The vivid scenes on the Bayeux Tapestry depict the events leading up to the Battle of Hastings in 1066. It is one of Europe's greatest treasures and its own story is full of drama and surprise. Who commissioned the tapestry? Was it Bishop Odo, William's ruthless half-brother? Or Harold's dynamic sister Edith, juggling for a place in the new court? Hicks shows us this world and the miracle of the tapestry's making: the stitches, dyes and strange details in the margins. For centuries it lay ignored in Bayeux cathedral until its 'discovery' in the eighteenth century. It became a symbol of power as well as art: townsfolk saved it during the French Revolution; Napoleon displayed it to promote his own conquest; the Nazis strove to make it their own; and its influence endures today. This marvellous book, packed with thrilling stories, shows how we remake history in every age and how a great work of art has a life of its own.
Pág. web del editor: "The Arnolfini portrait, painted by Jan van Eyck in 1434, is one of the world's most famous paintings. It intrigues all who see it. Scholars and the public alike have puzzled over the meaning of this haunting gem of medieval art, a subtle and beautiful double portrait of a wealthy Bruges merchant and his wife. The enigmatic couple seem to be conveying a message to us across the centuries, but what? Is the painting the celebration of marriage or pregnancy, a memorial to a wife who died in childbirth, a fashion statement or a status symbol? Using her acclaimed forensic skills as an art historian, Carola Hicks set out to decode the mystery, uncovering a few surprises along the way. She also tells the fascinating story of the painting's survival through fires, battles, hazardous sea journeys, and its role as a mirror reflecting the culture and history of the time - from jewel of the Hapsburg empire to Napoleonic war trophy. Uniquely, for a masterpiece this old, it can be tracked through every single owner, from the mysterious Mr Arnolfini via various monarchs to a hard-up Waterloo war hero, until it finally came to rest in 1842 as an early star of the National Gallery. These owners, too, have cameo parts in this enthralling story of how an artwork of genius can speak afresh to each new generation.
With these words to Boswell, Samuel Johnson dismissed Lady Di Beauclerk, the wife of one of his closest friends, a woman of the highest rank, the daughter of a duke, who had forsaken her reputation, her place in society, her children, and her role as lady-in-waiting to the Queen for love. Born Lady Diana Spencer in 1735, the eldest child of the third Duke of Marlborough, she was expected rigidly to follow a traditional path through life: educated in the fashion considered suitable for a girl, and married to a man of the appropriate rank for a duke's daughter. But finding herself in a desperately unhappy marriage to Viscount Bolingbroke, Lady Di overturned convention. She left her husband, maintained a secret relationship with her lover, Topham Beauclerk, hid the birth of an illegitimate child, and eventually helped to support herself by painting. Lady Di Beauclerk was a highly gifted artist who was able to use her scandalous reputation as an adulteress, aristocratic woman to further her career as a painter and designer. She painted portraits, illustrated plays and books, provided designs for Wedgwood's innovative pottery, and decorated rooms with murals. Championed by her close friend Horace Walpole, whose letters illuminate all aspects of her life, she was able to establish herself as an admired artist at a time when women struggled to forge careers. Carola Hicks provides an enthralling account of eighteenth-century society, in which Lady Di encountered many of the most eminent artistic, literary, and political figures of the day. Improper Pursuits is an absorbing study of a singular life.
The vivid scenes on the thin, 70-metre long linen strip of the Bayeux Tapestry depict the events leading up to the Battle of Hastings in 1066 when William the Conqueror seized the English throne. One of Europe s greatest treasures, it tells a magnificent tale - but as Carola Hicks shows, its own story has been just as dramatic and surprising. From the start there are mysteries and controversies. Who commissionedthe tapestry? Was it Bishop Odo, William s ruthless half-brother? Or anotherambitious lord? Or was it Harold s dynamic sister Edith, widow of Edward the Confessor, juggling for a place in the new court?Hicks makes an entirely new, strong case for Edith, showing us her world and the miracle of the tapestry s making: talented women in convents plying their needles, the stitches and dyes, the strange details in the margins.The tapestry moved from a noble court to Bayeux cathedral where it lay dusty and ignored until its discovery in the eighteenth century, rousing fierce disputes between British and French antiquarians. In the French Revolution, the townsfolk narrowly saved it from destruction, while Napoleon displayed it in Paristo boost his own planned conquest. Nineteenth century women claimed it as female history, to the horror of male historians. In the twentieth century it was swept up in the breathtaking struggle with the Nazis and since then its immediately recognisable images have inspired films, novels, political cartoons and adverts - even today, itacts as shorthand for our long rivalry with France. This marvellous book, packed with thrilling stories, shows how we remake history in every age and how a great work of art has a life of its own, enduring every storm.
Lady Diana Spencer was born in 1735, the eldest child of the third Duke of Marlborough. She became a highly gifted artist. Carola Hicks provides a stirring account of her life and the world she inhabited. She sheds light on the whole artistic life of the eighteenth century and the dramatic consequences of the transgressing of boundaries.
Sarah Meade, a parson’s sister, had known Viscount Cheverell all her life and thought him a paragon. But the viscount was susceptible to maidenly charms—as witnessed by the descent upon Sarah of his mistresses! And then there were the three debutantes brought in to lure him into marriage. Whimsical, practical Sarah was just the one to rescue this rake... Regency Romance by Carola Dunn; originally published by Harlequin
David Zeisberger (1721&–1808) was the head of a group of Moravian missionaries that settled in the Upper Ohio Valley in 1772 to minister to the Delaware Nation. For the next ten years, Zeisberger lived among the Delaware, becoming a trusted adviser and involving himself not only in religious activities but also in political and social affairs. During this time he kept diaries in which he recorded the full range of his activities. Published in English for the first time, The Moravian Mission Diaries of David Zeisberger offers an unparalleled insider&’s view of Indian society during times of both war and peace. Zeisberger&’s diaries, today housed at the Moravian Archives in Bethlehem, Pennsylvania, present a detailed picture of the effect of the American Revolution on one Indian nation&—not only on political issues but also in terms of its economy, culture, and demographic structure. A later portion of the diaries, covering the post&–Revolutionary War years, was translated and published in the nineteenth century, but the 1772&–81 diaries have never been published in English translation. This translation is based on the full scholarly edition of the diaries, which Wellenreuther and Wessel published in Germany in 1995. Publication of this volume will forever change the way we see the impact of the American Revolution on Indian life and on the Ohio country.
In late 1923, the newly married Daisy Dalrymple and her husband Detective Chief Inspector Alec Fletcher of Scotland Yard, come to America for a honeymoon visit. In the midst of a pleasure trip, however, both work in a bit of business - Alec travels to Washington, D. C. to consult with the U.S. government, Daisy to New York to meet with her American magazine editor. While in New York, Daisy stays at the famed Chelsea Hotel, which is not only close to the Flatiron Building offices of Abroad magazine, where she'll be meeting with her editor, but home to many of New York's artists and writers. After her late morning meeting, Daisy agrees to accompany her editor, Mr. Thorwald, to lunch but as they are leaving the offices, they hear a gun shot and see a man plummeting down an elevator shaft. The man killed was one of her fellow residents at the Chelsea Hotel, Otis Carmody, who was a journalist with no end of enemies - personal and professional - who would delight in his death. Again in the midst of a murder investigation, Daisy's search for the killer takes her to all levels of society, and even a mad dash across the country itself, as she attempts to solve a puzzle that would baffle even Philo Vance himself.
Frege explores the evolution of employment research, showing how the field of study we know today grew out of industrial and democratic transformations in the 19th century. She traces the influence of distinct state traditions, and draws out the implications for contemporary and future research.
Leadership development aims to disrupt leaders’ behavioural and thought patterns. However, for many decades leadership development has not changed significantly: nobody seems to be disrupting the disrupters. It needs to evolve if leaders are to deal successfully with the disruptive challenges they face today – such as climate change, global health emergencies, digitization, an ageing workforce and the different expectations of millennials and Generation Z. This book reflects critically on the future of leadership development and what is missing in traditional approaches. It is based on interviews with leadership development suppliers, HR professionals and leaders, as well as the authors’ industry experience. This book provides practical recommendations for how leadership development needs to change to support leaders as they navigate a volatile and uncertain world.
This book examines development aid for climate change adaptation. Increasing amounts of aid are used to help developing countries adapt to climate change. The authors seek to discover how this aid is distributed and what constitutes the patterns of adaptation-aid giving. Does it help vulnerable countries, as donors promise, or does it help donors achieve economic and political gains? Set against the backdrop of international climate change negotiations and the aid allocation literature, Betzold and Weiler’s empirical analysis proceeds in three steps: firstly they assess adaptation aid as reported by the OECD, then statistically examine patterns in adaptation aid allocation, and finally qualitatively investigate adaptation aid in three large climate donors: Germany, Sweden and the United Kingdom. With its mixed-method research design and comprehensive data, this work provides a unique, state-of-the-art analysis of adaptation aid as a new stream of development aid.
In the Spring of 1926, the corpses of three men are found in shallow graves off the beaten path in Epping Forest outside of London—each shot through the heart and bearing no identification. DCI Alec Fletcher of Scotland Yard, the lead detective, is immediately given two urgent orders by his supervisor at the Yard: solve the murders quickly and keep his wife, the Honourable Daisy Dalrymple Fletcher, away from the case! Thankfully, Daisy's off visiting their daughter at school. But when a teacher is found dead, Daisy is once again in the thick of it. As Daisy tries to solve one murder, Alec discovers that the three victims in his case were in the same Army company during World War I, that their murders are likely related to specific events that unfolded during that tragic conflict, and that, unless the killer is revealed and stopped, those three might only be the beginning.
With these words to Boswell, Samuel Johnson dismissed Lady Di Beauclerk, the wife of one of his closest friends, a woman of the highest rank, the daughter of a duke, who had forsaken her reputation, her place in society, her children, and her role as lady-in-waiting to the Queen for love. Born Lady Diana Spencer in 1735, the eldest child of the third Duke of Marlborough, she was expected rigidly to follow a traditional path through life: educated in the fashion considered suitable for a girl, and married to a man of the appropriate rank for a duke's daughter. But finding herself in a desperately unhappy marriage to Viscount Bolingbroke, Lady Di overturned convention. She left her husband, maintained a secret relationship with her lover, Topham Beauclerk, hid the birth of an illegitimate child, and eventually helped to support herself by painting. Lady Di Beauclerk was a highly gifted artist who was able to use her scandalous reputation as an adulteress, aristocratic woman to further her career as a painter and designer. She painted portraits, illustrated plays and books, provided designs for Wedgwood's innovative pottery, and decorated rooms with murals. Championed by her close friend Horace Walpole, whose letters illuminate all aspects of her life, she was able to establish herself as an admired artist at a time when women struggled to forge careers. Carola Hicks provides an enthralling account of eighteenth-century society, in which Lady Di encountered many of the most eminent artistic, literary, and political figures of the day. Improper Pursuits is an absorbing study of a singular life.
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