She was my idol," said columnist Mary McGrory. McGrory, in writing of women, referred to Doris Fleeson as "incomparably the first political journalist of her time." Fleeson was, in fact, the first woman in the United States to become a nationally syndicated political columnist. In 1945, with the encouragement of Henry Mencken, she launched her column. In her career she would write some 5,500 columns during the next twenty-two years. Fleeson's appearance could be disarming. Once at a party Lady Bird Johnson exclaimed, "What a gorgeous dress, Doris. It makes you look just like a sweet, old-fashioned girl." The wife of Senator Stuart Symington interjected, "Yes, just a sweet old-fashioned girl with a shiv in her hand." CAROLYN SAYLER lives in Lyons, Kansas, ten miles from the town of Sterling where Doris Fleeson was born in 1901. Knowing members of the Fleeson family, she began researching the life of the columnist whose straightforward take on Washington became a daily fix for newspaper readers across the nation. Sayler has a background in journalism as a member of a Kansas newspaper family. She is the author of a history of Manhattan, Kansas, which tells of the town's founding during the Free State struggle, its strong connections with New England, and its abolitionist college, now Kansas State University.
She was my idol," said columnist Mary McGrory. McGrory, in writing of women, referred to Doris Fleeson as "incomparably the first political journalist of her time." Fleeson was, in fact, the first woman in the United States to become a nationally syndicated political columnist. In 1945, with the encouragement of Henry Mencken, she launched her column. In her career she would write some 5,500 columns during the next twenty-two years. Fleeson's appearance could be disarming. Once at a party Lady Bird Johnson exclaimed, "What a gorgeous dress, Doris. It makes you look just like a sweet, old-fashioned girl." The wife of Senator Stuart Symington interjected, "Yes, just a sweet old-fashioned girl with a shiv in her hand." CAROLYN SAYLER lives in Lyons, Kansas, ten miles from the town of Sterling where Doris Fleeson was born in 1901. Knowing members of the Fleeson family, she began researching the life of the columnist whose straightforward take on Washington became a daily fix for newspaper readers across the nation. Sayler has a background in journalism as a member of a Kansas newspaper family. She is the author of a history of Manhattan, Kansas, which tells of the town's founding during the Free State struggle, its strong connections with New England, and its abolitionist college, now Kansas State University.
What does it really take to WIN in your business? John Hewitt’s no-nonsense personal story will knock you out of your comfort zone and show you how to win in any business you choose. Hewitt has been called annoying, challenging and brilliant—with a fanatical desire to improve and out-give everyone he meets. He competes to win!
In the first century of the coveted Pulitzer Prizes, only 11 women have won the prize for drama: Zona Gale (1921), Susan Glaspell (1931), Zoe Akins (1935), Mary Coyle Chase (1945), Ketti Frings (1958), Beth Henley (1981), Marsha Norma (1983), Wendy Wasserstein (1989), Paula Vogel (1998), Margaret Edson (1999), and Suzan-Lori Parks (2002). This book is about them and their landmark plays, beginning with Gale's Miss Lulu Bett, which championed the unmarried woman forced to work in the home of a married relative, and closing with Parks' controversial Topdog/Underdog, which made her the first black woman to win the prize. Drawn from personal interviews with the playwrights and research from archives and unpublished material, this work shows how the stage art of women has reflected life in the American family and traces a strong thread of feminist history in our culture. Overview chapters set the stage for each playwright and play with sketches of the time period, highlighting the major points of women's experiences in culture, society and the family. Other chapters analyze each play in detail and discuss the playwright's life and opinions. The book also includes a quick history of the Pulitzer Prize and a chapter honoring black female playwrights.
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