Hoping to strike it rich, two brothers escape an abusive father and set out on a treacherous journey to Alaska during the Klondike Gold Rush. Desperate to get away from their drunkard of a father, eleven-year-old Jasper and his older brother Melvin often talk of running away, of heading north to Alaska to chase riches beyond their wildest dreams. The Klondike Gold Rush is calling, and Melvin has finally decided the time to go is now—even if that means leaving Jasper behind. But Jasper has other plans, and follows his brother aboard a steamer as a stowaway. Onboard the ship, Jasper overhears a rumor about One-Eyed Riley, an old coot who's long since gone, but is said to have left clues to the location of his stake, which still has plenty of gold left. The first person to unravel the clues and find the mine can stake the claim and become filthy rich. Jasper is quick to catch gold fever and knows he and Melvin can find the mine—all they have to do is survive the rough Alaskan terrain, along with the steep competition from the unscrupulous and dangerous people they encounter along the way. In an endearing, funny, pitch-perfect middle grade voice, Caroline Starr Rose tells another stellar historical adventure young readers will long remember.
“The secret of life may be found in the questions you ask, and the same goes for the secrets of playwriting. In Do It Yourself Dramaturgy, Caroline Russell-King asks just the right questions or, rather, she exhorts playwrights to ask them before launching their work into the world. Comprehensive and concise, this eminently usable guide offers lesson after lesson in dramaturgical inquiry—craft-based, artistic, practical, professional, and even profound. It comes packing answers, too, from a writer who clearly knows her stuff, including how to entertain as she teaches. Russell-King’s cheeky, smart examples are worth the price of admission. Her parentheticals—where she stows personal stories and biases—are priceless. “ —Todd London, Artistic Director, Writer, Dramatist Guild of America, NYC. “What a terrific resource for playwrights: sound advice and provocative questions peppered with relevant (and entertaining) anecdotes.” —Conni Massing, Playwright, screenwriter, story consultant, Edmonton. “Full of really valuable advice and questions to ask yourself. Read it then WRITE.” —George F. Walker, Playwright, Toronto. “Caroline Russell-King's Do It Yourself Dramaturgy guides you like a lighthouse beacon through the frequent fog of the creative process of writing, or more likely, rewriting a stage play. Phrased as a series of practical questions the playwright might ask of their work before revising and submitting it to a potential producer, this concise, practical and lively guide renders complex concepts accessible and useful to a playwright at any level of experience, or for that matter anyone engaged in the creation of that fundamental conveyor of human experience: story.“ —Gerry Potter, Writer, Director, Dramaturg, Edmonton. “Russell-King knows what she’s talking about. And she knows how to tell it with frankness, humour and clarity.” —Bill Lane, Producer, Director, Stratford.
Focusing on films outside the horror genre, this book offers a unique account of the Frankenstein myth's popularity and endurance. Although the Frankenstein narrative has been a staple in horror films, it has also crossed over into other genres, particularly comedy and science fiction, resulting in such films as Abbott and Costello Meet Frankenstein, Young Frankenstein, The Rocky Horror Picture Show, Bladerunner, and the Alien and Terminator film series. In addition to addressing horror's relationship to comedy and science fiction, the book also explores the versatility and power of the Frankenstein narrative as a contemporary myth through which our deepest attitudes concerning gender (masculine versus feminine), race (Same versus Other), and technology (natural versus artificial) are both revealed and concealed. The book not only examines the films themselves, but also explores early drafts of film scripts, scenes that were cut from the final releases, publicity materials, and reviews, in order to consider more fully how and why the Frankenstein myth continues to resonate in the popular imagination.
In 1938, Vienna lost its best and most creative minds. This rupture was manifested in all of the arts and sciences and its mark is felt to this day – not least in the field of furniture design. With inexhaustible creativity the Jewish furniture designers who were forced to flee Vienna continued to work while in exile. They taught at the best universities and spread their ideas and vision throughout the entire world. Their creations became classics of twentieth-century furniture design, the epitome of mid-century modern style. This book honors the memory of the exiled designers with a thorough overview of their work. It details their life stories and their visionary designs, which remain as relevant and contemporary as ever, and brings to light new aspects of the history of Viennese furniture design.
Rome in the 1950s: following the darkness of fascism and Nazi occupation during the Second World War, the city is reinvigorated. The street cafés and nightclubs are filled with movie stars and film directors as Hollywood productions flock to the city to film at Cinecittà Studios. Fiats and Vespas throng the streets, and the newly christened paparazzi mingle with tourists enjoying la dolce vita. It is a time of beauty, glamour – and more than a little scandal. Caroline Young explores the city in its golden age, as the emergence of celebrity journalism gave rise to a new kind of megastar. They are the ultimate film icons: Ava Gardner, Anna Magnani, Sophia Loren, Audrey Hepburn, Ingrid Bergman and Elizabeth Taylor. Set against the backdrop of the stunning Italian capital, the story follows their lives and loves on and off the camera, and the great, now legendary, films that marked their journeys. From the dark days of the Second World War through to the hedonistic hippies in the late 1960s, this evocative narrative captures the essence of Rome – its beauty, its tragedy and its creativity – through the lives of those who helped to recreate it.
Sons of Ulster' explores the representation of masculinity within a number of Northern Irish novels written since the mid 1990s, focusing on works by Eoin McNamee, Glenn Patterson & Robert McLiam Wilson. The book sets out to disrupt notions of a hegemonic Irish masculinity based on violent conflict & sectarian rhetoric.
This book is a close taxonomic study of the pivotal role of games in early modern drama. The presence of the game motif has often been noticed, but this study, the most comprehensive of its kind, shows how games operate in more complex ways than simple metaphor and can be syntheses of emblem and dramatic device. Drawing on seventeenth-century treatises, including Francis Willughby’s Book of Games, which only became available in print in 2003, and divided into chapters on Dice, Cards, Tables (Backgammon), and Chess, the book brings back into focus the symbolism and divinatory origins of games. The work of more than ten dramatists is analysed, from the Shakespeare and Middleton canon to rarer plays such as The Spanish Curate, The Two Angry Women of Abington and The Cittie Gallant. Games and theatre share common ground in terms of performance, deceit, plotting, risk and chance, and the early modern playhouse provided apt conditions for vicarious play. From the romantic chase to the financial gamble, and in legal contest and war, the twenty-first century is still engaging the game. With its extensive appendices, the book will appeal to readers interested in period games and those teaching or studying early modern drama, including theatre producers, and awareness of the vocabulary of period games will allow further references to be understood in non-dramatic texts.
Risk management is one of the most critical areas in investment and finance-especially in today's volatile trading environment. With Risk Management: Framework, Methods, and Practice you'll learn about risk management across industries through firsthand, real life war stories rather than mathematical formulas. Concise and readable, it covers both the theoretical underpinnings of risk management, as well as practical techniques for coping with financial market volatility. Focardi and Jonas give you a broad conceptual view of risk management: how far we have progressed, and the problems that remain. Using vivid analogies, this book takes you through key risk measurement issues such as fat tails and extreme events, the pros and cons of VAR, and the different ways of modeling credit risk. This book is a rarity in that it does not presuppose any knowledge of sophisticated mathematical techniques, but rather interprets these in their intuitive sense.
Not just one but two mysteries to solve! Vlad, Mackie, Tish, and Maggie hardly know where to begin! Baby crows have been taken from their nests at night without a trace! Then they hear the strange, age-old story of the long-lost grave of Spooky Wood, found on a foggy night years ago and never seen again! A new gang is quickly formed. The four crows, with helpful advice from their gran and the invaluable assistance of an unexpected and unlikely new friend, embark upon a mission to solve the two mysteries at once. Where have the young crows gone, and who has taken them? Just where is the lost grave? Will they discover it and whomor indeed, whatis buried there? Will they survive the coming storm? Can they elude the prowling figure in the wood? Who else will they meet along the way, and do they have the cunning, bravery, and nerve needed to complete their mission? Their adventures had only just begun!
A NEW YORK TIMES BESTSELLER “Magically written, heartbreakingly honest.” —Jodi Picoult Leavitt’s new novel, Days of Wonder, is coming April 23, 2024. Pre-order now! Two women running away from their marriages collide on a foggy highway, killing one of them. The survivor, Isabelle, is left to pick up the pieces, not only of her own life, but of the lives of the devastated husband and fragile son that the other woman, April, has left behind. Together, they try to solve the mystery of where April was running to, and why. As these three lives intersect, the book asks, How well do we really know those we love—and how do we forgive the unforgivable?
I took on this case when a beautiful, headstrong photographer accidentally blew the cover of a federally protected witness. In stepped rogue cop Lucas West, and the two were in for a high-noon duel with some scary killers. But whose paw really steered the getaway car? It amazed me to see the bipeds fighting their instincts to care for each other. Why couldn't they see what really matters in life? It's not like they have nine of them!
Captain Laurence Greene was gassed at Ypres. He takes ten years to die. With her fiancé, Joseph, lost in France, Effie Shaw spends a decade as Laurence's cook. They share a roof, a sweet tooth and a taste for pastoral romances. Propriety, however, prescribes that their sharing end there. It is a surprise to Effie, then, when Laurence bequeaths her a railway ticket, the deeds to a tea shop and a declaration of his unspoken love.??The terms of Laurence's will require that Effie must travel to Ypres and visit her fiancé's grave. As Laurence had always told it, Joseph met his end with a show of heroics. But, in carrying out Laurence's last requests, and following his wartime diary, Effie is to discover something shocking. Joseph wasn't quite as heroic as she was told nor is his grave where it's supposed to be.??The stories of three soldiers connect through Laurence's diary. As Effie travels on, from Passchendaele to Paris, these men become linked together once again. A decade on from the Armistice, is the war really over at all? Effie is about to realise just how many echoes - and untidy ends - 1918 has left behind.??As seen in the Blackpool Gazette.
The town of Black Eagle, Oregon sits on the banks of the Columbia River at the foot of snow covered Mt. Hood. It is home to church going citizens, windsurfers and orchard workers. But when real estate prices start to boom, an influx of newcomers arrive and the cultural divide between Whites, Natives, and Hispanic workers create tensions that brew just below the surface in this pretty Pacific Northwest town. Based on real events in the early 1990s, this fast paced novel reveals how the lives of four very different Black Eagle characters intertwine when a fishing platform is deliberately destroyed at an ancient Native site. Richard Sherwood is the real estate developer from Back East who has arrived in Black Eagle to make his fortune, who will stop at nothing to reach his goal of becoming a millionaire before he's forty. Jim Hawks is the Native who lives a quiet life on the river with his grandfather, but ever since college harbors deep political unrest that he doesn't know what to do with. Tawny is the church going wife who thought her life would remain perfect when she "married up" to Charles Spotts, but taking care of her new house and two teen-age sons can't contain her restlessness. And Anna Kingston, the single woman who changed her life from Boston businesswoman to Black Eagle high school teacher, struggles with more than she bargained for in her new life. The protest against the Richard Sherwood's real estate development turns into a full-time encampment -including tipis and a sacred flame - and each character his forced to deal with the unfolding events in their own way.
In 1956, Ava Lark rents a house with her twelve-year-old son, Lewis, in a desirable Boston suburb. Ava is beautiful, divorced, Jewish, and a working mom. She finds her neighbors less than welcoming. Lewis yearns for his absent father, befriending the only other fatherless kids: Jimmy and Rose. One afternoon, Jimmy goes missing. The neighborhood—in the throes of Cold War paranoia—seizes the opportunity to further ostracize Ava and her son. Years later, when Lewis and Rose reunite to untangle the final pieces of the tragic puzzle, they must decide: Should you tell the truth even if it hurts those you love, or should some secrets remain buried?
Debra Gillis was always a worrier. But now, in her family’s new home by the seashore, Debra has good reason to be afraid. A rash of break-ins strikes the area. A child is found dead on the beach with his neck broken. Then there are the people next door, Frank and Enid Maul, who own the house the Gillises have rented. Not long ago the Mauls suffered a terrible tragedy that took place in the basement of that same house—a tragedy that, for Enid, never ends. A desperate suicide attempt by her only son has left him brain-damaged and mute. Debra, mother of baby Drew and stepmother to teenage Gigi, tries to befriend her neighbor. But Enid is filled with hate, embittered over the fate of her strange, silent boy, and begrudges Debra her own healthy children. There’s danger in the air. Is it from Enid? From her crippled son? And what secrets is the headstrong Gigi keeping? Debra knows the girl is in trouble, but her husband, Kurt, won’t listen. Debra has always been a worrier. Then Gigi and Drew disappear…
Drawing on extensive interviews with artists and their assistants as well as close readings of artworks, Jones explains that much of the major work of the 1960s was compelling precisely because it was "mainstream" - central to the visual and economic culture of its time.
More women are studying science at university and they consistently outperform men. Yet, still, significantly fewer women than men hold prestigious jobs in science. Why should this occur? What prevents women from achieving as highly as men in science? And why are so few women positioned as ‘creative genius’ research scientists? Drawing upon the views of 47 (female and male) scientists, Bevan and Gatrell explore why women are less likely than men to become eminent in their profession. They observe three mechanisms which perpetuate women’s lowered ‘place’ in science: subtle masculinities (whereby certain forms of masculinity are valued over womanhood); (m)otherhood (in which women’s potential for maternity positions them as ‘other’), and the image of creative genius which is associated with male bodies, excluding women from research roles.
The discovery of the first lode of gold in the gulches around Central City is what really brought the colorful state of Colorado into being. Bancroft captures the broad sweep of the city's history through the details of the personalities that created its swirling events. Here are the pioneers who lived, worked, loved, grew rich, and sometimes died in the Gulch of Gold.
A sinister, sophisticated debut thriller by “a remarkable new voice to watch” (J.T. Ellison, New York Times bestselling author), Man of the Year has been lauded by Shelf Awareness as “an impressive slow burn that builds suspense and cracks the whip at the end…redolent with menace and ego.” Dr. Robert Hart, Sag Harbor’s just-named Man of the Year, is the envy of his friends and neighbors. His medical practice is thriving. He has a beautiful old house and a beautiful new wife and a beautiful boat docked in the village marina. Even his wayward son, Jonah, is back on track, doing well at school and finally worthy of his father’s attentions. So when Jonah’s troubled college roommate needs a place to stay for the summer, Hart and his wife generously offer him their guesthouse. A win-win: Jonah will have someone to hang with, and his father can bask in the warm glow of his own generosity. But when Robert suspects his new houseguest of getting a little too close to his wife, the good doctor’s veneer begins to crack, and all the little lies he tells start to mount. Before long, Robert is embroiled in a desperate downward spiral, threatening to destroy anyone who stands in his way. It’s only the women in his life—his devoted office manager, his friends and neighbors, his wife—who can reveal the truth…if he’s willing to look. Biting and timely, Man of the Year races along at an electric pace, building to a wicked twist you won’t see coming.
A heart-breaking story of two warring parents in a child custody case - and the innocent little girl caught in the middle. Garry Hartshorn and Softie Monaghan were never love's young dream. Not even on their wedding day. Softie was sophisticated, a career woman, who owned a nice apartment overlooking St Kilda Beach. Garry had a few rough edges, plus one failed marriage and an assortment of jobs under his belt. But Softie's body clock was ticking, and Garry wanted children ... So they got married, and produced the only thing they ever had in common. Matilda. Now, two years later, their golden-haired child is at the centre of a bitter divorce and custody battle. Both parents insist that her well-being is the only thing they care about. Yet, in truth, Matilda was always the one most likely to become lost.
A sparkling and witty crime debut with a female protagonist to challenge Miss Marple' LIN ANDERSON, Award winning Scottish crime author A Death in the Asylum - the third edition of the gripping and twisty Euphemia Martins Mysteries! _______________ A meddling mystic... ...with the power to unravel it all. Euphemia's working unhappily as a housekeeper for Bertram Stapleford at his ill advised new property, when the dramatic collapse of the kitchen floor sends her back to where it all began, Stapleford House. A visiting mystic disrupts the Staplefords unleashing old family rumours. Euphemia finds herself playing second fiddle to Bertram's new love, Beatrice Wilton, as she launches a project to investigate the new aslyums. It is not long before Euphemia realizes that not only does Beatrice have her unscrupulous sights set on Bertram, but that her enterprises may be about to put them all in very great danger. _______________ Readers LOVE Caroline Dunford's compelling crime novels! 'This is one of the best written mystery series that I have read' ***** Reader review 'They're so well written that they're hard to put down! I can't wait for the next one!' ***** Reader review '...these are wonderful mysteries, with great characters and good plots' ***** Reader review 'I purchased all four of the Euphemia Martins Mysteries and I have read them and enjoyed them...' ***** Reader review
At college in New York City, Janie Johnson, aka Jennie Spring, seems to have successfully left behind her past as "The face on the milk carton," but soon she, her family and friends are pursued by a true-crime writer who wants their help in telling her kidnapper's tale.
The finely crafted poems of Cornelia Hornosty's Ordinary Days celebrate the cotidian with the deceptive informality of Auden's Musee des Beaux Arts. Anything but ordinary, Hornosty's latest volume documents a personal journey of growth, love and loss with the wry detachment of a silent witness carefully noting atmosphere, nuance and gesture. Events, people and scenes described from the outside reveal their essence through language that is casual and precise against the relentless rhythm of successive moments. Conversational yet strangely classical, the poems of Ordinary Days lull the reader into tranquil awareness only disturbed by an unexpected intensity, reverberating with a lasting echo.
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