Ohio was once covered by a thick forest and populated by a great variety of animals. However, the effects of native settlement upon animal species varied widely, and the fortunes of many rose and fell. This is an examination of 200 years of wildlife in Ohio.
Cuyahoga Valley National Park (CVNP) is part of a national movement to establish parks that are readily accessible to city-dwellers. After a vigorous grassroots campaign, Cuyahoga Valley National Recreation Area was signed into being by President Gerald Ford in December 1974 and in 2000 became Cuyahoga Valley National Park. Stretching between Cleveland and Akron in heavily urbanized northeastern Ohio, CVNP has been called a Green-Shrouded Miracle, preserving precious green space and offering a retreat to more than 3,200,000 visitors each year. In succinct, readable prose complemented by stunning photographs, the Cuyahoga Valley National Park Handbook provides a brief but comprehensive history of the park - the people, the land, the ecology, and the politics that led to its creation. Author Carolyn Platt and staff from CVNP included historic and contemporary photographs and illustrations to enhance this handbook.
In this volume, Carolyn M. Laferrière examines Athenian vase-paintings and reliefs depicting the gods most frequently shown as musicians to reconstruct how images suggest the sounds of the music the gods made. Incorporating insights from recent work in sensory studies, she applies formal analysis together with literary and archaeological evidence to reconstruct the musical culture of Athens. Laferrière shows how images suggest the sounds of the gods' music. This representational strategy, whereby sight and sound are blurred, conveys the 'unhearable' nature of their music: Because it cannot be physically heard, it falls to human imagination to provide its sounds and awaken viewers' multisensory engagement. Moreover, when situated within their likely original contexts, the objects establish a network of interaction between the viewer, the visualized music, and the landscape, all of which determined how divine music was depicted, perceived, and reciprocated. Laferrière demonstrates that participation in the gods' musical performances offered worshippers an multisensory experience of divine presence.
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