Can we work through the imaginative space of literature to combat the divisive nature of the politics of the body? That is the central question asked of the writings Carolyn Sorisio investigates in Fleshing Out America. The first half of the nineteenth century ushered in an era of powerful scientific and quasi-scientific disciplines that assumed innate differences between the "types" of humankind. Some proponents of slavery and Indian Removal, as well as opponents of women's rights, supplanted the Declaration of Independence's higher law of inborn equality with a new set of "laws" proclaiming the physical inferiority of women, "Negroes," and "Aboriginals." Fleshing Out America explores the representation of the body in the work of seven authors, all of whom were involved with their era's reform movements: Lydia Maria Child, Frances E. W. Harper, Ralph Waldo Emerson, Margaret Fuller, Walt Whitman, Harriet Jacobs, and Martin R. Delany. For such American writers, who connected the individual body symbolically with the body politic, the new science was fraught with possibility and peril. Covering topics from representation, spectatorship, and essentialism to difference, power, and authority, Carolyn Sorisio places these writers' works in historical context and in relation to contemporary theories of corporeality. She shows how these authors struggled, in diverse and divergent ways, to flesh out America--to define, even defend, the nation's body in a tumultuous period. Drawing on Euro- and African American authors of both genders who are notable for their aesthetic and political differences, Fleshing Out America demonstrates the surprisingly diverse literary conversation taking place as American authors attempted to reshape the politics of the body, which shaped the politics of the time.
During one of the darkest periods of U.S. history, when white supremacy was entrenching itself throughout the nation, the white writer-jurist-activist Albion W. Tourgee (1838-1905) forged an extraordinary alliance with African Americans. Acclaimed by blacks as "one of the best friends of the Afro-American people this country has ever produced" and reviled by white Southerners as a race traitor, Tourgee offers an ideal lens through which to reexamine the often caricatured relations between progressive whites and African Americans. He collaborated closely with African Americans in founding an interracial civil rights organization eighteen years before the inception of the NAACP, in campaigning against lynching alongside Ida B. Wells and Cleveland Gazette editor Harry C. Smith, and in challenging the ideology of segregation as lead counsel for people of color in the 1896 Plessy v. Ferguson case. Here, Carolyn L. Karcher provides the first in-depth account of this collaboration. Drawing on Tourgee's vast correspondence with African American intellectuals, activists, and ordinary folk, on African American newspapers and on his newspaper column, "A Bystander's Notes," in which he quoted and replied to letters from his correspondents, the book also captures the lively dialogue about race that Tourgee and his contemporaries carried on.
Can we work through the imaginative space of literature to combat the divisive nature of the politics of the body? That is the central question asked of the writings Carolyn Sorisio investigates in Fleshing Out America. The first half of the nineteenth century ushered in an era of powerful scientific and quasi-scientific disciplines that assumed innate differences between the "types" of humankind. Some proponents of slavery and Indian Removal, as well as opponents of women's rights, supplanted the Declaration of Independence's higher law of inborn equality with a new set of "laws" proclaiming the physical inferiority of women, "Negroes," and "Aboriginals." Fleshing Out America explores the representation of the body in the work of seven authors, all of whom were involved with their era's reform movements: Lydia Maria Child, Frances E. W. Harper, Ralph Waldo Emerson, Margaret Fuller, Walt Whitman, Harriet Jacobs, and Martin R. Delany. For such American writers, who connected the individual body symbolically with the body politic, the new science was fraught with possibility and peril. Covering topics from representation, spectatorship, and essentialism to difference, power, and authority, Carolyn Sorisio places these writers' works in historical context and in relation to contemporary theories of corporeality. She shows how these authors struggled, in diverse and divergent ways, to flesh out America--to define, even defend, the nation's body in a tumultuous period. Drawing on Euro- and African American authors of both genders who are notable for their aesthetic and political differences, Fleshing Out America demonstrates the surprisingly diverse literary conversation taking place as American authors attempted to reshape the politics of the body, which shaped the politics of the time.
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