In 2004, thirty-five years after she died while a patient in a mental hospital in Las Vegas, New Mexico, Nana came to her granddaughter, Carol Wawrychuk, in a vision. "Take me home, Carol. Take me home." Little did Wawrychuk know those few words would take her on an odyssey that lasted two years and literally uncovered thousands of lost souls in a forgotten and eroding cemetery. Expecting to find a manicured cemetery with flowers and century old headstones, she instead found cement slabs with dates and names crudely etched by hand, mangled metal markers stamped with patient numbers and human remains that found their way to the surface. A Letter to Nana is not only about a cemetery cleanup, slicing through rolls of bureaucratic red tape, but it is a journey of Wawrychuk's reliance on God. In her quest to find Nana, she unintentionally uncovered skeletons in the closet and realized she had to free herself from her own barbed-wire fences. Through acceptance, redemption, courage and faith, Wawrychuk discovers the destination is the journey.
In June of 2016, Carol's, safe predictable life was uprooted. The red Toyota BOXRRAV loaded with a couple of suitcases, a few plants, some bonsai tools, and her white boxer Spud, headed east toward the Land of Enchantment. In 2006, she began documenting the journey of finding her Nana and the subsequent cleanup of the cemetery at the State Mental Hospital in Las Vegas, New Mexico. Maybe, this crazy God-adventure was initiated then. If it was, she certainly didn't feel it. In fact, it only served to remind her of the sadness that she had kept hidden in the recesses of her mind. She loved the vast expanses of open landscape, the blue skies with white clouds unlike anywhere else she had ever been. Cactus, pinion trees, rugged mountain ranges, and glorious sunrises and sunsets had been blotted out by memories of family struggles and loss. But as Nana slowly made her way back home, so did Carol. She was being called not out of the desert but back to the desert. In probably the most unlikely twist since deliberately choosing God as her partner, he was making straight the path to return home, shepherding her soul back to New Mexico. This is a tale of second chances-of following one's heart. It is a story of paradox and contradiction, of mountain peaks and valley floors, of sadness and rejoicing. But most of all, it is the story of a soul set free.
In June of 2016, Carol's, safe predictable life was uprooted. The red Toyota BOXRRAV loaded with a couple of suitcases, a few plants, some bonsai tools, and her white boxer Spud, headed east toward the Land of Enchantment. In 2006, she began documenting the journey of finding her Nana and the subsequent cleanup of the cemetery at the State Mental Hospital in Las Vegas, New Mexico. Maybe, this crazy God-adventure was initiated then. If it was, she certainly didn't feel it. In fact, it only served to remind her of the sadness that she had kept hidden in the recesses of her mind. She loved the vast expanses of open landscape, the blue skies with white clouds unlike anywhere else she had ever been. Cactus, pinion trees, rugged mountain ranges, and glorious sunrises and sunsets had been blotted out by memories of family struggles and loss. But as Nana slowly made her way back home, so did Carol. She was being called not out of the desert but back to the desert. In probably the most unlikely twist since deliberately choosing God as her partner, he was making straight the path to return home, shepherding her soul back to New Mexico. This is a tale of second chances-of following one's heart. It is a story of paradox and contradiction, of mountain peaks and valley floors, of sadness and rejoicing. But most of all, it is the story of a soul set free.
In 2004, thirty-five years after she died while a patient in a mental hospital in Las Vegas, New Mexico, Nana came to her granddaughter, Carol Wawrychuk, in a vision. "Take me home, Carol. Take me home." Little did Wawrychuk know those few words would take her on an odyssey that lasted two years and literally uncovered thousands of lost souls in a forgotten and eroding cemetery. Expecting to find a manicured cemetery with flowers and century old headstones, she instead found cement slabs with dates and names crudely etched by hand, mangled metal markers stamped with patient numbers and human remains that found their way to the surface. A Letter to Nana is not only about a cemetery cleanup, slicing through rolls of bureaucratic red tape, but it is a journey of Wawrychuk's reliance on God. In her quest to find Nana, she unintentionally uncovered skeletons in the closet and realized she had to free herself from her own barbed-wire fences. Through acceptance, redemption, courage and faith, Wawrychuk discovers the destination is the journey.
Sea Life is a thematic unit in which children explore the ocean environment by using a multitude of three-dimensional activities. A large appliance box becomes a whale; a sailboat emerges from a box, wrapping paper tubes and an old sheet. Children "fish" from the sailboat using a fishing activity they have created. Others pretend they are swimming with a self-made Scuba tank, mask and fins. Children learn about sea life as they help design a marine environment mural. Using paper plates, oatmeal and a variety of other easily accessible items, children create a beautiful ocean scene featuring crabs, starfish, eels, sharks, fish, sand and more. With Sea Life, you can bring the ocean to your children's back door, no matter where they live! Book includes easy-to-make props, games, crafts and more. Grades Pre K-K. Ages 5-7.
Children build a sailboat, create a blue whale, make a floppy octopus, go fishing for colorful paper fish with hand-made fishing poles, and much more."--Page 4 of cover.
The Farm is a thematic unit that allows children to explore a country setting and farm environment. If it's not possible to take the children to a real farm for a field trip, this unit can bring an imaginative farm to them! Large boxes become a barn, tractor and fruit and vegetable stand. Imaginative play comes alive as the children dress up in costumes they have made. Some children play at being pigs, ducks, or horses living in the barn. Others wear their farmer's hats and vests and "plow" the fields in the tractor. Still more "sell" produce at the fruit and vegetable stand. And all children love the experience of "milking" the sawhorse cow! The process of seed growth is realised as children plant and care for their own seeds in bottles. This activity is reinforced through a group mural and individual projects. This book includes easy-to-make props, games, crafts and more. Grades Pre K-K. Ages 5-7.
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