In the 1870s, a Kentish woman who had been repeatedly beaten by her lover retaliated by blinding him with sulphuric acid. The judge sentenced her to five years in prison. In contrast, a man who put out the eyes of a woman who left him was sentenced to only four months after telling the judge that he `was regularly drove to do it from her aggravation'. Making innovative use of court and police records, Carolyn Conley has written a lively account of criminal justice in Victorian England. She examines the gap between the formal laws and the unwritten law of the community, as well as the ways in which judges, juries, and police officers acted as mediators between the two. The book analyses the treatment of lawbreakers according to class, gender, and community status, and in so doing presents a vivid portrait of standards of propriety and justice at the time.
While most scholarly attention on violence in post-famine Ireland has focused on political crimes, this book examines non-political violence, which made up the vast majority of incidents in that period. Ireland's overall crime rate was below that of England and Wales, but the proportion of violent offenses to non-violent ones was significantly higher in Ireland. In Melancholy Accidents, Carolyn Conley decries the commonly-held belief that recreational and domestic violence was generally the result of understandable emotions. Conley demonstrates that the meaning of violence in post-famine Ireland was complex, personal, and often deeply traditional and idiosyncratic. This unique book will be valuable to a wide variety of scholars, including those who study women's history, European history, and social problems.
Contemporary studies have concluded that women are far less likely to kill than men and that when women do kill, they do so within the family. Debauched, Desperate, Deranged: Women Who Killed, London 1674-1913 examines the evolution of this pattern in the over 1400 trials in which women were prosecuted for homicide in London from the late seventeenth century until just before the First World War. Which deaths were considered homicides and in what circumstances women were culpable illustrates profound changes in the prevailing assumptions about women. The outcomes of trials and the portrayals of these women in the press illuminate changes in perceptions of women's status and their physical and mental limitations. Debauched, Desperate, Deranged breaks new ground in existing studies of gender and homicide, using a long time frame to discern which trends are brief anomalies and which represent significant change or continuity. Debauched, Desperate, Deranged is the first empirical, quantitatively as well as qualitatively based study of women and homicide from the seventeenth century to the twentieth. It presents new and significant conclusions on changing incidence of maternal homicides and the remarkable constancy of spousal homicides.
Kevin Conley was adopted out of Korea at the age of two. He was raised in a normal and loving family, but at the age of fifteen, Kevin took the path to drug addiction. In this story, I share our five years living with his addiction, availing ourselves of any help we could get. This is also a story about a suicide, and our fight with the city of Akron, Ohio to fence the All American Bridge (Suicide Bridge).
In Certain Other Countries, Carolyn A. Conley explores how the concepts of national identity and criminal violence influenced each other in the Victorian-era United Kingdom. It also addresses the differences among the nations as well as the ways that homicide trials illuminate the issues of gender, ethnicity, family, privacy, property, and class. Homicides reflect assumptions about the proper balance of power in various relationships. For example, Englishmen were ten times more likely to kill women they were courting than were men in the Celtic nations." "By combining quantitative techniques in the analysis of over seven thousand cases, as well as careful and detailed readings of individual cases, the book exposes trends and patterns that might not have been evident in works using only one method. For instance, by examining all homicide trials rather than concentrating exclusively on a few highly celebrated ones, it becomes clear that most female killers were not viewed with particular horror, but were treated much like their male counterparts."--BOOK JACKET.
Poetry is ecstatic speech. It is intended to be spoken aloud, not simply read silently from the page. D.H. Lawrence's poetry is ecstatic in nature, particularly his poems which are concerned with issues of human wholeness. The Author's vision for writing this book has been simply to introduce some of D.H. Lawrence's magnificent poems in such a way that others might come to love and appreciate them as deeply as he does. People from every gender and walk of life can find enjoyment and inspiration from Lawrence's poetry in "Hunger For Wholeness".
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