For fans of Cheryl Strayed, the gripping story of a biologist's human-powered journey from the Pacific Northwest to the Arctic to rediscover her love of birds, nature, and adventure. During graduate school, as she conducted experiments on the peculiarly misshapen beaks of chickadees, ornithologist Caroline Van Hemert began to feel stifled in the isolated, sterile environment of the lab. Worried that she was losing her passion for the scientific research she once loved, she was compelled to experience wildness again, to be guided by the sounds of birds and to follow the trails of animals. In March of 2012, she and her husband set off on a 4,000-mile wilderness journey from the Pacific rainforest to the Alaskan Arctic, traveling by rowboat, ski, foot, raft, and canoe. Together, they survived harrowing dangers while also experiencing incredible moments of joy and grace -- migrating birds silhouetted against the moon, the steamy breath of caribou, and the bond that comes from sharing such experiences. A unique blend of science, adventure, and personal narrative, The Sun is a Compass explores the bounds of the physical body and the tenuousness of life in the company of the creatures who make their homes in the wildest places left in North America. Inspiring and beautifully written, this love letter to nature is a lyrical testament to the resilience of the human spirit. Winner of the 2019 Banff Mountain Book Competition: Adventure Travel
Das Buch ist ein Muss für alle, die sich für die neuere Geschichte der Astronomie - hier aus erster Hand erzählt -, die visuelle Beobachtung oder die Entdeckung der Deep-Sky-Objekte interessieren! Das Buch macht großen Spaß - sobald man sich mit den altdeutschen Lettern vertraut gemacht hat." Wolfgang Steinicke, in: Journal für Astronomie, III/2014, S. 43. „Das Objekt der letzten Nacht ist ein Komet.“ Diese Notiz am 2. August 1786 im Tagebuch von Carolina Lucretia Herschel (1750–1848) dokumentiert den Markstein in ihrem Leben, von dem aus sie aus der Bedeutungslosigkeit der Menge der Frauen ihrer Zeit in die Welt der aufsteigenden Naturwissenschaften befördert wurde. Von ihrer Mutter zur Weißnäherin ohne Schulbildung bestimmt, vom Vater in der Musik befördert, war es vor allem der ältere Bruder Friedrich Wilhelm (1738–1822), der sie 1772 mit nach Bath im Süden Englands nahm und der heiteren jungen Frau einen erfolgreichen Lebensweg bereitete. „Caroline Herschel’s Memoiren und Briefwechsel“ enthält Tagebücher und Briefe der berühmten Astronomin, die 1876 in London und New York sowie 1877 in deutscher Übersetzung in Berlin erschienen. In ihrer lebhaften und präzisen Art beschreibt die Autorin ihre Jugend in der Geburtsstadt Hannover, den Weg nach England mit der Notwendigkeit, für den Haushalt der beiden als Musiker und Komponisten erfolgreichen Brüder Friedrich Wilhelm und Alexander zu sorgen, die sich für die Astronomie interessieren und in ihrer Freizeit Fernrohre bauen. Friedrich Wilhelm hilft sie bei seinen nächtlichen Himmelsbeobachtungen, um tagsüber die Beobachtungen zu bearbeiten und zu ordnen. 1781 entdeckt ihr Bruder den Planeten Uranus und steigt 1782 zum Königlichen Hofastronomen auf. Sie selbst erhält mit der Entdeckung des ersten Kometen, dem noch sieben folgen werden, eine feste königliche Apanage. Nach dem Tod Friedrich Wilhelms bearbeitet sie seine und ihre Arbeiten für die Nachwelt, wofür sie mit der Zugehörigkeit zu wissenschaftlichen Gesellschaften geehrt wird. Diese Bekanntheit führt zu Briefwechseln und Kontakten mit Persönlichkeiten der Zeit, u.a. mit C.F. Gauß, mit A. von Humboldt und mit dem Komponisten Paganini. “The object of last night is a comet”. This note made by Caroline Herschel (1750-1848) in her diary on 2 August 1786 documents the defining moment in her life when she began to rise above the insignificance of most contemporary women into the ascendant world of science. Raised by her mother to be a seamstress and without formal education, she was encouraged by her father to practise music. But it was her brother William (1738-1822), who took her with him to his home in the southern English city of Bath in 1772 who offered the cheerful young woman a successful career. ‘Memoir and Correspondence of Caroline Herschel’, published in London and New York in 1876 and in German translation in 1877, contains diary entries and letters written by the famous astronomer. The author gives a lively and exact account of her childhood in Hanover and her journey to England to keep house for her brothers William and Alexander, who worked as musicians but were interested in astronomy and built telescopes in their spare time. Caroline helped William in his regular observations of the sky at night, transcribing and organising his data during the day. In 1781 her brother discovered the planet Uranus and in 1782 was appointed Astronomer Royal. On the discovery of her first comet – there would be seven more – Caroline received a permanent royal grant. After William’s death she revised his and her own works and was honoured for this by being elected to various learned societies. As a result of her fame she met and corresponded with important figures of the time such as Carl Friedrich Gauss, Alexander von Humboldt and the violinist and composer Paganini.
OPTIMIZE YOUR BUSINESS DATA FOR FIRST-CLASS RESULTS Data Driven Business Transformation illustrates how to find the secrets to fast adaptation and disruptive origination hidden in your data and how to use them to capture market share. Digitalisation – or the Digital Revolution – was the first step in an evolving process of analysis and improvement in the operations and administration of commerce. The popular author team of Caroline Carruthers and Peter Jackson, two global leaders in data transformation and education, pick up the conversation here at the next evolutionary step where data from these digital systems generates value, and really use data science to produce tangible results. Optimise the performance of your company through data-driven processes by: Following step-by-step guidance for transitioning your company in the real world to run on a data-enabled business model Mastering a versatile set of data principles powerful enough to produce transformative results at any stage of a business’s development Winning over the hearts of your employees and influencing a cultural shift to a data-enabled business Reading first-hand stories from today’s thought leaders who are shaping data transformation at their companies Enable your company’s data to lift profits with Data Driven Business Transformation.
Scholars have long recognized that narrative suspense dominates the formal dynamics of 19th-century British fiction. This study argues that various 19th-century thinkers - John Ruskin, Michael Faraday, Charlotte Bronte - saw suspense as a vehicle for a new approach to knowledge called "realism".
A funny, fact-driven, and illustrated field guide to how to live a feminist life in today's world, from the hosts of the hit Unladylike podcast. Get ready to get unladylike with this field guide to the what's, why's, and how's of intersectional feminism and practical hell-raising. Through essential, inclusive, and illustrated explorations of what patriarchy looks like in the real world, authors and podcast hosts Cristen Conger and Caroline Ervin blend wild histories, astounding stats, social justice principles, and self-help advice to connect where the personal meets political in our bodies, brains, booty calls, bank accounts, and other confounding facets of modern woman-ing and nonbinary-ing. By laying out the uneven terrain of double-standards, head games, and handouts patriarchy has manspread across society for ages, Unladylike is here to unpack our gender baggage and map out the space that's ours to claim.
In Scots Folk Singers and their Sources, Caroline Macafee offers a detailed analysis of song transmission in two major Scottish folk song collections, the Greig-Duncan Collection, and the Scots folk song material of the School of Scottish Studies Archives.
DIVDIVA high school junior finds the perfect boyfriend . . . but is he too good to be true?/divDIV Chapman High juniors Fraser and Annie have been best friends forever. They’re each missing only one critical thing: the right boyfriend. Then Annie meets Price. And Fraser meets the guy of her dreams./divDIV Gorgeous, sensitive, and considerate, Michael is the perfect boyfriend. Before long, he and Fraser are spending every free minute together. But that’s the trouble—Fraser has no time for herself. She’s starting to give things up for him, like the Madrigal choir she loves. Worst of all, she’s drifting away from her friends. She feels smothered, as if she can’t make a move without Michael—as if she’s losing her life. And the same thing is happening to Annie . . ./divDIV I’m Not Your Other Half tells a story of friendship and romance, first dates and first love. It’s also a novel about the choices and compromises we make, asking the question, Can anyone ever really be perfect?/div/div
Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park
To mark John F. Kennedy's centennial, celebrate the life and legacy of the 35th President of the United States. In 1964, Jacqueline Kennedy recorded seven historic interviews about her life with John F. Kennedy. Now, for the first time, they can be read in this deluxe, illustrated eBook. Shortly after President John F. Kennedy's assassination, with a nation deep in mourning and the world looking on in stunned disbelief, Jacqueline Kennedy found the strength to set aside her own personal grief for the sake of posterity and begin the task of documenting and preserving her husband's legacy. In January of 1964, she and Robert F. Kennedy approved a planned oral-history project that would capture their first-hand accounts of the late President as well as the recollections of those closest to him throughout his extraordinary political career. For the rest of her life, the famously private Jacqueline Kennedy steadfastly refused to discuss her memories of those years, but beginning that March, she fulfilled her obligation to future generations of Americans by sitting down with historian Arthur Schlesinger, Jr., and recording an astonishingly detailed and unvarnished account of her experiences and impressions as the wife and confidante of John F. Kennedy. The tapes of those sessions were then sealed and later deposited in the John F. Kennedy Presidential Library and Museum upon its completion, in accordance with Mrs. Kennedy's wishes. The resulting eight and a half hours of material comprises a unique and compelling record of a tumultuous era, providing fresh insights on the many significant people and events that shaped JFK's presidency but also shedding new light on the man behind the momentous decisions. Here are JFK's unscripted opinions on a host of revealing subjects, including his thoughts and feelings about his brothers Robert and Ted, and his take on world leaders past and present, giving us perhaps the most informed, genuine, and immediate portrait of John Fitzgerald Kennedy we shall ever have. Mrs. Kennedy's urbane perspective, her candor, and her flashes of wit also give us our clearest glimpse into the active mind of a remarkable First Lady. In conjunction with the fiftieth anniversary of President Kennedy's Inauguration, Caroline Kennedy and the Kennedy family are now releasing these beautifully restored recordings on CDs with accompanying transcripts. Introduced and annotated by renowned presidential historian Michael Beschloss, these interviews will add an exciting new dimension to our understanding and appreciation of President Kennedy and his time and make the past come alive through the words and voice of an eloquent eyewitness to history.
Animal Subjects identifies a new understanding of animals in modernist literature and science. Drawing on Darwin's evolutionary theory, British writers and scientists of the late nineteenth and early twentieth centuries began to think of animals as subjects dwelling in their own animal worlds. Both science and literature aimed to capture the complexity of animal life, and their shared attention to animals pulled the two disciplines closer together. It led scientists to borrow the literary techniques of fiction and poetry, and writers to borrow the observational methods of zoology. Animal Subjects tracks the coevolution of literature and zoology in works by H. G. Wells, Aldous Huxley, D. H. Lawrence, Virginia Woolf, and modern scientists including Julian Huxley, Charles Elton, and J. B. S. Haldane. Examining the rise of ecology, ethology, and animal psychology, this book shows how new, subject-centered approaches to the study of animals transformed literature and science in the modernist period.
A Mole of Chemistry: An Historical and Conceptual Approach to Fundamental Ideas in Chemistry is intended for students in their undergraduate years who need to learn the basics of chemistry, including science and engineering as well as humanities. This is a companion textbook which provides a unique perspective on how the main scientific concepts describing nature were discovered and, eventually, how modern chemistry was born. The book makes use of context found in history, philosophy and the arts to better understand their developments, and with as few mathematical equations as possible. The focus is then set on scientific reasoning, making this book a great companion and addition to traditional chemistry textbooks. Features: A companion for a general chemistry textbook and provides an historical approach to fundamental chemistry Presents origins of fundamental ideas in chemical science and the focus is then set on scientific reasoning User friendly and with as few mathematical equations as possible About the Authors: Dr. Caroline Desgranges earned a DEA in Physics in 2005 at the University Paul Sabatier – Toulouse III (France) and a PhD in Chemical Engineering at the University of South Carolina (USA) in 2008. Dr. Jerome Delhommelle earned his PhD in Chemistry at the University of Paris XI-Orsay (France) in 2000. He is currently working as an Associate Professor in Chemistry at the University of North Dakota.
This annotated, international bibliography of twentieth-century criticism on the Prologue is an essential reference guide. It includes books, journal articles, and dissertations, and a descriptive list of twentieth-century editions; it is the most complete inventory of modern criticism on the Prologue.
Throughout American literature, the figure of the child is often represented in opposition to the adult. In Cradle of Liberty Caroline F. Levander proposes that this opposition is crucial to American political thought and the literary cultures that surround and help produce it. Levander argues that from the late eighteenth century through the early twentieth, American literary and political texts did more than include child subjects: they depended on them to represent, naturalize, and, at times, attempt to reconfigure the ground rules of U.S. national belonging. She demonstrates how, as the modern nation-state and the modern concept of the child (as someone fundamentally different from the adult) emerged in tandem from the late eighteenth century forward, the child and the nation-state became intertwined. The child came to represent nationalism, nation-building, and the intrinsic connection between nationalism and race that was instrumental in creating a culture of white supremacy in the United States. Reading texts by John Adams, Thomas Paine, Harriet Beecher Stowe, Augusta J. Evans, Mark Twain, Pauline Hopkins, William James, José Martí, W. E. B. Du Bois, and others, Levander traces the child as it figures in writing about several defining events for the United States. Among these are the Revolutionary War, the U.S.-Mexican War, the Civil War, and the U.S. expulsion of Spain from the Caribbean and Cuba. She charts how the child crystallized the concept of self—a self who could affiliate with the nation—in the early national period, and then follows the child through the rise of a school of American psychology and the period of imperialism. Demonstrating that textual representations of the child have been a potent force in shaping public opinion about race, slavery, exceptionalism, and imperialism, Cradle of Liberty shows how a powerful racial logic pervades structures of liberal democracy in the United States.
The Scientific Revolution is known as the time period when modern science was born. Without the people who made discoveries, theories, and inventions during this time, the world as we know it today would not exist. Readers are introduced to the figures, discoveries, and events that defined the Scientific Revolution through annotated quotes from historians and historical documents, primary sources, fact-filled sidebars, and a detailed timeline. As readers explore this essential social studies topic, they also learn the important connections that can be made between history and STEM, broadening their view of each topic.
Drawing on extensive interviews with artists and their assistants as well as close readings of artworks, Jones explains that much of the major work of the 1960s was compelling precisely because it was "mainstream" - central to the visual and economic culture of its time.
How has Britain understood the Holocaust? This interdisciplinary volume explores popular narratives of the Second World War and cultural representations of the Holocaust from the Nuremberg trials of 1945-6, to the establishment of a national memorial day by the start of the twenty-first century.
Even a decade after his death, Clement Greenberg remains controversial. One of the most influential art writers of the twentieth century, Greenberg propelled Abstract Expressionist painting-in particular the monumental work of Jackson Pollock-to a leading position in an international postwar art world. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Caroline Jones's magisterial study widens Greenberg's fundamental tenet of "opticality"-the idea that modernist art is apprehended through "eyesight alone"-to a broader arena, examining how the critic's emphasis on the specular resonated with a society increasingly invested in positivist approaches to the world. Greenberg's modernist discourse, Jones argues, developed in relation to the rationalized procedures that gained wide currency in the United States at midcentury, in fields ranging from the sense-data protocols theorized by scientific philosophy to the development of cultural forms, such as hi-fi, that targeted specific senses, one by one. Greenberg's attempt to isolate and celebrate the visual was one manifestation of a large-scale segmentation-or bureaucratization-of the body's senses. Working through these historical developments, Jones brings Greenberg's theories into contemporary philosophical debates about agency and subjectivity. Eyesight Alone offers artists, art historians, philosophers, and all those interested in the arts a critical history of this generative figure, bringing his work fully into dialogue with the ideas that shape contemporary critical discourse and shedding light not only on Clement Greenberg but also on the contested history of modernism itself.
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