Named one of the summer's best books by People, Glamour, The Huffington Post, and Pure Wow Publishers Weekly Book of the Week Named one of Refinery 29’s “21 New Authors to Watch” in 2015 The first person to break your heart isn’t always your boyfriend. Sometimes it’s your best friend. Maggie, Lindsey, and Nina have been friends for most of their lives. The girls grew up together in a dead-end Florida town on the outskirts of Orlando, and the love and loyalty they have for one another have been their only constants. Now nineteen and restless, the girls spend empty summer days bouncing between unfulfilling jobs, the beach, and their favorite local bar, The Shamrock. It’s there that a chance encounter with a movie star on the last night of his life changes everything. Passing through Orlando, Sam Decker comes to The Shamrock seeking anonymity, but finds Maggie, Lindsey, and Nina instead. Obsessed with celebrity magazines that allow them a taste of the better lives they might have had, the girls revel in his company. But the appearance of Lila, the estranged former member of the girls’ group, turns the focus to their shared history, bringing all their old antagonisms to the surface—Lila’s defection to Orlando’s country club school when her father came into some money, and the strange, enchanting boy she brought into their circle, who fundamentally altered dynamics that had been in play for years. By the night’s end, the escalation of these long-buried issues forces them to see one another as the women they are now instead of the girls they used to be. With an uncanny eye for the raw edges of what it means to be a girl and a heartfelt sense of the intensity of early friendship, Local Girls is a look at both the profound role celebrity plays in our culture, and how the people we know as girls end up changing the course of our lives.
_________________________ The story of a teen's love affair with the Bay City Rollers _________________________ Over four hot summers from 1975 to 1979, teenager Caroline Sullivan and her friends criss-crossed the USA in the Rollers' wake. They staked out airports and hotels, tricking airline clerks and wheedling information out of PR companies.
In a funny and charming fantastical romp, overlooked Princess Marigold is nothing like her perfect, just-returned sister—so she runs away to an evil wizard’s tower to prove her wickedness. Princess Marigold—who hadn’t yet been born when the remarkable Princess Rosalind was kidnapped—is eleven when the unthinkable happens: her older sister escapes her captivity and comes home. Marigold has always known she’s not as good, sweet, or kind as the sister everyone adores, but amid the celebration of Rosalind’s return, Marigold realizes something new: if Princess Rosalind is good, then Princess Marigold must be wicked. And there’s no place for wickedness in the kingdom. When Marigold tries to find a new place for herself in an evil wizard’s fortress, though, the results are disastrous. Before she’s even learned to cackle or scowl properly, she gets tangled up in a magical plot to ruin all the Cacophonous Kingdoms. Is Marigold too wicked to make things right? Or can she—with the help of a kitchen boy, a well-dressed imp, and a grumpy blob of glop—find her own way to restore peace? This endearing fantasy will have princess and anti-princess fans alike chuckling and cheering.
Caroline Myss, author of the New York Times bestsellers Anatomy of the Spirit and Why People Don’t Heal and How They Can, presents an exciting, highly original program in this long-awaited book. Based on her internationally popular workshop of the same name, Sacred Contracts is a brilliant synthesis of psychology, healing guidance, and spiritual insight. As a medical intuitive, Myss has found that people often don’t understand their purpose in life, which has led to a spiritual malaise of epidemic proportions. This metaphysical disease in turn leads to depression, anxiety, fatigue, and eventually physical illness. But our purpose—our individual Sacred Contract—is often difficult to apprehend. For this reason, Myss developed an enjoyable and ingenious process for deciphering your own Contract using a new theory of archetypes that builds on the works of Jung, Plato, and contemporary thinkers. She first recounts how the concept of Sacred Contracts took form in myths and other cultural traditions through the ages. She then examines the lives of the spiritual masters and prophets—Abraham, Jesus, the Buddha, and Muhammad—whose archetypal journeys illustrate the four stages of a Sacred Contract and provide clues for discovering your own. With her signature motivational style and stories, Myss explains how you can identify your particular spiritual energies, or archetypes—the gatekeepers of your higher purpose—and use them to help you find out what you are here on earth to learn and whom you are meant to meet. In coming to know your archetypal companions, you also begin to see how to live your life in ways that make the best use of your personal power and lead you to fulfill your greatest—in fact, your divine—potential. In this process, you learn how to see your life—and the lives of others—symbolically, allowing you to manage your personal power without getting caught up in emotional drama. You will also learn how to fulfill your Sacred Contract: what you and only you are here on earth to do. Finally, Myss offers specific guidance for locating your physical and emotional vulnerabilities and healing any susceptible areas. Both visionary and practical, Sacred Contracts is a completely unique process of self-discovery and spiritual archaeology and a bold, powerful work of spiritual wisdom.
A sparkling and witty crime debut with a female protagonist to challenge Miss Marple' LIN ANDERSON, Award winning Scottish crime author A Death on Stage - the sixteenth edition of the nail-biting Euphemia Martins Mysteries! Riddled with adventure, espionage and suspense _______________ It is 1914. War is underway. A group of French actors has become trapped in Britain and some of them are seeking political asylum, among these is a mathematician with whom Euphemia's friend, Mary, has been corresponding. He joined the troupe with the express intention of making it to Britain and to Mary before the war began. Euphemia's new commander sends her undercover to the theatre where the company is finishing its run, and he instructs Fitzroy to remain on medical leave. But Fitzroy has never been one to obey orders. Meanwhile, Euphemia's husband, Bertram, lies critically ill in hospital and Euphemia must employ all her strength to stay focussed on her mission. With actors and agents playing roles both on and off stage, the toughest challenge is knowing who to trust... _______________ Readers LOVE Caroline Dunford's compelling crime novels! 'Impeccable historical detail with a light touch' Lesley Cookman, The Libby Serjeant Series 'Euphemia Martins is feisty, funny and completely adorable' Colette McCormick, Ribbons in Her Hair 'A rattlingly good dose of Edwardian country house intrigue with plenty of twist and turns and clues to puzzle through along with the heroine of the book, Euphemia Martins' Booklore.co.uk
What if a high-tech game opened a gateway to the treacherous Realm of Faerie? Find out in these tales set in USA Today bestseller Anthea Sharp's fantastical world of Feyland! For fans of GameLit and fairy tales alike, come explore the bestselling world of Feyland in these eleven stories from award-winning and bestselling authors. Ranging from the poignant to the gritty, the clever to the deeply thoughtful, these tales bring to life a near-future reality where immersive gaming enfolds the player, and dangerous magic is only a pixel away... WOLF HUNT - Phaedra Weldon THE BLACK RABBIT - Joseph Robert Lewis TO CATCH A HOBGOBLIN - Eric Kent Edstrom WHITE LILY - Harrison Kayne GETTING GOOD - Brigid Collins THROUGH THE TRAPDOOR - Marilyn Peake THE GATES OF GOLD MOUNTAIN - Jon Frater WORK BOOTS - Caroline A. Gill THE FEY BARD - Roz Marshall EMMA: A FEYLAND DRYAD - Deb Logan THE BUG IN THE DARK COURT - Anthea Sharp KEYWORDS: Faeries, Cyberpunk, GameLit, Portal Fantasy, Coming of Age, Disabilities, Differently Abled, Heroic Fiction, Science Fantasy, Virtual Reality, Immersive Gaming, MMO, Teen Romance, litRPG, Bestselling Series, Fae, Seelie Court, Unseelie Court, Folktales
A memoir in which the author, a former "cutter," discusses the reasons why she began cutting herself as an adolescent, and shares the story of how she was finally able to overcome the affliction.
While interest in collecting and museology has increased exponentially over the years, the relationship between museums, collections and literature has not been fully investigated. This book examines this intensifying relationship from the wake of the Enlightenment through to the end of the 19th century.
This book adopts a refreshing approach by examining Hokkien theatre in a region connected by maritime networks, notably southern Fujian, Taiwan, Kinmen and Singapore. It considers how regional theatre is shaped by broader socio-cultural and political contexts and the motivation to stay relevant in an era of modernisation and secularisation. Political domains are often marked out by land boundaries, but the sea concept denotes fluidity, allowing theatrical forms to spread across these ‘land-bounded’ societies and share a common language and culture. "This is an insightful theatrical study on the web of Chinese cultural networks in southern China and Singapore, and by extension, between China and Southeast Asia in the twentieth century and beyond. Using diverse sources in multiple languages and extensive field ethnography, this is a ground-breaking study which is both didactic and inspiring." - Lee Tong Soon, author of Chinese Street Opera in Singapore (University of Illinois, 2009). "Focusing on Hokkien theatre, this book offers new insights into how Chinese performing art responds to geographical, temporal, and social changes. Historical sources in different languages are widely used to give access to the cultural characteristics of Hokkien theatre, offering valuable ethnographic reports on the contemporary practices of Hokkien theatre in Taiwan, Kinmen, and Singapore. The book comments on the changing ritualistic significance of Hokkien theatre, and help us understand how societies remember the past of a performing tradition, and shape its present." - Luo Ai Mei, Co-Editor of A Preliminary Survey of the Cantonese Eight Song Cycles in South China: History and Sources (2016)
The power, the influence, the image and the success of the mayor are dependent to a large extent on the function, personality, and ability of his press secretary and what the secretary conceives as his role in the administration. The author suggests that there is much administrative as well as public confusion concerning this role. Is the secretary an instrument of propaganda, a dispenser of information, or both? Few have recognized the intimacy and close-meshing relation between the mayor and his press secretary or the need for such closeness in an era of instant communications. Dr. Caroline Shaffer Westerhof has delved into the working arrangements and relationships of the press secretaries to the mayors of New York from the administration of John Purroy Mitchel through that of John Lindsay. She analyzes the differing conceptions of the position through the years and concludes with an assessment of the effectiveness of the secretary in light of the stated, or perceived, objectives of the office.
Focusing on films outside the horror genre, this book offers a unique account of the Frankenstein myth's popularity and endurance. Although the Frankenstein narrative has been a staple in horror films, it has also crossed over into other genres, particularly comedy and science fiction, resulting in such films as Abbott and Costello Meet Frankenstein, Young Frankenstein, The Rocky Horror Picture Show, Bladerunner, and the Alien and Terminator film series. In addition to addressing horror's relationship to comedy and science fiction, the book also explores the versatility and power of the Frankenstein narrative as a contemporary myth through which our deepest attitudes concerning gender (masculine versus feminine), race (Same versus Other), and technology (natural versus artificial) are both revealed and concealed. The book not only examines the films themselves, but also explores early drafts of film scripts, scenes that were cut from the final releases, publicity materials, and reviews, in order to consider more fully how and why the Frankenstein myth continues to resonate in the popular imagination.
A catalog nearly fifty years in the making, Bruce Springsteen's music remains popular and a frequent subject of study yet little critical attention has been given to its inclusion in film and television. This book examines a selection of films and TV shows from the 1980s to the present--including Mask, High Fidelity, The Sopranos and The Wrestler--that feature Springsteen's music on the soundtrack. Relating his thematic preoccupations with religion, the Vietnam War, the promise of the open road, economic disparity and blue-collar malaise, his songs color narrative and articulate the inner lives of characters. This book explores the many on-screen contexts of Springsteen's work from Greetings from Asbury Park, N.J. to Springsteen on Broadway.
This book will explain how on earth 'off the cuff' came to express improvisation, why a 'gut feeling' is more intuitive than a brainwave, and who the heck is 'happy' Larry.
Boston was well-known in the nineteenth century as a center for intellectual ferment. Amidst the popular lecturing of Ralph Waldo Emerson and the discussion groups led by Margaret Fuller sat a remarkable young woman, Caroline Healey Dall (18221912): transcendentalist, early feminist, writer, reformer, and, perhaps most importantly, active diarist. During the seventy-five years that Dall kept a diary, she captured all the fascinating details of her sometimes agonizing personal life, and she also wrote about all the major figures who surrounded her. Her diary, filling forty-five volumes, is perhaps the longest diary ever written by any American and the most complete account of a nineteenth-century woman"s life. Daughter of Boston is a selection of the best from Dall"s diary, woven together with biographical narrative. What Samuel Pepys did in his Diary for seventeenth-century London, Caroline Dall does in hers for nineteenth-century Boston. The city"s celebrations, mob scenes, poverty-ridden neighborhoods, lectures, and exhibits are described with great wit and insight. Dall also writes colorfully about people whose names never made it into the history books-wives and mothers, fugitives, servants, children, and working people of all ages. Daughter of Boston is both a significant document of social history and an engrossing account of one woman"s life and thoughts. "In Daughter of Boston, Helen Deese, one of our foremost scholars of American Romanticism, has unearthed the fascinating journals of Caroline Healey Dall, a nineteenth-century New Englander who was an astute observer and active participant in nearly every major intellectual and political movement of her day, from Transcendentalism to abolition to women"s rights." -Megan Marshall, author of The Peabody Sisters
This is a comprehensive sourcebook on the world's most famous vampire, with more than 700 citations of domestic and international Dracula films, television programs, documentaries, adult features, animated works, and video games, as well as nearly a thousand comic books and stage adaptations. While they vary in length, significance, quality, genre, moral character, country, and format, each of the cited works adopts some form of Bram Stoker's original creation, and Dracula himself, or a recognizable vampiric semblance of Dracula, appears in each. The book includes contributions from Dacre Stoker, David J. Skal, Laura Helen Marks, Dodd Alley, Mitch Frye, Ian Holt, Robert Eighteen-Bisang, and J. Gordon Melton.
Gothic verse liberated the dark side of Romantic and Victorian verse: its medievalism, melancholy and morbidity. Some poets intended merely to shock or entertain, but Gothic also liberated the creative imagination and inspired them to enter disturbing areas of the psyche and to portray extreme states of human consciousness. This anthology illustrates that journey. This is the first modern anthology of Gothic verse. It traces the rise of Gothic in the late eighteenth century and follows its footsteps through the nineteenth century. Gothic has never truly died as it constantly reinvents itself, and this lively, illustrated and annotated anthology offers students the atmospheric poetry that originally studded terror novels and inspired horror films. Alongside canonical verse by Coleridge, Keats and Poe, it introduces readers to lesser-known authors excursions into the macabre and the grotesque. A wide range of poetic forms is included: as well as ballads, tales, lyrics, meditative odes and dramatic monologues, a medievalist romance by Scott and Gothic drama by Byron are also included in full. A substantial introduction by Caroline Franklin puts the rise of Gothic poetry into its historical context, relating it both to Romanticism and Enlightenment historicism. Although Gothic fiction has now been receiving serious critical attention for twenty years, Gothic verse has been largely overlooked. It is therefore hoped that this anthology will stimulate scholarly interest as well as readers pleasure in these unearthly poems.
Menagerie is the story of the panoply of exotic animals that were brought into Britain from time immemorial until the foundation of the London Zoo--a tale replete with the extravagant, the eccentric, and--on occasion--the downright bizarre. From Henry III's elephant at the Tower, to George IV's love affair with Britain's first giraffe and Lady Castlereagh's recalcitrant ostriches, Caroline Grigson's tour through the centuries amounts to the first detailed history of exotic animals in Britain. On the way we encounter a host of fascinating and outlandish creatures, including the first peacocks and popinjays, Thomas More's monkey, James I's cassowaries in St James's Park, and Lord Clive's zebra--which refused to mate with a donkey, until the donkey was painted with stripes. But this is not just the story of the animals themselves. It also the story of all those who came into contact with them: the people who owned them, the merchants who bought and sold them, the seamen who carried them to our shores, the naturalists who wrote about them, the artists who painted them, the itinerant showmen who worked with them, the collectors who collected them. And last but not least, it is about all those who simply came to see and wonder at them, from kings, queens, and nobles to ordinary men, women, and children, often impelled by no more than simple curiosity and a craving for novelty.
Dame Maggie Smith stands as a remarkable example of the concomitance – in a performer’s career – of typecasting and characterisation, that is the ability to impersonate ‘against type’ infinitely various screen or stage characters. This book of appreciation essentially aims at correcting the preconceived image that the general public has of Dame Maggie Smith. Focusing on the last twenty-five years, it examines, through the many parts she has played since the early 1990s, her ability to go beyond typecasting and give, thanks to her chameleon skills, nuanced and convincing portrays of infinitely diverse characters. From The Importance of Being Earnest to Gosford Park and Becoming Jane, to Downton Abbey and Sister Act, to The Last September and the Harry Potter saga, Dame Maggie Smith has had a wide spanning career in TV and Film. Not to mention her theatrical work on the stage. Author Caroline Fevrier lives in Paris, France and has a passion for theatre and performing. Caroline holds a PhD in Literature and Humanities and an MA in Literature and Drama. She was also trained as a professional performer and has been involved in several stage productions and short movies. Caroline regularly gives lectures on theatre and performance to academic audiences and had published several books on literature and humanities, and now focuses closely on the performing arts.
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