Church of Our Granddaughters is a visionary work of theology and ethics that looks hopefully and lovingly two generations into the future, imagining the Orthodox Church's practices and realities rightfully aligned with its core theological teachings and truths regarding women. This reverent but bold work offers the necessary insight and inspiration to create a community that welcomes all its members, our granddaughters as well as our grandsons, thus allowing the Orthodox Church to better incarnate its mission of service and transfiguration.
Places Orthodox sources--icons, hymns, and prayers--on motherhood into conversation with each other. In so doing, this work brings an anchored vision of motherhood to the twenty-first century--especially the embodied experience of motherhood.
Church of Our Granddaughters is a visionary work of theology and ethics that looks hopefully and lovingly two generations into the future, imagining the Orthodox Church’s practices and realities rightfully aligned with its core theological teachings and truths regarding women. This reverent but bold work offers the necessary insight and inspiration to create a community that welcomes all its members, our granddaughters as well as our grandsons, thus allowing the Orthodox Church to better incarnate its mission of service and transfiguration.
Places Orthodox sources—icons, hymns, and prayers—on motherhood into conversation with each other. In so doing, this work brings an anchored vision of motherhood to the twenty-first century—especially the embodied experience of motherhood.
Exploring the nature of utilitarian texts in English transmitted from the later Middle Ages to c. 1650, this volume considers textual and material strategies for the presentation and organisation of written knowledge and information during the period. In particular, it investigates the relationship between genre and material form in Anglophone written knowledge and information, with specific reference to that which is usually classified as practical or 'utilitarian'. Carrie Griffin examines textual and material evidence to argue for the disentangling of hitherto mixed genres and forms, and the creation of 'new' texts, as unexplored effects of the arrival of the printing press in the late fifteenth century. Griffin interrogates the texts at the level of generic markers, frameworks and structures, and studies transmission and dissemination in print, the nature of and attitudes to printed books, and the audiences they reached, in order to determine shifting attitudes to books and texts. Learning and Information from Manuscript to Print makes a significant contribution to the study of so-called non-literary textual genres and their transmission, circulation and reception in manuscript and in early modern printed books.
This study of organizing and decluttering professionals helps us understand—and perhaps alleviate—the overwhelming demands society places on our time and energy. For a widely dreaded, often mundane task, organizing one’s possessions has taken a surprising hold on our cultural imagination. Today, those with the means can hire professionals to help sort and declutter their homes. In More Than Pretty Boxes, Carrie M. Lane introduces us to this world of professional organizers and offers new insight into the domains of work and home, which are forever entangled—especially for women. The female-dominated organizing profession didn’t have a name until the 1980s, but it is now the subject of countless reality shows, podcasts, and magazines. Lane draws on interviews with organizers, including many of the field’s founders, to trace the profession’s history and uncover its enduring appeal to those seeking meaningful, flexible, self-directed work. Taking readers behind the scenes of real-life organizing sessions, More Than Pretty Boxes details the strategies organizers use to help people part with their belongings, and it also explores the intimate, empathetic relationships that can form between clients and organizers. But perhaps most importantly, More Than Pretty Boxes helps us think through an interconnected set of questions around neoliberal work arrangements, overconsumption, emotional connection, and the deeply gendered nature of paid and unpaid work. Ultimately, Lane situates organizing at the center of contemporary conversations around how work isn’t working anymore and makes a case for organizing’s radical potential to push back against the overwhelming demands of work and the home, too often placed on women’s shoulders. Organizers aren’t the sole answer to this crisis, but their work can help us better understand both the nature of the problem and the sorts of solace, support, and solutions that might help ease it.
England, 1813. Nineteen-year-old Catherine Bennet lives in the shadow of her two eldest sisters, Elizabeth and Jane, who have both made excellent marriages. No one expects Kitty to amount to anything. Left at home in rural Hertfordshire with her neurotic and nagging mother, and a father who derides her as "e;silly and ignorant,"e; Kitty is lonely, diffident and at a loss as to how to improve her situation. When her world unexpectedly expands to London and the Darcy's magnificent country estate in Derbyshire, she is overjoyed. Keen to impress this new society, and to change her family's prejudice, Kitty does everything she can to improve her mind and manners-and for the first time feels liked and respected. However, one fateful night at Pemberley, a series of events and misunderstandings conspire to ruin Kitty's reputation. Accused of theft-a crime almost worse than murder among the Georgian aristocracy-she is sent back home in disgrace. But Kitty has learnt from her new experiences and what she does next does next will not only surprise herself, but everyone else too.
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