****PRE-ORDER THE NEW CAROLINE SCOTT NOVEL COMING FEBRUARY 2024**** England, 1932, and the country is in the grip of the Great Depression. To lift the spirits of the nation, Stella Douglas is tasked with writing a history of food in England. It’s to be quintessentially English and will remind English housewives of the old ways, and English men of the glory of their country. The only problem is –much of English food is really from, well, elsewhere . . . Good taste is in the eye of the beholder... So, Stella sets about unearthing recipes from all corners of the country, in the hope of finding a hidden culinary gem. But what she discovers is rissoles, gravy, stewed prunes and lots of oatcakes. Longing for something more thrilling, she heads off to speak to the nation’s housewives. But when her car breaks down and the dashing and charismatic Freddie springs to her rescue, she is led in a very different direction . . . Full of wit and vim, Good Taste is a story of discovery, of English nostalgia, change and challenge, and one woman’s desire to make her own way as a modern woman. Praise for Good Taste & Caroline Scott: 'A delicious treat of a book! The book sings with gorgeous period details that take the reader into 1930s England, and stir a sense of nostalgia. Lively, poignant, witty and beautifully written, and all driven by a wonderful character in Stella Douglas, I couldn't stop turning the pages.' Hazel Gaynor ‘A fascinating, immersive, and delicious treat of a book’ heat (book of the week) ‘Evocatively written and laugh-out-loud funny, it’s guaranteed to make you smile’ Woman’s Weekly ‘Beautifully written, this sparkling novel is packed with wit and warmth’ S Magazine ‘Scott has done an amazing job of drawing on real stories to craft a powerful novel’ Good Housekeeping ‘. . . the perfect antidote to these darker days when the news is bleak and the weather bleaker . . . This is a nicely paced yarn shot through with nostalgia but with themes which nevertheless resonate today... A tasty treat' Mirror, The Friday Book Club ‘A fun, colourful read . . . laugh-out-loud funny, it’s guaranteed to make you smile’ Woman & Home 'Wonderful on nostalgia, doing things your own way and maintaining faith. I raced through it' Daily Mail
“A beautifully evocative reminder of what it means to come back from war and to face the age-old question of whether it is better to have survived or to have died. Highly recommended.”—Library Journal, starred review In the tradition of Jennifer Robson and Hazel Gaynor, this unforgettable debut novel is a sweeping tale of forbidden love, profound loss, and the startling truth of the broken families left behind in the wake of World War I. 1921. Survivors of the Great War are desperately trying to piece together the fragments of their broken lives. While many have been reunited with their loved ones, Edie’s husband Francis is still missing. Francis is presumed to have been killed in action, but Edie knows he is alive. Harry, Francis’s brother, was there the day Francis went missing in Ypres. And like Edie, he’s hopeful Francis is living somewhere in France, lost and confused. Hired by grieving families in need of closure, Harry returns to the Western Front to photograph soldiers’ graves. As he travels through France gathering news for British wives and mothers, he searches for evidence his own brother is still alive. When Edie receives a mysterious photograph that she believes was taken by Francis, she is more certain than ever he isn’t dead. Edie embarks on her own journey in the hope of finding some trace of her husband. Is he truly gone, or could he still be alive? And if he is, why hasn’t he come home? As Harry and Edie’s paths converge, they get closer to the truth about Francis and, as they do, are soon faced with the life-changing impact of the answers they discover. An incredibly moving account of an often-forgotten moment in history—those years after the war that were filled with the unknown—The Poppy Wife tells the story of the thousands of soldiers who were lost amid the chaos and ruins in battle-scarred France; and the even greater number of men and women hoping to find them again.
Captain Laurence Greene was gassed at Ypres. He takes ten years to die. With her fiancé, Joseph, lost in France, Effie Shaw spends a decade as Laurence's cook. They share a roof, a sweet tooth and a taste for pastoral romances. Propriety, however, prescribes that their sharing end there. It is a surprise to Effie, then, when Laurence bequeaths her a railway ticket, the deeds to a tea shop and a declaration of his unspoken love.??The terms of Laurence's will require that Effie must travel to Ypres and visit her fiancé's grave. As Laurence had always told it, Joseph met his end with a show of heroics. But, in carrying out Laurence's last requests, and following his wartime diary, Effie is to discover something shocking. Joseph wasn't quite as heroic as she was told nor is his grave where it's supposed to be.??The stories of three soldiers connect through Laurence's diary. As Effie travels on, from Passchendaele to Paris, these men become linked together once again. A decade on from the Armistice, is the war really over at all? Effie is about to realise just how many echoes - and untidy ends - 1918 has left behind.??As seen in the Blackpool Gazette.
An “insightful and extensive” history of the women who took over agricultural duties in England during World War I (Sussex Living Magazine). One could be forgiven for supposing that the story of the Women’s Land Army starts in 1939 during World War II. But it’s a much older and more complicated history . . . British agricultural policy during the First World War was held up as a success story; domestic food production was higher at the end of the war than at the start, the average calorific value of the British diet barely changed, and bread never had to be rationed. As the press reported starvation and food riots overseas, the 1918 harvest was held up as “one of the great achievements of the War.” In 1917, at the darkest hour, when Britain’s food security looked most precarious, it was said that, “if it were not for the women agriculture would be absolutely at a standstill on many farms.” Using previously unpublished accounts and photographs, this book is an attempt to understand how the return of women to the fields and farmyards impacted agriculture—and, in turn, an examination of how that experience affected them. “Caroline’s wonderful book sets the record straight with beautiful illustrations and witting testimony from people who were there and saw how hard these wonderful women worked to keep Britain going during their darkest hours. Superb.” —Books Monthly “This is a well-researched history of the British Women’s Land Army in WW1 and how it paved the way for the success of the WLA in the Second World War.” —World War One Illustrated
A BBC RADIO 2 BOOK CLUB PICK ‘This excellent debut is a melancholic reminder of the rippling after-effects of war’ The Times 'A touching novel of love and loss' Sunday Times For fans of The Tattooist of Auschwitz and Where The Crawdads Sing comes a moving story, inspired by real events, about how hope and love will prevail against all odds. 1921 In the aftermath of war, everyone is searching for answers. Edie’s husband Francis never came home and was declared ‘missing, believed killed’. But when she receives a mysterious photograph of him in the post, hope flares and she begins to search. Harry photographs gravesites on the Western Front, hired by grieving families. Plagued by memories of his last conversation with Francis, he has never stopped searching for his brother. After years apart, their search brings them together. As they uncover the truth they are haunted by the past and their own complex feelings – towards Francis, and towards each other. Are some questions better left unanswered? Perfect for fans of Maggie O'Farrell and Helen Dunmore, The Photographer of the Lost is a beautiful novel, inspired by real events in the wake of the First World War, about love and loss, grief and guilt, and the fleeting, fragile moments of life. Praise for The Photographer of the Lost: 'Epic… A beautifully written must-read' heat 'A gripping, devastating novel about the lost and the ones they left behind' Sarra Manning, RED ‘Terrific first novel’ Daily Mail ‘Scott has done an amazing job of drawing on real stories to craft a powerful novel’ Good Housekeeping ‘A deeply poignant and immersive novel . . . told in beautiful, elevated prose. I was completely caught up in these characters’ stories’ Rachel Hore 'What a wonderful debut novel . . . With a mystery at its heart and a moving, but page turning hook, I couldn’t stop reading' Lorna Cook 'A sublimely rendered portrait of the search for answers amidst the chaos and devastation left behind in the aftermath of World War 1' Fiona Valpy ‘A poignant hymn to those who gave up their lives for their country and to those who were left behind’ Fanny Blake 'I was utterly captivated by this novel, which swept me away, broke my heart, then shone wonderful light through all the pieces' Isabelle Broom ‘Beautiful, unflinching: The Photographer of the Lost is going to be on an awful lot of Best Books of the Year lists, mine included… unforgettable’ Iona Grey 'Momentous, revelatory and astonishing historical fiction!' Historical Novel Society
**Pre-order your copy of the brand new novel from highly acclaimed, BBC Radio 2 Book Club Pick author Caroline Scott, The Visitors, a tale of a young war window and one life-changing, sun-drenched visit to Cornwall in the summer of 1923, now!' ‘A page-turning literary gem’ THE TIMES, BEST BOOKS OF 2020 From the highly acclaimed author of The Photographer of the Lost, a BBC Radio 2 Book Club Pick, comes a beautiful and compelling story based on true events, perfect for fans of Maggie O'Farrell and Helen Dunmore. One Great War soldier with no memory. Three women who claim him as their own. 1918. A soldier is arrested in Durham Cathedral in the last week of the First World War, but he has no memory of who he is or how he came to be there. He is given the name Adam and transferred to a rehabilitation institution in the Lake District where Doctor James Haworth is determined to uncover his identity. But, unwilling to relive the trauma of war, Adam has locked his memory away, seemingly for good. Then a newspaper publishes a feature about Adam, and three women come forward, each claiming that he is someone she lost in the war. But without memory, how do you know who to believe? Based on true events, When I Come Home Again is a beautiful and compelling story about love, loss and longing in the aftermath of war, perfect for fans of Maggie O'Farrell and Helen Dunmore. Praise for When I Come Home Again: ‘A superb and quietly devastating novel’ The Times, Book of the Month 'Scott unravels her haunting tale in unpretentious but persuasive prose' Sunday Times ‘A heartbreaking read… I highly recommend it’ Anita Frank 'Breathtaking exploration of loss, love and precious memories’ My Weekly, Pick of the Month ‘Achingly moving and most beautifully written’ Rachel Hore ‘This beautiful book packs a huge emotional punch’ Fabulous ‘Drew me in from the first line and held me enthralled until the very end' Fiona Valpy ‘Quietly devastating' Daily Mail 'A compulsive, heart-wrenching read' Liz Trenow ‘Powerful’ Woman & Home 'Page turning, mysterious, engrossing and compelling' Lorna Cook ‘A carefully nuanced, complex story’ Woman’s Weekly ‘Caroline Scott evokes the damage and desolation of the Great War with aching authenticity' Iona Grey ‘Poignant’ Best ‘Wonderful and evocative’ Suzanne Goldring ‘Based on true events, this is a powerful story’ Bella ‘Immersive, poignant, intricately woven’ Judith Kinghorn ‘An evocative read’ heat ‘The story left me breathless. Powerful, heartrending, and oh so tender’ Kate Furnivall ‘Tense and compelling’ Lancashire Post ‘Scott litters her tale with clues and red herrings in the best mystery-writer way so we are kept guessing as to where the truth really lies’ The BookBag
This book presents the first conclusive evidence that broadband adoption in the population is linked to economic growth and prosperity, in counties and metros, whether urban, suburban or rural. Public policy, including the National Broadband Plan (FCC 2010), has been premised on the expectation that broadband use fosters economic opportunity for communities. The quote from Commissioner Rosenworcel at the beginning of this chapter demonstrates the significance of broadband for public policy, beyond a utility to be regulated. Until now, however, evidence for assumptions about the benefits of broadband adoption has been lacking because of a scarcity of reliable data over time. Measuring broadband subscriptions rather than deployment is critical because of what has been called the "subscription gap" (Tomer and Shivaram 2017) - the difference between broadband availability and the reality of those who can afford it and have the ability to use it. In this chapter we review the findings throughout the book, discuss place-based barriers in communities, and implications for public policy"--
You enjoy teaching and, like every other teacher, you want the best for every learner. Recently, you have found a steady stream of learners coming to your school with little or no English. You aren’t really sure how to provide the best possible education for them, when they are struggling to understand the English in your already differentiated lessons. This book provides you with a programme for use as an induction-to-English, complete with integral assessment. It provides guidance on how to bridge the gap between these learners and their peers. It is suitable for learners of any language background (including those not literate in their home language) due to the focus on learning through images. It also includes suggestions on how to include parents who are new to English and ideas on family learning. You’ll find an EAL framework to provide structure to your EAL provision across the school, as well as guidance on how to approach class teaching. Developed from good practice in schools and informed by research, this programme is designed to move learners into English quickly. It uses a visual, structured approach that works alongside immersion in the mainstream.
A historical novel based on the life and times of Ginevra King, F. Scott Fitzgerald's first love and muse, reflects on what her life would have been if she had chosen the writer instead.
Masses of activities based on the premise that movement, particularly if it is specific and intentional, enhances learning. "Move to Learn" is a movement programme for children aged five to eight years, delivered in sessions, working one-to-one with an adult or as a small group. Use the programme to liven up a day, provide a 'brain break' in the curriculum or as a complete change for a pupil who is having an emotionally challenging day. Moving promotes learning and other outcomes will follow: Emotional - encouraging happy, secure, confident, motivated and positive emotional states in the limbic system of the brain to support a sense of well-being; Cognitive - using movement to create and strengthen neural pathways, to integrate brain activity and develop 'whole brain' learning; Motor - enabling children to develop their gross and fine motor skills, and to understand being active or calm and to know the difference; Social - using activities to have fun and play together, and to interact and build good relationships; and, Language - to encourage good listening skills and attending to instructions, and to learn to use self-talk to mediate learning. The activities are arranged in ten sections to address different types of movement: Stamina; Large motor actions; Mobility; Balance; Body awareness; Spatial awareness; Dexterity; Fine motor skills; Rhythm and sequence; and, Relaxation. This title includes six sample lesson plans and forms for children's evaluation, parents' evaluation, teachers' questionnaire and parents' questionnaire.
The Rowman & Littlefield Handbook of Policing, Communication, and Society brings together well-regarded academics and experienced practitioners to explore how communication intersects with policing in areas such as cop-culture, race and ethnicity, terrorism and hate crimes, social media, police reform, crowd violence, and many more. By combining research and theory in criminology, psychology, and communication, this handbook provides a foundation for identifying and understanding many of the issues that challenge police and the public in today’s society. It is an important and comprehensive analysis of the enormous changes in the roles of gender in society, digital technology, social media, and organizational structures have impacted policing and public perceptions about law enforcement.
Here is a classroom scenario that many teachers face: out of 30 children in the class, two-thirds speak a different language at home. This book is an easy-to-use 10-week teaching programme for children aged 7–11 (key stage 2) new to English.
Traces the troubled life of writer F. Scott Fitzgerald, from his spoiled, yet insecure childhood through his difficult marriage and writing career to his early death.
Eyes That Pour Forth and Other Stories ." . . a new Catholic culture has gradually emerged in the United States, ....The establishment of the Tuscany Prize for Catholic Fiction has called forth that art, allowing readers to discern the new Catholic cultural flowering. And if this year's prizewinning short stories are any guide, Catholic art in America is headed, once again, toward great things." -Joseph Bottum, author of The Christmas Plains, Essayist and Poet "Brother Michael remembers finding the girl standing in the doorway of the Tanzanian monastery where he lives. She is holding the remnants of her eyes in her hands-milky white orbs with pink muscle attached to them like the trails of twin comets. She doesn't cry, but she trembles and quivers in the doorframe, and the other monks . . . find out that she can see from those eyes. . . ." "Eyes That Pour Forth" by Karen Britten - 1st Place Winner So begins Eyes That Pour Forth and Other Stories. In the ten stories gathered here, Tuscany Press has created a compelling collection. Eyes that Pour Forth The Reasons Why Moon Dance True or False Water The Debt Excess Baggage Morning Star Intensive Care Near Miss Rediscover the beauty of short stories-especially short stories that see the world with a Catholic perspective which embraces the temporal and the divine, the sinner and the saint, the ordinary and the extraordinary. Joseph O'Brien, editor, is an award-winning journalist and a poet. He attended Thomas Aquinas College, Santa Paula, California, and graduated with a masters in English Literature from the University of Dallas, Irving, Texas. He lives with his wife and children on a homestead in the Driftless region of rural southwest Wisconsin. He is the staff writer for The Catholic Times of the Diocese of La Crosse, Wisconsin.
Less than an hour by train from New York City... Croton Point Park encapsulates the history, beauty and promise of the Hudson Valley. The Westchester County Park encompasses miles of Hudson River shoreline with astonishing views and remnants of the region's past. Incredible shell mounds shed light on the Native peoples who inhabited the area generations prior to European colonization. The remains of the first commercial vineyards in the Northeast are just steps away from historic brickyards that helped build Manhattan. The Point served as a dumping ground for years until local efforts restored the park into a model of environmental conservation. Today, bald eagles have returned to nest alongside visitors exploring remarkable landmarks, sailing the waters of the Hudson or enjoying a scenic picnic. Authors Scott Craven and Caroline Ranald Curvan present Westchester's crown jewel, Croton Point Park.
How do bureaucracies remember? The conventional view is that institutional memory is static and singular, the sum of recorded files and learned procedures. There is a growing body of scholarship that suggests contemporary bureaucracies are failing at this core task. This Element argues that this diagnosis misses that memories are essentially dynamic stories. They reside with people and are thus dispersed across the array of actors that make up the differentiated polity. Drawing on four policy examples from four sectors (housing, energy, family violence and justice) in three countries (the UK, Australia and New Zealand), this Element argues that treating the way institutions remember as storytelling is both empirically salient and normatively desirable. It is concluded that the current conceptualisation of institutional memory needs to be recalibrated to fit the types of policy learning practices required by modern collaborative governance.
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