Biblical Answers to Spiritual Warfare Questions Have you ever wondered... Can Christians be demon-possessed? Are natural disasters the judgment of God? Why does it seem that my prayers are not being answered? Why do I have so much trouble with the Devil? What is the difference between God's voice and the Devil's voice? How do I overcome the spirit of jealousy, divination, bondage, and infirmity? Within the pages of this book are simple, no-nonsense, biblical answers that will help you to understand what it is to be one of God's warriors in these last days.
How to Wage Spiritual Warfare in the Last Days An important spiritual law was revealed by Jesus in Luke 11:21–22 and Matthew 12:29, “How can one enter into a strongman’s house, and spoil his goods, except he first bind the strongman? And then he will spoil his house.” Now, instead of “binding” symptoms, we can attack the sixteen strongmen or demonic spirits mentioned by name in the Bible! If God names them, they are real, and He has given us dominion over them through the Name of Jesus! In easy to understand language this book… Teaches how to zero in on and quickly identify the strongman in every situation Illustrates each strongman by a tree showing the fruits or symptoms for quick identification Instructs how to bind the enemy and loose the power of God according to Matthew 18:18 Provides instant recognition when and where Satan is attacking our lives and the lives of those around us Shows that God wants us to be free from Satan’s hassles so that we can reach this world for Christ. Strongman's His Name...What's His Game offers a scriptural, balanced, and uplifting approach to present-day spiritual warfare.
Bourgeois Radicals explores the NAACP's key role in the liberation of Africans and Asians across the globe even as it fought Jim Crow on the home front during the long civil rights movement. In the eyes of the NAACP's leaders, the way to create a stable international system, stave off communism in Africa and Asia, and prevent capitalist exploitation was to embed human rights, with its economic and cultural protections, in the transformation of colonies into nations. Indeed, the NAACP aided in the liberation struggles of multiple African and Asian countries within the limited ideological space of the Second Red Scare. However, its vision of a "third way" to democracy and nationhood for the hundreds of millions in Asia and Africa was only partially realized due to a toxic combination of the Cold War, Jim Crow, and die-hard imperialism. Bourgeois Radicals examines the toll that internationalism took on the organization and illuminates the linkages between the struggle for human rights and the fight for colonial independence.
This book was first published in 2003. As World War II drew to a close and the world awakened to the horror wrought by white supremacists in Nazi Germany, African American leaders, led by the NAACP (National Association for the Advancement of Colored People), sensed the opportunity to launch an offensive against the conditions of segregation and inequality in America. The 'prize' they sought was not civil rights, but human rights. Only the human rights lexicon, shaped by the Holocaust and articulated by the United Nations, contained the language and the moral power to address not only the political and legal inequality but also the education, health care, housing, and employment needs that haunted the black community. But the onset of the Cold War and rising anti-communism allowed powerful Southerners to cast those rights as Soviet-inspired. Thus the Civil Rights Movement was launched with neither the language nor the mission it needed to truly achieve black equality.
Biblical Answers to Spiritual Warfare Questions Have you ever wondered... Can Christians be demon-possessed? Are natural disasters the judgment of God? Why does it seem that my prayers are not being answered? Why do I have so much trouble with the Devil? What is the difference between God's voice and the Devil's voice? How do I overcome the spirit of jealousy, divination, bondage, and infirmity? Within the pages of this book are simple, no-nonsense, biblical answers that will help you to understand what it is to be one of God's warriors in these last days.
How forty-one women—including Dorothy Parker, Gypsy Rose Lee, and Lena Horne—were forced out of American television and radio in the 1950s “Red Scare.” At the dawn of the Cold War era, forty-one women working in American radio and television were placed on a media blacklist and forced from their industry. The ostensible reason: so-called Communist influence. But in truth these women—among them Dorothy Parker, Lena Horne, and Gypsy Rose Lee—were, by nature of their diversity and ambition, a threat to the traditional portrayal of the American family on the airwaves. This book from Goldsmiths Press describes what American radio and television lost when these women were blacklisted, documenting their aspirations and achievements. Through original archival research and access to FBI blacklist documents, The Broadcast 41 details the blacklisted women's attempts in the 1930s and 1940s to depict America as diverse, complicated, and inclusive. The book tells a story about what happens when non-male, non-white perspectives are excluded from media industries, and it imagines what the new medium of television might have looked like had dissenting viewpoints not been eliminated at such a formative moment. The all-white, male-dominated Leave it to Beaver America about which conservative politicians wax nostalgic existed largely because of the forcible silencing of these forty-one women and others like them. For anyone concerned with the ways in which our cultural narrative is constructed, this book offers an urgent reminder of the myths we perpetuate when a select few dominate the airwaves.
Winner of the 2015 Music in American Culture Award from the American Musicological Society When Leonard Bernstein first arrived in New York City, he was an unknown artist working with other brilliant twentysomethings, notably Jerome Robbins, Betty Comden, and Adolph Green. By the end of the 1940s, these artists were world famous. Their collaborations defied artistic boundaries and subtly pushed a progressive political agenda, altering the landscape of musical theater, ballet, and nightclub comedy. In Bernstein Meets Broadway: Collaborative Art in a Time of War, award-winning author and scholar Carol J. Oja examines the early days of Bernstein's career during World War II, centering around the debut in 1944 of the Broadway musical On the Town and the ballet Fancy Free. As a composer and conductor, Bernstein experienced a meteoric rise to fame, thanks in no small part to his visionary colleagues. Together, they focused on urban contemporary life and popular culture, featuring as heroes the itinerant sailors who bore the brunt of military service. They were provocative both artistically and politically. In a time of race riots and Japanese internment camps, Bernstein and his collaborators featured African American performers and a Japanese American ballerina, staging a model of racial integration. Rather than accepting traditional distinctions between high and low art, Bernstein's music was wide-open, inspired by everything from opera and jazz to cartoons. Oja shapes a wide-ranging cultural history that captures a tumultuous moment in time. Bernstein Meets Broadway is an indispensable work for fans of Broadway musicals, dance, and American performance history.
In the idyllic town of Lake Esther, Florida, little is allowed to ripple the surface calm—which is just the way Sheriff Kyle Deluth likes it. But when Deluth "removes" two young children from the local school because of the color of their skin, the sheriff's senseless act of cruelty sparks a fire under the women of Lake Esther that will scorch the lives of all involved. In their pursuit of justice, an indomitable heiress, a revered journalist, and a fading Southern Belle will forge an unlikely alliance across the racial divide. One that will change the face of the town—and their lives—forever. Deeply moving and peopled with a rich cast of characters, Susan Carol McCarthy mines the hotbed of racism with insight and compassion. Bittersweet, inspirational and wholly compelling, True Fires confirms McCarthy’s reputation as a dazzling new voice in probing real-life events to interpret the injustices of our past.
In the late 1800s, Charles Nordhoff forged the shape of modern journalism and profoundly influenced both politicians andpolitics. Principled, activist, investigative, and a champion of the disenfranchised and poor, he was more interested incharacter and results than in personality and credit. And like the blacksmith wielding his hammer, he left us the tangibleproducts of his labors, but few details of himself. With superb research, illuminating insights, and eloquent prose, Carol Frost brings Nordhoff vividly to life: both the man andhis extraordinary impacts on politics, journalism, government, and public discourseimpacts that are still defining publiclife today. Journalists, historians, and activists will find context and inspiration in this captivating and previously untold story, a storythat in many important ways feels like it was written about the events and debates of our own time rather than those ofmore than 100 years ago.
Contending that cultural producion gives voice to racism, the authors--anthropologists Carol Tator and Frances Henry and attorney Winston Mattis--here examine how six controversial Canadian cultural events have given rise to a newly empowered radical or critical multiculturalism.
This book features African American women playwrights from 1875 to 2000, with an emphasis on the late nineteenth century, a period rarely treated in regard to women's drama. Highlighting the lesser-known Pauline Hopkins, Angelina Weld Grimké, Georgia Douglas Johnson, Eulalie Spence, and May Miller, and the well-known Zora Neale Hurston, Alice Childress, Adrienne Kennedy, and Ntozake Shange, Peculiar Passages argues that these playwrights' efforts define a tradition characterized by quick-change mobility, sensitivity to vernacular forms, and dedication to intertextual dialogue. Situating the plays within a broader context, the book also connects them to minstrelsy, the Passion Play, and the Black Arts Movement.
New York City witnessed a dazzling burst of creativity in the 1920s. In this pathbreaking study, Carol J. Oja explores this artistic renaissance from the perspective of composers of classical and modern music, who along with writers, painters, and jazz musicians, were at the heart of early modernism in America. She also illustrates how the aesthetic attitudes and institutional structures from the 1920s left a deep imprint on the arts over the 20th century. Aaron Copland, George Gershwin, Ruth Crawford Seeger, Virgil Thomson, William Grant Still, Edgar Varèse, Henry Cowell, Leo Ornstein, Marion Bauer, George Antheil-these were the leaders of a talented new generation of American composers whose efforts made New York City the center of new music in the country. They founded composer societies--such as the International Composers' Guild, the League of Composers, the Pan American Association, and the Copland-Sessions Concerts--to promote the performance of their music, and they nimbly negotiated cultural boundaries, aiming for recognition in Western Europe as much as at home. They showed exceptional skill at marketing their work. Drawing on extensive archival material--including interviews, correspondence, popular periodicals, and little-known music manuscripts--Oja provides a new perspective on the period and a compelling collective portrait of the figures, puncturing many longstanding myths. American composers active in New York during the 1920s are explored in relation to the "Machine Age" and American Dada; the impact of spirituality on American dissonance; the crucial, behind-the-scenes role of women as patrons and promoters of modernist music; cross-currents between jazz and concert music; the critical reception of modernist music (especially in the writings of Carl Van Vechten and Paul Rosenfeld); and the international impulse behind neoclassicism. The book also examines the persistent biases of the time, particularly anti-Semitisim, gender stereotyping, and longstanding racial attitudes.
Joyce Carol Oates has written what may be the world’s finest postmodern Gothic novel: E.L. Doctorow’s Ragtime set in Dracula’s castle. It’s dense, challenging, problematic, horrifying, funny, prolix and full of crazy people. You should read it.” —Stephen King, New York Times Book Review Princeton, New Jersey at the turn of the 20th century: a tranquil place to raise a family, a genteel town for genteel souls. But something dark and dangerous lurks at the edges of the town, corrupting and infecting its residents. Vampires and ghosts haunt the dreams of the innocent. A powerful curse besets the elite families of Princeton—their daughters begin disappearing. A young bride on the verge of the altar is seduced and abducted by a dangerously compelling man—a shape-shifting, vaguely European prince who might just be the devil, and who spreads his curse upon a richly deserving community of white Anglo-Saxon privilege. And in the Pine Barrens that border the town, a lush and terrifying underworld opens up. When the bride’s brother sets out against all odds to find her, his path will cross those of Princeton’s most formidable people, from Grover Cleveland, fresh out of his second term in the White House and retired to town for a quieter life, to soon-to-be commander in chief Woodrow Wilson, president of the University, and a complex individual obsessed to the point of madness with his need to retain power; from the young Socialist idealist Upton Sinclair, to his charismatic comrade Jack London, and the most famous writer of the era, Samuel Clemens/ Mark Twain—all plagued by “accursed” visions. Narrated with Oates's unmistakable psychological insight, The Accursed combines beautifully transporting historical detail with chilling supernatural elements to stunning effect.
Claiming more than 600,000 lives, the American Civil War had a devastating impact on countless numbers of common soldiers and civilians, even as it brought freedom to millions. This book shows how average Americans coped with despair as well as hope during this vast upheaval. A People at War brings to life the full humanity of the war's participants, from women behind their plows to their husbands in army camps; from refugees from slavery to their former masters; from Mayflower descendants to freshly recruited Irish sailors. We discover how people confronted their own feelings about the war itself, and how they coped with emotional challenges (uncertainty, exhaustion, fear, guilt, betrayal, grief) as well as physical ones (displacement, poverty, illness, disfigurement). The book explores the violence beyond the battlefield, illuminating the sharp-edged conflicts of neighbor against neighbor, whether in guerilla warfare or urban riots. The authors travel as far west as China and as far east as Europe, taking us inside soldiers' tents, prisoner-of-war camps, plantations, tenements, churches, Indian reservations, and even the cargo holds of ships. They stress the war years, but also cast an eye at the tumultuous decades that preceded and followed the battlefield confrontations. An engrossing account of ordinary people caught up in life-shattering circumstances, A People at War captures how the Civil War rocked the lives of rich and poor, black and white, parents and children--and how all these Americans pushed generals and presidents to make the conflict a people's war.
Colin McPhee was a performer, writer, and pioneer among Western composers in turning to Asia for inspiration. A close friend of Aaron Copland, Carlos Chavez, Henry Cowell, and Virgil Thomson, he played a vital role in new music activities in New York in the 1920s, but his most important accomplishments came from his devotion to the music of Bali. Carol Oja's Colin McPhee: Composer in Two Worlds traces his life, his influences on fellow musicians, and the profound experience of a composer striving to comprehend an entirely new musical language. After hearing rare recordings of the Balinese gamelan--a percussion orchestra with delicately layered textures and clangorous sounds--McPhee traveled to Bali and worked closely with such Western anthropologists as Margaret Mead and Gregory Bateson. The island may also have appealed to him because of its relatively open attitude toward homosexuality. Gay by inclination, he nevertheless married anthropologist Jane Belo and built a native-style house on the island where they lived for most of the 1930s. During this time, McPhee became a devoted and meticulous chronicler of Balinese musical culture, and his Music of Bali remains a classic in ethnomusicology. Beginning in the mid-1930s, his own compositions became an imaginative hybrid of Balinese and Western music, anticipating the later work of such figures as John Cage, Lou Harrison, and Steve Reich. Finally back in print, Carol Oja's account of McPhee's unconventional life and work evokes key issues in composition and ethnomusicology, sure to be of interest to scholars, musicians or anyone interested in 20th century American or Balinese music.
The so-called New Negroes of the period between World Wars I and II embodied a new sense of racial pride and upward mobility for the race. Many of them thought that relationships between spouses could be a crucial factor in realizing this dream. But there
Much has changed in the world of self-taught art since the millennium. Many of the recognized "masters" have died and new artists have emerged. Many galleries have closed but few new ones have opened, as artists and dealers increasingly sell through websites and social media. The growth and popularity of auction houses have altered the relationship between artists and collectors. In its third edition, this book provides updated information on artists, galleries, museums, auctions, organizations and publications for both experienced and aspiring collectors of self-taught, outsider and folk art. Gallery and museum entries are organized geographically and alphabetically by state and city.
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