Land conversion, climate change and species invasions are contributing to the widespread emergence of novel ecosystems, which demand a shift in how we think about traditional approaches to conservation, restoration and environmental management. They are novel because they exist without historical precedents and are self-sustaining. Traditional approaches emphasizing native species and historical continuity are challenged by novel ecosystems that deliver critical ecosystems services or are simply immune to practical restorative efforts. Some fear that, by raising the issue of novel ecosystems, we are simply paving the way for a more laissez-faire attitude to conservation and restoration. Regardless of the range of views and perceptions about novel ecosystems, their existence is becoming ever more obvious and prevalent in today’s rapidly changing world. In this first comprehensive volume to look at the ecological, social, cultural, ethical and policy dimensions of novel ecosystems, the authors argue these altered systems are overdue for careful analysis and that we need to figure out how to intervene in them responsibly. This book brings together researchers from a range of disciplines together with practitioners and policy makers to explore the questions surrounding novel ecosystems. It includes chapters on key concepts and methodologies for deciding when and how to intervene in systems, as well as a rich collection of case studies and perspective pieces. It will be a valuable resource for researchers, managers and policy makers interested in the question of how humanity manages and restores ecosystems in a rapidly changing world. A companion website with additional resources is available at www.wiley.com/go/hobbs/ecosystems
Glamour, unlike beauty, is a neglected quality, yet it is equally fascinating. As Carol Gould shows, if we explore it philosophically it opens up new ways of thinking about style, expressions of self and the extent that being glamorous informs our ethical judgments. Differentiating between true and false glamour, Gould defines false glamour as that quality produced with conscious intention, deliberate construction of a look to conform with a pre-conceived idea of how they desire to appear, as argued by Socrates and Aristotle who have wrestled with the idea of what it is to act intentionally. True glamour, on the other hand, comes in part from the unconscious, from the non-conscious self, it emanates from an internal way of being. Extending beyond the aesthetic properties of person, she takes in our ascription of glamour to nonhuman entities, such as a fragrance, cities and dress and examines how it is understood outside the West and used in social media. Peeling back the many layers comprising true glamour, Gould allows us to glean insight into the aesthetics of human experience, exposing the range of the human aesthetic and revealing it to be much more expansive than we ever thought.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.