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Research-Based Art Practices in Southeast Asia

The Artist as Producer of Knowledge

By: Caroline Ha Thuc

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Research-Based Art Practices in Southeast Asia

The Artist as Producer of Knowledge

By: Caroline Ha Thuc

This book is the first overall study of research-based art practices in Southeast Asia. Its objective is to examine the creative and mutual entanglement of academic and artistic research; in short, the Why, When, What and How of research-based art practices in the region. In Southeast Asia, artists are increasingly engaged in research-based art practices involving academic research processes. They work as historians, archivists, archaeologists or sociologists in order to produce knowledge and/or to challenge the current established systems of knowledge production. As artists, they can freely draw on academic research methodologies and, at the same time, question or divert them for their own artistic purpose. The outcome of their research findings is exhibited as an artwork and is not published or presented in an academic format. This book seeks to demonstrate the emancipatory dimension of these practices, which contribute to opening up our conceptions of knowledge and of art, bestowing a new and promising role to the artists within the society.

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Page Count

285

Publisher

Springer Nature

Published Date

ISBN 10

3031095812

ISBN 13

9783031095818

Research-Based Art Practices in Southeast Asia

The Artist as Producer of Knowledge

By: Caroline Ha Thuc

Write a review Read reviews Take a Quiz Solve Book Puzzle

Research-Based Art Practices in Southeast Asia

The Artist as Producer of Knowledge

By: Caroline Ha Thuc

This book is the first overall study of research-based art practices in Southeast Asia. Its objective is to examine the creative and mutual entanglement of academic and artistic research; in short, the Why, When, What and How of research-based art practices in the region. In Southeast Asia, artists are increasingly engaged in research-based art practices involving academic research processes. They work as historians, archivists, archaeologists or sociologists in order to produce knowledge and/or to challenge the current established systems of knowledge production. As artists, they can freely draw on academic research methodologies and, at the same time, question or divert them for their own artistic purpose. The outcome of their research findings is exhibited as an artwork and is not published or presented in an academic format. This book seeks to demonstrate the emancipatory dimension of these practices, which contribute to opening up our conceptions of knowledge and of art, bestowing a new and promising role to the artists within the society.

Average ratings

N/A

5

0%

4

0%

3

0%

2

0%

1

0%

Solve jigsaw puzzle

Age

Page Count

285

Publisher

Springer Nature

Published Date

ISBN 10

3031095812

ISBN 13

9783031095818