“If Love, Actually and National Lampoon’s Christmas Vacation are your two favorite holiday movies, you’re going to love The Adults.”—Bustle NAMED ONE OF THE BEST BOOKS OF THE YEAR BY REAL SIMPLE • “Sometimes a nasty family comedy is just what you need for the holidays.”—Entertainment Weekly Meet The Adults. Claire and Matt are no longer together but decide that it would be best for their daughter, Scarlett, to have a “normal” family Christmas. They can’t agree on whose idea it was to go to the Happy Forest holiday park, or who said they should bring their new partners. But someone did—and it’s too late to pull the plug. Claire brings her new boyfriend, Patrick (never Pat), a seemingly sensible, eligible from a distance Ironman in Waiting. Matt brings the new love of his life, Alex, funny, smart, and extremely patient. Scarlett, who is seven, brings her imaginary friend Posey. He’s a giant rabbit. Together the five (or six?) of them grit their teeth over Forced Fun Activities, drink a little too much after Scarlett’s bedtime, overshare classified secrets about their pasts . . . and before you know it, their holiday is a powder keg that ends where this novel begins—with a tearful, frightened call to the police. What happened? They said they’d all be adults about this. . . . Praise for The Adults “A delectable premise . . . Hulse skewers her characters uproariously, zeroing in on every quirk, and she humanizes them, too.”—Entertainment Weekly “The ending is worth every page turned in this funny, redeeming wade through the rough tide of blended family.”—San Francisco Chronicle “Caroline Hulse’s farcical debut is an ode to the big personalities and drama you find in families—unconventional and not.”—Real Simple “This wry holiday novel will make you chuckle and remind you that nobody’s family is perfect. If you’ve ever sat through an awkward family dinner (who hasn’t?), you’ll relate so hard.”—HelloGiggles “Brilliantly funny.”—Good Housekeeping (UK) “Razor-sharp comedy.”—Sunday Mirror
“If Love, Actually and National Lampoon’s Christmas Vacation are your two favorite holiday movies, you’re going to love The Adults.”—Bustle NAMED ONE OF THE BEST BOOKS OF THE YEAR BY REAL SIMPLE • “Sometimes a nasty family comedy is just what you need for the holidays.”—Entertainment Weekly Meet The Adults. Claire and Matt are no longer together but decide that it would be best for their daughter, Scarlett, to have a “normal” family Christmas. They can’t agree on whose idea it was to go to the Happy Forest holiday park, or who said they should bring their new partners. But someone did—and it’s too late to pull the plug. Claire brings her new boyfriend, Patrick (never Pat), a seemingly sensible, eligible from a distance Ironman in Waiting. Matt brings the new love of his life, Alex, funny, smart, and extremely patient. Scarlett, who is seven, brings her imaginary friend Posey. He’s a giant rabbit. Together the five (or six?) of them grit their teeth over Forced Fun Activities, drink a little too much after Scarlett’s bedtime, overshare classified secrets about their pasts . . . and before you know it, their holiday is a powder keg that ends where this novel begins—with a tearful, frightened call to the police. What happened? They said they’d all be adults about this. . . . Praise for The Adults “A delectable premise . . . Hulse skewers her characters uproariously, zeroing in on every quirk, and she humanizes them, too.”—Entertainment Weekly “The ending is worth every page turned in this funny, redeeming wade through the rough tide of blended family.”—San Francisco Chronicle “Caroline Hulse’s farcical debut is an ode to the big personalities and drama you find in families—unconventional and not.”—Real Simple “This wry holiday novel will make you chuckle and remind you that nobody’s family is perfect. If you’ve ever sat through an awkward family dinner (who hasn’t?), you’ll relate so hard.”—HelloGiggles “Brilliantly funny.”—Good Housekeeping (UK) “Razor-sharp comedy.”—Sunday Mirror
Speaking directly to experienced and novice clinicians, educators and students in speech-language pathology/speech and language therapy via an informative essay-based approach, Children’s Speech Sound Disorders provides concise, easy-to-understand explanations of key aspects of the classification, assessment, diagnosis and treatment of articulation disorders, phonological disorders and childhood apraxia of speech. It also includes a range of searching questions to international experts on their work in the child speech field. This new edition of Children’s Speech Sound Disorders is meticulously updated and expanded. It includes new material on Apps, assessing and treating two-year-olds, children acquiring languages other than English and working with multilingual children, communities of practice in communication sciences and disorders, distinguishing delay from disorder, linguistic sciences, counselling and managing difficult behaviour, and the neural underpinnings of and new approaches to treating CAS. This bestselling guide includes: Case vignettes and real-world examples to place topics in context Expert essays by sixty distinguished contributors A companion website for instructors at www.wiley.com/go/bowen/speechlanguagetherapy and a range of supporting materials on the author’s own site at speech-language-therapy.com Drawing on a range of theoretical, research and clinical perspectives and emphasising quality client care and evidence-based practice, Children’s Speech Sound Disorders is a comprehensive collection of clinical nuggets, hands-on strategies, and inspiration.
The Guest Editors have invited authors who are well published on the current research for breastfeeding. The issue will update practicing pediatricians and other child health professionals on the current state of knowledge and practice in breastfeeding management and support. It has been more than ten years since the last issues on breastfeeding published; because those issues were popular and widely cited, it is expected that this issue will also become a valuable resource. The articles in this issue will provide pediatricians and other child health professionals with a timely update and critical new information to advocate for breastfeeding and support the breastfeeding mother-infant dyad.
This book, the first in-depth study of authorship in translation, explores how authorial identity is ‘translated’ in the literary text. In a detailed exploration of the writing of East German author Christa Wolf in English translation, it examines how the work of translators, publishers, readers and reviewers reframes the writer’s identity for a new reading public. This detailed study of Wolf, an author with a complex and contested public profile, intervenes in wide-ranging contemporary debates on globalised literary culture by examining how the fragmented identity of the ‘international’ author is contested by different stakeholders in the construction of a world literature. The book is interdisciplinary in its approach, representing new work in Translation Studies and German Studies that is also of interest and relevance to scholars of literature in other languages.
A collection of fascinating folklore and maritime trivia about pirates, explorers, naval battles, shipwrecks, sea monsters, and more. Stirring tales of heroism at sea have been ingrained in the annals of maritime history from time immemorial. Christopher Columbus’s discovery of the New World, Queen Elizabeth I’s defeat of the Spanish Armada, and Horatio Nelson’s victory at Trafalgar are just some of Britain’s most memorable naval triumphs. But what about the lesser-known tales from its seafaring past? The Victorian who invented a swimming machine in order to cross the English Channel; the capture of a real-life mermaid; the lost pirate treasure of Alborn; the ghost of a murdered sailor who still haunts the streets of Portsmouth; and the daring explorers who vanished into the blue yonder, leaving behind nothing but a cryptic message in a champagne bottle—these are just some of the quirky naval stories that have been chronicled in verse and archived in newspaper clippings, and forgotten with the passage of time. Historian and genealogist Caroline Rochford has compiled 200 traditional songs and stories into this book, which offers an exciting, entertaining and eye-opening glimpse into a long-lost maritime past.
How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
Genuinely unputdownable books are rare in my experience. This is one. A brilliant, original comedy' Daily Mail * * * * * MEET THE ADULTS... Claire and Matt are divorced but decide what's best for their daughter Scarlett is to have a 'normal' family Christmas with them all together. Claire brings her new boyfriend Patrick, a seemingly eligible Iron-Man-in-Waiting. Matt brings the new love of his life Alex, funny, smart, and extremely patient. Scarlett, their daughter, brings her imaginary friend Posey. He's a rabbit. Together the five (or six?) of them grit their teeth over Organized Fun activities, drinking a little too much after bed-time, oversharing classified secrets about their pasts and, before they know it, their holiday is a powder keg that ends - where this story starts - with a tearful, frightened, call to the police... But what happened? They said they'd all be adults about this... * * * * * 'I loved The Adults! Funny, dry and beautifully observed. Highly recommended' Gill Sims, #1 bestselling author of Why Mummy Drinks and Why Mummy Swears 'Such a breath of fresh air! Witty, intensely human and (dare I say it) relatable ... The perfect comedy of errors' Katie Khan 'The Adults is my top read of 2018 so far. Absolutely hilarious ... This one will stay with me for a long time' Cathy Bramley 'Packed with sharp wit, engaging characters and off-beat humour, this is a fresh and feisty thrill-ride of a novel' Heat 'I took this book on holiday and couldn't put it down! I've never read anything quite like it' The Unmumsy Mum 'Gripped me from the start. Reminiscent of Liane Moriarty's Big Little Lies - a sure-fire winner' Cass Hunter, author of The After Wife 'Brilliantly funny - will have you wincing in recognition' Good Housekeeping 'I have a feeling Caroline Hulse might be a genius, this book is so brilliant. t's funny, clever and original - I loved every minute of reading it. Also, Posey should get a spin-off TV show' Lucy Vine, author of Hot Mess 'Funny, poignant, real - a truly original book that made me laugh, cry and cringe in equal measure. I loved it' Charlotte Duckworth 'Razor-sharp comedy - barbed and brilliant. The characters are totally convincing ... Sparky, heart-felt and fantastically fun, this is a fabulous debut' Sunday Mirror
This is the spectacular rags-to-riches story of James Morrison (1789–1857), who began life humbly but through hard work and entrepreneurial brilliance acquired a fortune unequalled in nineteenth-century England. Using the extensive Morrison archive, Caroline Dakers presents the first substantial biography of the richest commoner in England, recounting the details of Morrison's personal life while also placing him in the Victorian age of enterprise that made his success possible. An affectionate husband and father of ten, Morrison made his first fortune in textiles, then a second in international finance. He invested in North American railways, was involved in global trade from Canton to Valparaiso, created hundreds of jobs, and relished the challenges of "the science of business". His success enabled him to acquire land, houses, and works of art on a scale to rival the grandest of aristocrats.
In the first analysis of the start of the Cold War from a Soviet viewpoint, Caroline Kennedy-Pipe draws on Russian source material to reach some startling conclusions. She challenges the prevailing orthodoxy of Western historians to show how Moscow saw the presence of US troops in Europe in the 1940s and early 1950s as advantageous rather than as a check on Soviet ambitions. The author points to a complex web of concerns than fuelled Moscow's actions, and explores how the Soviet leadership, and Stalin in particular, responded to American policy. She shows how the Soviet experience of the United States and Europe, both before, during and after the Second World War, led Moscow to a policy that was not simply fuelled by anti-Americanism. Six chapters cover events from the wartime conferences of 1943 until the death of Stalin. A final chapter places the book in the context of the current debate over the causes of the Cold War.
Boston was well-known in the nineteenth century as a center for intellectual ferment. Amidst the popular lecturing of Ralph Waldo Emerson and the discussion groups led by Margaret Fuller sat a remarkable young woman, Caroline Healey Dall (18221912): transcendentalist, early feminist, writer, reformer, and, perhaps most importantly, active diarist. During the seventy-five years that Dall kept a diary, she captured all the fascinating details of her sometimes agonizing personal life, and she also wrote about all the major figures who surrounded her. Her diary, filling forty-five volumes, is perhaps the longest diary ever written by any American and the most complete account of a nineteenth-century woman"s life. Daughter of Boston is a selection of the best from Dall"s diary, woven together with biographical narrative. What Samuel Pepys did in his Diary for seventeenth-century London, Caroline Dall does in hers for nineteenth-century Boston. The city"s celebrations, mob scenes, poverty-ridden neighborhoods, lectures, and exhibits are described with great wit and insight. Dall also writes colorfully about people whose names never made it into the history books-wives and mothers, fugitives, servants, children, and working people of all ages. Daughter of Boston is both a significant document of social history and an engrossing account of one woman"s life and thoughts. "In Daughter of Boston, Helen Deese, one of our foremost scholars of American Romanticism, has unearthed the fascinating journals of Caroline Healey Dall, a nineteenth-century New Englander who was an astute observer and active participant in nearly every major intellectual and political movement of her day, from Transcendentalism to abolition to women"s rights." -Megan Marshall, author of The Peabody Sisters
Womb Fantasies examines the womb, an invisible and mysterious space invested with allegorical significance, as a metaphorical space in postwar cinematic and literary texts grappling with the trauma of post-holocaust, postmodern existence. In addition, it examines the representation of visible spaces in the texts in terms of their attribution with womb-like qualities. The framing of the study historically within the postwar era begins with a discussion of Eero Saarinen’s Womb Chair in the context of the Cold War’s need for safety in light of the threat of nuclear destruction, and ranges over films such as Marguerite Duras’ and Alan Resnais’ film Hiroshima mon amour and Duras’ novel The Vice-Consul, exploring the ways that such cultural texts fantasize the womb as a response to trauma, defined as the compulsive need to return to the site of loss, a place envisioned as both a secure space and a prison. The womb fantasy is linked to the desire to recreate an identity that is new and original but ahistorical.
A lively and accessible new introduction to the origins and emergence of the Cold War. Caroline Kennedy-Pipe brings to life the clashes of ideas and personalities that led Russia and America into decades of conflict and draws out important lessons for policy and analysis in today's equally formative period in world affairs.
Kindergarteners learn the joys of gardening in this close-up look at how plants grow. A visit to Mrs. Best's classroom is always inspiring! Follow a classroom of real kindergartners as they grow a garden full of healthy vegetables. Joyful photographs show kids planting seeds, tending the seedlings, and harvesting (and eating!) the results. An exciting introduction to the math and science involved in growing a garden. The Life Cycles in Room 6 series follows Mrs. Best’s real kindergarten class as they help things grow. This photo-illustrated series engages readers with hands-on science in the classroom and beyond.
TOPICS IN THE BOOK Leading Technological Change – Case Study of Emirates Airlines Developing Conceptual Framework of Software Defect Prediction in Software Testing: The Case of Ethiopian Software Industries Assessment of Level of Service for Roads under Performance Based Road Maintenance in Kenya Precursors of Cloud Computing Adoption in Selected Banks in Kenya Factors Affecting Adoption of Internet of Things in Selected Greenhouse Farms in Kenya
Genuinely unputdownable books are rare in my experience. This is one. A brilliant, original comedy' Daily Mail 'I loved The Adults! Funny, dry and beautifully observed. Highly recommended for anyone whose perfect Christmases never quite go according to plan!' Gill Sims, #1 bestselling author of Why Mummy Drinks and Why Mummy Swears * * * * * MEET THE ADULTS... Claire and Matt are divorced but decide what's best for their daughter Scarlett is to have a 'normal' family Christmas with them all together. Claire brings her new boyfriend Patrick, a seemingly eligible Iron-Man-in-Waiting. Matt brings the new love of his life Alex, funny, smart, and extremely patient. Scarlett, their daughter, brings her imaginary friend Posey. He's a rabbit. Together the five (or six?) of them grit their teeth over Organized Fun activities, drinking a little too much after bed-time, oversharing classified secrets about their pasts and, before they know it, their holiday is a powder keg that ends - where this story starts - with a tearful, frightened, call to the police... But what happened? They said they'd all be adults about this... * * * * * 'Such a breath of fresh air! Witty, intensely human and (dare I say it) relatable ... The perfect comedy of errors' Katie Khan 'The Adults is my top read of 2018 so far. Absolutely hilarious ... This one will stay with me for a long time' Cathy Bramley 'Packed with sharp wit, engaging characters and off-beat humour, this is a fresh and feisty thrill-ride of a novel' Heat 'I took this book on holiday and couldn't put it down! I've never read anything quite like it' The Unmumsy Mum 'Gripped me from the start. Reminiscent of Liane Moriarty's Big Little Lies - a sure-fire winner' Cass Hunter, author of The After Wife 'Brilliantly funny - will have you wincing in recognition' Good Housekeeping 'I have a feeling Caroline Hulse might be a genius, this book is so brilliant. t's funny, clever and original - I loved every minute of reading it. Also, Posey should get a spin-off TV show' Lucy Vine, author of Hot Mess 'Funny, poignant, real - a truly original book that made me laugh, cry and cringe in equal measure. I loved it' Charlotte Duckworth 'Razor-sharp comedy - barbed and brilliant. The characters are totally convincing ... Sparky, heart-felt and fantastically fun, this is a fabulous debut' Sunday Mirror
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