Terror seizes Carrie as she awakens to beads of sweat trickling onto her pillow. She fades back into a dream that reveals a steep staircase looming above her. A figure weighs heavily against her side, as she struggles upward, every step a tremendous effort. She knows this is her destiny. Sobs overtake her as she experiences overwhelming relief when the arduous ascent is finally over. The dream again takes her back down to the bottom of the stairs. She knows, without a doubt, the dream has revealed her life. The real journey has not yet begun. The reader is taken into Carrie's thought processes through her husband's illness, a difficult marriage, and finally, divorce. As Carrie relies upon God to carry her through these tragic events, she discovers spiritual experiences and insights along the way. Self-preservation forces Carrie to progressively detach from herself until she completely unravels. The reader discovers that the story is about more than the dream. It is about Carrie's spiritual transformation, as she puts her life back together. In the process, the author inspires the reader toward his own healing journey. As Carrie awakens to the powerful spirit within her, the message ultimately becomes the truth - that we are all powerful, creative, beautiful and wonderful beings!
Meaning Train is a collection of essays, based on books and interviews, that counter the divisive practice of subjugating others. It reveals a benign moral compass in which anyone who wants to improve the world can follow. The inspiration for the book is the idea of a beloved community honed during the civil rights movement in the 1960s. Based on the example of Jesus Christ, the notion guided leaders like Martin Luther King, Jr. in addition to John Lewis and Fannie Lou Hammer. Together, with love and care in their hearts, they ended the segregation laws of Jim Crow and black disenfranchisement. The book brims with soul and empathy. It outlines the issues of our era with ideas of human dignity. The essays include the struggle for racial equality in America and South Africa; the agony of the Holocaust and the battle for peace among Israelis and Palestinians; the lives of Mary Magdalene and Jesus Christ and Christian feminist theology; the morally right fight against Islamophobia and the need for pluralism in the Middle East; and the contributions of historian David McCullough and politician Bobby Kennedy. The panoply of essays will captivate and stir the human soul. “(Carrie Cunningham’s) writing steels the prophetic voice for social action, reminding us of the foundation we stand on, forged in fire by our forebears in the struggle.” — James Waddell, Associate Professor of New Testament, Ecumenical Theological Seminary
One of the most influential choreographers of the twentieth century, Merce Cunningham is known for introducing chance to dance. Far too often, however, accounts of Cunningham’s work have neglected its full scope, focusing on his collaborations with the visionary composer John Cage or insisting that randomness was the singular goal of his choreography. In this book, the first dedicated to the complete arc of Cunningham’s career, Carrie Noland brings new insight to this transformative artist’s philosophy and work, providing a fresh perspective on his artistic process while exploring aspects of his choreographic practice never studied before. Examining a rich and previously unseen archive that includes photographs, film footage, and unpublished writing by Cunningham, Noland counters prior understandings of Cunningham’s influential embrace of the unintended, demonstrating that Cunningham in fact set limits on the role chance played in his dances. Drawing on Cunningham’s written and performed work, Noland reveals that Cunningham introduced variables before the chance procedure was applied and later shaped and modified the chance results. Chapters explore his relation not only to Cage, but also Marcel Duchamp, Robert Rauschenberg, James Joyce, and Bill T. Jones. Ultimately, Noland shows that Cunningham approached movement as more than “movement in itself,” and that his work enacted archetypal human dramas. This remarkable book will forever change our appreciation of the choreographer’s work and legacy.
One of the most influential choreographers of the twentieth century, Merce Cunningham is known for introducing chance to dance. Far too often, however, accounts of Cunningham’s work have neglected its full scope, focusing on his collaborations with the visionary composer John Cage or insisting that randomness was the singular goal of his choreography. In this book, the first dedicated to the complete arc of Cunningham’s career, Carrie Noland brings new insight to this transformative artist’s philosophy and work, providing a fresh perspective on his artistic process while exploring aspects of his choreographic practice never studied before. Examining a rich and previously unseen archive that includes photographs, film footage, and unpublished writing by Cunningham, Noland counters prior understandings of Cunningham’s influential embrace of the unintended, demonstrating that Cunningham in fact set limits on the role chance played in his dances. Drawing on Cunningham’s written and performed work, Noland reveals that Cunningham introduced variables before the chance procedure was applied and later shaped and modified the chance results. Chapters explore his relation not only to Cage, but also Marcel Duchamp, Robert Rauschenberg, James Joyce, and Bill T. Jones. Ultimately, Noland shows that Cunningham approached movement as more than “movement in itself,” and that his work enacted archetypal human dramas. This remarkable book will forever change our appreciation of the choreographer’s work and legacy.
Choreographies of the Living explores the implications of shifting from viewing art as an exclusively human undertaking to recognizing it as an activity that all living creatures enact. Carrie Rohman reveals the aesthetic impulse itself to be profoundly trans-species, and in doing so she revises our received wisdom about the value and functions of artistic capacities. Countering the long history of aesthetic theory in the West--beginning with Plato and Aristotle, and moving up through the recent claims of "neuroaesthetics"--Rohman challenges the likening of aesthetic experience to an exclusively human form of judgment. Turning toward the animal in new frameworks for understanding aesthetic impulses, Rohman emphasizes a deep coincidence of humans' and animals' elaborations of fundamental life forces. Examining a range of literary, visual, dance, and performance works and processes by modernist and contemporary figures such as Isadora Duncan, D. H. Lawrence, Virginia Woolf, and Merce Cunningham, Rohman reconceives the aesthetic itself not as a distinction separating humans from other animals, but rather as a framework connecting embodied beings. Her view challenges our species to acknowledge the shared status of art-making, one of our most hallowed and formerly exceptional activities.
Getting Dressed teaches sociology through the everyday decision of what to wear. It is about the rules that shape how we dress and how and why we conform. It is about how and why we imitate others. We may think about clothing as our personal style and identity. But our personal style is not so personal; it is social, shaped and limited by countless social influences. We use clothes to rank and treat each other as better and worse. Yet we need each other to become who we are when getting dressed. This book is about what we wear, why we wear it, and why it matters.
Love on Colonial America’s Frontier Travel into Colonial America where eight women seek love, but they each know a future husband requires the necessary skills to survive in the backcountry. Living in areas exposed to nature’s ferocity, prone to Indian attack, and cut off from regular supplies, can hearts overcome the dangers to find lasting love? Shenandoah Hearts by Carrie Fancett Pagels 1754 - Great Wagon Road, into the Shenandoah Valley (Virginia) As the French-Indian War commences, Magda Sehler wonders if Jacob Owens lost his mind to have abandoned his Philadelphia business and moved to the Shenandoah Valley. Or has he lost his heart? Heart of Nantahala by Jennifer Hudson Taylor 1757 - (North Carolina) Joseph Gregory plans to buy a lumber mill, but Mabel Walker becomes a formidable opponent. When she’s forced to make a painful decision, she must choose between survival and love. Her Redcoat by Pegg Thomas 1763 - Fort Michilimackinac (Michigan) during Pontiac’s Rebellion Laurette Pettigrew grew up in the northern frontier. Henry Bedlow arrived against his will. Their chance meeting changes everything. Will a deadly clash of cultures keep them from finding happiness? A Heart So Tender by Debra E. Marvin 1764 – (New York) As thousands of Native warriors converge on Fort Niagara, jaded British Lieutenant Archibald Walsh and idealistic schoolmistress Susannah Kimball learn the greatest risk lies in guarding their hearts. A Worthy Groom by Angela K. Couch 1771 - Sapling Grove settlement on the Holston River (Tennessee) The Cowden temper has been Marcus’s lifelong bane. A trait Lorinda Cowden curses. Now, winning the heart of his bride hinges on fighting a war without raising a fist. Across Three Autumns by Denise Weimer 1778-1780 – (Georgia) Fighting Loyalists and Indians, Jenny White settles for strength over love . . .until Scottish scout Caylan McIntosh leads her family on a harrowing exodus out of Georgia’s Revolutionary “Hornet’s Nest.” The Counterfeit Tory by Shannon McNear 1781 – (South Carolina) Tasked with infiltrating an infamous Tory gang, Jed Wheeler has no wish to endanger the leader’s cousin, Lizzy Cunningham. He risks not only his life. . .but his heart. Love’s Undoing by Gabrielle Meyer 1792 - Fur Post on the Upper Mississippi River (Minnesota) When Englishman Henry Kingsley meets Abi McCrea, the daughter of a Scottish fur trader and Indian mother, will their worlds keep them apart, or have they finally found somewhere they truly belong?
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