Modernism's Mythic Pose recovers the tradition of Delsartism, a popular international movement that promoted bodily and vocal solo performances, particularly for women. This strain of classical-antimodernism shaped dance, film, and poetics. Its central figure, the mythic pose, expressed both skepticism and nostalgia and functioned as an ambivalent break from modernity.
In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional "diversity, equity, and inclusion" initiatives. The book addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts.
To inform improvements to the quality of care delivered by the military health system for posttraumatic stress disorder and major depressive disorder, researchers developed a framework and identified, developed, and described a candidate set of measures for monitoring, assessing, and improving the quality of care. This document describes their research approach and the measure sets that they identified.
A family long divided, a mysterious trunk, and a desperate journey across the ocean—all in the name of love. The epic saga of the McAlisters continues in this riveting sequel to No Ocean Too Wide. In 1909, Grace McAlister set sail for Canada as one of the thousands of British Home Children taken from their families and their homeland. Though she is fortunate enough to be adopted by wealthy parents, the secrets of her past are kept hidden for ten years until someone from her long-buried childhood arrives on her doorstep. With this new connection to her birth family, will she be brave enough to leave her sheltered life in Toronto and uncover the truth? After enduring hardship as an indentured British Home Child, Garth McAlister left Canada to serve in World War I. His sweetheart, Emma Lafferty, promised to wait for his return, but after three long years apart, her letters suddenly stopped. When Garth arrives home from the war to unexpected news, he is determined to return to Canada once more on a daunting mission to find the two women he refuses to abandon—his long-lost sister and his mysteriously missing sweetheart.
Brisk walks on the bright chilly beach, cinnamon buns at tea time, blooming forsythia and...murder? East Hampton innkeeper and chef Antonia Bingham has settled in to town and taken on extra work as an estate manager, giving her entree into some of the area's most glamorous homes. Once inside, Antonia checks the heat, looks for leaks or damage, and finds the occasional dead body. It's up to Antonia—a modern day Miss Marple with an adoration of carbs and a kamikaze love-life—to put her skills of deduction to use. Antonia Bingham solves another shocking murder in Death on Lily Pond Lane, the second book in the best-selling Hamptons Murder Mystery series.
Carrie MacMillan, Lorraine McMullen, and Elizabeth Waterston have uncovered information about the lives and works of six such writers. Rosanna Leprohon, May Agnes Fleming, Margaret Murray Robertson, Susan Frances Harrison, Margaret Marshall Saunders, and Joanna E. Wood were once-popular novelists who are now for the most part ignored, with virtually all of their works out of print. MacMillan, McMullen, and Waterston show that these six writers deserve modern recognition not only for their literary accomplishments but also for what they reveal, through their work and their lives, about the condition of the woman writer in nineteenth-century Canada. The writings of these six women from varied backgrounds reflect their different experiences of life in the late nineteenth century. In this study a biographical profile of each author, set in the contemporary social context, is provided, as well as an analysis of career development, emphasising publishing history and critical response. As each case history unfolds, the broader picture emerges of an era when many ideas of personal and public life were changing.
In Getting Married, Carrie Yodanis and Sean Lauer examine the social rules and expectations that shape our most personal relationships. How do couples get together? How do people act when they’re married? What happens when they’re not? Public factors influence our private relationships. From getting engaged to breaking up, social rules and expectations shape and constrain whom we select as a spouse, when and why we decide to get married, and how we arrange our relationships day to day. While this book is about marriage, it is also about sociology. Yodanis and Lauer use the case of marriage to explore a sociological perspective. Getting Married will bring together students’ academic and social worlds by applying sociology to the things they are thinking about and experiencing outside of the classroom. This book is a useful tool for many sociology courses, including those on family, gender, and introduction to sociology.
Offering a wealth of information on library copyright concerns in a vibrant, highly accessible format, Complete Copyright is a must-have resource for your library. ALA copyright expert Russell provides clear, user-friendly guidance for both common copyright issues and latest trends, including the intricacies of copyright in the digital world.
Citizenship defines the U.S. political experiment, but the modern legal category that it now names is a relatively recent invention. There was no Constitutional definition of citizenship until the ratification of the Fourteenth Amendment in 1868, almost a century after the Declaration of Independence. Civic Longing looks at the fascinating prehistory of U.S. citizenship in the years between the Revolution and the Civil War, when the cultural and juridical meaning of citizenship—as much as its scope—was still up for grabs. Carrie Hyde recovers the numerous cultural forms through which the meaning of citizenship was provisionally made and remade in the early United States. Civic Longing offers the first historically grounded account of the formative political power of the imaginative traditions that shaped early debates about citizenship. In the absence of a centralized legal definition of citizenship, Hyde shows, politicians and writers regularly turned to a number of highly speculative traditions—political philosophy, Christian theology, natural law, fiction, and didactic literature—to authorize visions of what citizenship was or ought to be. These speculative traditions sustained an idealized image of citizenship by imagining it from its outer limits, from the point of view of its “negative civic exemplars”—expatriates, slaves, traitors, and alienated subjects. By recovering the strange, idiosyncratic meanings of citizenship in the early United States, Hyde provides a powerful critique of originalism, and challenges anachronistic assumptions that read the definition of citizenship backward from its consolidation in the mid-nineteenth century as jus soli or birthright citizenship.
A Swedish novelist and ardent feminist makes her notes on America. Interesting observations on American culture (politics, race relations, manners, education, etc.), having traveled through New England, the Mid-Atlantic, the Mid-West, and the South.
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