For much of the year, some remote areas of northern Canada rest on land so precarious thereare no real roads. They’re accessible only once the perfect conditions appear. It’s no different forcertain people. Some say life has passed Emily Moore by. They’re wrong. She’s just waiting for her moment…. And that moment arrives when she discovers her friend Daniel is missing and a stranger—supposedly Daniel’s nephew—is living in his house. Emily has no reason not to believe him, but odd things are starting to occur. There are break-ins along Creek Road and no news from Daniel. Then there’s the fact that his “nephew” seems more interested in Emily and her parents than in the family history he’s supposed to be researching. Welcome to Three Creeks, an ordinary little prairie town where extraordinary things are about to happen.
Same old Ian? She's just traveled 1,400 miles—he could at least pretend he's happy to see her! He may be unwilling to forgive her for their breakup, but Sarah Bretton is surprised to realize she may still be passionately in love with him. Ian Kingsley, her first husband. The one she married when she was still a kid. Same old Sarah? Ian thinks he's over her. After ten years—and two more husbands—does she really think they can just pick up where they left off? No way. Not even if he finds himself irresistibly, irritatingly drawn to her…
When Elizabeth Robb left Three Creeks, she never expected to return Even after all these years she’s not ready to face her painful past, and only a request from her elderly grandmother could bring her back to town. She hopes her arrival will escape notice and that she can leave as quietly as she’s come, but she doesn’t really expect that to happen. For Elizabeth, there is just too much family and too much history in Three Creeks. But once Elizabeth meets Jack McKinnon, her grandmother’s mysterious new neighbor, she begins to believe there might be some good to come from a long journey home. If only Jack didn’t have as much in his past as Elizabeth….
Is there life after motherhood? Widowed before her son, Chris, was born, Gwyn Sinclair has put all her energies into being a great mom. But after meeting David Bretton, she starts to wonder if it’s time to be more than a mother. And she’s starting to realize Chris needs more, too. David would love to be the man who helps Gwyn find the answer to her question. Too bad his ideas about parenting Chris are completely opposite hers!
When Elizabeth Robb left Three Creeks, she never expected to return Even after all these years, she's not ready to face her painful past, and only a request from her elderly grandmother could bring her back to town. She hopes her arrival will escape notice and that she can leave as quietly as she's come, but she doesn't really expect that to happen. For Elizabeth, there's just too much family and too much history in Three Creeks. But once Elizabeth meets Jack McKinnon, her grandmother's mysterious new neighbor, she begins to believe there might be some good to come from the long journey home. But, of course, Jack's got a past, too—one he'll have to put to rest before he and Elizabeth can find their future together.
For much of the year, some remote areas of northern Canada rest on land so precarious there are no real roads. They're accessible only once the perfect conditions appear. It's no different for certain people. Some say life has passed Emily Moore by. They're wrong. She's just waiting for her moment.… And that moment arrives when she discovers her friend Daniel is missing and a stranger—supposedly Daniel's nephew—is living in his house. Emily has no reason not to believe Matthew Rutherford, but odd things are starting to occur. There are break-ins along Creek Road and no news from Daniel. And then there's the fact that instead of researching the family history, Matthew seems much more interested in Emily.…
It’s not easy working with the man who almost ruined your career before it even started. It’s even worse when he’s your new boss. Paleontologist Susannah Robb just lost a prestigious job to her rival Alexander Blake, and she has to figure out a way to work with him. But that quickly turns out to be the least of her problems. Someone is stealing fossils from the site she discovered in Alberta’s Badlands. And now she and Alex must team up to stop them.
For much of the year, some remote areas of northern Canada rest on land so precarious there are no real roads. They're accessible only once the perfect conditions appear. It's no different for certain people. Some say life has passed Emily Moore by. They're wrong. She's just waiting for her moment.… And that moment arrives when she discovers her friend Daniel is missing and a stranger—supposedly Daniel's nephew—is living in his house. Emily has no reason not to believe Matthew Rutherford, but odd things are starting to occur. There are break-ins along Creek Road and no news from Daniel. And then there's the fact that instead of researching the family history, Matthew seems much more interested in Emily.…
Same old Ian? She's just traveled 1,400 miles—he could at least pretend he's happy to see her! He may be unwilling to forgive her for their breakup, but Sarah Bretton is surprised to realize she may still be passionately in love with him. Ian Kingsley, her first husband. The one she married when she was still a kid. Same old Sarah? Ian thinks he's over her. After ten years—and two more husbands—does she really think they can just pick up where they left off? No way. Not even if he finds himself irresistibly, irritatingly drawn to her…
Is there life after motherhood? Widowed before her son, Chris, was born, Gwyn Sinclair has put all her energies into being a great mom. But after meeting David Bretton, she starts to wonder if it’s time to be more than a mother. And she’s starting to realize Chris needs more, too. David would love to be the man who helps Gwyn find the answer to her question. Too bad his ideas about parenting Chris are completely opposite hers!
It’s not easy working with the man who almost ruined your career before it even started. It’s even worse when he’s your new boss. Paleontologist Susannah Robb just lost a prestigious job to her rival Alexander Blake, and she has to figure out a way to work with him. But that quickly turns out to be the least of her problems. Someone is stealing fossils from the site she discovered in Alberta’s Badlands. And now she and Alex must team up to stop them.
When Elizabeth Robb left Three Creeks, she never expected to return Even after all these years, she's not ready to face her painful past, and only a request from her elderly grandmother could bring her back to town. She hopes her arrival will escape notice and that she can leave as quietly as she's come, but she doesn't really expect that to happen. For Elizabeth, there's just too much family and too much history in Three Creeks. But once Elizabeth meets Jack McKinnon, her grandmother's mysterious new neighbor, she begins to believe there might be some good to come from the long journey home. But, of course, Jack's got a past, too—one he'll have to put to rest before he and Elizabeth can find their future together.
Professional DotNetNuke ASP.NET Portals DotNetNuke, the popular ASP.NET open source application, is sweeping through the ranks of ASP.NET and Web developers. Whether you've never programmed your own Web site before or you are an experienced ASP.NET developer, you'll find DotNetNuke and this book have something to offer you. You'll get started with invaluable hands-on insight for installing DotNetNuke on the server and then move on to developing and administering portals created with DotNetNuke. Written by the creator and programmers of the DotNetNuke project, the book discusses operating a DotNetNuke portal. You'll see how DotNetNuke gives you a flexible architecture for rapidly developing Web applications and you'll find ways to extend the portal framework by developing modules that plug into DotNetNuke. Step-by-step instructions to administer DotNetNuke in various real-world scenarios will help you save time developing your own DotNetNuke ASP.NET sites. What you will learn from this book * How to easily develop a dynamic content managed Web site * Management of user membership and permissions * Other features you can add to a DotNetNuke site including discussion forums, RSS feeds, calendars, and more * How to instantly change your Web site user interface with skins * Techniques for hosting multiple Web sites from a single account with the multiple portal capability Who this book is for Web developers or administrators who have never used ASP or ASP.NET can use this book to create their first ASP.NET portal site with no programming skill required. Experienced ASP.NET developers can use this to create ASP.NET sites quickly and efficiently using DotNetNuke. Wrox Professional guides are planned and written by working programmers to meet the real-world needs of programmers, developers, and IT professionals. Focused and relevant, they address the issues technology professionals face every day. They provide examples, practical solutions, and expert education for new technologies, all designed to help programmers do a better job.
Stephen Colbert, Samantha Bee, John Oliver, and Jimmy Kimmel—these comedians are household names whose satirical takes on politics, the news, and current events receive some of the highest ratings on television. In this book, James E. Caron examines these and other satirists through the lenses of humor studies, cultural theory, and rhetorical and social philosophy, arriving at a new definition of the comic art form. Tracing the history of modern satire from its roots in the Enlightenment values of rational debate, evidence, facts, accountability, and transparency, Caron identifies a new genre: “truthiness satire.” He shows how satirists such as Colbert, Bee, Oliver, and Kimmel—along with writers like Charles Pierce and Jack Shafer—rely on shared values and on the postmodern aesthetics of irony and affect to foster engagement within the comic public sphere that satire creates. Using case studies of bits, parodies, and routines, Caron reveals a remarkable process: when evidence-based news reporting collides with a discursive space asserting alternative facts, the satiric laughter that erupts can move the audience toward reflection and possibly even action as the body politic in the public sphere. With rigor, humor, and insight, Caron shows that truthiness satire pushes back against fake news and biased reporting and that the satirist today is at heart a citizen, albeit a seemingly silly one. This book will appeal to anyone interested in and concerned about public discourse in the current era, especially researchers in media studies, communication studies, political science, and literary and cultural studies.
In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR
A comprehensive and timely resource on the depictions in film of enslaved African Americans and slavery from the Antebellum Period to Emancipation. American Slavery on Film highlights historical and contemporary depictions in film of the resistance, rebellion, and resilience of enslaved African Americans in the United States from the Antebellum period to Emancipation. In her study of such films as Uncle Tom's Cabin (1914), a silent movie adaptation of Harriet Beecher Stowe's novel; the groundbreaking and successful television miniseries Roots (1977); and the Harriet Tubman biopic Harriet (2019), Caron Knauer analyzes how African American slavery has been and continues to be portrayed in major studio blockbusters and independent films alike. Separating the romanticized and unrealistic depictions of slavery from the more accurate but often unflinching portrayals of its horrors, the author covers a wide range of topics, including the impact of slavery on popular culture, the Underground Railroad, Maroon communities, and the Los Angeles Film Rebellion of the 1960s. As a result, this book delivers a comprehensive, readable, and timely examination of enslaved African Americans and slavery in America's film history.
Across Maine, iconic diners come in different shapes and sizes. From the fluffy pancakes as big as a plate to piles of perfectly crisped corned beef hash, these beloved spots have served classic comfort food to generations of hungry patrons. For more than ninety years, Moody's Diner in Waldoboro has offered famous homemade pies to regulars and visitors alike. From the Lumberjack Breakfast at the Palace Diner in Biddeford to the steak and cheese omelet at the Deluxe Diner in Rumford, author Sarah Walker Caron reveals the stories and recipes behind the state's most iconic community eateries.
This article-by-article commentary sheds light on the UN Commission on International Trade Law (UNCITRAL) Rules which govern a wide range of arbitrations, including the Iran-US Claims Tribunal and NAFTA disputes. The new edition takes full account of the revised Rules adopted in 2010 and features many extracts from the most important case law.
The deluge of metaphors triggered in 1981 in France by the first public reports of what would turn out to be the AIDS epidemic spread with far greater speed and efficiency than the virus itself. To understand why it took France so long to react to the AIDS crisis, AIDS in French Culture analyzes the intersections of three discourses—the literary, the medical, and the political—and traces the origin of French attitudes about AIDS back to nineteenth-century anxieties about nationhood, masculinity, and sexuality.
The Barber of Seville * The Marriage of Figaro * The Guilty Mother Eighteenth-century France produced only one truly international theatre star, Beaumarchais, and only one name, Figaro, to put with Don Quixote or D'Artagnan in the ranks of popular myth. But who was Figaro? Not the impertinent valet of the operas of Mozart or Rossini, but both the spirit of resistance to oppression and a bourgeois individualist like his creator. The three plays in which he plots and schemes chronicle the slide of the ancien régime into revolution but also chart the growth of Beaumarchais' humanitarianism. They are also exuberant theatrical entertainments, masterpieces of skill, invention, and social satire which helped shape the direction of French theatre for a hundred years. This lively new translation catches all the zest and energy of the most famous valet in French literature. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The Modern Feminine in the Medusa Satire of Fanny Fern argues that Sara Parton and her literary alter ego, Fanny Fern, occupy a star-power position within the antebellum literary marketplace dominated by women authors of sentimental fiction, writers Nathaniel Hawthorne (in)famously called “the damn mob of scribbling women.” The Fanny Fern persona represents a nineteenth-century woman voicing the modern feminine within a laughter-provoking bourgeois carnival, a forerunner of Hélène Cixous’s laughing Medusa figure and her theory about écriture féminine. By advancing an innovative theory about an Anglo-American aesthetic, comic belles lettres, Caron explains the comic nuances of Parton’s persona, capable of both an amiable and a caustic satire. The book traces Parton’s burgeoning celebrity, analyzes her satires on cultural expectations of gendered behavior, and provides a close look at her variegated comic style. The book then makes two first-order conclusions: Parton not only offers a unique profile for antebellum women comic writers, but her Fanny Fern persona also anchors a potential genealogy of women comic writers and activists, down to the present day, who could fit Kate Clinton’s concept of fumerism, a feminist style of humor that fumes, that embraces the comic power of a Medusa satire.
Disordered Violence looks at how gender, race, and heteronormative expectations of public life shape Western understandings of terrorism as irrational, immoral and illegitimate. Caron Gentry examines the profiles of 8 well-known terrorist actors, including Andreas Baader, Bernardine Dohrn, Leila Khaled, Dhanu, Anders Breivik, Nidal Hasan and Aafia Siddiqui. Gentry looks for gendered, racial, and sexualised assumptions in how their stories are told. Additionally, she interrogates how the current counterterrorism focus upon radicalisation is another way of constructing terrorists outside of the Western ideal. Finally, the book argues that mainstream Terrorism Studies must contend with the growing misogynist and racialised violence against women.
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