The dearest friend of Lupe Solana's beloved "Papi," Ramón Suarez was the owner of a prosperous sugar mill back in Cuba until Castro forced him into exile. Now an unnamed Spanish source wants to purchase the confiscated property at a fraction of its true value. Suarez wants the sexy, smart, hot-tempered South Florida P.I. to find out why, but Ramon's lazy, no-good nephew Alexander just wants to take the money and run. Then Alexander is found brutally slain in a sleazy Miami hotel -- his last known visitor, Tío Ramón, accused of murder. Lupe's routine journey down a paper trail now turns into something darker and more twisted, entangling her in a mysterious web of spun sugar and blood that will bring bullets smashing through her window and death to her door.
Margarita and her thirty-something Cuban-American friends Vivian and Anabel are still trying to figure it all out, wondering if the right pair of Manolo Blahniks equal happiness. This hot Miami Beach-based read is the story of three women trying to get it right--and having some fun along the way.
Bloody Twist is the seventh novel in the Bloody Series (three murders per book or your money is refunded) featuring Lupe Solano, the Cuban-American private investigator who lives and works in Miami.Two years after having been shot, (Bitter Sugar), Lupe is back on the job, helping Tommy MacDonald, Miami's premiere criminal defense attorney and sometime lover.
The dearest friend of Lupe Solana's beloved "Papi," Ramón Suarez was the owner of a prosperous sugar mill back in Cuba until Castro forced him into exile. Now an unnamed Spanish source wants to purchase the confiscated property at a fraction of its true value. Suarez wants the sexy, smart, hot-tempered South Florida P.I. to find out why, but Ramon's lazy, no-good nephew Alexander just wants to take the money and run. Then Alexander is found brutally slain in a sleazy Miami hotel -- his last known visitor, Tío Ramón, accused of murder. Lupe's routine journey down a paper trail now turns into something darker and more twisted, entangling her in a mysterious web of spun sugar and blood that will bring bullets smashing through her window and death to her door.
Margarita and her thirty-something Cuban-American friends Vivian and Anabel are still trying to figure it all out, wondering if the right pair of Manolo Blahniks equal happiness. This hot Miami Beach-based read is the story of three women trying to get it right--and having some fun along the way.
Sister Lupe Solano investigates a religious order in Miami, which claims its statue of the Virgin will weep real tears on Cuban independence day. The reason? The Virgin will be grieving the separation of families. No sooner does Sister Lupe start her inquiry, than bodies pile up.
Black in Print examines the role of narrative, from traditional writing to new media, in conversations about race and belonging in the isthmus. It argues that the production, circulation, and consumption of stories has led to a trans-isthmian imaginary that splits the region along racial and geographic lines into a white-mestizo Pacific coast, an Indigenous core, and a Black Caribbean. Across five chapters, Jennifer Carolina Gómez Menjívar identifies a series of key moments in the history of the development of this imaginary: Independence, Intervention, Cold-War, Post-Revolutionary, and Digital Age. Gómez Menjívar's analysis ranges from literary beacons such as Rubén Darío and Miguel Ángel Asturias to less studied intellectuals such as Wingston González and Carl Rigby. The result is a fresh approach to race, the region, and its literature. Black in Print understands Central American Blackness as a set of shifting coordinates plotted on the axes of language, geography, and time as it moves through print media.
This anthology explores the role of children and teenagers in Latin American and Spanish Film as protagonists, victims and witnesses of societies polarized by and still grappling with the consequences of political divisions.
“An important new book...offers a powerful call for historians of the ancient Mediterranean to consider their implicit biases in writing ancient history and it provides an example of how more inclusive histories may be written.” —Denise Demetriou, New England Classical Journal “With a light touch and a masterful command of the literature, López-Ruiz replaces old ideas with a subtle and more accurate account of the extensive cross-cultural exchange patterns and economy driven by the Phoenician trade networks that ‘re-wired’ the Mediterranean world. A must read.” —J. G. Manning, author of The Open Sea “[A] substantial and important contribution...to the ancient history of the Mediterranean. López-Ruiz’s work does justice to the Phoenicians’ role in shaping Mediterranean culture by providing rational and factual argumentation and by setting the record straight.” —Hélène Sader, Bryn Mawr Classical Review Imagine you are a traveler sailing to the major cities around the Mediterranean in 750 BC. You would notice a remarkable similarity in the dress, alphabet, consumer goods, and gods from Gibraltar to Tyre. This was not the Greek world—it was the Phoenician. Propelled by technological advancements of a kind unseen since the Neolithic revolution, Phoenicians knit together diverse Mediterranean societies, fostering a literate and sophisticated urban elite sharing common cultural, economic, and aesthetic modes. Following the trail of the Phoenicians from the Levant to the Atlantic coast of Iberia, Carolina López-Ruiz offers the first comprehensive study of the cultural exchange that transformed the Mediterranean in the eighth and seventh centuries BC. Greeks, Etruscans, Sardinians, Iberians, and others adopted a Levantine-inflected way of life, as they aspired to emulate Near Eastern civilizations. López-Ruiz explores these many inheritances, from sphinxes and hieratic statues to ivories, metalwork, volute capitals, inscriptions, and Ashtart iconography. Meticulously documented and boldly argued, Phoenicians and the Making of the Mediterranean revises the Hellenocentric model of the ancient world and restores from obscurity the true role of Near Eastern societies in the history of early civilizations.
Miami P.I. Lupe Solano overhears a conversation and finds herself drawn into a hunt for a legendary masterpiece, the eighth Unicorn Tapestry, a piece of art that someone is willing to kill for.
Mandated by her mother to reclaim the family glory by restoring a Havana casino that they lost when Castro took power, Esmerelda sets out to find her journalist sister, a mission that brings her to the seedy bars and back alleys of Las Vegas.
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