From the Gibson Girl to the flapper, from the vamp to the New Woman, Carolyn Kitch traces mass media images of women to their historical roots on magazine covers, unveiling the origins of gender stereotypes in early-twentieth-century American culture. Kitch examines the years from 1895 to 1930 as a time when the first wave of feminism intersected with the rise of new technologies and media for the reproduction and dissemination of visual images. Access to suffrage, higher education, the professions, and contraception broadened women's opportunities, but the images found on magazine covers emphasized the role of women as consumers: suffrage was reduced to spending, sexuality to sexiness, and a collective women's movement to individual choices of personal style. In the 1920s, Kitch argues, the political prominence of the New Woman dissipated, but her visual image pervaded print media. With seventy-five photographs of cover art by the era's most popular illustrators, The Girl on the Magazine Cover shows how these images created a visual vocabulary for understanding femininity and masculinity, as well as class status. Through this iconic process, magazines helped set cultural norms for women, for men, and for what it meant to be an American, Kitch contends.
[The author] ... weaves both methodological advice and her own personal stories into an intriguing narrative about a fictional graduate course she instructs. In it, readers learn about her students and their projects and understand the wide array of topics and strategies that fall under the label autoethnography. Through [her] interactions with her students, readers are given useful strategies for conducting a study, including the need for introspection, the struggles of the budding ethnographic writer, the practical problems in explaining results of this method to outsiders, and the moral and ethical issues that are raised in this intimate form of research.
A profound shift is occurring among women working in agriculture - they are increasingly seeing themselves as farmers, not only as the wives or daughters of farmers. In this book, farm women in the northeastern United States describe how they got into farming and became successful entrepreneurs despite the barriers they encountered in agricultural institutions, farming communities, and even their own families. The authors' feminist agrifood systems theory (FAST) values women's ways of knowing and working in agriculture and has the potential to shift how farmers, agricultural professionals, and anyone else interested in farming think about gender and sustainability, as well as to change how feminist scholars and theorists think about agriculture.--COVER.
Expressions of support between partners may be more commonplace than heroic, but their cumulative effects on the growth of trust, enduring love, and commitment can be considerable--even lifesaving in the face of otherwise overwhelming tragedy. Skillfully weaving together the latest research with engaging case examples and practical applications, author Carolyn E. Cutrona offers an in-depth analysis of how committed partners can serve as resources for each other in stressful scenarios. Beginning with a fresh overview of definitions and concepts, Social Support in Couples articulates the vital components of intimate support systems. This informative volume explores the phenomenon of marital communication through real-life interactions, focusing on gender-related differences, the interplay between supportive and destructive interactions, and stress experienced during chronic/disabling illness. In a concluding chapter, a research agenda for future study opens the topic up to additional serious consideration. A reader-friendly examination of the power of supportive acts, Social Support in Couples is recommended for a wide readership, including academics, practitioners, and students in family studies, social psychology, social work, and marriage and family counseling.
This is the only book that examines the theory and data on the development of implicit and explicit memory. It first describes the characteristics of implicit and explicit memory (including conscious recollection) and tasks used with adults to measure them. Next, it reviews the brain mechanisms thought to underlie implicit and explicit memory and the studies with amnesics that initially prompted the search for different neuroanatomically-based memory systems. Two chapters review the Jacksonian (first in, last out) principle and empirical evidence for the hierarchical appearance and dissolution of two memory systems in animal models (rats, nonhuman primates), children, and normal/amnesic adults. Two chapters examine memory tasks used with human infants and evidence of implicit and explicit memory during early infancy. Three final chapters consider structural and processing accounts of adult memory dissociations, their applicability to infant memory dissociations, and implications of infant data for current concepts of implicit and explicit memory. (Series B)
This is a book about the conflict between history and poetry – and historians and poets – in Atlantic World society from the end of the seventeenth century to the present day. Blending historiography and theory, it proceeds by asking: what is the point of poetry as far as historians are concerned? The focus is on W. H. Auden’s Cold War-era history poems, but the book also looks at other poets from the seventeenth century onwards, providing original accounts of their poetic and historical educations. An important resource for those teaching undergraduate and postgraduate courses in historiography and history and theory, Poetry for historians will also be of relevance to courses on literature in society and the history of education. General readers will relate it to Steedman’s Landscape for a Good Woman (1987) and Dust (2001), on account of its biographical and autobiographical insights into the way history operates in modern society.
In a highly networked world, where governments must cope with increasingly complex and inter-related policy problems, the capacity of policy makers to work intergovernmentally is not an option but a necessity regory Inwood, Carolyn Johns, and Patricia O'Reilly offer unique insights into intergovernmental policy capacity, revealing what key decision-makers and policy advisors behind the scenes think the barriers are to improved intergovernmental policy capacity and what changes they recommend. Senior public servants from all jurisdictions in Canada discuss the ideas, institutions, actors, and relations that assist or impede intergovernmental policy capacity. Covering good and bad economic times and comparing insiders' concerns and recommendations with those of scholars of federalism, public policy, and public administration, they provide a comparative analysis of major policy areas across fourteen governments ntergovernmental policy capacity, while of increasing importance, is not well understood. By examining how the Canadian federation copes with today's policy challenges, the authors provide guideposts for federations and governments around the world working on the major policy issues of our day.
Do It Yourself investigates the history behind the current do-it-yourself craze in homebuilding and home repair. The origins of home improvement can be traced to the early part of the century when government loan programs placed home ownership within the reach of growing numbers of families, mass-circulation magazines began providing their readers with information about home remodeling and repair, and increasing numbers of Americans turned to the manual arts and handicrafts as leisure-time pursuits. World War II provided many Americans with the skills and confidence to undertake home-improvement projects on their own, and after the war, changes in the manufacturing and retail of tools and equipment created new possibilities for transforming one's home. As home remodeling became a central feature of domestic life and consumer culture, the "do-it-yourself" movement was born, coming of age in the baby-boomer 1950s and 1960s, when Americans created suburban paradises and reclaimed decaying urban centers. The text of Do It Yourself, which investigates topics ranging from women's roles in home repair to historic preservation, is a lively mix of illustrations -- including period photographs, magazine spreads, and advertisements -- and clearly written analysis of the trends behind these images.
Much has been missed by social researchers in their attempt to understand the human experience as a series of rational, cognitive choices. What comes under the rubric of "lived experience" fits no researcher's model other than, in the words of one of the volume's contributors, "one damned thing after another." Human subjectivity in lived experience, both that of the subject and of the researcher, is the topic of Investigating Subjectivity, an important corrective to the cool, disdainful stance of most previous social research. The dozen contributors examine various aspects of subject--the emotions, the gendered nature of experiences, the body-mind relationship, perceptions of time, place and setting, understanding of the self--and how these elements provide a fuller understanding of the human condition, incorporating subjectivity into research requires a new set of methods--systematic introspection, self-ethnography, staged readings, poetry, stories--many of which are demonstrated in the book. It also requires a focus on mundane (minor ailments, media images, hobbies) and extraordinary (exotic trips, earthquakes, abortion experience), elements, which make up the bulk of lived experience, and how people react to these life events. Investigating Subjectivity stands out from any other books in the field because the emphasis is on research rather than theory or conceptualization. This outstanding volume is quality reading for academicians and undergraduate and graduate students in sociology, cultural studies, qualitative methods. and communication, especially those interested in emotions, narration, textual analysis, and symbolic interaction.
The Readeris aimed at—though not limited to—first-year courses focussing on essay-writing, found in Ontario colleges, university colleges, and universities. This text challenges students to think, read, discuss and write on a creative and critical level. Organized by rhetorical mode,The Readerincludes more than 30 high-interest readings from mainly Canadian sources and introduces readings from “new voices” in literature. The diverse selections provide the authors intent to provide a balance of gender, ethnic, and cultural perspectives. The authors' have highlighted quality literature by both highly-esteemed popular and unknown authors. In addition to the essays themselves, this text provides effective essay writing strategies and many interesting discussion points to engage student interest.
The story of the growth of Fulton, Missouri from a lonely homestead in the wilderness to a thriving small city is captured in rare old photographs from the archives of the Kingdom of Callaway Historical Society and transcribed articles from local newspapers and other contemporary sources. Articles and stories arranged chronologically carry the reader through the lawlessness of a frontier town where every store had a whiskey barrel for customers and the town doctor could walk into a hardware store and shoot the school teacher without any apparent regrets or repercussions. The book covers the upheaval and discord of the Civil War era, including the well-known story of Celia, a Slave, the fast paced changes of the industrial revolution and the Great War that took so many Callaway boys far away from the mule trading capital of the world and introduced them to tanks and flying machines.
American popular magazines play a role in our culture similar to that of public historians, Carolyn Kitch contends. Drawing on evidence from the pages of more than sixty magazines, including Newsweek, Rolling Stone, Black Enterprise, Ladies' Home Journal, and Reader's Digest, Kitch examines the role of journalism in creating collective memory and identity for Americans. Editorial perspectives, visual and narrative content, and the tangibility and keepsake qualities of magazines make them key repositories of American memory, Kitch argues. She discusses anniversary celebrations that assess the passage of time; the role of race in counter-memory; the lasting meaning of celebrities who are mourned in the media; cyclical representations of generational identity, from the Greatest Generation to Generation X; and anticipated memory in commemoration after crisis events such as those of September 11, 2001. Bringing a critically neglected form of journalism to the forefront, Kitch demonstrates that magazines play a special role in creating narratives of the past that reflect and inform who we are now.
From one of America's most respected critics comes an acclaimed biography of the controversial feminist. Here, Heilbrun illuminates the life and explores the many facets of Steinem's complex life, from her difficult childhood to the awakening that changed her into the most famous feminist in the world. Intimate and insightful, here is a biography that is as provocative as the woman who inspired it. Photos.
Empty Pleasures, a rich and rewarding read, makes the tools of cultural analysis available to a wide range of readers. De la Pena's argument, that artificial sweeteners provide consumers with a way to exercise `indulgent restraint,' will surely re-energi
Provides students with clear and up-to-date coverage of the various areas associated with representations of diversity within the mass media Diversity in U.S. Mass Media is designed to help undergraduate and graduate students deepen the conversations around diversity, equity, and inclusion in the media industries. Identifying consistencies and differences in representations of social identity groups in the United States, this comprehensive textbook critically examines a wide range of issues surrounding media portrayals of race, ethnicity, gender, sexual orientation, disability, age, class, and religion. Throughout the text, students are encouraged to contextualize various issues, place one social group within the framework of others, and consider how diverse communities inform and intersect with each other. Now in its third edition, Diversity in U.S. Mass Media addresses ongoing problematic portrayals, highlights recent progress, presents new research studies and observations, and offers innovative approaches for promoting positive change across the media landscape. Two entirely new chapters explore the ways identity-based social movements, Artificial Intelligence (AI), gaming, social media, and social activism construct, challenge, and defend representations of different groups. Updated references and new examples of social group depictions in streaming services and digital media are accompanied by expanded discussion of intersectionality, social activism, creating inclusive learning and working environments, media depictions of mixed-race individuals and couples, and more. Offering fresh insights into the contemporary issues surrounding depictions of social groups in films, television, and the press, Diversity in U.S. Mass Media: Examines the historical evolution and current media depictions of American Indians, African Americans, Latino/Hispanic Americans, Arab Americans, and Asian Americans Helps prepare students in Journalism and Mass Communication programs to work in diverse teams Covers the theoretical foundations of research in mass media representations, including social comparison theory and feminist theory Contains a wealth of real-world examples illustrating the concepts and perspectives discussed in each chapter Includes access to an instructor's website with a test bank, viewing list, exercises, sample syllabi, and other useful pedagogical tools Diversity in U.S. Mass Media, Third Edition, remains an ideal textbook for upper-level undergraduate and graduate courses in Media Communication, Film and Television Studies, Journalism, American Studies, Entertainment and Media Research, and Diversity, Equity, and Inclusion (DEI).
Provocative study of women who chose to be childless based on extensive interviews with women aged between 40 and 78. A significant contribution to debates about choice, the private and the public, gender and diversity.
Carolyn and Nora-a single business owner and a stay at home mom-tackle the stereotypes and one-size-fits-all thinking that have left women struggling to understand how to balance roles in the home and work place for generations.
For the past forty years, the Pima Indians living in the Gila River Indian Community have been among the most consistently studied diabetic populations in the world. But despite many medical advances, the epidemic is continuing and prevalence rates are increasing. Diabetes among the Pima is the first in-depth ethnographic volume to delve into the entire spectrum of causes, perspectives, and conditions that underlie the occurrence of diabetes in this community. Drawing on the narratives of pregnant Pima women and nearly ten years’ work in this community, this book reveals the Pimas’ perceptions and understanding of type 2 and gestational diabetes, and their experience as they live in the midst of a health crisis. Arguing that the prenatal period could offer the best hope for curbing this epidemic, Smith-Morris investigates many core values informing the Pimas’ experience of diabetes: motherhood, foodways, ethnic identity, exercise, attitude toward health care, and a willingness to seek care. Smith-Morris contrasts gripping first-person narratives with analyses of several political, economic, and biomedical factors that influence diabetes among the Pimas. She also integrates major theoretical explanations for the disease and illuminates the strengths and weaknesses of intervention strategies and treatment. An important contribution to the ongoing struggle to understand and prevent diabetes, this volume will be of special interest to experts in the fields of epidemiology, genetics, public health, and anthropology. Click here for a Facilitator’s Guide to Diabetes among the Pima
The show must go on . . . When mystery bookstore owner Annie Laurance is invited to stage a Mystery Night for the annual antebellum house tour of the Historical Preservation Society of Chastain, South Carolina, she instead finds herself the leading lady in a flesh-and-blood drama. The play's the thing wherein the curtain falls on mean-spirited grande dame Corinne Webster. While jeweled fingers point, accusing Annie of murder, the perpetrator lurks within the genteel cast of Murder-Most-Make-Believe . . . and the murder weapon is one of the props. In the tight-laced society of Chastain, Annie is guilty until proven innocent. With her fiance, Max Darling, Annie pieces together evidence to clear her name—until her chief witness is murdered. Now it will take all her sleuthing skills to discover the evil in the heart of Chastain's Beautiful People.
Home economics emerged at the turn of the twentieth century as a movement to train women to be more efficient household managers. At the same moment, American families began to consume many more goods and services than they produced. To guide women in this transition, professional home economists had two major goals: to teach women to assume their new roles as modern consumers and to communicate homemakers' needs to manufacturers and political leaders. Carolyn M. Goldstein charts the development of the profession from its origins as an educational movement to its identity as a source of consumer expertise in the interwar period to its virtual disappearance by the 1970s. Working for both business and government, home economists walked a fine line between educating and representing consumers while they shaped cultural expectations about consumer goods as well as the goods themselves. Goldstein looks beyond 1970s feminist scholarship that dismissed home economics for its emphasis on domesticity to reveal the movement's complexities, including the extent of its public impact and debates about home economists' relationship to the commercial marketplace.
In the first century of the coveted Pulitzer Prizes, only 11 women have won the prize for drama: Zona Gale (1921), Susan Glaspell (1931), Zoe Akins (1935), Mary Coyle Chase (1945), Ketti Frings (1958), Beth Henley (1981), Marsha Norma (1983), Wendy Wasserstein (1989), Paula Vogel (1998), Margaret Edson (1999), and Suzan-Lori Parks (2002). This book is about them and their landmark plays, beginning with Gale's Miss Lulu Bett, which championed the unmarried woman forced to work in the home of a married relative, and closing with Parks' controversial Topdog/Underdog, which made her the first black woman to win the prize. Drawn from personal interviews with the playwrights and research from archives and unpublished material, this work shows how the stage art of women has reflected life in the American family and traces a strong thread of feminist history in our culture. Overview chapters set the stage for each playwright and play with sketches of the time period, highlighting the major points of women's experiences in culture, society and the family. Other chapters analyze each play in detail and discuss the playwright's life and opinions. The book also includes a quick history of the Pulitzer Prize and a chapter honoring black female playwrights.
When Women Work Together identifies the factors that both enhance and threaten good work relations between women and, through stories and exercises, shows women step-by-step exactly how to interact and make work productive and satisfying.
This memoir begins in 1975 when six couples came together to form a gourmet club. For over forty years, this disparate group experienced camaraderie and poignant moments during meetings at which recipes were gleaned from around the world, creating cooking successesand disasters! Memories of this period were taken from a diary which chronicled the dates and menus for each dinner, yellowed newspaper pages of recipes used and saved, and aged and tattered letters from members informing the recipient of the themes and recipes they wanted to use. You will learn from this book how to form a club of your own: the responsibilities of each member, the themes you may want to use, recipes from many cultures, and hilarious stories of mishaps and mayhem that occurred during the gourmet club meetings. It is a memoir of the gourmet club, of how the affection for each other grew, and of the fellowship and sense of community they created. It is a love story of food and friends.
Life is a series of victories and defeats. Sometimes we win, sometimes we lose. Some days are sunny; other days it rains. But all of those days are made up of moments, and its the moments that shape our lives. We do not remember days; we remember moments.
An elite team of reporters brought the Great War home each week to ten million readers of The Saturday Evening Post. As America’s largest circulation magazine, the Post hired the nation’s best-known and best-paid writers to cover World War I. The Weekly War provides a history of the unique record Post storytellers created of World War I, the distinct imprint the Post made on the field of war reporting, and the ways in which Americans witnessed their first world war. The Weekly War includes representative articles from across the span of the conflict, and Chris Dubbs and Carolyn Edy complement these works with essays about the history and significance of the magazine, the war, and the writers. By the start of the Great War, The Saturday Evening Post had become the most successful and influential magazine in the United States, a source of entertainment, instruction, and news, as well as a shared experience. World War I served as a four-year experiment in how to report a modern war. The news-gathering strategies and news-controlling practices developed in this war were largely duplicated in World War II and later wars. Over the course of some thousand articles by some of the most prolific writers of the era, The Saturday Evening Post played an important role in the evolution of war reporting during World War I.
In this lively and engaging work, Carolyn Lewis explores how medical practitioners, especially family physicians, situated themselves as the guardians of Americans' sexual well-being during the early years of the Cold War. She argues that many doctors vie
In the 1800’s William and Helen moved to Central Wyoming to homestead and start a new life. Helen’s brother, Duncan and his Native American wife join them to assist with building a wonderful house that becomes known as ‘The Grand lady .' Little did they know that ‘The lady’ would develop a life of her own. Five generations live happy, productive lives within ‘The Lady ,' before she is abandoned and left to decay with time. Then, after years of loneliness, revolting events occur that bring her to the reality of the modern world. For all who believe a house has personality and a story to tell, The Lady will entertain you with her chronicle. Set in the beauty of the Wind River Mountains, her narrative include historical events of the beautiful state of Wyoming.
This delightfully intriguing pair of full-length mysteries by award-winning author Carolyn G. Hart delivers a novel approach to murder that is sure to enthrall you until the last killer is caught.. . . Death on Demand At Annie Laurance’s Death on Demand bookstore in Broward’s Rock, South Carolina (“the finest mystery bookstore north of Miami”), murder suddenly isn’t confined to the shelves. An author’s abrupt demise during a gathering of famous mystery writers is proof positive that a bloody sword is sometimes mightier than a brilliant pen. But now Annie is in the unenviable position of prime suspect, which means that she and her wealthy paramour, Max Darling, must unmask a brutal and ingenious killer. For Annie, failing could mean prison . . . while success could mean her death. Design for Murder When Annie stages a Mystery Night for Chastain, South Carolina’s annual antebellum house tour, she finds herself the lead in a deadly drama wherein the curtain falls on a mean-spirited grande dame. But while fingers point at Annie as the murderer, the perpetrator lurks within the cast of Murder-Most-Make-Believe. Guilty until proven innocent, Annie hopes to clear her name with Max’s help—until her chief witness is killed. Now it will take all of Annie’s sleuthing skills to unmask the evil in the hearts of Chastain’s Beautiful People.
A trenchant yet sympathetic portrait of Lee Miller, one of the iconic faces and careers of the twentieth century. Carolyn Burke reveals Miller as a multifaceted woman: both model and photographer, muse and reporter, sexual adventurer and mother, and, in later years, gourmet cook—the last of the many dramatic transformations she underwent during her lifetime. A sleek blond bombshell, Miller was part of a glamorous circle in New York and Paris in the 1920s and 1930s as a leading Vogue model, close to Edward Steichen, Charlie Chaplin, Jean Cocteau, and Pablo Picasso. Then, during World War II, she became a war correspondent—one of the first women to do so—shooting harrowing images of a devastated Europe, entering Dachau with the Allied troops, posing in Hitler’s bathtub. Burke examines Miller’s troubled personal life, from the unsettling photo sessions during which Miller, both as a child and as a young woman, posed nude for her father, to her crucial affair with artist-photographer Man Ray, to her unconventional marriages. And through Miller’s body of work, Burke explores the photographer’s journey from object to subject; her eye for form, pattern, and light; and the powerful emotion behind each of her images.A lushly illustrated story of art and beauty, sex and power, Modernism and Surrealism, independence and collaboration, Lee Miller: A Life is an astute study of a fascinating, yet enigmatic, cultural figure.
A professional organizer’s handy guide to creating an uncluttered, inviting quilting space for yourself—whether it’s a small closet or a large studio. This practical guide shows you how to organize and maintain your quilting space, no matter what size. Learn handy ways to sort and arrange all of your fabrics and supplies into easy-to-use stations—and find actual organizing solutions from quilters’ studios, including Alex Anderson and Diana McClun. Create a calm and happy place for all your beloved fabrics, books, notions, tools, and even UFOs (unfinished objects). With colorful photos, you'll see real examples of what makes an efficient, functional, and inviting quilting space. You'll identify what's causing the clutter, learn how to turn it into a more creative zone, and find more time to do what you love—quilt!
Fleeson was the first woman in the United States to become a nationally syndicated political columnist. In her career, she would write some 5,500 columns during the next 22 years.
Eighteen-year-old Sadie Stark, raised by the governor of Pennsylvania, has the world on a string. She doesn’t need the mother who left her any more than she needs the fiance who promises to change. What she needs is to finish college, and keep her wits about her. When war-bound James Pasko returns her stolen clutch, and shows her what’s missing in her life, she gains the courage to search for the truth about her past. What Sadie uncovers rattles her to the core. But James’ steadfast love gives her hope for the future—for the first time—even as the war tears them apart. When James disappears over enemy lines and Sadie makes a startling discovery, she must decide to follow in the footsteps of the mother who gave her away, or face a life of hardship like she’s never known.
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