Do you have to be an extrovert to succeed as an actor? This book offers ideas to create inclusive acting environments where the strengths of the introverted actor are as valued as those of their extroverted counterparts. As this book shows, many introverts are innately drawn to the field of acting, but can often feel inferior to their extroverted peers. From the classroom to professional auditions, from rehearsals to networking events, introverted actors tell their stories to help other actors better understand how to leverage their natural gifts, both onstage and off. In addition, The Introverted Actor helps to reimagine professional and pedagogical approaches for both actor educators and directors by offering actionable advice from seasoned psychology experts, professional actors, and award-winning educators.
Poetry is ecstatic speech. It is intended to be spoken aloud, not simply read silently from the page. D.H. Lawrence's poetry is ecstatic in nature, particularly his poems which are concerned with issues of human wholeness. The Author's vision for writing this book has been simply to introduce some of D.H. Lawrence's magnificent poems in such a way that others might come to love and appreciate them as deeply as he does. People from every gender and walk of life can find enjoyment and inspiration from Lawrence's poetry in "Hunger For Wholeness".
Do you have to be an extrovert to succeed as an actor? This book offers ideas to create inclusive acting environments where the strengths of the introverted actor are as valued as those of their extroverted counterparts. As this book shows, many introverts are innately drawn to the field of acting, but can often feel inferior to their extroverted peers. From the classroom to professional auditions, from rehearsals to networking events, introverted actors tell their stories to help other actors better understand how to leverage their natural gifts, both onstage and off. In addition, The Introverted Actor helps to reimagine professional and pedagogical approaches for both actor educators and directors by offering actionable advice from seasoned psychology experts, professional actors, and award-winning educators.
Born in London of mixed Jewish and English parentage, and a much photographed beauty, she moved in the pivotal circles of international modernism - in Florence as Gertrude Stein's friend and Marinetti's lover; in New York as Marcel Duchamp's co-conspirator and Djuna Barnes's confidante; in Mexico with her greatest love, the notorious boxer-poet Arthur Cravan; in Paris with the Surrealists and Man Ray.
Jealousy. Passion. Ambition. The action on the top-rated soap Love and Loss is heating up, and it’s all off camera. In New York City at the invitation of the assistant producer, Nancy is asked to look into a series of damaging leaks revealing the show’s future story lines. But her investigation is suddenly interrupted by a shocking development.
The first woman in America to own and operate a circus, Agnes Lake spent thirty years under the Big Top before becoming the wife of Wild Bill Hickok—a mere five months before he was killed. Although books abound on the famous lawman, Agnes’s life has remained obscured by circus myth and legend. Linda A. Fisher and Carrie Bowers have written the first biography of this colorful but little-known circus performer. Agnes originally found fame as a slack-wire walker and horseback rider, and later as an animal trainer. Her circus career spanned more than four decades. Following the murder of her first husband, Bill Lake, she was the sole manager of the “Hippo-Olympiad and Mammoth Circus.” While taking her show to Abilene, she met town marshal Hickok and five years later she married him. After Hickok’s death, Agnes traveled with P. T. Barnum and Buffalo Bill Cody, and managed her daughter Emma Lake’s successful equestrian career. This account of a remarkable life cuts through fictions about Agnes’s life, including her own embellishments, to uncover her true story. Numerous illustrations, including rare photographs and circus memorabilia, bring Agnes’s world to life.
Challenge our common images of God by blowing the lid off conventional God-descriptors. “We do not have to let go of one sense of God to take up another. Neither do we need to go about challenging old metaphors. What is crucial is to find a metaphor—or two, or six—that creatively point toward what we believe.” —from Chapter 1 Let Carolyn Jane Bohler inspire you to consider a wide range of images of God in order to refine how you imagine God to have and use power, and how God wills and makes divine will happen—or not. By tapping into your God-given ability to re-imagine God, you will have a better understanding of your own beliefs and how you, God, and the world relate to each other. Wonderfully fresh and down to earth, Bohler uses playful images, moving stories, and solid scholarship to empower you to break free of old habits and assumptions, whatever your faith tradition. She encourages you to explore new names for God that are not only more consistent with what you believe, but will also deepen and expand your experience of God. Think about... God the Choreographer of Chaos God the Nursing Mother God the Jazz Band Leader God the Divine Blacksmith God the Divine Physical Therapist God the Team Transformer ... and more
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