family responsibilities were, at times, almost crushing.” —Library Journal “Dotted with vivid observations of the natural world and perceptive commentary on friendship, family, fame, and life itself, Always, Rachel will appeal to readers interested in biography and women’s studies as well as those drawn to nature writing and the history of the environmental movement.” —Booklist Online
Absolutely hilarious—this is the captivating account of the Cornflake Crusade—that nineteenth-century evangelical movement of food faddists which brought ready-to-eat breakfast foods into every American home and put Battle Creek, Michigan, on the world map. This s the authentic story of our fantastic and insatiable interest in “scientific eating,” and is the obly book in print that will explain why the American child eats breakfast, while buried behind a fascinating cereal box. Strangely enough, the roots of the Kellogg and Post success stories are to be found in the American Evangelical sects who confused “good” Christianity with vegetarianism and, in particular, with the Seventh Day Adventists. They provided the background for the full-scale revolution that changed the eating habits of the World. Telling his story with great relish, Mr. Carson points out that despite its odd origins the Battle Creek contribution has been considerable; it has given the world new foods, increased knowledge and use of grains and pointed the way to lighter, more varied diets as well as providing maximum convenience—slit, tilt, pour.
His name is synonymous with "independent film," and for more than twenty-five years, filmmaker John Sayles has tackled issues ranging from race and sexuality to the abuses of capitalism and American culture, aspiring to a type of realism that Hollywood can rarely portray. This collection offers unprecedented coverage of Sayles’s craft and content, as it deploys a rich variety of critical methods to explore the full scope of his work. Together the essays afford a deeper understanding not only of the individual films—including his 1980 The Return of the Secaucus Seven (named to the National Registry) and the recent Limbo and Men with Guns—but also of Sayles’s unusual place in American cinema and his influence worldwide. The focus of Sayles’s films is frequently on peoples’ lives, not on stories with tidy endings, and often a main goal is to alert viewers of their complicity in the problems at hand. One might assume his style to be content driven, but closer inspection reveals a mix of styles from documentary to postmodern. In this anthology, a set of international scholars addresses these and many other aspects of Sayles’s filmmaking as they explore individual works. Their methodological approaches include historical and industry analysis as well as psychoanalysis and postcolonial theory, to name a few. Sayles Talk is both an in-depth and wide-ranging tribute to the "father" of independent film. In one volume, readers can find discussions of most of Sayles’s films together with a comprehensive introduction to his film practice, an annotated list of existing literature on Sayles, and information on resources for further inquiry into his fiction, film, and television work. Film students as well as seasoned critics will turn to this book time and again to enrich their understanding of one of America’s great cinematic innovators and his legacy.
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