Collectors, Scholars, and Forgers in the Ancient World focuses on the fascination which works of art, texts, and antiquarian objects inspired in Greeks and Romans in antiquity and draws parallels with other cultures and eras to offer contexts for understanding that fascination. Statues, bronze weapons, books, and bones might have been prized for various reasons: because they had religious value, were the work of highly regarded artists and writers, had been possessed by famous mythological figures, or were relics of a long disappeared past. However, attitudes towards these objects also changed over time: sculpture which was originally created for a religious purpose became valuable as art and could be removed from its original setting, while historians discovered value in inscriptions and other texts for supporting historical arguments and literary scholars sought early manuscripts to establish what authors really wrote. As early as the Hellenistic era, some Greeks and Romans began to collect objects and might even display them in palaces, villas, or gardens; as these objects acquired value, a demand was created for more of them, and so copyists and forgers created additional pieces - while copyists imitated existing pieces of art, sometimes adapting to their new settings, forgers created new pieces to complete a collection, fill a gap in historical knowledge, make some money, or to indulge in literary play with knowledgeable readers. The study of forged relics is able to reveal not only what artefacts the Greeks and Romans placed value on, but also what they believed they understood about their past and how they interpreted the evidence for it. Drawing on the latest scholarship on forgery and fakes, as well as a range of examples, this book combines stories about frauds with an analysis of their significance, and illuminates and explores the link between collectors, scholars, and forgers in order to offer us a way to better understand the power that objects held over the ancient Greeks and Romans.
Carolyn Higbie uses an inscription of the first century BC from Lindos to study the ancient Greeks and their past. The inscription contains two inventories. The first catalogues some forty objects given to Athena Lindia by figures from the mythological past (including Heracles, Helen, andMenelaus) and the historical past (including Alexander the Great and Hellenistic figures). The second catalogues three epiphanies of Athena Lindia to the townspeople when they were in need of her assistance. By drawing on anthropological approaches as well as archaeological and literary evidence,this book explores what was important to the Greeks about their past, how they reconstructed it, and how they made use of it in their present.
Using an inscription from the 1st century BC as the starting point, this text studies the ancient Greeks' perception of their past. Drawing on anthropological theory and archaeological and literary evidence, it explores how ancient Greeks reconstructed their past and utilised it in their present.
This book is the first line-by-line analysis of enjambement and verse-internal breaks throughout the entire Iliad. Addressing larger, stylistic questions concerning genre, effect, and the manipulation and enjambing of formulae, Higbie examines a wide range of literary structures, including speeches, similes, battle scenes, and catalogues. A fundamental and thorough examination of enjambement in Homeric verse, this work will become a standard reference for scholars and students of Homer.
Poetry is ecstatic speech. It is intended to be spoken aloud, not simply read silently from the page. D.H. Lawrence's poetry is ecstatic in nature, particularly his poems which are concerned with issues of human wholeness. The Author's vision for writing this book has been simply to introduce some of D.H. Lawrence's magnificent poems in such a way that others might come to love and appreciate them as deeply as he does. People from every gender and walk of life can find enjoyment and inspiration from Lawrence's poetry in "Hunger For Wholeness".
Carolyn Higbie uses an inscription of the first century BC from Lindos to study the ancient Greeks and their past. The inscription contains two inventories. The first catalogues some forty objects given to Athena Lindia by figures from the mythological past (including Heracles, Helen, andMenelaus) and the historical past (including Alexander the Great and Hellenistic figures). The second catalogues three epiphanies of Athena Lindia to the townspeople when they were in need of her assistance. By drawing on anthropological approaches as well as archaeological and literary evidence,this book explores what was important to the Greeks about their past, how they reconstructed it, and how they made use of it in their present.
Collectors, Scholars, and Forgers in the Ancient World focuses on the fascination which works of art, texts, and antiquarian objects inspired in Greeks and Romans in antiquity and draws parallels with other cultures and eras to offer contexts for understanding that fascination. Statues, bronze weapons, books, and bones might have been prized for various reasons: because they had religious value, were the work of highly regarded artists and writers, had been possessed by famous mythological figures, or were relics of a long disappeared past. However, attitudes towards these objects also changed over time: sculpture which was originally created for a religious purpose became valuable as art and could be removed from its original setting, while historians discovered value in inscriptions and other texts for supporting historical arguments and literary scholars sought early manuscripts to establish what authors really wrote. As early as the Hellenistic era, some Greeks and Romans began to collect objects and might even display them in palaces, villas, or gardens; as these objects acquired value, a demand was created for more of them, and so copyists and forgers created additional pieces - while copyists imitated existing pieces of art, sometimes adapting to their new settings, forgers created new pieces to complete a collection, fill a gap in historical knowledge, make some money, or to indulge in literary play with knowledgeable readers. The study of forged relics is able to reveal not only what artefacts the Greeks and Romans placed value on, but also what they believed they understood about their past and how they interpreted the evidence for it. Drawing on the latest scholarship on forgery and fakes, as well as a range of examples, this book combines stories about frauds with an analysis of their significance, and illuminates and explores the link between collectors, scholars, and forgers in order to offer us a way to better understand the power that objects held over the ancient Greeks and Romans.
This book is the first line-by-line analysis of enjambement and verse-internal breaks throughout the entire Iliad. Addressing larger, stylistic questions concerning genre, effect, and the manipulation and enjambing of formulae, Higbie examines a wide range of literary structures, including speeches, similes, battle scenes, and catalogues. A fundamental and thorough examination of enjambement in Homeric verse, this work will become a standard reference for scholars and students of Homer.
Guernsey draws on D. W. Winnicott's object relations model, which focuses on self-development in a relational context, to illuminate various senses of self and Other that Herbert's poems express discursively and formally. The book will appeal not only to Herbert scholars and other Renaissance critics but also to audiences interested in psychoanalysis and how it relates to literature, religion, culture, and poetics."--BOOK JACKET.
UPDATED: New chapters from Katie In 1992, nine-year-old Katie Beers was kidnapped by a family friend and locked in an underground box for 17 days. Katie has now come forward to tell the story that created a national media storm as reporters uncovered the truth about her pre-kidnapping life of neglect and sexual abuse and the details of her rescue. She shares how this experience and the recent death of her kidnapper, John Esposito, has affected her life. Despite the horrible reality of Katie's days of being chained in darkness, the kidnapping was, in fact, the climactic end of a tragic childhood and the beginning of a new life. Katie breaks her silence and reveals her inspiring healing process to the journalist who covered the story of the disappearance more than twenty years ago. Buried Memories is the only source that includes the complete details of her traumatic childhood, transcriptions of recordings from Esposito, a first-hand account of how Katie felt after Esposito's death in 2013, and Katie's hopeful view of the future as she looks back into her dark past.
Through a detailed analysis of their unique occupational culture, Making the Voyageur World reexamines the French Canadian workers who dominated the fur trade industry and became iconic images of North American lore.
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