Why are African Americans so underrepresented when it comes to interest in nature, outdoor recreation, and environmentalism? In this thought-provoking study, Carolyn Finney looks beyond the discourse of the environmental justice movement to examine how the natural environment has been understood, commodified, and represented by both white and black Americans. Bridging the fields of environmental history, cultural studies, critical race studies, and geography, Finney argues that the legacies of slavery, Jim Crow, and racial violence have shaped cultural understandings of the "great outdoors" and determined who should and can have access to natural spaces. Drawing on a variety of sources from film, literature, and popular culture, and analyzing different historical moments, including the establishment of the Wilderness Act in 1964 and the aftermath of Hurricane Katrina, Finney reveals the perceived and real ways in which nature and the environment are racialized in America. Looking toward the future, she also highlights the work of African Americans who are opening doors to greater participation in environmental and conservation concerns.
A vibrant collection of personal and lyric essays in conversation with archival objects of Black history and memory. What are the politics of nature? Who owns it, where is it, what role does it play in our lives? Does it need to be tamed? Are we ourselves natural? In A Darker Wilderness, a constellation of luminary writers reflect on the significance of nature in their lived experience and on the role of nature in the lives of Black folks in the United States. Each of these essays engages with a single archival object, whether directly or obliquely, exploring stories spanning hundreds of years and thousands of miles, traveling from roots to space and finding rich Blackness everywhere. Erin Sharkey considers Benjamin Banneker's 1795 almanac, as she follows the passing of seasons in an urban garden in Buffalo. Naima Penniman reflects on a statue of Haitian revolutionary François Makandal, within her own pursuit of environmental justice. Ama Codjoe meditates on rain, hair, protest, and freedom via a photo of a young woman during a civil rights demonstration in Alabama. And so on--with wide-ranging contributions from Carolyn Finney, Ronald Greer II, Alexis Pauline Gumbs, Sean Hill, Michael Kleber-Diggs, Glynn Pogue, Katie Robinson, and Lauret Savoy--unearthing evidence of the ways Black people's relationship to the natural world has persevered through colonialism, slavery, state-sponsored violence, and structurally racist policies like Jim Crow and redlining. A scrapbook, a family chest, a quilt--and an astounding work of historical engagement and literary accomplishment--A Darker Wilderness is a collection brimming with abundance and insight.
Understanding how race affects environmental participation is integral for environmental organizations that seek to create a more inclusive and expansive management and/or recreational experience for diverse constituents in the U.S.
Poetry is ecstatic speech. It is intended to be spoken aloud, not simply read silently from the page. D.H. Lawrence's poetry is ecstatic in nature, particularly his poems which are concerned with issues of human wholeness. The Author's vision for writing this book has been simply to introduce some of D.H. Lawrence's magnificent poems in such a way that others might come to love and appreciate them as deeply as he does. People from every gender and walk of life can find enjoyment and inspiration from Lawrence's poetry in "Hunger For Wholeness".
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
When mystery bookstore owner Annie Laurance is invited to teach "The Three Great Ladies of the Mystery" class at Chastain Community College, the sometime sleuth discovers that all is not strictly academic in Chastain's hallowed halls of learning. And when a shocking scandal in the school newspaper erupts in a suicide and two violent deaths, Professor Laurance enlists the talents of her new hubby, private eye Max Darling, and dons her thinking cap to probe intrigue and vengeance among Chastain's faculty. A Dangerous Thing Max and Annie, with dubious help from three of their own great ladies of the mystery -- Annie's pixilated mother-in-law, a batty local dowager, and a Christie crime fanatic -- learn that just about everyone at the school had means, motive, and access to the murder weapons. From the secretly boozing professor of advertising to the muscle-bound campus cad who barters passing grades for a little extracurricular activity, anyone on the faculty is a possible killer -- waiting to strike again!
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