For the first time all of Carol Shields' remarkable short stories -- some previously unpublished -- are gathered together in one volume. volumes: Various Miracles, The Orange Fish and Dressing Up for the Carnival. Some of the stories in these individual collections have never before been published in the UK, and we add to these wonderful shorter fictions a chapter from Carol Shields' last, unfinished, novel Segue. that won so many readers to her prize-winning novels such as The Stone Diaries and Unless.
“Unless you’re lucky, unless you’re healthy, fertile, unless you’re loved and fed, unless you’re offered what others are offered, you go down in the darkness, down to despair.” Reta Winters has many reasons to be happy: Her three almost grown daughters. Her twenty-year relationship with their father. Her work translating the larger-than-life French intellectual and feminist Danielle Westerman. Her modest success with a novel of her own, and the clamour of her American publisher for a sequel. Then in the spring of her forty-fourth year, all the quiet satisfactions of her well-lived life disappear in a moment: her eldest daughter Norah suddenly runs from the family and ends up mute and begging on a Toronto street corner, with a hand-lettered sign reading GOODNESS around her neck. GOODNESS. With the inconceivable loss of her daughter like a lump in her throat, Reta tackles the mystery of this message. What in this world has broken Norah, and what could bring her back to the provisional safety of home? Reta’s wit is the weapon she most often brandishes as she kicks against the pricks that have brought her daughter down: Carol Shields brings us Reta’s voice in all its poignancy, outrage and droll humour. Piercing and sad, astute and evocative, full of tenderness and laughter, Unless will stand with The Stone Diaries in the canon of Carol Shields’s fiction.
Winner of the Governor General’s Literary Award and the Pulitzer Prize, and Shortlisted for the Booker Prize Born in 1905, Daisy Goodwill Flett drifts through the chapters of childhood, marriage, widowhood, remarriage, motherhood, and old age, bewildered by her inability to understand her own role in the unsettled decades of the twentieth century. At last, reflecting on her unobserved and unconventional life, Daisy attempts to find a way to tell her story within a novel that is itself about the limitations of autobiography. In The Stone Diaries, one of the most successful and acclaimed novels of our time, Carol Shields weaves the strands of Daisy’s life together in a rich, sensuous, and poignant work that delivers lasting insights into the nature of life—and fiction.
With the profound maturity and exquisite eye for detail that never failed to capture readers of her prize-winning novels, Carol Shields dazzles with these remarkable stories. Generous, delightful, and acutely observed, this essential collection illuminates the miracles that grace our lives; it will continue to enchant for years to come.
With a viewpoint that shifts as crisply as cards in the hands of a blackjack dealer, Carol Shields introduces us to two shell-shocked veterans of the wars of the heart. There's Fay, a folklorist whose passion for mermaids has kept her from focusing on any one man. And right across the street there's Tom, a popular radio talk-show host who has focused a little too intently, having married and divorced three times. Can Fay believe in lasting love with such a man? Will romantic love conquer all rational expectations? Only Carol Shields could describe so adroitly this couple who fall in love as thoroughly and satisfyingly as any Victorian couple and the modern complications that beset them in this touching and ironic book.
Until events run wildly out of hand, Charleen Forrest manages to cope with the uncertainties of a failed marriage, trying to live her own life and raise a son on her frugal income. She is not unaware of the hazards: "family, banktellers, ex-husband, landladies, bus drivers... men on the make who want her to lie back and accept (this is what you need, baby), friends who feel sorry for her." Her resourcefulness is a delight; her uncanny observations and surprising irony reveal a witty, wry edge that is apt to make you laugh out loud.
The superb first novel from the author of The Stone Diaries, winner of the Governor General's Award, a National Book Critics Circle Award and the Pulitzer Prize. Judith Gill is a well-respected biographer who desperately wants to write fiction. When she joins her academic husband on sabbatical in Birmingham, she finds on the shelves of their rented flat the notes of a failed novelist. With considerable guilt, Judith decides to plagiarize one of the ideas and brings it home to Canada to work on. Frustrated by the creative process but determined to be more imaginative, Judith attends writing classes and later discovers that her tutor, suffering from writer's block, has ripped off 'her' idea. Once again, Shields focuses her sharp gaze on the small ceremonies of life in this novel of rare intelligence and wit.
Carol Shields's award-winning and critically acclaimed "literary mystery," first published in 1987. Swann is the story of four individuals who become entwined in the life of Mary Swann, a rural Canadian poet whose authentic and unique voice is discovered only hours before her husband hacks her to pieces.Who is Mary Swann? And how could she have produced these works of genius in almost complete isolation? Mysteriously, all traces of Swann's existence — her notebook, the first draft of her work, even her photograph — gradually vanish as the characters in this engrossing novel become caught up in their own concepts of who Mary Swann was.
Carol Shields, best known for her fiction writing, received both the Pulitzer Prize and the Governor General’s Award for Fiction for her novel The Stone Diaries. But she also wrote hundreds of poems over the span of her career. The Collected Poetry of Carol Shields includes three previously published collections and over eighty unpublished poems, ranging from the early 1970s to Shields’s death in 2003. In a detailed introduction and commentary, Nora Foster Stovel contextualizes these poems against the background of Shields’s life and oeuvre and the traditions of twentieth-century poetry. She demonstrates how poetry influenced and informed Shields’s novels; many of the poems, which constitute miniature narratives, illuminate Shields’s fiction and serve as the testing ground for metaphors she later employed in her prose works. Stovel delineates Shields’s career-long interest in character and setting, gender and class, self and other, actuality and numinousness, as well as revealing her subversive feminism, which became explicit in Reta Winter’s angry (unsent) letters in Unless and in the stories of poet Mary Swann and Daisy Goodwill in Swann and The Stone Diaries. The first complete collection of her poetry, this volume is essential for all readers of Carol Shields. Stovel’s detailed annotations, based on research in the Carol Shields fonds at Library and Archives Canada, reveal the poems in all their depth and resonance, and the dignity and consequence they afford to ordinary people.
With the same sensitivity and artfulness that are the trademarks of her award-winning novels, Carol Shields explores the life of a writer whose own novels have engaged and delighted readers for the past two hundred years. In Jane Austen, Shields follows this superb and beloved novelist from her early family life in Steventown to her later years in Bath, her broken engagement, and her intense relationship with her sister Cassandra. She reveals both the very private woman and the acclaimed author behind the enduring classics Sense and Sensibility, Pride and Prejudice, and Emma. With its fascinating insights into the writing process from an award–winning novelist, Carol Shields’s magnificent biography of Jane Austen is also a compelling meditation on how great fiction is created.
Orange Prize and Pulitzer Prize-winning Carol Shields’ tender, funny and wonderfully insightful portrait of two sisters struggling to rediscover themselves amidst the perplexing swirl of family life.
Carol Shields, the Pulitzer Prize-winner author of the novels Unless, The Stone Diaries and Larry’s Party was also a renowned short story writer. Now readers can enjoy all three of Carol Shields’s short story collections – Various Miracles, The Orange Fish and Dressing Up for the Carnival – in one volume, along with the previously unpublished story, “Segue,” her last. With an eye for the smallest of telling details – a woman applying her lipstick so “the shape of pale raspberry fits perfectly the face she knows by heart” – and a willingness to explore the most fundamental relationships and the wildest of coincidences, Shields illuminates the absurdities and miracles that grace all our lives. From a couple who experiences a world without weather, to the gentle humor of an elderly widow mowing her lawn while looking back on a life of passion, to a young woman abandoned by love and clinging to a “slender handrail of hope,” Shields’s enormous sympathy for her characters permeates her fiction. Playful, charming, acutely observed and generous of spirit, this collection of stories will delight and enchant Carol Shields fans everywhere. Excerpt from The Collected Stories of Carol Shields Let me say it: I am an aging woman of despairing good cheer — just look into the imaginary camera lens and watch me as I make the Sunday morning transaction over the bread, then the flowers, my straw tote from our recent holiday in Jamaica, my smile, my upturned sixty-seven-year-old voice, a voice so crying-out and clad with familiarity that, in fact, I can’t hear it anymore myself, thank God; my ears are blocked. Lately everything to do with my essence has become transparent, neutral: Good morning, Jane Sexton smiles to one and all (such a friendly, down-to-earth woman). “What a perfect fall day.” “What glorious blooms!” “Why Mr. Henning, this bread is still warm! Can this be true?”
The Stone Diaries marked a new phase in a literary career already ablaze with achievement. As well as the many international awards it received, including the Pulitzer Prize, the National Book Critics Circle Award and the Governor General's Award, the book also met with universal critical acclaim and topped bestseller lists around the world. "Carol Shields," raved Maclean's, "has crafted a small miracle of a novel." "The Stone Diaries," said the New York Times Book Review, "reminds us again why literature matters." The San Diego Tribune called The Stone Diaries "a universal study of what makes women tick." Now, in Larry's Party, Carol Shields does the same for men. Larry Weller, born in 1950, is an ordinary guy made extraordinary by his creator's perception, irony and tenderness. Larry's Party gives us, as it were, a CAT scan of his life, in episodes between 1977 and 1997 that flash backward and forward seamlessly. As Larry journeys toward the new millennium, adapting to society's changing expectations of men, Shields' elegant prose transforms the trivial into the momentous. We follow this young floral designer through two marriages and divorces, his interactions with parents, friends and a son. And throughout, we witness his deepening passion for garden mazes -- so like life, with their teasing treachery and promise of reward. Among all the paradoxes and accidents of his existence, Larry moves through the spontaneity of the seventies, the blind enchantment of the eighties and the lean, mean nineties, completing at last his quiet, stubborn search for self. Larry's odyssey mirrors the male condition at the end of our century with targeted wit, unerring poignancy and faultless wisdom.
In this charming book, the prizewinning novelist Carol Shields, whose novels have themselves been compared to the works of Jane Austen, gives us a beautifully written, perceptive look at the life of one of the finest and most popular English novelists of all time. Jane Austen was born in 1775 in the remote Hampshire village of Steventon. Her parents, George Austen, Rector of Steventon, and his wife, Cassandra Leigh Austen, belonged to what was then called the lesser gentry. They were never financially secure but their education and family connections meant they were not at a disadvantage when set beside their wealthier neighbours. Jane Austen spent the first 25 years of her life in Steventon and the last eight in nearby Chawton, and did most of her writing in these two places. She never married although many of her novels are about marriage, and always lived with her parents and sister Cassandra. Whilst not unaware of the larger political and social goings-on at the time, she chose a small canvas for her novels, preferring to focus on the family as a microcosm through which to explore human nature. Sir Walter Scott praised the delicate observation and fine judgement in her novels, which she herself characterised as 'the little bit (two inches wide) of ivory on which I work with so fine a brush, as produces little effect after much labour'. She died in 1817 at the age of 42, having just begun to find fame as a novelist. Jane Austen's life remains fairly opaque: she kept no diary that we know of, there is no voice recording such as we possess for Virginia Woolf and no photograph as there is of George Eliot. 160 Austen letters survive but none written earlier than her 20th year. In spite of this Carol Shields has written a wonderfully observant biography of this remarkable writer whose characters are as alive today in their longings as they were two hundred years ago, when Austen first gave them breath.
First published in Carol Shields’s acclaimed collection Dressing Up for the Carnival. A couple’s life is thrown into utter chaos when The National Association of Metereorologists go on strike – what will they wear? What will they eat?
In a record breaking "hat trick," Carol Shields was awarded the Pulitzer Prize for her novel,The Stone Diaries, the Canadian Governor General's Literary Award for fiction, and was shortlisted for Britain's prestigious Booker Prize. Carleton University Press is pleased to release a newly designed edition of her poetry book, Coming to Canada, first published by CUP in 1992. This collection of nearly 60 poems includes the key "Coming to Canada" sequence, and is supplemented with selections from two previous volumes, Others (1972) and Intersect (1974). Among the finest writers in the world, Carol Shields has won a large and loyal audience as a witty, compassionate and insightful novelist, short story writer, playwright and poet. She is the author of 15 books. Arriving in Canada from the United States in 1957, Shields is a long-time resident of Winnipeg, Manitoba, where she is Chancellor of the University of Winnipeg.
With a Foreword by the Author “Before becoming a playwright I was a novelist, and one who was often impatient with the requisite description of weather or scenery or even with the business of moving people from room to room. I was more interested in the sound of people talking to each other, reacting to each other, or leaving silences for others to fall into.” -- Carol Shields From one of Canada’s most beloved authors comes a collection of four works written for the stage, including her most popular and highly acclaimed play Thirteen Hands. The theatrical form allows Carol Shields’ strength as a master of dialogue to shine at its brightest, as she returns to themes she explores in her prose: love, family, friendship, and the hidden meanings and larger truths found beneath the surface of the minutiae of daily life. Thirteen Hands and Other Plays is an exhilarating introduction to Shields’ considerable achievements as a playwright. Departures and Arrivals (1990) dramatizes how lives are heightened and enlarged when taken within the frame of public spaces -- airports, train stations, public streets -- so that we all become, in a sense, actors. Thirteen Hands (1993), a musical, valorizes a consistently overlooked group in our society, “the blue-rinse set” -- also known as “the white glove brigade” or “the bridge club biddies” -- and has had the strongest professional run of all Shields’ plays. Fashion, Power, Guilt and the Charity of Families (1995), written with her daughter, Catherine Shields, interrogates the ambivalence felt towards families, the drive we all share to find or create some kind of family, and the equally strong desire to escape the family’s fury. Anniversary (1998), written with Dave Williamson, is a domestic drama of discontented, middle class suburbanites. One couple in the play are married and pretending to be close to separation. Another couple, who are separated, are pretending to be married. The additional irony is that the separated couple are still emotionally together, while the married couple have already emotionally separated.
As one of the bestselling stories of all time, Lew Wallace’s Ben-Hur: A Tale of the Christ has captivated and enthralled millions around the world—both in print and on the big screen. Now Lew’s great-great-granddaughter has taken the old-fashioned prose of this classic novel and breathed new life into it for today’s audience. Coming to theaters in August 2016 as Ben-Hur, a major motion picture from MGM and Paramount studios, the story follows Judah Ben-Hur, a Jewish nobleman whose childhood friend Messala betrays him. Accused of trying to murder the new Roman governor in Jerusalem, Judah is sentenced to the galley ships and vows to seek revenge against the Romans and Messala. But a chance encounter with a carpenter from Nazareth sets Judah on a different path. Rediscover the intrigue, romance, and tragedy in this thrilling adventure. Also included: the inspiring story-behind-the-story of Lew Wallace—Indiana lawyer, author, and Civil War general.
The Middle East can be bewildering, which is why we need to connect the dots that pull together the political, economic, diplomatic, military, cultural, and religious pieces of the puzzle. Professor Steven Carol slashes through the confusion with a topical approach, focusing on key issues such as the geographic features of the Middle East, demographics of the region, the influence of Islam, political processes, shifting alliances, war in the region, and the need for security. He also takes a careful look at perpetual negotiations, attempts to secure peace, and the role that the media play in how we view the region. His goal: to clarify the confusing nature of Middle East affairs and to combat the mistaken beliefs, misrepresentations, and outright fabrications about the region. In a bid to reclaim the truth, he shares basic principles, relying on factual supporting evidence to prove their validity. Seventy-eight maps and numerous tables make understanding complex topics easier. Whether you’re a student, educator, bureaucrat or politician, you’ll find insights based on facts in Understanding the Volatile and Dangerous Middle East.
But God... was written to lead or draw the reader to a desire to read more in the Word of God. God chose these particular scripture verses in order to draw more interest of Himself to the reader. A lot of these scripture verses and stories were chosen because some people may not have read or heard about them before. Also, many people do not get in their Bibles or do any daily reading in the Word, and this is a way to get the reader to desire more and to want to know more of God. These simple devotions can be used to draw the reader to the Word of God like an appetizer to the main course.
The remodeling of the theater at ancient Corinth in the 2nd century A.D. included lavish decorations, the chief of which were three dramatic friezes. In publishing them this book presents the most ambitious sculptural program known among theaters on the Greek mainland, and indeed one of the more elaborate decorative schemes among published theaters of the Roman empire. The friezes (the Gigantomachy, the Amazonomachy, and the Labors of Herakles) are presented each in turn with a discussion of its position in Greek art and a stylistic analysis, followed by a catalogue of the pieces arranged as far as possible in the proposed sequence of relief slabs. There follows a discussion of known theater friezes throughout the classical world and of the Corinth scaenae frons as restored by the author."--Publisher's website.
The First Crusade was arguably one of the most significant events of the Middle Ages. It was the only event to generate its own epic cycle, the Old French Crusade Cycle. The central trilogy at the heart of the Cycle describes the Crusade from its beginnings to the climactic battle of Ascalon, comprising the Chanson d’Antioche, the Chanson des Chétifs and the Chanson de Jérusalem. This translation of the Chétifs and the Jérusalem accompanies and completes the translation of the Antioche and makes the trilogy available to English readers in its entirety for the first time. The value of the trilogy lies above all in the insight it gives us to medieval perceptions of the Crusade. The events are portrayed as part of a divine plan where even outcasts and captives can achieve salvation through Crusade. This in turn underlies the value of the Cycle as a recruiting and propaganda tool. The trilogy gives a window onto the chivalric preoccupations of thirteenth-century France, exploring concerns about status, heroism and defeat. It portrays the material realities of the era in vivid detail: the minutiae of combat, smoke-filled halls, feasts, prisons and more. And the two newly translated poems are highly entertaining as well, featuring a lubricious Saracen lady not in the first flush of youth, a dragon inhabited by a devil, marauding monkeys, miracles and much more. The historian will find little new about the Crusade itself, but abundant material on how it was perceived, portrayed and performed. The translation is accompanied by an introduction examining the origins of the two poems and their wider place in the cycle. It is supported by extensive footnotes, a comprehensive index of names and places and translations of the main variants.
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